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Academic literature on the topic 'Anti-industrialism'
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Journal articles on the topic "Anti-industrialism"
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Luke, T. "Regarding Nature, Anti-Industrialism and Deep Ecology: A Response to McLaughlin." Telos 1994, no. 100 (1994): 159–66. http://dx.doi.org/10.3817/0694100159.
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Ramos Gorostiza, José Luis. "La aldea perdida, de Palacio Valdés, alegato anti-industrialista." Studies of Applied Economics 32, no. 1 (2020): 223. http://dx.doi.org/10.25115/eea.v32i1.3208.
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In Palacio Valdés’ La aldea perdida (1903) it can be found a good sampling of the major anti-industrialist issues of the moment. In fact, the novel is linked to the fin de siècle anti-industrialism and also to the distrust towards the industrial world of Spanish Social Catholicism. However, its strong antiindustrialist component was diminished in the film adaptation done by Sáenz de Heredia in 1948, during the early Franco period: in these years the official agrarian rhetoric was combined with an openly industrial orientation of practical politics.
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Claeys, Gregory. "Industrialism and Hedonism in Orwell's Literary and Political Development." Albion 18, no. 2 (1986): 219–45. http://dx.doi.org/10.2307/4050315.
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Since his death Orwell's reputation has derived largely from the anti-totalitarian emphasis in his later writings, even if it is now widely agreed that Nineteen Eighty-Four in particular does not represent any sudden shift towards pessimism in Orwell's thought. This article argues that Orwell's understanding and critique of twentieth century developments was much wider than many of his readers still presume. Instead of being read only as an anti-totalitarian theorist, Orwell must instead by seen as a critic of modernity, of modern industrial civilization (in both its capitalist and socialist forms) and its hedonistic culture. Orwell's critique of hedonism and conception of its relationship to industrialism is probably the single most important area of his thought not to have received adequate treatment by scholars and critics. To appreciate its significance is thus to establish him as a more sophisticated social and political thinker than he is usually assumed to have been, as well as to show that too narrow a political reading of his work obscures essential features in its development. Orwell does, of course, oppose political tyranny even in his early works, but he also identified the characteristics of what he regarded as a distinctively novel and modern form of civilization, which underlay and to some extent provided the cultural and psychological bases for the emergence of new, totalitarian forms of tyranny.
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Kourliouros, Elias. "Planning industrial location in Greater Athens: The interaction between deindustrialization and anti‐industrialism during the 1980s." European Planning Studies 5, no. 4 (1997): 435–60. http://dx.doi.org/10.1080/09654319708720411.
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Auyeung, Pak K. "A COMPARATIVE STUDY OF ACCOUNTING ADAPTATION: CHINA AND JAPAN DURING THE NINETEENTH CENTURY." Accounting Historians Journal 29, no. 2 (2002): 1–30. http://dx.doi.org/10.2308/0148-4184.29.2.1.
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This study attempts to examine why western accounting was adopted in one Asian country, Japan, and not in another, China, when modern accounting methods were brought to the East during the mid-19th century. The explanation offered is socio-cultural. China was characterized by centralized political power, a society resistant to change, an anti-merchant policy and narrow-based learning. In contrast, Japan had dispersed structures of political power, a society receptive to change, a pro-merchant policy and broad-based learning. In China, the emphasis was to preserve harmony and integration in accord with mainstream Chinese ideology which had created a highly stable and tradition-oriented society. Chinese enterprises that operated within this institutional framework were unlikely to adopt western-style double-entry bookkeeping. In Japan there was no specifically institutionalized anti-capitalist doctrine to prevent the rise of industrialism and the adoption of modern accounting.
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Sogomonyan, Zaven A. "Crisis of Industrial Regions in the Midwestern USA: the First Stage (the mid-1960s – early 1980s)." Vestnik of Kostroma State University 26, no. 4 (2021): 58–64. http://dx.doi.org/10.34216/1998-0817-2020-26-4-58-64.
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he systemic crisis of old industrial regions in many countries of the world is a very important historical phenomenon of recent decades. This article examines the decline of traditional industrialism in the Great Lakes region of the United States as an example of such events. The article covers the first stage of the regional crisis (the mid-1960s – early 1980s). The study is based on historical statistics, as well as on various non-quantitative data. It is argued that the onset of the crisis was associated with aggravated competition – basic sectors of the local economy (steel manufacturing, automotive industry, etc.) were increasingly lagging behind advanced factories located in the southern states of the USA, as well as in Japan and Western Europe. Later the region (with some differences by industry and state) faced very deep failures during recessions of 1969–1970, 1974–1975 and 1980–1982, also experiencing constant pressure due to the high dollar exchange rate. However, a further deterioration in the early 1980s drew public attention to the situation in the region, which contributed to the turn of local and federal authorities to more active anti-crisis politics.
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Briand-Boyd, Julie. "A City of Betrayals: Irvine Welsh’s Minor Literature of Leith." Complutense Journal of English Studies 29 (September 16, 2021): 25–34. http://dx.doi.org/10.5209/cjes.73723.
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This article examines the representation of the city and communities of Edinburgh in Irvine Welsh’s works, more specifically his Trainspotting saga: Trainspotting (1993), Porno (2002), Skagboys (2012) and Dead Men’s Trousers (2018). While Welsh is an integral part of a broader literary tradition of the contemporary urban Scottish novel, which blends together the crime novel genre with the localised concerns of post-industrialism, gripping poverty, Thatcherite austerity, substance abuse and nagging questions of Scottish identity (gender, sexuality, class, nationhood, etc.), his depictions of the former port-town of Leith and its forgotten histories exposes Edinburgh as two distinctly separate and striated communities and geographies: one of opportunity and one of betrayal. Specifically, this essay reads Welsh through the literary, spatial and political theories of Gilles Deleuze and Félix Guattari with regard to Leith’s contentious historical relationship with Edinburgh. In this analysis of Welsh’s Leith as a vernacular, rhizomatic and anti-institutional force, this essay hopes to illustrate how Welsh’s work redirects the popular notions of Scottish national identity and statehood toward a minor literature, a linguistic, political and historical divergence from the dominant Scottish literary experience
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Jeihouni, Mojtaba, and Nasser Maleki. "Far from the madding civilization: Anarcho-primitivism and revolt against disintegration in Eugene O’Neill’s The Hairy Ape." International Journal of English Studies 16, no. 2 (2016): 61. http://dx.doi.org/10.6018/ijes/2016/2/238911.
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<p>Anarcho-primitivism contends that modern civilization deprives people of their happiness, which is why it seeks to reconstruct civilization on a primitive basis, one that holds concrete promises of happiness. It argues that a harmonious relation with human nature and external nature needs to be established by translating technological societies into societies that are free of hierarchy, domination, class relationships, and, simply put, of modern structures. Anarcho-primitivists intend to reinstate a primitive outlook in the modern era and recover the authenticity and wholeness lost to the tyranny of civilization. The radical nature of Yank’s anti authoritarianism in Eugene O’Neill’s The Hairy Ape (1921) demonstrates that he is totally at a loss about the positive functions of industrialism. We argue that Yank expresses a deep resentment toward civilization that is barely hidden in the play. This leads us to suggest that Yank’s objective is not dissimilar from that of anarcho primitivists: he values his individuality and tries to subvert the social forces that are arrayed against it. Like anarcho-primitivists, he is determined to bring down the pillars of the material culture in favor of a primitive life, where free subjectivity or individuation becomes the integral gift of society.</p>
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Dunn, James A. "Charlotte Dacre and the Feminization of Violence." Nineteenth-Century Literature 53, no. 3 (1998): 307–27. http://dx.doi.org/10.2307/2903042.
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Charlotte Dacre's relatively neglected fictions create a unique space in the dialectic of violence that characterizes so much of British Romanticism. Her simultaneous attraction to and repulsion from violence is reflective of an era that apotheosized the sublime, which formed its imagination on the bloody Revolution in France and the increasingly visible brutalities of industrialism, and that made the Gothic its most popular literary commodity. But Dacre's peculiar contribution to this hermeneutic is to build through her four major novels a mythology by which violence emerges, most of all, from feminine libidinous drives. This essay, therefore, begins by contrasting Dacre's approach to feminine sexual desire with that of two other notable women writers of the period, Letitia Elizabeth Landon and Mary Tighe. The essay continues to explore Dacre's most purely Gothic expression, Zofloya (1806), particularly through the scene in which Victoria stalks, attacks, and murders a girl whom she perceives to be her sexual rival. And it concludes with an analysis of a lesser-known novel, The Passions (1811), and its vibrant anti-heroine, Appollonia Zulmer. Troped as noble hunter, ferocious goddess, social critic, and scorned woman, Appollonia is Dacre's most complex vision of the meaning of feminine violence. Still, Dacre's ultimate inclination is toward tragic irony: though she vigorously rewrites the conventional Gothic script (where women are the victims of demonic men), she does not envision anything like the comic release dreamed of, more than a century later, in Hélène Cixous's "The Laugh of the Medusa."
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Kultaieva, Maria. "Political Implications of Philosophical Pedagogy." Filosofiya osvity. Philosophy of Education 24, no. 1 (2019): 32–51. http://dx.doi.org/10.31874/2309-1606-2019-24-1-32-51.
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The article proposes the critical analyses of the P. Mehring conception of philosophical pedagogy founded on the German idealism and Humboldt’s philosophy of education. Transformations of the philosophical pedagogy are considering on the background of organizing changes in the education in the industrial and post-industrial contexts with regard to its meaning, logics and causes. The advantages of the interdisciplinary approach are proving on the problem field of the philosophical pedagogy in times of its rising and falls.The restoration of philosophical pedagogy of the early and developed industrialism is proposing with its idealistic and institutional paradigm (Humboldt-Hegel-Spranger) and the alternative one – the critical anti-institutionalism(Nietzsche -Adorno-Foucault), The heuristic metaphor of the invention of freedom shows on the political engagement of philosophical pedagogy what has both the negative and positive aspects. Some political pathologies of the state in the early post-industrial societies need pedagogical treating. That is why the revival perspective of philosophical pedagogy is inquiring. For this case some actual ideas of W. von Humboldt and its transformations are used to show the risks and dangerous of educational reforms in the post-industrial contexts.The Kantian and Hegelian transformations are researching with the aim to show different tendencies of the development of education in philosophical reflections of pedagogical issues with political consequences regarding as possible paradigmatic changes which can exist as complementary ones. The coherence of political and pedagogical ideas can exist in different constellations pursuing different purposes. The pedagogical construct of freedom as autonomy was often used in the political programs and political decisions, but the political reason is also an important factor for the transformations of contemporary educational systems and practices. The pedagogical construct of freedom foresees the autonomy of educational institutions and independency of individual which cal be lost by his transforming to a Wikipedia-citizen.
Books on the topic "Anti-industrialism"
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Litvak, Lily. Dream of Arcadia: Anti-Industrialism in Spanish Literature, 1895-1905. University of Texas Press, 2011.
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Litvak, Lily. Dream of Arcadia: Anti-Industrialism in Spanish LIterature, 1895-1905. de Gruyter GmbH, Walter, 2014.
Find full textBook chapters on the topic "Anti-industrialism"
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Mathieson, Margaret. "Anti-Industrialism: The Claims for Literature and Creativity." In The Preachers of Culture (1975). Routledge, 2022. http://dx.doi.org/10.4324/9781351130455-10.
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Molendijk, Arie L. "Introduction." In Protestant Theology and Modernity in the Nineteenth-Century Netherlands. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192898029.003.0001.
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In the second half of the nineteenth century the Netherlands became a modern nation-state with representative government, industrialism emerged, and the intellectual climate—influenced by a new historical approach to religion and the successes of the natural sciences and positivist and materialist philosophies—became critical of supernatural worldviews. In universities, both the critical examination of the Bible and the comparative study of religions were on the rise. Questions about how to justify Christian propositions were hotly debated. The aim of this book is to analyse how theology was fundamentally transformed and reinvented in the nineteenth century in a variety of ways—in response to the process of modernization. The focus is on intellectual history, but broader social and political transformations will be addressed too. Protestant theologians dealt with various aspects of modernization in different ways. Enlightenment values were fiercely attacked by orthodox Pietists, but embraced by ‘modern’ theologians, who strove for a synthesis of religion on the one hand and the new findings of biblical scholarship and the natural sciences (evolutionary theory, anti-supernaturalism) on the other. The most influential Dutch theologian of the time, Abraham Kuyper, modernized Reformed theology and Dutch politics in hitherto unprecedented ways. The new segmented social structures—based on differences in religion and worldview—of pillarized Dutch society were to a large extent determined by Kuyper. His polarizing style offended the old liberal elites, who still clung to the ideals of a consensual and homogeneous state and an inclusive, Protestant ‘People’s Church’.
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Cerasi, Laura. "Tra nostalgia preindustriale, ghildismo e rinascita nazionale Il pensiero sociale di Ruskin nel dibattito culturale italiano." In John Ruskin’s Europe. A Collection of Cross-Cultural Essays With an Introductory Lecture by Salvatore Settis. Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-487-5/021.
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Ruskin’s social criticism, which in Unto This Last (1862) harshly condemned the effects of industrialism by mythologizing medieval age and craftmanship, had a wide influence on social reformers of various political orientations: William Morris, J.A. Hobson, the Art and Crafts Movement, the guildism of Arthur Penty and GHD Cole and the New Age circle, with an impact that went as far as the early decades of the 20th century. While his work as an art critic was promptly received in the Italian cultural debate, his social criticism found little audience, at least until the turn of the centuries, and anyway not in the sphere of economic and sociological culture. In this contribution I intend to examine how the circulation of Ruskin’s social thought in the Italian cultural debate between the nineteenth and twentieth centuries was inscribed in the renewed interest in the social function of art, advocated in the Florentine literary journal Il Marzocco with particular reference to the work of Lev Tolstoy by young intellectuals such as Ugo Ojetti, Angelo Orvieto, and Enrico Corradini, as well as established critics as Angelo Conti. The debate became a watershed moment in Italian culture, involving crucial issues as identity and tradition, artistic heritage and national rebirth. By including in this cultural framework the reception of Ruskin’s social criticism, I intend to highlight its connection with the emergence of the movement for the conservation of the artistic heritage, in which Il Mazocco had a leading role, and to suggest it having mixed political implications. Ruskinian references were channeled in a perspective of national rebirth and regeneration; for a paradoxical but interesting twist, aspects of Ruskin's anti-industrialist and medievalist imagery converged within the new nationalist and nationalist dimension that crossed the Italian (and European) culture of the first decade of the century.