Relevant bibliographies by topics / Antichrist Antichrist / Journal articles
To see the other types of publications on this topic, follow the link: Antichrist Antichrist.

Journal articles on the topic 'Antichrist Antichrist'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Antichrist Antichrist.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Lerner, Robert E. "Antichrists and Antichrist in Joachim of Fiore." Speculum 60, no. 3 (July 1985): 553–70. http://dx.doi.org/10.2307/2848175.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Burov, Aleksej, and Modestas Kraužlys. "Frau Ava’s Antichrist: Its Composition and Translation into Lithuanian." Literatūra 62, no. 4 (December 28, 2020): 8–22. http://dx.doi.org/10.15388/litera.2020.4.1.

Full text
Abstract:
The present article explores Frau Ava’s (1060–1127) apocalyptic poem Antichrist, in which, for the first time in German literature, the opponent of Christ is the protagonist. Antichrist will be Frau Ava’s second poem translated into Lithuanian. By drawing on canonic and apocryphal texts of the Scripture as well as on patristic literature, the article aims to identify traces of written and oral forms of Christian apocalyptic tradition found in the poem. The main focus will be on Adso Dervensis’ (circa 910–992) text De ortu et tempore Antichristi. The analysis of the composition of Antichrist suggests that Ava did not only translate and compile well-known narratives and motifs but also displayed a variety of artistic expressions unattested in apocalyptic tradition. Moreover, the article provides a Lithuanian translation of 118 lines of the poem.
APA, Harvard, Vancouver, ISO, and other styles
3

Bell, John, Alfred Jarry, Antony Melville, and Iain White. "Caesar Antichrist." TDR (1988-) 38, no. 4 (1994): 201. http://dx.doi.org/10.2307/1146435.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Scheppard, Carol A. "Constructing Antichrist." Augustinian Studies 37, no. 2 (2006): 279–83. http://dx.doi.org/10.5840/augstudies200637219.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Chase, B. "Upstart Antichrist." History Workshop Journal 60, no. 1 (September 1, 2005): 202–6. http://dx.doi.org/10.1093/hwj/dbi042.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Neverova, Tatiana A. "The specifics of the implementation of the concept of “Antichrist” in the novel by D. S. Merezhkovsky “Peter and Alexey”." Current Issues in Philology and Pedagogical Linguistics, no. 2(2021) (June 25, 2021): 115–27. http://dx.doi.org/10.29025/2079-6021-2021-2-115-127.

Full text
Abstract:
The article is devoted to the study of the concept of “Antichrist” in the language picture of the world by D. S. Merezhkovsky. The relevance of the study is due to the significant role of the writer in the literature of the late 19th-early 20th century and the dominance of religious and philosophical ideas in his work. The work is aimed at identifying the specifics of the implementation of the concept of “Antichrist” as one of the key concepts for D.S. Merezhkovsky, analyzing its structure and main representations. The material for the study was the text of the novel “Peter and Alexey”, which was studied using the methods of component, frame and distributional analysis. The paper considers three layers of the concept: the outer layer, which corresponds to the biblical text and represents an literary reconstruction of the eschatological popular consciousness of the 23th and 18th centuries, the middle layer, which contains the idea of Peter as the Antichrist, and the deep layer, formed by the idea of the Antichrist as an entity inextricably linked with Christ in the struggle and unity at the same time. As a result of comparison with one of the first texts that allows us to reconstruct this concept, the Revelation of St. John the Baptist. The differentiating features that make up the peculiarity of the implementation of the concept of “Antichrist” in the text under study are highlighted. It is determined that the outer layer of the concept has a frame structure, and the slots included in it are identified. The semes included in the middle layer of the concept, which has a field structure, are analyzed, the organizing dominant and distributional connections between individual semes are established, which allow combining them into hypersemes. The togetherness of the signification in the third, deep layer of the concept of “Antichrist’s beginning” and “Christ’s beginning” is revealed, which is especially clearly manifested in the fragments that have a mystical character. Based on the analysis of the concept of “Antichrist”, which is widely and variously represented in the text of the novel” Peter and Alexey”, the author concludes that it affects the text and the system of images.
APA, Harvard, Vancouver, ISO, and other styles
7

Ridder, Klaus. "Latency and Topicality: Communication of Threats in Medieval Theatre Latenz und Aktualität: Bedrohungskommunikation im mittelalterlichen Schauspiel." Zeitschrift fuer deutsches Altertum und Literatur 149, no. 4 (October 1, 2020): 479–97. http://dx.doi.org/10.3813/zfda-2020-0020.

Full text
Abstract:
The twelfth-century 'Ludus de Antichristo' already contains a number of the threatening scenarios (Ottoman Expansion, Heresy, Antichrist, etc.) that maintain a presence in the theatre up until the sixteenth century. This essay aims to investigate which scenarios of religious threat are dominant in the dramas of the later Middle Ages and Reformation, and what kinds of dramatic and production techniques are used in order to perform these scenarios on stage. Three levels of dramatic staging may be distinguished (Latency, Presence, Topicality), and these will be analysed here on the basis of three exemplary plays published before and after the Reformation (Hans Folz, 'Der Herzog von Burgund' / 'The Jewish Messiah'; Niklaus Manuel, 'Vom Papst und seiner Priesterschaft' / 'Of the Pope and his Priesthood'; Thomas Naogeorg, 'Pammachius' / 'Pammachius'). Bereits im 'Ludus de Antichristo' (12. Jh.) findet sich ein Großteil der Bedrohungsszenarien (Osmanische Expansion, Häresie, Antichrist etc.), die im Schauspiel bis ins 16. Jh. präsent bleiben. Der Aufsatz fragt danach, welche religiösen Bedrohungsszenarien im spätmittelalterlichen und reformatorischen Schauspiel dominant sind und auf welchen dramatischen Darstellungstechniken deren Wirkung in der Aufführung beruht. Drei Ebenen der theatralen Inszenierung von Bedrohung (Latenz, Präsenz, Aktualität) werden analytisch unterschieden und anhand von drei Schauspielen vor und nach der Reformation (Hans Folz, 'Der Herzog von Burgund'; Niklaus Manuel, 'Vom Papst und seiner Priesterschaft'; Thomas Naogeorg, 'Pammachius') exemplarisch beschrieben.
APA, Harvard, Vancouver, ISO, and other styles
8

Pochinskaia, Irina V. "THE WRITINGS OF URAL ORIGIN ON NAPOLEON THE ANTICHRIST OF THE FIRST HALF OF THE 19TH CENTURY." Ural Historical Journal 72, no. 3 (2021): 152–60. http://dx.doi.org/10.30759/1728-9718-2021-3(72)-152-160.

Full text
Abstract:
The article is devoted to the analysis of two Old Believers eschatological writings created in the Urals in 1820–1840s, which are now kept in the largest collections of the Ural Cyrillic old printed books and manuscripts: the Laboratory of Archaeographical Studies (LAS) of the Ural Federal University and the library of the Ekaterinburg Orthodox seminary. One of these essays is “Tolkivanie o Antichriste” (“The exegesis on the Antichrist”), which substantiates the idea that Napoleon I is the Antichrist. It has already been introduced into scientific circulation in the 19th century, but its copies from the LAS fund allowed revealing a new data about the history of its existence. The article clarifies the date of the essay, determines its impact on later Old Believers literature. The second essay, “Tsvetnik” (“Flower Garden”), continues the theme of the first one, relying on it. “Tsvetnik” is a rather complicated and multifaceted work, containing a lot of reasoning. It covers a lot of questions, problems and assessments of domestic and foreign events contemporary to the author. The main task of the essay was to substantiate the fact that Louis Napoleon, the future French emperor Napoleon III, was the new hypostasis of Napoleon I, the antichrist. The article analyses in detail main ideas of the Tsvetnik’s author, the source base of his work, which included not only traditional Christian literature, but also contemporary to the author secular publications.
APA, Harvard, Vancouver, ISO, and other styles
9

Barthélemy, Dominique. "Antichrist et blasphémateur." Médiévales 18, no. 37 (1999): 57–70. http://dx.doi.org/10.3406/medi.1999.1463.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Kaye, Sharon M. "Whereis the Antichrist?" Sophia 44, no. 2 (October 2005): 59–65. http://dx.doi.org/10.1007/bf02912431.

Full text
APA, Harvard, Vancouver, ISO, and other styles
11

Sneller, Rico. "Antichrist. Konstruktionen von Feindbildern." Church History and Religious Culture 92, no. 1 (2012): 157–59. http://dx.doi.org/10.1163/187124112x621248.

Full text
APA, Harvard, Vancouver, ISO, and other styles
12

Casey, Maurice. "Book Reviews : The Antichrist." Expository Times 103, no. 6 (March 1992): 182–83. http://dx.doi.org/10.1177/001452469210300609.

Full text
APA, Harvard, Vancouver, ISO, and other styles
13

Welter, Brian. "Alchemy against the Antichrist." Jung Journal 12, no. 3 (July 3, 2018): 84–86. http://dx.doi.org/10.1080/19342039.2018.1478581.

Full text
APA, Harvard, Vancouver, ISO, and other styles
14

Parish, Helen L. "‘By this mark you shall know him’: clerical celibacy and Antichrist in English Reformation polemic." Studies in Church History 33 (1997): 253–66. http://dx.doi.org/10.1017/s0424208400013280.

Full text
Abstract:
‘Antichrist’, wrote William Tyndale in 1528, ‘is not an outward thyng, that is to say a man that should sode[n]ly appeare with wonders as our fathers talked of him. No, verely, for Antichrist is a spirituall thing. And this is as much to say as agaynst Christ, ye one that preacheth against Christ.’ Such a definition of Antichrist marked a departure from the traditional medieval legend, which was based upon the prophecy of a single future figure of evil. This new image of Antichrist as a permanent and spiritual presence in the world is a central feature of English Protestant polemic, informing interpretations of both biblical prophecies, and the history of the Church. It was not history which engendered right understanding of Scripture, but Scripture that offered the means of interpreting the past. The Bible offered paradigms for the understanding of history because it was the embodiment of divine truth, which was irreproachable and immutable. In the words of John Bale, ‘yet is the text a light to the chronicles, and not the chronicles to the text’.
APA, Harvard, Vancouver, ISO, and other styles
15

Rösing, Lilian Munk. "At frigøre (sig fra) mors begær - Om Lars von Triers Antichrist." Slagmark - Tidsskrift for idéhistorie, no. 61 (March 9, 2018): 153–64. http://dx.doi.org/10.7146/sl.v0i61.104065.

Full text
Abstract:
Lars von Trier’s chef-d’oeuvre Antichrist (2009) was immediately criticized, especially by pronounced feminist reviewers, for being misogynistic and excessivelyviolent. The article discusses these criticisms and argues that they bound in a failure to appreciate the aesthetic dimensions of the film. Instead, it is claimed that Antichrist can essentially be read as a dream that unfolds the primal scene (the child observing his parents having sex); in the prologue its angelic, liberating side, and throughout the rest of the movie its brutal and traumatic side. As such, Antichrist is an attempt at traversing the impossible relation between the sexes much more than it is a portrait of any particular traits of men or women.
APA, Harvard, Vancouver, ISO, and other styles
16

Ohst, Martin. "Altes und Aktuelles vom Antichrist." Theologische Rundschau 77, no. 2 (2012): 250. http://dx.doi.org/10.1628/004056912800251629.

Full text
APA, Harvard, Vancouver, ISO, and other styles
17

Sommer, Andreas Urs. "„Ich möchte seinen Antichrist widerlegen“." Nietzscheforschung 25, no. 1 (September 1, 2018): 431–34. http://dx.doi.org/10.1515/nifo-2018-0031.

Full text
APA, Harvard, Vancouver, ISO, and other styles
18

Kiesel, Dagmar. "„[I]ch bin […] der Antichrist…“?" Nietzscheforschung 27, no. 1 (November 25, 2020): 157–80. http://dx.doi.org/10.1515/nifo-2020-0013.

Full text
APA, Harvard, Vancouver, ISO, and other styles
19

Ley, Michael. "Der Antichrist in der Moderne." Zeitschrift für Religions- und Geistesgeschichte 47, no. 2 (1995): 145–59. http://dx.doi.org/10.1163/157007395x00201.

Full text
APA, Harvard, Vancouver, ISO, and other styles
20

Rutkin, H. Darrel. "Astronomical predictions of the Antichrist." Journal for the History of Astronomy 52, no. 1 (February 2021): 108–10. http://dx.doi.org/10.1177/0021828620985096.

Full text
APA, Harvard, Vancouver, ISO, and other styles
21

Osborne, Patrick William. "Constructing the Antichrist as Superstar: Marilyn Manson and the Mechanics of Eschatological Narrative." Persona Studies 3, no. 1 (June 13, 2017): 43–59. http://dx.doi.org/10.21153/ps2017vol3no1art651.

Full text
Abstract:
This article examines the moral crusade against Marilyn Manson’s Antichrist Superstar, the various sign-vehicles that contributed to his persona, and the social construction of a folk devil. By fashioning his persona using previous claims concerning Satan’s influence in society - primarily, those employed during the 1980s Satanism scare - Manson ensured that Antichrist Superstar would incite panic as moral crusaders interpreted his pseudo-ostensive actions using collective memories and explanatory millenarianism. He achieved this aim by attacking middle-class Christian ideologies and connecting his persona to previous social problems and cultural scripts to delineate his deviant character. The pseudo-ostensive characteristics of Manson’s stage performances and blasphemous lyrics grant creditability to traditional folk beliefs concerning Satan’s influence in rock music therefore allowing conservative groups to interpret his persona using pre-existing rumours and narratives. By presenting himself as the Antichrist, Manson became a social problem for fundamentalist Christianity: a reiterated moral panic greatly blown out of proportion, and produced using traditional exaggerations and deviant stereotypes in a collective attempt to construct a folk devil. Because Manson’s image and lyrics are meticulously fashioned from various cultural symbols concerning evil and the Antichrist, he encourages his own demonization by enticing his audience to employ explanatory millenarianism and the knowledge of previous cultural scripts to interpret the traditional representations of evil he dangles before them.
APA, Harvard, Vancouver, ISO, and other styles
22

Matus, Zachary. "Reconsidering Roger Bacon's Apocalypticism in Light of His Alchemical and Scientific Thought." Harvard Theological Review 105, no. 2 (March 30, 2012): 189–222. http://dx.doi.org/10.1017/s0017816012000491.

Full text
Abstract:
“Since you have commanded me to write on the wisdom of philosophy, I shall cite to your Clemency the opinions of the sages, especially since this knowledge is absolutely necessary to the Church of God against the fury of Antichrist.”1 So wrote Roger Bacon to Clement IV. The pope had commanded Bacon to send writings of which Roger had spoken when Clement was still Cardinal Guy Folques.2 Clement's letter does not mention Antichrist, nor does it specify the subject matter of the aforementioned conversation. Still, since Bacon mentions Antichrist in what was likely a prefatory letter to either the Opus maius or Opus minus,3 the specter of Antichrist that lurks throughout Bacon's Opera and other works may not have come as a surprise. Yet, amid the clamor of Joachite apocalypticism that quickly coiled itself around the Franciscan Order in the latter half of the thirteenth century,4 Roger Bacon's own apocalyptic opinions remain underappreciated. This is not to say that Bacon's apocalypticism has gone unrecognized. Scholars have long agreed, as Brett Whalen has said recently, that Bacon “layered his writings with a sense of apocalyptic expectation.”5 Yet the historiographical tendency to separate Bacon's scientific writings from his religious beliefs and practices appears to have obscured Bacon's own radical ideas about the end of days.6
APA, Harvard, Vancouver, ISO, and other styles
23

Shnirelman, Victor. "Antichrist, Katechon and the Russian Revolution." State Religion and Church in Russia and Worldwide 37, no. 1-2 (2019): 488–515. http://dx.doi.org/10.22394/2073-7203-2019-37-1/2-488-515.

Full text
APA, Harvard, Vancouver, ISO, and other styles
24

Christensen, Peter G. ""Christ and Antichrist" as Historical Novel." Modern Language Studies 20, no. 3 (1990): 67. http://dx.doi.org/10.2307/3195236.

Full text
APA, Harvard, Vancouver, ISO, and other styles
25

Chesterton, G. K. "Antichrist, or the Reunion of Christendom." Chesterton Review 34, no. 1 (2008): 33–34. http://dx.doi.org/10.5840/chesterton2008341/280.

Full text
APA, Harvard, Vancouver, ISO, and other styles
26

HILL, C. E. "ANTICHRIST FROM THE TRIBE OF DAN." Journal of Theological Studies 46, no. 1 (1995): 99–117. http://dx.doi.org/10.1093/jts/46.1.99.

Full text
APA, Harvard, Vancouver, ISO, and other styles
27

Ford, J. Massyngbaerde. "The Physical Features of the Antichrist." Journal for the Study of the Pseudepigrapha 7, no. 14 (April 1996): 23–41. http://dx.doi.org/10.1177/095182079600001403.

Full text
APA, Harvard, Vancouver, ISO, and other styles
28

Reeves, Roy R., and Vincent Liberto. "Suicide Associated With the Antichrist Delusion." Journal of Forensic Sciences 51, no. 2 (March 2006): 411–12. http://dx.doi.org/10.1111/j.1556-4029.2006.00079.x.

Full text
APA, Harvard, Vancouver, ISO, and other styles
29

Lipton, Sara. "Isaac and Antichrist in the Archives." Past & Present 232, no. 1 (May 19, 2016): 3–44. http://dx.doi.org/10.1093/pastj/gtw009.

Full text
APA, Harvard, Vancouver, ISO, and other styles
30

Miller, Char Roone. "Review Essay: Time of the Antichrist." Political Theory 37, no. 4 (July 8, 2009): 562–70. http://dx.doi.org/10.1177/0090591709335229.

Full text
APA, Harvard, Vancouver, ISO, and other styles
31

Wallis, Frank. "The Revival of the Anti-Maynooth Campaign in Britain, 1850–52." Albion 19, no. 4 (1987): 527–47. http://dx.doi.org/10.2307/4049473.

Full text
Abstract:
In nineteenth century Britain, many evangelicals looked upon the Catholic Church as the incarnation of Antichrist. Their particular interpretation of the Protestant Bible, and especially the Book of Revelation, made it important for them to fight the enemy of true religion. During the 1850s and 1860s the most significant example of this struggle was the campaign to abolish state funding of the Catholic seminary at Maynooth in Ireland, a subsidy which parliament had approved in 1845 over the protests of a national anti-Maynooth crusade. It is the crisis of 1845 upon which historians have concentrated their studies. The furor over the endowment of Maynooth subsided, but when the Papal Aggression affair of 1850–51 stimulated “No Popery” sentiment, the ultra-Protestants of Britain revived their agitation against Maynooth. The impelling force behind this renewed campaign was principally doctrinal, based on a view of Biblical truth which cast the Catholic Church in the role of Antichrist and made Maynooth appear to be the center of rebellion, disloyalty, and immorality for all of Ireland. One scholar has written that the Antichrist idea intensified feelings of anti-Catholicism and influenced parliament as late as 1851. This essay will demonstrate that the utilization of the Antichrist motif, when combined with several other negative notions about the Catholic Church, helped produce and sustain a revival of anti-Catholicism in the form of the campaign against Maynooth, well beyond the events of 1851.
APA, Harvard, Vancouver, ISO, and other styles
32

Greene-McCreight, Kathryn. "1 Corinthians: Interpreted by Early Christian Commentators. Translated and edited by Judith Kovacs." Pro Ecclesia: A Journal of Catholic and Evangelical Theology 18, no. 1 (February 2009): 7–13. http://dx.doi.org/10.1177/106385120901800101.

Full text
Abstract:
In Vladimir Soloviev's story of the Antichrist, the Redeemer's eschatological opponent recommends himself to believers not least by alluding to the fact that he has been awarded a doctorate in theology at Tübingen and that he has written an exegetical work recognized by experts as groundbreaking. The Antichrist as a famous exegete—it is with this paradox that Soloviev, almost a hundred years ago, drew attention to the ambivalence of modern methods of interpreting the Bible. Today, to speak of the crisis of the historical-critical method has become almost a truism. And yet it had set out with enormous optimism. 1
APA, Harvard, Vancouver, ISO, and other styles
33

David M., Whitford. "The Papal Antichrist: Martin Luther and the Underappreciated Influence of Lorenzo Valla*." Renaissance Quarterly 61, no. 1 (2008): 26–52. http://dx.doi.org/10.1353/ren.2008.0027.

Full text
Abstract:
AbstractIn 1520, Martin Luther’s view of the papacy shifted dramatically and permanently. While the events of 1519 played a role in his evolving view of the papacy as the Antichrist forecast by St. Paul in 2 Thessalonians, those events alone cannot account for the suddenness and the totality of Luther’s change of opinion. This essay argues that Lorenzo Valla’s Discourse on the Forgery of the Alleged Donation of Constantine played a significant and too-little-appreciated role in Luther’s new stance toward the papacy. This essay examines what it was about Valla’s Discourse that helped convince Luther that the pope was the Antichrist.
APA, Harvard, Vancouver, ISO, and other styles
34

Luxford, Julian. "More on the Sculpture of the West Front of Bath Abbey: Christ of the Charter and Antichrist." Religion and the Arts 7, no. 3 (2003): 299–322. http://dx.doi.org/10.1163/156852903322694654.

Full text
Abstract:
AbstractThe iconography of the early sixteenth century sculptural program of Bath Abbey's west front has been shown in a previous article (Religion and the Arts, 4.3 (2000), 313-36) to represent an allegory of spiritual ascent through the virtue of humility and descent through the vice of pride, as explained in chapter seven of the Rule of St Benedict. The current article focuses upon two sculptures largely overlooked by the earlier study, the iconography and positioning of which further substantiates the proposed meaning of the program. One sculpture represents Christ as the Man of Sorrows, holding the Charter of Human Redemption (a devotional text widespread in England during the late Middle Ages). The other represents Antichrist, who was a subject of much speculation during the fifteenth and sixteenth centuries. It is argued that Christ, standing on the north side of the west front, constitutes an additional symbol of humility, while Antichrist, standing on the south, makes another reference to pride. The iconography of these figures is further analyzed for its intrinsic interest, that of Antichrist being unusual, Christ holding the Charter of Human Redemption all but unique.
APA, Harvard, Vancouver, ISO, and other styles
35

James, Sara Nair, and Jonathan B. Reiss. "The Renaissance Antichrist: Luca Signorelli's Orvieto Frescoes." Sixteenth Century Journal 27, no. 3 (1996): 910. http://dx.doi.org/10.2307/2544095.

Full text
APA, Harvard, Vancouver, ISO, and other styles
36

OWENS, W. R. "THE DATE OF BUNYAN'S TREATISE OF ANTICHRIST." Seventeenth Century 1, no. 2 (July 1986): 153–57. http://dx.doi.org/10.1080/0268117x.1986.10555255.

Full text
APA, Harvard, Vancouver, ISO, and other styles
37

Moody, Dale. "Book Review: End-Times: Rapture, Antichrist, Millennium." Review & Expositor 83, no. 4 (December 1986): 643–44. http://dx.doi.org/10.1177/003463738608300435.

Full text
APA, Harvard, Vancouver, ISO, and other styles
38

Kerr, Robert L. "The Great White Father and the Antichrist." American Journalism 18, no. 3 (July 2001): 35–60. http://dx.doi.org/10.1080/08821127.2001.10739323.

Full text
APA, Harvard, Vancouver, ISO, and other styles
39

Rizzi, Marco. "Migrations of the Antichrist: on European Apocalypses." Annali di Scienze Religiose 5 (January 2012): 223–33. http://dx.doi.org/10.1484/j.asr.1.102995.

Full text
APA, Harvard, Vancouver, ISO, and other styles
40

Silva, J. Arturo, Gregory B. Leong, and Robert Weinstock. "Violent Behaviors Associated with the Antichrist Delusion." Journal of Forensic Sciences 42, no. 6 (November 1, 1997): 14260J. http://dx.doi.org/10.1520/jfs14260j.

Full text
APA, Harvard, Vancouver, ISO, and other styles
41

Schweitzer, Franz-Josef. "Kritik über Gerwing († 1306/2011): De antichristo et de fine mundi – Vom Antichrist und vom Ende der Welt." Bochumer Philosophisches Jahrbuch für Antike und Mittelalter 18 (December 31, 2015): 269–70. http://dx.doi.org/10.1075/bpjam.18.18sch.

Full text
APA, Harvard, Vancouver, ISO, and other styles
42

García del Vello, Justino. "Reseña de: Malik, Shushma. The Nero-Antichrist. Founding and Fashioning a Paradigm." Espacio Tiempo y Forma. Serie II, Historia Antigua, no. 33 (November 1, 2020): 235. http://dx.doi.org/10.5944/etfii.33.2020.27622.

Full text
APA, Harvard, Vancouver, ISO, and other styles
43

Lewis, Suzanne. "Art and Antichrist in Medieval Europe.Rosemary Muir Wright." Speculum 72, no. 3 (July 1997): 902–7. http://dx.doi.org/10.2307/3040836.

Full text
APA, Harvard, Vancouver, ISO, and other styles
44

Burr, David. "Olivi, Christ’s Three Advents, and The Double Antichrist." Franciscan Studies 74, no. 1 (2016): 15–40. http://dx.doi.org/10.1353/frc.2016.0017.

Full text
APA, Harvard, Vancouver, ISO, and other styles
45

Fletcher, Alan J. "The Summoner and the Abominable Anatomy of Antichrist." Studies in the Age of Chaucer 18, no. 1 (1996): 91–117. http://dx.doi.org/10.1353/sac.1996.0003.

Full text
APA, Harvard, Vancouver, ISO, and other styles
46

Ryan, Michael A. "Antichrist in the Middle Ages:Plus ça change…." History Compass 7, no. 6 (November 2009): 1581–92. http://dx.doi.org/10.1111/j.1478-0542.2009.00648.x.

Full text
APA, Harvard, Vancouver, ISO, and other styles
47

Bärsch, Claus-E. "Der Jude als Antichrist in der NS-Ideologie." Zeitschrift für Religions- und Geistesgeschichte 47, no. 2 (1995): 160–88. http://dx.doi.org/10.1163/157007395x00210.

Full text
APA, Harvard, Vancouver, ISO, and other styles
48

Prilutskij, Alexander M. "Semiotics of the “Antichrist electronic concentration camp” mythologeme." Pushkin Leningrad State University Journal, no. 3 (2021): 216–27. http://dx.doi.org/10.35231/18186653_2021_3_216.

Full text
APA, Harvard, Vancouver, ISO, and other styles
49

Hughes, Kevin L. "The Providential Failure of Christianity: René Girard, Ivan Illich, and the Renewal of Apocalyptic Theology." Pro Ecclesia: A Journal of Catholic and Evangelical Theology 28, no. 4 (November 2019): 432–45. http://dx.doi.org/10.1177/1063851219873189.

Full text
Abstract:
The article argues that René Girard and Ivan Illich, each in their distinctive ways, draw upon the dimensions of the Christian apocalyptic tradition that are often ignored, and that their retrievals of this tradition, specifically of its theology of Antichrist, open up once again the theology of history, an area of inquiry in Christian theology that we often dismiss or ignore, thus yielding the field and allowing the figure of Antichrist and the apocalyptic tradition to be taken up and deployed as weapons of mimetic destruction in just the ways our popular culture has come to fear. It is incumbent upon Christian theology to take up once again difficult questions in the theology of history, particularly in an apocalyptic key, and Ivan Illich and René Girard, neither of whom claimed to be a theologian, may be our “two witnesses,” our “Enoch and Elijah,” who help us to do just that.
APA, Harvard, Vancouver, ISO, and other styles
50

Kolstø, Pål. "The Demonized Double: The Image of Lev Tolstoi in Russian Orthodox Polemics." Slavic Review 65, no. 2 (2006): 304–24. http://dx.doi.org/10.2307/4148595.

Full text
Abstract:
As Pål Kolstø explores in this article, attitudes towards Lev Tolstoi's religious teaching differed wildly among Russian Orthodox believers at the turn of the last century. Some felt that his philosophical notions were remarkably congenial to church doctrine, while others saw Tolstoianism as the radical negation of everything the church stood for. An image often conjured up was Tolstoi as the Antichrist. To some, it was precisely the features that made others see Tolstoi as an Orthodox double that led them to this conclusion: The Antichrist will manage to lead the faithful astray precisely because he will seem to imitate Christ himself. This was the point where the most extreme positions in the Orthodox debate on Tolstoi and Tolstoianism converged. All told, some 85 books and booklets and 260 articles on Tolstoi were published by professed Orthodox authors, many of them laymen. Taken together, they bear witness to the breadth and vitality of Orthodox public opinion.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the bibliographies on the topic 'Antichrist Antichrist' for other source types:
Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography