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Books on the topic 'Anthropology of the cinema'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Cinema: A visual anthropology. Berg, 2010.

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2

Amanda, Ravetz, ed. Observational cinema ; anthropology, film, and the exploration of social life. Indiana University Press, 2009.

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3

Griffiths, Alison. Wondrous difference: Cinema, anthropology & turn-of-the-century visual culture. Columbia University Press, 2002.

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4

Um cinema brasileiro antropofágico? (1970-1974). Annablume, 2008.

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5

Heider, Karl G. Seeing anthropology: Cultural anthropology through film. 2nd ed. Allyn and Bacon, 2001.

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6

Seeing anthropology: Cultural anthropology through film. 3rd ed. Allyn and Bacon, 2004.

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7

Heider, Karl G. Seeing anthropology: Cultural anthropology through film. Allyn and Bacon, 1997.

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8

The third eye: Race, cinema, and ethnographic spectacle. Duke University Press, 1996.

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9

Sciannameo, Gianluca. Nelle Indie di quaggiù: Ernesto De Martino e il cinema etnografico. Palomar, 2006.

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10

1948-, Collier Malcolm, ed. Visual anthropology: Photography as a research method. University of New Mexico Press, 1986.

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11

Offensive films: Toward an anthropology of cinéma vomitif. Greenwood Press, 1997.

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12

Sentieri di immaginazione: Paul Ricœur e la vita fino alla morte : le sfide del cinema. Fondazione Ente dello spettacolo, 2010.

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13

France, Claudine de. Cinéma et anthropologie. 2nd ed. Editions de la Maison des sciences de l'homme, 1989.

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14

Jayamanne, Laleen. Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick and Ruiz. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463726245.

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Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick and Ruiz explores the poetic thinking of these master filmmakers. It examines theoretical ideas, including Maori anthropology of the gift and Sufi philosophy of the image, to conceive film as abundant gift. Elaborating on how this gift may be received, this book imagines film as our indispensable mentor - a wild mentor who teaches us how to think with moving images by learning to perceive evanescent forms that simply appear and disappear.

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15

Jean Rouch: Cinéma et anthropologie. Cahiers du Cinéma, 2009.

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16

Colleyn, Jean-Paul. Jean Rouch: Cinéma et anthropologie. Cahiers du Cinéma, 2009.

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17

Colleyn, Jean-Paul. Jean Rouch: Cinéma et anthropologie. Cahiers du Cinéma, 2009.

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18

Invernizzi, Franca Santi. Cinema, oh cinema! Fuoridallerotte, 2007.

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19

Cinema, televisione, cinema. Bompiani, 2013.

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20

Italy) Altri sguardi (Film festival) (4th 2002 Cesena. Cinema Kazakho: Kazakh cinema. Società Editrice "Il Ponte Vecchio,", 2002.

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21

Shinema, shinema, shinema: Cinema, cinema, cinema / Yan Sogiru. Kōbunsha, 2006.

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22

Deleuze, Gilles. Cinema. University of Minnesota, 1986.

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23

Platt, Richard. Cinema. Dorling Kindersley, 1992.

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24

Deleuze, Gilles. Cinema. University of Minnesota, 1986.

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25

Deleuze, Gilles. Cinema. Athlone Press, 1986.

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26

Mercedes, Roffé, ed. Cinema. Bid & co. editor, 2011.

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27

Cinema. Fundação Casa de Jorge Amado, 2008.

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28

Platt, Richard. Cinema. Dorling Kindersley, 1992.

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29

Rabley, Stephen. Cinema. Prentice-Hall, 1996.

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30

Deleuze, Gilles. Cinema. University of Minnesota, 1986.

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31

Zavattini, Cesare. Cinema. Bompiani, 2002.

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32

Cinema. Viena, 2007.

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33

Mann, Brenda. Cinema. Wayland, 1989.

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34

Monenembo, T. Cinema. Seuil, 1997.

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35

Il cinema oltre il cinema. ETS, 2011.

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36

Il cinema dopo il cinema. Le mani, 2010.

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37

Nagib, Lúcia. Realist Cinema as World Cinema. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462987517.

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This book presents the bold and original proposal to replace the general appellation of ‘world cinema’ with the more substantive concept of ‘realist cinema’. Veering away from the usual focus on modes of reception and spectatorship, it locates instead cinematic realism in the way films are made. The volume is structured across three innovative categories of realist modes of production: ‘noncinema’, or a cinema that aspires to be life itself; ‘intermedial passages’, or films that incorporate other artforms as a channel to historical and political reality; and ‘total cinema’, or films moved by a

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38

Parente, André. Ensaios sobre o cinema do simulacro: Cinema existencial, cinema estrutural e cinema brasileiro contemporâneo. Editora Pazulin, 1998.

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39

New cinema: Storie del cinema contemporaneo. SEB 27, 2006.

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40

Volo & cinema: Storia del cinema d'aviazione. Edizioni De Luca, 1997.

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41

Cooper, Andrew Richard Savage. Wim Wenders: A cinema of cinema. University of Derby], 1994.

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42

Saliba, Maria Eneida Fachini. Cinema contra cinema: O cinema educativo de Canuto Mendes, 1922-1931. Annablume, 2003.

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43

Gray, Gordon. Cinema: A Visual Anthropology. Taylor & Francis Group, 2020.

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44

Gray, Gordon. Cinema: A Visual Anthropology. Taylor & Francis Group, 2020.

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45

Gray, Gordon. Cinema: A Visual Anthropology. Taylor & Francis Group, 2020.

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46

Gray, Gordon. Cinema: A Visual Anthropology. Taylor & Francis Group, 2020.

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47

Ruby, Jay. The Cinema of Jean Rouch (Visual Anthropology). Harwood Academic (Performing Arts), 1989.

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48

Maraschin, Donatella. Pasolini: Cinema e Antropologia. Lang AG International Academic Publishers, Peter, 2014.

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49

MacDougall, David. Looking Machine: Essays on Cinema, Anthropology and Documentary Filmmaking. Manchester University Press, 2019.

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50

Looking Machine: Essays on Cinema, Anthropology and Documentary Filmmaking. Manchester University Press, 2019.

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