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Relevant bibliographies by topics / Anti-feminism

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Academic literature on the topic 'Anti-feminism'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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Journal articles on the topic "Anti-feminism"

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Tudor, Alyosxa. "The anti-feminism of anti-trans feminism." European Journal of Women's Studies 30, no. 2 (May 2023): 290–302. http://dx.doi.org/10.1177/13505068231164217.

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Eby, Clare Virginia. "Veblen's Anti-Anti-Feminism." Canadian Review of American Studies 22, Supplement 2 (January 1992): 215–38. http://dx.doi.org/10.3138/cras-022s-02-04.

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이협. "Queen Kong: Feminism or Anti-feminism?" Journal of English Cultural Studies 7, no. 3 (December 2014): 151–74. http://dx.doi.org/10.15732/jecs.7.3.201412.151.

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Wilcox, Clyde. "Feminism and Anti-Feminism among Evangelical Women." Western Political Quarterly 42, no. 1 (March 1989): 147. http://dx.doi.org/10.2307/448661.

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Wilcox, C. "Feminism and Anti-Feminism Among Evangelical Women." Political Research Quarterly 42, no. 1 (March 1, 1989): 147–60. http://dx.doi.org/10.1177/106591298904200111.

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Day, Tanis, and Michele Pujol. "Feminism and Anti-Feminism in Early Economic Thought." Canadian Journal of Economics 26, no. 2 (May 1993): 493. http://dx.doi.org/10.2307/135922.

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BALLESTEROS, ISOLINA. "THE FEMINISM (ANTI-FEMINISM) ACCORDING TO MONTSERRAT ROIG." Catalan Review: Volume 7, Issue 2 7, no. 2 (January 1, 1993): 117–28. http://dx.doi.org/10.3828/catr.7.2.8.

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Folbre, Nancy, and Michele A. Pujol. "Feminism and Anti-Feminism in Early Economic Thought." Contemporary Sociology 22, no. 4 (July 1993): 618. http://dx.doi.org/10.2307/2074467.

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Humphries, Jane, and Michele A. Pujol. "Feminism and Anti-Feminism in Early Economic Thought." British Journal of Sociology 44, no. 3 (September 1993): 556. http://dx.doi.org/10.2307/591839.

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Olson, Paulette. "Feminism and Anti-Feminism in Early Economic Thought." Journal of Economic Issues 27, no. 1 (March 1993): 275–78. http://dx.doi.org/10.1080/00213624.1993.11505413.

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Dissertations / Theses on the topic "Anti-feminism"

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Vaziri, Anita. "Design for intersectionality : Feminism and anti racism approach." Thesis, KTH, Arkitektur, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-254681.

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Wahlström, Sofie. "Feminism and Anti-Feminism in Harmony? : A Critical Discourse Analysis of Postfeminism in Women's Magazines." Thesis, Stockholms universitet, Engelska institutionen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-131106.

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This essay investigates postfeminist discourses in women’s magazines with the use of Fairclough’s (2014) critical discourse analysis (CDA). Additionally, it presents consumers’ perceptions of women’s magazines in order to explore how women’s magazines might influence readers’ constructions of identity. Postfeminism is mainly defined by Gill (2007, 2009) and McRobbie (2004) as an idea of feminism and antifeminism combined with the use of neoliberal views. Previous research conducted between 1990 and 2009 has stated that women’s magazines follow a postfeminist discourse and therefore give a contradictory message to their readers, emphasising the importance of individuality and empowerment as well as promoting a traditional feminine image. The magazines analysed in this essay were the January 2016 issue of Elle Magazine US and the February 2016 issue of Elle Magazine UK. The magazines follow a postfeminist discourse, and it is constructed with the use of wording and modality. To complement the CDA, an interview with a target group of women’s magazine readers was conducted. Findings indicate that the magazines both largely follow a postfeminist discourse, constructed through the use of rhetorical features such as wording and modality, and readers believe magazines affect their identity construction negatively. The article is concluded with a discussion on what the aim of a postfeminist discourse is.

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Witwit, May. "An evaluation of anti-feminist attitudes in selected professional Victorian women." Thesis, University of Bedfordshire, 2012. http://hdl.handle.net/10547/294460.

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The Victorian era paved the way for the emancipation of the modern British woman. The women who fought for the parliamentary vote, especially those who were imprisoned and experienced the torture of forcible feeding, eventually won their cause. Women who opposed enfranchisement did so for their own reasons. Both sides of the suffrage campaign claimed the majority was on their side and struggled to prove it. This thesis argues that those women who opposed were a subaltern group and compares them with the colonised subjects of the British Empire. The emancipation of women ran against the interests of the state which treated the cause as an insurgent movement. The political leaders spared no effort to thwart the liberation of women and the middle-and upper-class Anti-Suffrage women sided with ruling class interests. This work divides women into three sub-sections; resistance, colonised public and collaborators. Eliza Lynn Linton, Flora Shaw, Janet Hogarth and Gertrude Bell are well known middle-class Victorian women for whom the emancipation was of more benefit than opposition. The study throws a fresh look at these women by tying the notion of the collaborative elite with the State's exploitation of the intellectual subaltern. Linton, Shaw, Hogarth and Bell are studied in detail as case studies for this theory. Through the textual analysis of selected works, published articles, public and private correspondence, available diaries, biographies and autobiographies it emerges that although these women were ardent 'Antis' in public they were feminists in private. The thesis explains the reasons behind their public opposition to the emancipation of women.

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Ruiz, Roberto. "Nietzsche philosopher, philogynist, anti-feminist /." Diss., Online access via UMI:, 2005.

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Wilson, Michael Andrew. "HIV/AIDS Health Policy, Feminism, Backlash, and Anti-LGBT Attitudes in Uganda." Wright State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=wright1464705500.

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Watts, Anna. "Women learning about sex : lessons from the old and new (anti)feminism in Poland." Thesis, King's College London (University of London), 2013. https://kclpure.kcl.ac.uk/portal/en/theses/women-learning-about-sex(20f844fc-ee96-4975-a7b4-3db002f82b73).html.

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This research study explores popular sex advice texts, such as teenage and women’s magazines, not only as resources for sexual learning and the construction of sexual identities but also as potential sites where the formulation, (re)production and contestation of the dominant discourses of femininity and female sexuality take place. My examination is set within the unique and novel cultural context of Poland; a country with a long-standing tradition of dissent and an unusual location of struggle between the discourses of global neo-liberalism juxtaposed against the ideals of former socialism and the powerful tradition of Catholicism. Poland is also a location where after the systemic change in 1989, feminist activism has enjoyed an increasing popularity. This research project is a feminist-informed examination of the discourses of female sexuality in popular culture and media that involves analyses of popular Polish sex advice materials as well as semi-structured interviews with young women in Poland, some of whom identified themselves as feminists. Apart from exploring topics relating to romantic relationships, the interviews also looked into the issues of sex education, sexualisation of culture, as well as feminist identification and consciousness. The text materials analysed included excerpts from archival Polish teenage magazines Bravo and Bravo Girl! and the popular psychology magazine for women, Charaktery. The analytical approaches deployed here utilised selected tools developed within discursive psychology (Edley 2001) and the textual analysis developed by Fairclough (2003). Discursive narratives of un-readiness threaded through the participants’ accounts around the themes of sex education, sexualisation and romantic love. Other girls, but predominantly not the participants themselves when they were younger, were constructed as too sexually uneducated, sexualised and misguided by the media in their understanding of what it takes to form intimate and fulfilling romantic and sexual relationships. The positive self-presentation as a sophisticated, discerning, free-thinkingand articulate individual was achieved through the juxtaposition with other persons that lacked these qualities. The social context in which these identities and counter identities were constructed was often perceived as in need of intervention and improvement, especially within the participants’ accounts around sex education in Poland and the role of the newly-emergent media in the promotion of gender discrimination.

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Evans, Melissa Albie. "Investigating the feminist significance of Lars von Trier's representation of women in his Golden Heart Trilogy (1996/1998/2000) and Antichrist (2009)." Thesis, Nelson Mandela Metropolitan University, 2012. http://hdl.handle.net/10948/d1011634.

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Despite critics‟ negative appraisal of Lars Von Trier's Antichrist (2009) for its ostensible misogyny, a deep thematic resonance exists between its representation of women as historical victims of patriarchal discourse, and the positive representations of women as Christ-like figures found in his Golden Heart Trilogy (1996/1998/2000). Arguably, it is important to recognize this, because these films together comprise an exercise in cinematic resistance to the narratives of the „backlash‟ against women's rights, thematized by Susan Faludi in her Backlash: The Undeclared War Against American Women; resistance which is undermined when these films are considered disparate or incongruous.

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Allen, Ardith Matilda. "The deradicalization of Columbus, Ohio's antirape movement, 1972-2002." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1211996569.

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Verklan, Elizabeth, and Elizabeth Verklan. "Objects of Desire: Feminist Inquiry, Transnational Feminism, and Global Fashion." Diss., The University of Arizona, 2017. http://hdl.handle.net/10150/624282.

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This dissertation examines the conventions used to frame and represent sweatshops in and to the U.S. Employing qualitative research methods this dissertation examines U.S. anti-sweatshop discourse, analyzing how the sweatshop and the sweatshop worker are made into exceptional objects of inquiry, and considers what kinds of truths and subjects are garnered from them. This dissertation argues that U.S. anti-sweatshop discourse frames sweatshops as an inherently foreign problem, and that this framing contributes to U.S. exceptionalism and savior ideology. This framing positions U.S. subjects as the primary agents of change whose relation to sweatshops is crucial to their eradication, and renders causal blame upon the racialized poor within the U.S. I argue that this framing undergirds the proliferation of new ethical markets that reproduce dislocation, dispossession, and displacement within U.S. borders via retail gentrification. Ultimately, this dissertation asks what truths are made possible through a mobilizing discourse whose foundational premise is contingent on the imagery of the sweatshop and the sweatshop worker.

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Pleyel, Jessica Carolyn. "To(get)her." Thesis, University of Iowa, 2016. https://ir.uiowa.edu/etd/3166.

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This thesis examines the route I took to produce a live activist performance in which twenty-six self-identifying women collaborated to destroy wax assault rifles with domestic products. These guns act as a metaphor for the violence that happens to many women on a daily basis. One in four women will encounter domestic violence, and one in six women will be raped in their lifetimes in the United States. Not only are many of our bodies attacked mentally, physically and sexually, but also the government stakes claim on our bodies. With 138 representatives voting against the Violence Against Women Act (VAWA), and many of those same representatives also voting against stricter gun regulations it is apparent that these politicians do not see it problematic that women's bodies are targets. When the women come together, their connections are empowering, fierce, sometimes gentle, and always meaningful. As women, we may be targeted, but when we are together, and our voices are loud -- and in unison, we are strong.

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Books on the topic "Anti-feminism"

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Pujol, Michèle A. Feminism and anti-feminism in early economic thought. Aldershot, Hants, England: E. Elgar, 1992.

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Sanders, Valerie. Victorian and Edwardian anti- feminism. New York: Routledge, 2009.

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Evans, Bethany Anne. Anti-feminism in Shakespeare: The animated tales. Birmingham: University of Birmingham, 1996.

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Josette, Trat, Lamoureux Diane, and Pfefferkorn Roland, eds. L' autonomie des femmes en question: Antiféminismes et résistances en Amérique et en Europe. Paris: L'Harmattan, 2006.

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O'Donnell, Jessica. Gamergate and Anti-Feminism in the Digital Age. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-14057-0.

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1944-, Calliste Agnes M., Dei, George Jerry Sefa, 1954-, and Aguiar Margarida 1953-, eds. Anti-racist feminism: Critical race and gender studies. Halifax, N.S: Fernwood, 2000.

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1951-, Ng Roxana, Staton P. A. 1933-, and Scane Joyce, eds. Anti-racism, feminism, and critical approaches to education. Westport, Conn: Bergin & Garvey, 1995.

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Graglia, F. Carolyn. Domestic tranquility: A brief against feminism. Dallas, Tex: Spence, 1998.

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Johansen, Kristin. Hvis kvinner ville være kvinner: Sigrid Undset, hennes samtid og kvinnespørsmålet. Oslo: Aschehoug, 1998.

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Bannerji, Himani. Thinking through: Essays on feminism, Marxism and anti-racism. Toronto: Women's Press, 1995.

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Book chapters on the topic "Anti-feminism"

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McCann, Hannah. "Feminism without anti-femininity." In Queering Femininity, 63–79. 1 Edition. | New York : Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315179742-4.

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Jungleib, Lillian Taylor. "Anti-Trafficking and Feminism." In Nevertheless, They Persisted, 95–112. 1 Edition. | New York : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9780203728628-6.

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Allwood, Gill. "Representations of Feminism in France: Feminism, Anti-Feminism and Post-Feminism." In Why Europe? Problems of Culture and Identity, 111–28. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230596641_7.

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O’Donnell, Jessica. "The Militaristic Discourse of Anti-feminism." In Gamergate and Anti-Feminism in the Digital Age, 109–38. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-14057-0_4.

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Orleck, Annelise. "Anti-Feminist Backlash and Feminism Reborn." In Rethinking American Women's Activism, 197–217. 2nd ed. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003166092-8.

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Kennedy-Kollar, Deniese. "Anti-feminism, Aggrieved Entitlement, and Violence." In Extremism and Radicalization in the Manosphere, 79–88. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781032631080-8.

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Thomlinson, Natalie. "White Anti-Racist, Anti-Fascist and Anti-Imperialist Feminism, c. 1976–1980." In Race, Ethnicity and the Women’s Movement in England, 1968–1993, 132–60. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137442802_5.

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Kalm, Sara, and Anna Meeuwisse. "The Moral Dimension of Countermovements: The Case of Anti-Feminism." In Nonprofit and Civil Society Studies, 291–314. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-98798-5_13.

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AbstractThe aim of the chapter is to develop an analytical framework for studying the moral dimension of countermovements, which despite obvious significance for movement mobilization is rarely considered in countermovement theory. We argue that Axel Honneth’s theory of recognition can be used to develop an analytical framework that allows for grasping not only the moral dimension of struggles between social movements and countermovements but also moral divisions within countermovements. According to Honneth, social struggles stem from perceived misrecognition in relation to a set of moral meta-values that form the basis of legitimate claims in Western society: love, equality, and achievement. These meta-values can be understood differently in concrete areas of political struggle, and activists from different camps tend to make quite different interpretations. With this approach, it is possible to analyze countermovements’ moral claims in relation to social movements’ societal values and norms, and whether and how different strands within a countermovement make different types of moral claims.We demonstrate the usefulness of the analytical framework by applying it to the division between feminism and anti-feminism and the division between varieties of anti-feminism (the Christian Right movement, the mythopoetic men’s movement, the men’s rights movement, and the manosphere). What emerges is a picture of the interrelationship between feminism and anti-feminism that is more complex than the common designation of progressive versus reactionary movements. It is clear that the different strands of anti-feminism relate morally in partly different ways to feminism. They all react against what is understood as misrecognition of men as a result of feminism, but the types of moral claims and their specific emphasis on them vary.

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Mikkola, Mari. "Is Everything Relative? Anti-Realism, Truth, and Feminism." In New Waves in Metaphysics, 179–98. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230297425_10.

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Gottlieb, Julie V. "Feminism and Anti-fascism in Britain: Militancy Revived?" In British Fascism, the Labour Movement and the State, 68–94. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230522763_5.

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Conference papers on the topic "Anti-feminism"

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Elias, Larissa, and Maria Luisa Garrido. "The conception of “fashion-sculpture” in Rei Kawakubo’s costumes for the choreography “Scenario”(1997)." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.118.

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“The Rei Kawakubo's fashion-sculpture” is an ongoing Master's project, developed at the Postgraduate Program in Visual Design at the Federal University of Rio de Janeiro. The research is centered on the study of the costumes (and its relationship with movements and spatiality) created by the japanese fashion designer Rei Kawakubo for the dance performance “Scenario” (1997), by the american dancer and choreographer Merce Cunningham (1919-2009). The costumes were adapted from the spring-summer Collection “Body meets dress, dress meets body”, designed by Rei and launched by her brand Comme des Garçons in 1997. Rei Kawakubo is appointed as one of the most important conceptualist fashion designers of contemporary. Visionary, avant-garde, timeless, are some of the adjectives attributed to her. Her work is also called anti-fashion. Through a series of visual deconstructions, her creations address – directly or indirectly – themes such as feminism and gender identity. The “Body meets dress, dress meets body” Collection and the costumes of “Scenario” invest in an aesthetic that explores unusual possibilities of relationships between body and dress; an aesthetic which aims to deform the forms. At play, ideas that problematize the conventional contours and movements of the body: disproportionate volumes, silhouette misalignments, inversions of perspective, asymmetries, automatism, blurring of boundaries between body and dress, dress as an object. In this arena the suggestion of the notion of “fashion-sculpture” is born. A notion that is intended to be formulated from the work and for the understanding of the work. The investigation is developed from case study methodologies combined with a process of practical experimentation, which takes place simultaneously in the fields of art and design. In the scope of theoretical reflections it is proposed an approximation with the understanding of sculpture as a compound of sensations according to the Deleuze and Guattari conception in the essay “Percept, affect and concept”. The research seeks to establish a connexion between the sculptural compositions produced by the body-costume ensemble in Cunningham's choreography and the symbolic image of a stone sculpture that is at the origin of the concept of Über-Marionette designed by Gordon Craig. Finally, we try to think about possible relationships between the shapes of the costumes and some characteristic aspects of the grotesque body, such as ambivalences, oppositions, irregularities, described by Mikhail Bakhtin in his concept of grotesque realism. The costumes of the “Scenario” dance performance – in which the highlighted aspects can be observed exemplarily – are a strong expression of the idea of “fashion-sculpture”. In this communication, fragments of the show will be presented. In them, it can be seen that the alignment of the dancers, in pairs or trios, reconfigures in the space the volume composed of body and dress. The clothes created by Kawakubo for the Collection proposed the redesign of the body. This proposal is radicalized in the choreography: with the movement of the body-dress set in space, distortions and ambiguities are intensified. Theatricality is introduced and dramatic sculptural compositions are formed. With the theatrical game, the object function of the garment is also evidenced.

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Reports on the topic "Anti-feminism"

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Schultz, Susanne. Intersectional Convivialities Brazilian Black and Popular Feminists Debating the Justiça Reprodutiva Agenda and Allyship Framework. Maria Sibylla Merian Centre Conviviality-Inequality in Latin America, November 2022. http://dx.doi.org/10.46877/schultz.2022.50.

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The concept of reproductive justice is currently receiving a lot of attention in transnational counter-hegemonic feminisms. The text explores how Black and popular feminism are adopting the concept currently in Brazil. In the first section, the text deals with implications for agenda setting and reflects the movements’ strong reference to necropolitical dimensions of reproductive relations. Three elements of agenda setting are explored: addressing structural inequality within “classical” reproductive health issues; the attention to anti-natalist strategies, such as a continuous policy of sterilisation; and experiences of motherhood/parenthood being stigmatised or attacked. In the second section, the text explores another level of meaning of reproductive justice, namely that of being a framework for intersectional feminist alliances. Therefore, it deals with how the movements negotiate different positionalities and the question of allyship within their everyday convivialities. The movements negotiate these organisational challenges by reflecting processes of collective repositioning in a complex way and referring to important concepts of contemporary anti-racist and social movements in Brazil, such as não lugar, aquilombamento, and bem-viver.

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