Relevant bibliographies by topics / Anthropology of the cinema

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Anthropology of the cinema'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Anthropology of the cinema"

1

Spitz, Markus Oliver. "Cinema: A Visual Anthropology." Journal of Contemporary European Studies 19, no. 2 (2011): 308–9. http://dx.doi.org/10.1080/14782804.2011.580932.

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Heider, Karl. "Debate - National Cinema and Anthropology." Society for Visual Anthropology Newsletter 4, no. 1 (1988): 14–15. http://dx.doi.org/10.1525/var.1988.4.1.14.

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Gonçalves, Marco Antonio. "Sensorial thought: cinema, perspective and Anthropology." Vibrant: Virtual Brazilian Anthropology 9, no. 2 (2012): 160–83. http://dx.doi.org/10.1590/s1809-43412012000200006.

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The concept of 'sensorial thought' formulated by Eisenstein to explain the logic of film discourse prompted him to engage in a rich dialogue with the Anthropology of his time, in particular with Lévy-Bruhl's formulation of how 'primitive mentality' operates. Eisenstein attempted to draw a parallel between cinematic language and the way in which primitive thought is manifested, arguing that both based on the principle of non-contradiction, on the idea of a simultaneity between 'self' and 'other,' and on metonymization as a way of intensifying sensorial experience. This sensorial thought produce
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Wood, Mary P. "L'italiano e il cinema/The voice in Italian cinema." Italianist 31, no. 2 (2011): 329–31. http://dx.doi.org/10.1179/026143411x13051090965090.

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MacDougall, David, and Juan Manuel Espinosa. "Cinema transcultural." Antípoda. Revista de Antropología y Arqueología, no. 9 (July 2009): 47–88. http://dx.doi.org/10.7440/antipoda9.2009.02.

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Nowell-Smith, Geoffrey. "My Italian Cinema." Italianist 31, no. 2 (2011): 270–75. http://dx.doi.org/10.1179/026143411x13051090964776.

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Oganezov, Aleksandr E. "Interdisciplinarity and Collabo­rative Filmmaking in Anthropological Cinema." Observatory of Culture 15, no. 6 (2018): 682–92. http://dx.doi.org/10.25281/2072-3156-2018-15-6-682-692.

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Anthropological cinema is the most representative form of visual anthropological research, due to which it can be considered a kind of calling card of visual anthropology. It is confirmed by facts from the history of the scientific discipline and by constant, continuous interest in anthropological films both from researchers and from the audience. This is caused by variety of different factors, though the key ones are the “visual turn” in the 20th century culture, the development of cinema and television, mostly in the second half of the 20th century, and the media-oriented socio-cultural dire
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Prozhiko, G. S. "Ethnographic Cinema: the Image of the Other." Journal of Flm Arts and Film Studies 9, no. 3 (2017): 8–18. http://dx.doi.org/10.17816/vgik938-18.

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The article explores the domain of cinematographic art which akin to science tends to reveal the meaning and peculiarities of human existence by means of displaying its ethnographic variety. The movement in question has no special designation yet and is referred to as ethnographic cinema, ethnocinema or audiovisual anthropology. The evolution of the ideological motivations of this movement is considered through the lens of the West/East dichotomy as imprinting of the Others image. Special attention is given to the notion of cul tural anthropology and its implementation in the films made by suc
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Danilko, Elena. "A Review of Ilya Utekhin, Chto takoe vizualnaya antropologiya: putevoditel po klassike etnograficheskogo kino [What Is Visual Anthropology: А Guidebook on the Classics of Ethnographic Cinema]. St Petersburg: Poryadok slov, 2018, 352 pp." Antropologicheskij forum 16, № 45 (2020): 228–40. http://dx.doi.org/10.31250/1815-8870-2020-16-45-228-240.

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This is a review of anthropologist Ilya Utekhin’s What Is Visual Anthropology: A Guidebook on the Classic of Ethnographic Cinema. On the example of classical ethnographic films of the 20th century, the monograph considers the phenomenon of ethnographic cinema as an important part of visual anthropology. The book’s main intent is to show how outstanding projects that shaped visual anthropology as a discipline posed key questions for anthropology as a whole. These include nonverbal communication, the socialization and association of personality types with the dominant ethos of culture, the form
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Litvin, Eugenia. "School on the screen. Book review: Vadim Mikhailin and Galina Belyaeva. Hidden curriculum: Anthropology soviet school cinema of the beginning 1930s-mid-1960s. Moscow: NLO, 2020." Children's Readings: Studies in Children's Literature 18, no. 2 (2020): 485–90. http://dx.doi.org/10.31860/2304-5817-2020-2-18-485-490.

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In the review, the author characterizes the content of the book “Hidden Curriculum: anthropology of Soviet school cinema of the early 1930s—mid-1960s”. The ideas of the authors about the main contrast of the school cinema of the Thaw period and films of the Stalin era are evaluated. The place of this monograph in the series of modern studies of Soviet school cinema is discussed.
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Dissertations / Theses on the topic "Anthropology of the cinema"

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Gray, Gordon T. "Malaysian cinema and negotiations with modernity : film and anthropology." Thesis, Edinburgh Napier University, 2002. http://researchrepository.napier.ac.uk/Output/4485.

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This thesis examines Malaysian cinema in the context of the various processes and discourses of modernity. Analysing the processes of modernity which Malaysians are engaged with provides a crucial theme by which to demonstrate how various socio-political ideologies, institutions, and mechanisms may be promoted, rejected, or otherwise negotiated. This negotiation takes place in both Malaysian society and the cinematic representations of that society. Therefore, two discrete disciplines have been incorporated, those of anthropology and film studies. In the course of the thesis, discourses of mod
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Peirano, María Paz. "Contemporary Chilean cinema : film practices and narratives of national cinema within the Chilean 'film community'." Thesis, University of Kent, 2015. https://kar.kent.ac.uk/50776/.

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This thesis presents an anthropological perspective on the film production practices and narratives underlying the construction of contemporary Chilean national cinema. Based on a multi-sited ‘travelling’ ethnography, it reflects on small, peripheral film production in a transnational neoliberal context, where ‘local’ and ‘global’ trends converge, and focuses on the case of Chilean cinema, which has expanded its production, global circulation and exhibition. The research is grounded in the film experiences of the Chilean film community, a network of film professionals (filmmakers, critics, exh
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Haeffner, Nicholas. "English cinema and cultural identity under Thatcherism." Thesis, University of Sussex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.363364.

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Silva, Isabela Oliveira Pereira da. "Bárbaros tecnizados: cinema no teatro oficina." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8134/tde-03092007-140545/.

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O objetivo deste trabalho é a investigação de um dos aspectos menos conhecidos da trajetória do grupo Teatro Oficina: sua produção audiovisual. O cinema (compreendendo toda a produção audiovisual) é tomado como fio condutor para que entendamos o trabalho do \"Oficina\" na sua chamada fase subterrânea, período que compreende a suspensão das atividades do teatro na década de 1970 até a reconstrução do prédio e sua reabertura na década de 1990. Apesar da \"fase subterrânea\" ser considerada por parte da crítica como um período de esgotamento do grupo, é neste período que se dá a construção de um
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Silva, Fernanda Oliveira [UNIFESP]. "O cinema indigenizado de divino Tserewahú." Universidade Federal de São Paulo (UNIFESP), 2013. http://repositorio.unifesp.br/11600/41748.

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Submitted by Cristiane de Melo Shirayama (cristiane.shirayama@unifesp.br) on 2018-04-10T20:39:46Z No. of bitstreams: 1 dissertação_2013_FernandaSilva.pdf: 2523885 bytes, checksum: 8687ffa87d06f52ae5797af171938bbf (MD5)<br>Approved for entry into archive by Diogo Misoguti (diogo.misoguti@gmail.com) on 2018-04-11T16:56:35Z (GMT) No. of bitstreams: 1 dissertação_2013_FernandaSilva.pdf: 2523885 bytes, checksum: 8687ffa87d06f52ae5797af171938bbf (MD5)<br>Made available in DSpace on 2018-04-11T16:56:35Z (GMT). No. of bitstreams: 1 dissertação_2013_FernandaSilva.pdf: 2523885 bytes, checksum: 8687f
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Larson, Susan. "Imagining the metropolis: Constructing and resisting modernity in Madrid (1914-1936)." Diss., The University of Arizona, 1999. http://hdl.handle.net/10150/283928.

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This work emerges out of a desire to explore cultural production of this place and this time in its broadest interdisciplinary context. A geography of capitalism, since it is an eminently urban form, is what is missing from current critiques of Spanish cultural production and what this project (inspired in large part by the theories of the geographer David Harvey and the philosopher Henri Lefebvre) provides. The first and second chapters of this dissertation explore how Madrid from 1914-1936 was the site of competing discourses of the modern in material and ideological terms and how this tensi
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Cheval, Olivier. "Le partage de la douleur : une anthropologie figurative du cinéma contemporain." Thesis, Lyon, 2016. http://www.theses.fr/2016LYSE2139.

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Ce travail part d’une double intuition de Georges Bataille. D’une part, une loi qu’il énonce au Collège de Sociologie : « Les êtres humains ne sont jamais unis entre eux que par des déchirures ou des blessures ». D’autre part, l’idée que les œuvres d’art sont, depuis Lascaux, les traces d’une archéologie de la vie communautaire des hommes, le chiffre d’un non-savoir sur la sphère du sacré qui fait tenir les hommes ensemble, à travers quelques figures-limites (le cadavre, les larmes, l’orgie, le sacrifice). Ces deux intuitions me permettent de définir l’anthropologie figurative comme la discipl
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Sadegh-Vaziri, Persheng. "Iranian Documentary Film Culture: Cinema, Society, and Power 1997-2014." Diss., Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/363567.

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Media & Communication<br>Ph.D.<br>Iranian documentary filmmakers negotiate their relationship with power centers every step of the way in order to open creative spaces and make films. This dissertation covers their professional activities and their films, with particular attention to 1997 to 2014, which has been a period of tremendous expansion. Despite the many restrictions on freedom of expression in Iran, especially between 2009 and 2013, after the uprising against dubious election practices, documentary filmmakers continued to organize, remained active, and produced films and distributed t
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Mateus, Diana Paola Gómez. "Quanto dura o terror? A narrativa da violência em dois filmes colombianos." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8134/tde-15032013-101938/.

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O foco desta dissertação é a construção narrativa audiovisual da violência. A partir de discussões feitas na antropologia sobre narrativa, mimesis e violência se quer pensar a respeito de formas de narrar a experiência da violência política e o conflito armado colombiano. O objeto que será analisado são filmes colombianos, dois especificamente: La sombra del caminante (Ciro Guerra, 2004) e PVC-1 (Spiros Stathoulopoulos, 2007). Obras audiovisuais que se apropriam da tecnologia digital e fazem uso criativo dos recursos cinematográficos para se colocar diante das imagens sobre violência e discuti
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Niemeyer, Paul Joseph. "Seeing Hardy: The critical and cinematic construction of Thomas Hardy and his novels." Diss., The University of Arizona, 2000. http://hdl.handle.net/10150/284226.

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Cinematic adaptations of "classic" novels have long been viewed by filmmakers and critics as vehicles for understanding the art, mind, and even the personality of the original author. By examining the film and TV adaptations of Thomas Hardy's novels and by analyzing critics' opinions on the "fidelity" of these films to Hardy, we can see that this author is popularly perceived to be a pastoralist, classical tragedian, gloomy pessimist, and ardent social critic. Though there is considerable truth in these images, they do not convey all of who Hardy was and what his novels convey. Moreover, these
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Books on the topic "Anthropology of the cinema"

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Cinema: A visual anthropology. Berg, 2010.

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Amanda, Ravetz, ed. Observational cinema ; anthropology, film, and the exploration of social life. Indiana University Press, 2009.

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Griffiths, Alison. Wondrous difference: Cinema, anthropology & turn-of-the-century visual culture. Columbia University Press, 2002.

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Um cinema brasileiro antropofágico? (1970-1974). Annablume, 2008.

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Heider, Karl G. Seeing anthropology: Cultural anthropology through film. 2nd ed. Allyn and Bacon, 2001.

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Seeing anthropology: Cultural anthropology through film. 3rd ed. Allyn and Bacon, 2004.

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Heider, Karl G. Seeing anthropology: Cultural anthropology through film. Allyn and Bacon, 1997.

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The third eye: Race, cinema, and ethnographic spectacle. Duke University Press, 1996.

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Sciannameo, Gianluca. Nelle Indie di quaggiù: Ernesto De Martino e il cinema etnografico. Palomar, 2006.

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1948-, Collier Malcolm, ed. Visual anthropology: Photography as a research method. University of New Mexico Press, 1986.

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Book chapters on the topic "Anthropology of the cinema"

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Shohat, Ella. "The Mizrahi Cinema of Displacement." In A Companion to the Anthropology of the Middle East. John Wiley & Sons, Inc, 2015. http://dx.doi.org/10.1002/9781118475683.ch17.

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Atingdui, Norissa. "Anthropology." In Encyclopedia of Child Behavior and Development. Springer US, 2011. http://dx.doi.org/10.1007/978-0-387-79061-9_150.

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L’Abate, Luciano. "Anthropology." In Paradigms in Theory Construction. Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4614-0914-4_4.

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Martin, Gary J. "Anthropology." In Ethnobotany. Springer US, 1995. http://dx.doi.org/10.1007/978-1-4615-2496-0_4.

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Munroe, Robert L. "Anthropology." In Encyclopedia of psychology, Vol. 1. American Psychological Association, 2000. http://dx.doi.org/10.1037/10516-066.

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Young, Adrian. "Anthropology." In A Companion to the History of American Science. John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781119072218.ch2.

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Martin, Marcienne. "Anthropology." In Encyclopedia of Big Data. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-32001-4_10-1.

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Leite, Naomi, and Margaret Byrne Swain. "Anthropology." In Encyclopedia of Tourism. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-01384-8_8.

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Rae, Patricia. "Anthropology." In A Companion to Modernist Literature and Culture. Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996331.ch9.

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Heath, Dwight B. "Anthropology." In Recent Developments in Alcoholism. Springer US, 1993. http://dx.doi.org/10.1007/978-1-4899-1742-3_2.

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Conference papers on the topic "Anthropology of the cinema"

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Li, Hui, Sourav S. Bhowmick, and Aixin Sun. "CINEMA." In the 16th International Conference. ACM Press, 2013. http://dx.doi.org/10.1145/2452376.2452415.

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Dorofeev, D. Yu. "MODERN PHILOSOPHY AND PHILOSOPHICAL ANTHROPOLOGY AS ANTHROPOLOGY OF COMMUNICATIONS." In Толерантность и ее границы. Общество с ограниченной ответственностью «Книжный дом», 2020. http://dx.doi.org/10.25807/pbh.978.5.94777.432.0.109.120.

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Kolikant, Yifat Ben-David, Mordechai Ben-Ari, and Sarah Pollack. "The anthropology semaphores." In the 5th annual SIGCSE/SIGCUE ITiCSEconference. ACM Press, 2000. http://dx.doi.org/10.1145/343048.343061.

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Fraser, Steven D., Alistair Cockburn, Jim Coplien, Larry Constantine, Dave West, and Leo Brajkovich. "OO anthropology (panel)." In the 11th ACM SIGPLAN conference. ACM Press, 1996. http://dx.doi.org/10.1145/236337.236366.

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Zakharova, L. N., and L. N. Shabatura. "Anthropology of Tourism." In International Scientific Conference "Far East Con" (ISCFEC 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/aebmr.k.200312.406.

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Lew, Michael. "Live cinema." In ACM SIGGRAPH 2004 Sketches. ACM Press, 2004. http://dx.doi.org/10.1145/1186223.1186369.

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Purvis, Martin K., and Andrew L. S. Long. "Software cinema." In Proceeding of the 24th ACM SIGPLAN conference companion. ACM Press, 2009. http://dx.doi.org/10.1145/1639950.1640079.

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Healy, Kevin J. "CINEMA tutorial." In the 18th conference. ACM Press, 1986. http://dx.doi.org/10.1145/318242.318299.

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Healy, Kevin J. "CINEMA tutorial." In the 17th conference. ACM Press, 1985. http://dx.doi.org/10.1145/21850.253084.

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Kelliher, Aisling. "Everyday cinema." In the 1st ACM workshop. ACM Press, 2004. http://dx.doi.org/10.1145/1026633.1026647.

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Reports on the topic "Anthropology of the cinema"

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Fenimore, Charles, and Mary Floyd. Digital cinema 2001 conference proceedings:. National Institute of Standards and Technology, 2001. http://dx.doi.org/10.6028/nist.ir.6591.

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Berres, Anne Sabine, and James Paul Ahrens. Compression of the cinema database. Office of Scientific and Technical Information (OSTI), 2015. http://dx.doi.org/10.2172/1215816.

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Jandora, John W. Military Cultural Awareness: From Anthropology to Application. Defense Technical Information Center, 2006. http://dx.doi.org/10.21236/ada575773.

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Yaremchuk, Olesya. TRAVEL ANTHROPOLOGY IN JOURNALISM: HISTORY AND PRACTICAL METHODS. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11069.

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Our study’s main object is travel anthropology, the branch of science that studies the history and nature of man, socio-cultural space, social relations, and structures by gathering information during short and long journeys. The publication aims to research the theoretical foundations and genesis of travel anthropology, outline its fundamental principles, and highlight interaction with related sciences. The article’s defining objectives are the analysis of the synthesis of fundamental research approaches in travel anthropology and their implementation in journalism. When we analyze what metho
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Fenimore, Charles, and Alexei Nikolaev. Software for viewing and converting digital cinema materials. National Institute of Standards and Technology, 2001. http://dx.doi.org/10.6028/nist.ir.6814.

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Ruiz-Moreno, Sandra. Representations of the armed conflict in Colombian cinema. Revista Latina de Comunicación Social, 2010. http://dx.doi.org/10.4185/rlcs-65-2010-915-503-515-en.

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Kares, Robert John. In-Situ Visualization Experiments with ParaView Cinema in RAGE. Office of Scientific and Technical Information (OSTI), 2015. http://dx.doi.org/10.2172/1223763.

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Girardi, Gherardo. Extended Case Study: Teaching and learning economics through cinema. The Economics Network, 2008. http://dx.doi.org/10.53593/n178a.

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Bell, Nancy A., Sarah M. Donelson, and Ellen Wolfson. An Annotated Bibliography Of U.S. Army Natick Anthropology (1947-1991). Defense Technical Information Center, 1991. http://dx.doi.org/10.21236/ada239831.

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Rossi, Christine. After the sixties : anthropology in sixth grade social studies textbooks. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.5575.

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