Relevant bibliographies by topics / Antichrist Antichrist

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Academic literature on the topic 'Antichrist Antichrist'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Antichrist Antichrist"

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Lerner, Robert E. "Antichrists and Antichrist in Joachim of Fiore." Speculum 60, no. 3 (July 1985): 553–70. http://dx.doi.org/10.2307/2848175.

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Burov, Aleksej, and Modestas Kraužlys. "Frau Ava’s Antichrist: Its Composition and Translation into Lithuanian." Literatūra 62, no. 4 (December 28, 2020): 8–22. http://dx.doi.org/10.15388/litera.2020.4.1.

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The present article explores Frau Ava’s (1060–1127) apocalyptic poem Antichrist, in which, for the first time in German literature, the opponent of Christ is the protagonist. Antichrist will be Frau Ava’s second poem translated into Lithuanian. By drawing on canonic and apocryphal texts of the Scripture as well as on patristic literature, the article aims to identify traces of written and oral forms of Christian apocalyptic tradition found in the poem. The main focus will be on Adso Dervensis’ (circa 910–992) text De ortu et tempore Antichristi. The analysis of the composition of Antichrist suggests that Ava did not only translate and compile well-known narratives and motifs but also displayed a variety of artistic expressions unattested in apocalyptic tradition. Moreover, the article provides a Lithuanian translation of 118 lines of the poem.
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Bell, John, Alfred Jarry, Antony Melville, and Iain White. "Caesar Antichrist." TDR (1988-) 38, no. 4 (1994): 201. http://dx.doi.org/10.2307/1146435.

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Scheppard, Carol A. "Constructing Antichrist." Augustinian Studies 37, no. 2 (2006): 279–83. http://dx.doi.org/10.5840/augstudies200637219.

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Chase, B. "Upstart Antichrist." History Workshop Journal 60, no. 1 (September 1, 2005): 202–6. http://dx.doi.org/10.1093/hwj/dbi042.

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Neverova, Tatiana A. "The specifics of the implementation of the concept of “Antichrist” in the novel by D. S. Merezhkovsky “Peter and Alexey”." Current Issues in Philology and Pedagogical Linguistics, no. 2(2021) (June 25, 2021): 115–27. http://dx.doi.org/10.29025/2079-6021-2021-2-115-127.

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The article is devoted to the study of the concept of “Antichrist” in the language picture of the world by D. S. Merezhkovsky. The relevance of the study is due to the significant role of the writer in the literature of the late 19th-early 20th century and the dominance of religious and philosophical ideas in his work. The work is aimed at identifying the specifics of the implementation of the concept of “Antichrist” as one of the key concepts for D.S. Merezhkovsky, analyzing its structure and main representations. The material for the study was the text of the novel “Peter and Alexey”, which was studied using the methods of component, frame and distributional analysis. The paper considers three layers of the concept: the outer layer, which corresponds to the biblical text and represents an literary reconstruction of the eschatological popular consciousness of the 23th and 18th centuries, the middle layer, which contains the idea of Peter as the Antichrist, and the deep layer, formed by the idea of the Antichrist as an entity inextricably linked with Christ in the struggle and unity at the same time. As a result of comparison with one of the first texts that allows us to reconstruct this concept, the Revelation of St. John the Baptist. The differentiating features that make up the peculiarity of the implementation of the concept of “Antichrist” in the text under study are highlighted. It is determined that the outer layer of the concept has a frame structure, and the slots included in it are identified. The semes included in the middle layer of the concept, which has a field structure, are analyzed, the organizing dominant and distributional connections between individual semes are established, which allow combining them into hypersemes. The togetherness of the signification in the third, deep layer of the concept of “Antichrist’s beginning” and “Christ’s beginning” is revealed, which is especially clearly manifested in the fragments that have a mystical character. Based on the analysis of the concept of “Antichrist”, which is widely and variously represented in the text of the novel” Peter and Alexey”, the author concludes that it affects the text and the system of images.
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Ridder, Klaus. "Latency and Topicality: Communication of Threats in Medieval Theatre Latenz und Aktualität: Bedrohungskommunikation im mittelalterlichen Schauspiel." Zeitschrift fuer deutsches Altertum und Literatur 149, no. 4 (October 1, 2020): 479–97. http://dx.doi.org/10.3813/zfda-2020-0020.

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The twelfth-century 'Ludus de Antichristo' already contains a number of the threatening scenarios (Ottoman Expansion, Heresy, Antichrist, etc.) that maintain a presence in the theatre up until the sixteenth century. This essay aims to investigate which scenarios of religious threat are dominant in the dramas of the later Middle Ages and Reformation, and what kinds of dramatic and production techniques are used in order to perform these scenarios on stage. Three levels of dramatic staging may be distinguished (Latency, Presence, Topicality), and these will be analysed here on the basis of three exemplary plays published before and after the Reformation (Hans Folz, 'Der Herzog von Burgund' / 'The Jewish Messiah'; Niklaus Manuel, 'Vom Papst und seiner Priesterschaft' / 'Of the Pope and his Priesthood'; Thomas Naogeorg, 'Pammachius' / 'Pammachius'). Bereits im 'Ludus de Antichristo' (12. Jh.) findet sich ein Großteil der Bedrohungsszenarien (Osmanische Expansion, Häresie, Antichrist etc.), die im Schauspiel bis ins 16. Jh. präsent bleiben. Der Aufsatz fragt danach, welche religiösen Bedrohungsszenarien im spätmittelalterlichen und reformatorischen Schauspiel dominant sind und auf welchen dramatischen Darstellungstechniken deren Wirkung in der Aufführung beruht. Drei Ebenen der theatralen Inszenierung von Bedrohung (Latenz, Präsenz, Aktualität) werden analytisch unterschieden und anhand von drei Schauspielen vor und nach der Reformation (Hans Folz, 'Der Herzog von Burgund'; Niklaus Manuel, 'Vom Papst und seiner Priesterschaft'; Thomas Naogeorg, 'Pammachius') exemplarisch beschrieben.
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Pochinskaia, Irina V. "THE WRITINGS OF URAL ORIGIN ON NAPOLEON THE ANTICHRIST OF THE FIRST HALF OF THE 19TH CENTURY." Ural Historical Journal 72, no. 3 (2021): 152–60. http://dx.doi.org/10.30759/1728-9718-2021-3(72)-152-160.

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The article is devoted to the analysis of two Old Believers eschatological writings created in the Urals in 1820–1840s, which are now kept in the largest collections of the Ural Cyrillic old printed books and manuscripts: the Laboratory of Archaeographical Studies (LAS) of the Ural Federal University and the library of the Ekaterinburg Orthodox seminary. One of these essays is “Tolkivanie o Antichriste” (“The exegesis on the Antichrist”), which substantiates the idea that Napoleon I is the Antichrist. It has already been introduced into scientific circulation in the 19th century, but its copies from the LAS fund allowed revealing a new data about the history of its existence. The article clarifies the date of the essay, determines its impact on later Old Believers literature. The second essay, “Tsvetnik” (“Flower Garden”), continues the theme of the first one, relying on it. “Tsvetnik” is a rather complicated and multifaceted work, containing a lot of reasoning. It covers a lot of questions, problems and assessments of domestic and foreign events contemporary to the author. The main task of the essay was to substantiate the fact that Louis Napoleon, the future French emperor Napoleon III, was the new hypostasis of Napoleon I, the antichrist. The article analyses in detail main ideas of the Tsvetnik’s author, the source base of his work, which included not only traditional Christian literature, but also contemporary to the author secular publications.
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Barthélemy, Dominique. "Antichrist et blasphémateur." Médiévales 18, no. 37 (1999): 57–70. http://dx.doi.org/10.3406/medi.1999.1463.

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Kaye, Sharon M. "Whereis the Antichrist?" Sophia 44, no. 2 (October 2005): 59–65. http://dx.doi.org/10.1007/bf02912431.

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Dissertations / Theses on the topic "Antichrist Antichrist"

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Gouvêa, Ricardo Quadros. "The nature of the Antichrist." Theological Research Exchange Network (TREN), 1994. http://www.tren.com.

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Thesis (Th. M.)--Westminster Theological Seminary, Philadelphia, 1994.
Fiche label incorrectly dates thesis to 1993; degree granted in 1994. Typescript. Includes bibliographical references (leaves v-xx).
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Malik, Shushma. "Nero and the Antichrist : the conception and reception of the Nero-Antichrist paradigm in history." Thesis, University of Bristol, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.607432.

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This thesis deals with the interpretation of the first-century AD Roman emperor Nero as the Antichrist in Christian works of late antiquity and the nineteenth century. Many scholars in recent decades have argued that Nero occupied a pivotal place in apocalyptic literature, based on literary evidence from the early Christian centuries. They took their cue from writers in late antiquity, who claimed that the likes of St Paul and St John purposely shaped their Antichrist figures around Nero because of the perceived similarities between the behaviour of the emperor and the characteristics of the Antichrist. I suggest, however, that the Nero-Antichrist paradigm was actually constructed in late antiquity, when the emperor was already established as the mad tyrant we are familiar with from classical historiography and Nero could, therefore, be fully conceptualised as an Antichrist figure. Writers could exploit both biblical accounts of the Antichrist and historiographical depictions of Nero to shape their image. The paradigm was useful to late-antique Christians because it offered a way of explaining the eschatological figure to wide audiences who were already familiar with the most infamous of Roman emperors. This apocalyptic portrayal of Nero was renewed in the nineteenth century in the works of philosophers and theologians like Ernest Renan and F.W. Farrar because it was once again helpful for informing debates and addressing the era’s religious concerns. This stage in Nero’s reception history proved to be intrinsic to how the emperor is thought about today – Renan and Farrar have had considerable influence on modern biographies written about Nero since the early-twentieth century. By taking a distinctive approach to the paradigm, this thesis contributes to both theology and history scholarship by challenging the assumptions made in biblical studies about Nero and his reign, while adding to ancient history an examination of a paradigm which fundamentally influenced Nero’s reception in history.
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Hallström, Sara. "Gynocide i Antichrist? : eller viljan att kategorisera. En diskursanalys av ”kvinnobilden” i Lars vonTrier´s Antichrist." Thesis, Södertörns högskola, Institutionen för genus, kultur och historia, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-3631.

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The aim with this essay is to penetrate the opinions of how women should be represented on screen. I am using a selection of contributions from the gender debate that Lars von Trier´s movie Antichrist caused in Sweden in spring 2009. The focus of the debate was mainly about the way the female actress was displayed. The provocative thing considered by many was that the female part could be interpreted as evil and in connection with Antichrist. But is that a obvious negative way to present women? In a historical view the discussion have been constantly fluctuated when it comes to the ideas of the correct way to visualize women in the movies which have left us without a true answer to that question. I am interested in investigating what is considered today as the best way to represent women by Swedish debaters. By using Michel Foucault’s term discourse as theory in a text analyse I am trying to look trough their language and see their ideological position.
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Higgins, Gareth Iain. "Great expectations : the myth of Antichrist in Northern Ireland." Thesis, Queen's University Belfast, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326417.

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Jenks, Gregory Charles. "The origins and early development of the Antichrist myth /." Berlin ; New York : W. de Gruyter, 1991. http://catalogue.bnf.fr/ark:/12148/cb35549691q.

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Barnes, John. "Transformations of the Renaissance iconography of Antichrist : concept and image." Thesis, Birmingham City University, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.444450.

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Holmberg, Jeanette. "Det ambivalenta moderskapet: : en analys av moderskapssymbolik i filmen Antichrist." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-85163.

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This thesis highlights depicted motherhood in film. Antichrist is used as the primary object in my analysis, which is a film that has been vividly debated in the literature, beacuse of it's graphic content. To a large extent, this film has been discussed in relation to Lars von Triers intentions and previous works, but in this thesis the film and it's depicted motherhood is viewed through it's symbolic elements. These elements, when analysed in relation to film language and motherhood theory, point out the representation of an ambivalent nature of motherhood. The symbolic content in five different scenes, which is attributed to Her as a mother, is also found in other cultural and religious sources. I claim that this depicted ambigous motherhood is central to the films narrative. As a consequence, this thesis also unfolds the peripheral depicted fatherhood, an aspect in need of futher investigation.
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McFall, Edwin K. "Tragic hero to antichrist : Macbeth, the Oedipus Tyrannus of the English Renaissance /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/10234.

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Peterson, David A. "An examination of the scriptural doctrine of the Antichrist and the teaching of this doctrine in the church." Online full text .pdf document, available to Fuller patrons only, 1988. http://www.tren.com.

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Dall'Asta, Matthias. "Philosoph, Magier, Scharlatan und Antichrist : zur Rezeption von Philostrats "Vita Apollonii" in der Renaissance /." Heidelberg : Winter, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=3065960&prov=M&dokv̲ar=1&doke̲xt=htm.

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Books on the topic "Antichrist Antichrist"

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Gray, James Orman. Antichrist. Vancouver: Thomson Stationery, 1997.

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Brandes, Wolfram, and Felicitas Schmieder, eds. Antichrist. Berlin: AKADEMIE VERLAG, 2010. http://dx.doi.org/10.1524/9783050058979.

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I, antichrist. Winston-Salem, NC: IceAge Publications, 2009.

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Nietzsche, Friedrich. The Antichrist. [Sioux Falls, SD]: NuVision Publications, 2008.

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Nietzsche, Friedrich. The Antichrist. North Stratford, N.H: Ayer Co., 1997.

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The antichrist. Grand Rapids, Mich: Kregel Publications, 1988.

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Nietzsche, Friedrich. The Antichrist. Salem (New Hampshire): Ayer Company, 1987.

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Newman, John Henry. L' antichrist. Genève: Ad Solem, 1995.

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Richard, Panchyk, ed. The antichrist. London: Peter Owen, 2010.

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Kandawire, Kondwani. The Antichrist. Raleigh, N.C: Pentland Press, 1998.

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Book chapters on the topic "Antichrist Antichrist"

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Lamy, Philip. "Antichrist." In Millennium Rage, 115–34. Boston, MA: Springer US, 1996. http://dx.doi.org/10.1007/978-1-4899-6076-4_5.

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Katsanis, Bobbi Dykema. "Antichrist." In Encyclopedia of Psychology and Religion, 87–92. Boston, MA: Springer US, 2014. http://dx.doi.org/10.1007/978-1-4614-6086-2_36.

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Spitzer, Anais N., Kathryn Madden, Leon Schlamm, Stuart Z. Charmé, Melissa K. Smothers, Ronald Katz, Jo Nash, et al. "Antichrist." In Encyclopedia of Psychology and Religion, 53–56. Boston, MA: Springer US, 2010. http://dx.doi.org/10.1007/978-0-387-71802-6_36.

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Hack, Achim. "Antichrist." In Metzler Lexikon Religion, 62. Stuttgart: J.B. Metzler, 2005. http://dx.doi.org/10.1007/978-3-476-00091-0_20.

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Katsanis, Bobbi Dykema. "Antichrist." In Encyclopedia of Psychology and Religion, 110–15. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-24348-7_36.

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Ver Straten-McSparran, Rebecca. "Antichrist." In Lars von Trier's Cinema, 202–53. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003171928-5.

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Daileader, Philip. "Antichrist, 1403." In Saint Vincent Ferrer, His World and Life, 137–59. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/9781137532930_7.

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Cameron, Frank, and Don Dombowsky. "The Antichrist, 1888." In Political Writings of Friedrich Nietzsche, 240–92. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230371668_7.

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Kulman, Detlef. "Stanev, Emilijan: Antichrist." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19913-1.

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Kellenberger, J. "Nietzsche as the Antichrist." In Kierkegaard and Nietzsche, 59–69. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1057/9780230379633_6.

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