Relevant bibliographies by topics / Antiphon

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Antiphon'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2024

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Journal articles on the topic "Antiphon"

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Surikov, Igor E. "ON EVOLUTION OF ANTIPHON’S ETHICAL AND POLITICAL VIEWS IN REGARD TO THE CHRONOLOGY OF HIS WORK." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 9 (2023): 183–99. http://dx.doi.org/10.28995/2686-7249-2023-9-183-199.

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Antiphon was a significant figure in Athenian public life and social thought of the last half of the 5th century B.C. The article raises a question whether his opinions in ethical and especially political sphere changed. with the course of time. In his late career, Antiphonte acted as a staunch opponent of democracy, and in 411 BC he is known to have co-leaded an oligarchic coup in Athens and the resulting regime of the Four Hundred (for which he was executed after the overthrow of this government). The author proceeds from the following chronology of Antiphon’s work: “Tetralogies” and “On the truth” – 440s B.C., “On the concord” – 430s or 420s B.C., forensic speeches – 410s B.C. There are the following conclusions. In the field of ethics, Antiphon in his early treatise “On the truth” expressed some non-traditional opinions, which were even chocking for their cynicism, but in his later works he held more conservative views. As to his political position, it was never really democratic. Antiphon was and remained an opponent of democracy and proponent of oligarchy; it is possible that he gradually changed from a more moderate oligarch to a more radical one.
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Edwards, Michael J. "Antiphon and the Beginnings of Athenian Literary Oratory." Rhetorica 18, no. 3 (2000): 227–42. http://dx.doi.org/10.1525/rh.2000.18.3.227.

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Abstract: The development of an oratorical literary genre is connected with the work of Antiphon, the first in the canon of ten Attic orators. This paper argues against the modern view that the beginnings of literary oratory date to the 420s B.C. when Antiphon began publishing his speeches. It argues that this view depends on a mistaken conception of literacy in the ancient world and that Antiphon's speech-writing activities began much earlier. The argument is based on references to Antiphon in contemporary and later sources, the dating of his speeches, the authenticity and dating of the Tetralogies, and Antiphon's reputation in antiquity as the first logographer.
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Nowacki, Edward. "The Latin antiphon and the question of frequency of interpolation." Plainsong and Medieval Music 21, no. 1 (March 2, 2012): 23–39. http://dx.doi.org/10.1017/s0961137111000192.

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ABSTRACTThe theory that the antiphon is a kind of refrain and that its original purpose was to be inserted between all the verses of its respective psalm was articulated by Giuseppe Maria Tommasi in the seventeenth century and has been transmitted by liturgical historians with little criticism ever since that time. The present article examines the evidence on which that theory rests, with special attention to the writings of Amalar of Metz, and finds it to be inconclusive or positively contrary to the claims that have been built upon it. The article considers the evidence of antiphonal psalmody at Mass, as transmitted in Ordo Romanus I, and finds support there for the view that antiphons were normally performed only at the beginning and end of their respective psalms. After considering briefly the Liber Pontificalis and the tradition of psalmodic differentiae, the article turns to the treatment of antiphonal psalmody by the liturgical historians Guillaume Durand and Radulph de Rivo in the late Middle Ages and finds in their writings no evidence of a belief that frequent interpolation was the authentic primitive practice. The article concludes that two iterations of the antiphon, once at the beginning and once at the end of the psalm, suited its original thematic intent and that the theory of reiteration after every verse – effectively conflating antiphonal and responsorial psalmody – may be no older than the liturgical scholarship of Tommasi in the late seventeenth century.
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Takhtajan, Souren A. "Antiphon in the New Millennium." Philologia Classica 17, no. 2 (2022): 253–68. http://dx.doi.org/10.21638/spbu20.2022.205.

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This paper is an overview — in it I take a critical look at works that have come out in recent years about Antiphon. My primary focus is on four books: two scholarly works on Antiphon, one by Annie Hourcade and another by Michael Gagarin, an edition of the fragments of Antiphon’s treatises with a detailed commentary by Gerard Pendrick, and, finally, a new edition of Antiphon’s speeches prepared by Mervin Dilts and David Murphy. There is still a dispute among scholars about the authorship of the Corpus Antiphonteum. Some (the separatists) consider that there were separate authors for the speeches, on the one hand, and for the treatises, on the other — Antiphon the orator and Antiphon the sophist, respectively. Others (the unitarians) insist that there was a single author for both the speeches and the treatises. In the 19th and the first half of the 20th centuries, the separatists had the upper hand, but the situation slowly began to change, and now most scholars — rightly so in my opinion — argue for a single authorship. The separatists are compelled to divide the biographical testimonies of Antiphon between the orator and the sophist. But in the case of a single Antiphon, it turns out there is more than a little information about that person. In this paper, I present a review of scholarly opinion about evidence according to which Antiphon invented τέχνη ἀλυπίας and opened a psychotherapeutic clinic, where he tried to help his patients using verbal therapy. Some scholars call the tradition of the clinic into question. The separatists attribute any evidence about it to Antiphon the sophist. Like other scholars, I uphold the credibility of the clinic. I also take a look at the image of Antiphon presented by Xenophon (Mem. 1, 6.). Many scholars consider Xenophon’s story to be fictitious or reject it outright. The separatists believe that Xenophon calls Antiphon a sophist in the very first sentence of the sixth chapter in order to distinguish him from his namesake, Antiphon the orator. I think Xenophon’s goal is different. Socrates,in conversation with Antiphon during their second meeting, which Xenophon describes later on in the same chapter, likens sophists to πόρνοι (Mem. 1. 6. 13). Obviously, Xenophon calls Antiphon a sophist because he intends that the shameful implications of this comparison be applied first and foremost to him. Hourcade and Gagarin want to show that the author of the treatises and the speeches was one and the same person. Even though Pendrick is a separatist, the parallels he draws between the fragments of the treatises and individual passages in the speeches also, I think, favor the idea of a single Antiphon. I conclude that, thanks to the workof these scholars, Antiphon has, although not yet fully, been put back together again.
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O'Connell, Peter A. "THE RHETORIC OF VISIBILITY AND INVISIBILITY IN ANTIPHON 5, ON THE MURDER OF HERODES." Classical Quarterly 66, no. 1 (May 2016): 46–58. http://dx.doi.org/10.1017/s0009838816000343.

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Alone among surviving Athenian homicide orations, Antiphon's On the Murder of Herodes resembles a modern murder mystery. Antiphon's client, a Mytilenean named Euxitheus, tells a story of a stormy night, an isolated harbour, a drunken murder victim, a missing corpse, misleading bloodstains, forged documents and hints of political intrigue. And, like in any good whodunnit, Euxitheus insists that no one knows who the killer is. Although all the clues seem to point to him, he maintains that Herodes' relatives have manipulated the evidence to make him seem guilty. We do not know whether Euxitheus succeeded in convincing his jurors, but the author of the Life of Antiphon attributed to Plutarch, who says that Antiphon was ‘adept in situations with no way out’ (ἐν τοῖς ἀπόροις τεχνικός), considers On the Murder of Herodes one of Antiphon's finest compositions (832E, 833D).
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Lee, Jeong-soon. "Methods for selecting 『Catholic Chant』 by analyzing the Communion Antiphons for Lent in 『Graduale Triplex』." Korean Society of Human and Nature 4, no. 1 (June 30, 2023): 181–208. http://dx.doi.org/10.54913/hn.2023.4.1.181.

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Mass in the Catholic Church consists of the Liturgy of the Word and the Liturgy of the Eucharist. The Communion Antiphon is a song that is sung while receiving Communion, the most important moment in the Eucharistic liturgy. The proper text of the Communion Antiphon reminds us of the key words of the Liturgy of the Word that day. However, at present, the proper text of the Communion Antiphon remains as a sentence, and instead, the Communion song for common times is sung. The limited classification of hymnals and the standardized selection of songs made songs with proper texts hidden. The purpose of this study is to actively help believers sing joyfully, reflecting on the message of the Word of the day by selecting a chant suitable for the proper text of the Communion Antiphon in the liturgy of the Mass. The scope of the study is the proper text of the Communion Antiphon during Lent. The research method is to analyze and utilize the sources of the 11 Communion Antiphons of the Gregorian chant in the 『Graduale Triplex』 and select appropriate songs from the 『Catholic Chant』. Among 『Catholic chant』, 8 songs that matched the proper text were selected. In addition, 15 related songs were selected, such as the lyrics of the proper text, the same liturgical meaning, and the words of the psalms in the Communion. The sources of the Communion Antiphons during Lent are 9 Gospels and 2 Psalms. Looking at the source of the word until the time of resurrection, 1 first reading and 2 second readings are included. The organic relationship between the various sources of the proper text and the liturgical text gave elasticity to the scope of application. One of the four new proper text was changed from the psalms to the gospel, and three songs were changed within the gospel, all of which developed into more specific and active gospel messages. As a result of the research, there were far more songs suitable for the proper text than expected. The richness of the Catholic Hymnal, which was made with the devotion of many people over a long period of time, was revealed. In order to further reveal the true value of Catholic hymnal, it is necessary to supplement the classification of hymnal and the information on the sources of words in more detail. In addition, if we refrain from a uniform selection of songs and select songs based on liturgical texts, the light of the Word and the joy of praise will be doubled. This is because the essence of liturgical chant lies in the Words and prayers. Therefore, the meticulous use of Catholic hymnal is a way to faithfully follow both the spirit of the <Gregorian Chant>, which is entirely centered on the Word, and the <Liturgical Charter>, which focuses on congregational praise. As a follow-up work, I plan to select songs that make use of the proper text of the Communion Antiphons of all liturgical seasons. It is hoped that this study will awaken the importance of the proper text and selection of the Communion Antiphon, and that the proper texts of the Communion Antiphon, which are not found in the Catholic hymnal, will be born as an easy and gracious chant for the congregation.
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Afonasin, Eugene. "Antiphon. Fragments and Testimonia." ΣΧΟΛΗ. Ancient Philosophy and the Classical Tradition 15, no. 1 (2021): 339–421. http://dx.doi.org/10.25205/1995-4328-2021-15-1-339-421.

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Antiphon (c. 480–411 BCE) was famous in antiquity for his forensic speeches as well as more theoretical works, such as The Truth and On concord. He is also credited with the invention of logography as a profession. The majority of his heritage is now lost. The present publication contains a collection of scant doxographic evidence about Antiphon’s life and writings. The evidences are based on A. Lask and G. Most’ Early Greek Philosophy (2016).
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Silva, Jerônimo Pereira. "Introibo ad altare Dei (Sl 42,4). Uma antífona para “com-pose” a procissão da comunhão." Revista Eclesiástica Brasileira 80, no. 316 (July 28, 2020): 409. http://dx.doi.org/10.29386/reb.v80i316.2054.

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Desde a Antiguidade a lex orandi da Igreja selecionou versículos da Sagrada Escritura (lectio divina), que, depois de artisticamente musicados (lex canendi), se tornaram formas rituais (lex celebrandi) chamadas “antífonas”. A celebração eucarística é ritmada por três antífonas: da Entrada; do Ofertório e da Comunhão. O presente artigo, dividido em três partes, desenvolve um estudo sobre a terceira delas. Na primeira parte, o Autor apresenta a Antífona da Comunhão in genere e nas segunda e terceira trata especificamente da Antífona da Comunhão ad libtum para as missas do Comum da Dedicação das Igrejas, Introibo ad altare Dei, como vem apresentada pelo Graduale Romanum. A conclusão do artigo se apresenta como uma leitura mistagógica do complexo procissão para a comunhão, altar e Antífona da Comunhão. Abstract: Since the first centuries, the Church’s lex orandi has selected some Scriptural verses (lectio divina), which, after having been artistically set to music (lex canendi), became a ritual form (lex celebrandi) called Antiphon. In the Eucharistic Celebration we can find three Antiphons: the Introit, the Offertory and the Communion. This article, split in three different sections, is a study of the third one. In the first section, the author presents the Communion’s Antiphon in general. In the second and in the third ones, he specifically discusses the ad libitum Antiphon Introibo ad altare Dei, as appointed in the Graduale Romanum for the Churches’ Dedication Masses.The article’s conclusion shows a mystagogical overview of the ritual whole including: Communion’s Procession, Altar and Communion’s Antiphon.Keywords: Antiphon; Procession; Eucharist; Altar; Music/Chant
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Vision, G. "Antiphon." Analysis 47, no. 2 (March 1, 1987): 124–28. http://dx.doi.org/10.1093/analys/47.2.124.

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Allen, Danielle. "ANTIPHON." Classical Review 54, no. 2 (October 2004): 310–12. http://dx.doi.org/10.1093/cr/54.2.310.

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Dissertations / Theses on the topic "Antiphon"

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Moscarelli, Laura. "Les philosophies de Protagoras et d'Antiphon : l'actualité politique d'un héritage manqué." Thesis, Paris 8, 2017. http://www.theses.fr/2017PA080120/document.

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Dans notre travail de recherche nous voulons, d’un côté, valoriser l’actualité éthique et politique de la pensée sophistique et, de l’autre, réhabiliter la pensée de Protagoras et d’Antiphon sur un plan purement philosophique. Nous considérons les sophistes, en général, et Protagoras et Antiphon, en particulier, comme étant les « ancêtres » de l’antidogmatique et du relativisme dans le domaine de la philosophie, de l’anthropologie ou encore dans le domaine historico-politique. Par conséquent, ils étaient aussi les ancêtres du courant laïc, critique et démocratique de la pensée occidentale qui, malgré avoir toujours été « minoritaire », représente l’un des fondements de l’identité culturelle européenne. Cette dernière a une grande « dette » envers eux, desquels elle a repris et réutilisé de nombreux concepts et de multiples inventions philosophiques sans presque jamais leur en attribuer le mérite.Pour reconstruir les philosophies des deux sophistes, nous avons démarré notre recherche par une traduction et une étude des sources à notre disposition, ainsi que par une analyse approfondie des contextes historiques, sociaux, économique, politiques et culturels.Nous avons présenté les discours des deux philosophes comme une sorte d’antilogie : nous apprendons de PRO-tagoras qu’il est possible de créer une société qui correspond à nos valeurs ; et d’ANTI-phon que le sens critique, la remise en question et la lutte politique sont nécessaires afin que le nomos soit toujours respectueux de l’évolution et des changements de notre société. Nous avons enfin opéré une confrontation critique entre les deux philosophies afin d’en ressortir trois perspectives utiles pour notre présent et notre futur : l’antidogmatisme, le relativisme constructiviste et le minoritarisme
In our research work we want, on the one hand, to enhance the ethical and political relevance of sophistic taught and, on the other, to rehabilitate the thinking of Protagoras and Antiphon on a purely philosophical level.In general, we consider the sophists, and particularly Protagoras and Anthiphon, as the “ancestors” of the antidogmatic and relativism in the philosophic, anthropologic or historical-political fields. Consequently, they were also the ancestors of the secular, critical and democratic current of Western thought which, despite having always been a "minority", is one of the foundations of European cultural identity.The latter has a great "debt" towards them, from which it has taken and reused many concepts and numerous philosophical inventions without almost ever granting them the merit.To reconstruct the philosophies of the two sophists, we began our research with a translation and a study of the sources available to us, as well as an in-depth analysis of the historical, social, economic, political and cultural contexts.We have presented the speeches of the two philosophers as a kind of antilogy: we learn from PRO-tagoras that it is possible to create a society that corresponds to our values; and from ANTI-phon that the critical sense, the questioning and the political struggle are necessary so that the nomos is always respectful of the evolution and the changes of our society.We have finally made a critical confrontation between the two philosophies in order to reveal three useful perspectives for our present and our future: antidogmatism, constructivist relativism and minoritarism
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Burgess, Jessica. "A theory of the viability of incest: Djuna Barnes's «Ryder», «The Antiphon» and «Nightwood»." Thesis, McGill University, 2010. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=86972.

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In her three major works, Ryder (1928), The Antiphon (1958), and Nightwood (1936), Djuna Barnes explores incest as a mode of being and relating. She focuses on the relationships among the Ryders of Ryder, the Hobbses of The Antiphon, and between Nora Flood and Robin Vote of Nightwood as her three primary instantiations of the incestuous family apparatus. Taken together, Barnes's works present a scale of viability for the incestuous relationship. Through engagement with Barnes's work and her implicit theory of incest, this project seeks to investigate and challenge normative categories of viable relationships that currently do not (nor did they in Barnes's time) include incestuous relationships. Barnes's work suggests that it is the individual instantiations of the incestuous family apparatus that make incest a viable mode of being and relating, just as it is the individual instantiations of the non-incestuous family apparatus that allow the normative definition of the family to thrive. Barnes presents familial relationships as not taboo, and suggests that incest is not necessarily concomitant with trauma, fantasy, or abuse. Through analysis of Barnes's work, this thesis sheds new light on a central dimension of Barnes's work. In addition, through Barnes's conceptions and presentations of incest, the project seeks to open up new understandings of incestuous relationships and their implications, as well as, more generally, consider ways to expand the range of ways-of-life - what I call livelihoods - accepted as valid and valuable (viable) by North American and European culture.
Dans ses trois principaux ouvrages, Ryder (1928), The Antiphon (1958), and Nightwood (1936), Djuna Barnes étudie l'inceste, sous tous ses aspects, en tant que façon d'être et comme moyen relationnel. Elle se concentre sur ces relations à travers les Ryders dans Ryder, les Hobbses dans l'Antiphon ainsi qu'entre Nora Flood et Robin Vote dans Nightwood, comme ses trois principaux cas de l'appareil familial incestueux. L'oeuvre de Barnes mis bout à bout représente l'échelle de viabilité de la relation incestueuse. À travers l'engagement de Barnes dans son travail et sa théorie implicite de l'inceste, ce projet vise à questionner et défier les catégories normatives de rapports viables excluant, de nos jours et du temps de Barnes, la présence de rapports incestueux. L'oeuvre de Barnes propose que dans chaque cas, chaque individu de l'appareil familial incestueux fait de l'inceste une façon d'être viable et un moyen relationnel, de même que dans chaque cas, chaque individu d'un appareil familial non incestueux permet la définition normative de la famille épanouit. Barnes aborde la relation familiale comme sans tabou, et suggère que l'inceste ne coïncide pas nécessairement à traumatisme, fantasme, ou abus. Par l'analyse de son oeuvre, cette thèse éclaire une nouvelle avenue à la dimension centrale de son travail. De plus, dans les conceptions et les présentations de l'inceste de Barnes, ce projet tend à ouvrir de nouveaux horizons des relations incestueuses ainsi que leurs implications, autant que, de façon général, élargir la gamme de modes de vie, que j'appelle moyens de subsistance, acceptée comme valide et valable, dans le sens de viable dans la culture Nord-américaine et européenne.
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Lumma, Liborius Olaf. "Qui manducat carnem meam et bibit sanguinem meum : theologische Implikationen der Gregorianischen Communio-Antiphonen de evangelio im Messproprium des Temporale /." Münster [u.a.] : LIT, 2009. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=018683837&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Lumma, Liborius Olaf. "Qui manducat carnem meam et bibit sanguinem meum theologische Implikationen der Gregorianischen Communio-Antiphonen de evangelio im Messproprium des Temporale." Wien Berlin Münster Lit, 2006. http://d-nb.info/99621593X/04.

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Poupelin, Marie-Charlotte. "Forme et rôle de la religion chez les trois premiers orateurs attiques : Antiphon, Andocide et Lysias." Université Paris 4, 1985. http://www.theses.fr/1985PA040047.

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Nardi, Roberto Fernandes De. "As tetralogias de Antifonte: tradução e comentários." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-26012016-133014/.

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Esta dissertação traduz e comenta as Tetralogias de Antifonte. Trata-se dos três discursos que lidam com casos hipotéticos de homicídio compostos na segunda metade do século V a.C. e que são caracterizados como exercícios argumentativos. Para isso, tal pesquisa foi dividida em três partes: (i) um capítulo com a exposição de algumas informações acerca do autor e da obra; (ii) a apresentação de uma edição atualizada seguida de uma tradução completa dos três discursos; e (iii) os comentários referentes a cada um deles.
This study aimed to translate and comment the Tetralogies of Antiphon, which consists of three speeches of hypothetical homicide cases. The speeches were written in second half of the fifth century BC. They consist of exercices in argumentation. The study was divided into three parts: (i) the chapter presenting the author and his work; (ii) an up-to-date edition and a complete translation of the three speeches; and (iii) the commentaries concerning each one of them.
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Hourcade, Annie. "Les sophistes et l'école d'Abdère." Rennes 1, 1999. http://www.theses.fr/1999REN10118.

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Il existe des liens intellectuels significatifs entre la sophistique ancienne et l'ecole d'abdere. Ces echanges, qu'ils soient le reflet d'une communaute de vue ou celui d'une opposition doctrinale, revetent une dimension systematique et revelent une remarquable continuite temporelle. Leur mise en evidence permet de rendre compte des difficultes de la theorie atomistique. L'influence de protagoras sur son concitoyen democrite autorise a justifier le caractere recurrent des sentences pre-sceptiques dans l'oeuvre de l'atomiste. L'infraction du sophiste a l'interdit parmenidien a provoque, en reaction, l'edification par democrite du systeme atomistique, mais a aussi ouvert la voie a l'elaboration de la notion de non-etre relatif : le vide. C'est enfin pour rester fidele aux orientations anthropologiques et politiques de son maitre protagoras que democrite suppose, en contradiction avec le determinisme atomistique, l'existence de la liberte humaine. La these d'une communaute philosophique sophisticoabderitaine permet, en outre, de rendre raison du double heritage -sceptique et atomistique- de l'ecole du nord. Dans les deux cas, un sophiste, par son intransigeance intellectuelle, joue un role central de radicalisation qui induit au sein meme de l'ecole une evolution doctrinale. Cela est vrai de gorgias, qui par son nihilisme absolu inflechit l'ethique du sophiste abderitain anaxarque, aboutissant a la prudente aphasie pyrrhonienne. Cela est egalement vrai d'antiphon l'athenien, democriteen a outrance, qui pousse l'atomisme a ses consequences extremes, soutenant l'existence d'undeterminisme psychique et elaborant une anthropologie strictement atomistique. Representant une radicalisation de la doctrine, dont on trouve une approche parallele chez l'abderitain nausiphane, sophiste lui aussi, une telle orientation conduira epicure a modifier la physique atomistique afin de donner un fondement naturel, contre antiphon, a la liberte de l'homme.
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Eschenburg, Vance Onno. "Measurement of the inclusive branching fractions B- meson decaying to D+ meson-antipion-antipion and B- meson decaying to D(star)+ meson-antipion-antipion /." Full text available from ProQuest UM Digital Dissertations, 2007. http://0-proquest.umi.com.umiss.lib.olemiss.edu/pqdweb?index=3&did=1414134361&SrchMode=1&sid=8&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1220638482&clientId=22256.

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Bain, Jennifer 1967. "Selected antiphons of Hildegard von Bingen : notation and structural design." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23206.

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The musical structure of Hildegard von Bingen's "O quam mirabilis est" is directly linked to its notational system. After placing Hildegards's antiphons within an historical context in chapter one, chapter two reviews three previous analyses of "O quam mirabilis est" by Bronarski (1922), Cogan (1990) and Pfau (1990). The first two analyses ignore the syntax and expression of the text by focusing on the motivic level. The third analysis, though it embraces the text, lacks a formalization in its theoretical model. None of the analyses respond to the original notation. In response, chapter three examines the notation found in the sources containing Hildegard's music (the Riesenkodex and the Dendermonde codex) and discusses the structural importance of pitches within the neumatic groupings. The resulting graphic analysis adapt Schenkerian analytic notation to represent a hierarchy of pitch relationships. Chapter four applies this methodology to four other antiphons by Hildegard: "Hodie aperuit," "Nunc gaudeant," "O virtus sapientie," and "O virgo ecclesia."
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Gerhold, John Alan. "Ring, for orchestra and antiphonal women's choir." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ25056.pdf.

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Books on the topic "Antiphon"

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Antiphon. New York: Tor, 2010.

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Olivier, Debernard, ed. Antiphon. Paris: Bragelonne, 2011.

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Antiphon. Antiphon & Lysias. Chicago: Bolchazy-Carducci, 1985.

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Shea, Martin. Last antiphon. Beverly Hills, Calif: New World Theatre, 1999.

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Antiphon. Antiphon & Andocides. Austin: University of Texas Press, 1998.

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Lysias, Edwards M, and Usher Stephen 1931-, eds. Antiphon & Lysias. Warminster, [England]: Aris & Phillips, 1987.

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Kraß, Andreas, and Christina Ostermann, eds. Hymnus, Sequenz, Antiphon. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110648799.

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contributor, Brunet Claude, Garrido-Hory M. contributor, Gonzalès Antonio contributor, and Antiphon, approximately 480 B.C.-411 B.C., eds. Index thématique de l'esclavage: Antiphon. Besançon: Presses universitaires de Franche-Comté, 2019.

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J, Pendrick Gerard, ed. Antiphon the sophist: The fragments. Cambridge, U.K: Cambridge University Press, 2001.

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Hourcade, Annie. Antiphon d'Athènes: Une pensée de l'individu. Bruxelles: Editions Ousia, 2001.

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Book chapters on the topic "Antiphon"

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Zimmermann, Bernhard. "Antiphon." In Metzler Philosophen Lexikon, 31–32. Stuttgart: J.B. Metzler, 1995. http://dx.doi.org/10.1007/978-3-476-03642-1_14.

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Nesselrath, Heinz-Günther. "Antiphon." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7614-1.

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Eucken, Christoph. "Antiphon: Logoi." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7615-1.

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Hoffmann, Klaus Friedrich. "Der Sophist Antiphon." In Das Recht im Denken der Sophistik, 176–272. Wiesbaden: Vieweg+Teubner Verlag, 1997. http://dx.doi.org/10.1007/978-3-663-12011-7_6.

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Kraß, Andreas, and Christina Ostermann. "Einleitung." In Hymnus, Sequenz, Antiphon, edited by Andreas Kraß and Christina Ostermann, 1–12. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110648799-001.

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Ammer, Jessica. "Die Reimpaarübersetzungen des Hymnus Veni creator spiritus." In Hymnus, Sequenz, Antiphon, edited by Andreas Kraß and Christina Ostermann, 15–36. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110648799-002.

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Standke, Matthias. "Die deutschen Übertragungen des Hymnus Jesu dulcis memoria Überlegungen zu Umfang und Strophenfolge im Spannungsfeld von Liturgie und Volkssprache." In Hymnus, Sequenz, Antiphon, edited by Andreas Kraß and Christina Ostermann, 37–64. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110648799-003.

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Ostermann, Christina. "Sehen und Erkennen Der Hymnus Ave vivens hostia und seine mittelalterlichen deutschen Übertragungen." In Hymnus, Sequenz, Antiphon, edited by Andreas Kraß and Christina Ostermann, 65–93. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110648799-004.

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Bußmann, Britta. "Mischsprachigkeit Heinrich Laufenbergs Bearbeitungen der Antiphon Ave regina caelorum und des Hymnus Ave maris stella." In Hymnus, Sequenz, Antiphon, edited by Andreas Kraß and Christina Ostermann, 94–122. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110648799-005.

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Kraß, Andreas. "Der Mönch von Salzburg als Übersetzer von Hymnen und Sequenzen Die Fallbeispiele Lauda Sion salvatorem und Stabat mater dolorosa." In Hymnus, Sequenz, Antiphon, edited by Andreas Kraß and Christina Ostermann, 125–71. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110648799-006.

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Conference papers on the topic "Antiphon"

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Наумова, Н. И. "К ПОНЯТИЮ «VOTIVE ANTIPHON» В АНГЛИЙСКОЙ ДУХОВНОЙ МУЗЫКЕ РАННЕЙ ТЮДОРОВСКОЙ ЭПОХИ." In ТЕРМИНЫ, ПОНЯТИЯ И КАТЕГОРИИ В МУЗЫКОВЕДЕНИИ. Казань: Казанская государственная консерватория имени Н.Г. Жиганова; Московская государственная консерватория имени П. И. Чайковского, 2021. http://dx.doi.org/10.48201/9785854012843_362.

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Scarlat, Carla Amalia. "EFFICIENT FOUNDATION SOLUTION FOR AN ANTIPHON AND ANTIVIBRATION ENCLOSURE MADE INSIDE OF BASEMENT OF A EXISTEING BILDING." In 15th International Multidisciplinary Scientific GeoConference SGEM2015. Stef92 Technology, 2011. http://dx.doi.org/10.5593/sgem2015/b12/s2.038.

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Sawyer, Benjamin D., Bruce Mehler, and Bryan Reimer. "Toward an Antiphony Framework for Dividing Tasks into Subtasks." In Driving Assessment Conference. Iowa City, Iowa: University of Iowa, 2017. http://dx.doi.org/10.17077/drivingassessment.1622.

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Lanz, Vojtěch, and Jan Hajič. "Text boundaries do not provide a better segmentation of Gregorian antiphons." In DLfM 2023: 10th International Conference on Digital Libraries for Musicology. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3625135.3625143.

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Barros, Caroline, Natália Ferreira, Jerson Silva, and Tuane Vieira. "bLf-PrP interaction: the antiprion effect of bovine lactoferrin." In International Symposium on Immunobiologicals. Instituto de Tecnologia em Imunobiológicos, 2022. http://dx.doi.org/10.35259/isi.2022_52259.

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Borisova, Tatyana. "ON THE QUESTION OF THE ELDEST TEXTOLOGICAL LAYER OF THE HOLY WEEK SERVICES (Based on the Holy Friday Hours)." In THE PATH OF CYRIL AND METHODIUS – SPATIAL AND CULTURAL HISTORICAL DIMENSIONS. Cyrillo-Methodian Research Centre – Bulgarian Academy of Sciences, 2023. http://dx.doi.org/10.59076/2815-3855.2023.33.09.

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The present paper deals with the eldest stages of Church Slavonic translations of Byzantine hymnography reconstructed over the Great and Holy Week services of the early South and East Slavonic manuscripts. Specifically the Service of the Great and Holy Friday Hours was studied on the material of 15 Triodia and Stichiraria from 12th–14th centuries. The comparative analysis of the Greek and Slavonic sources demonstrated the great divergence in the certain service structure and text and revealed that it was composed and extended gradually by compiling of hymnographic units from the Antiphons and the Vespers Services. Some of these troparia retained the features of the first Slavonic translations, while the others in the same manuscripts probably originated from later versions. The textological history of the certain service in the manuscripts under analysis was reconstructed and the changes that occurred on every stage of this history due to either systematic corrections according to Greek manuscripts or compilations of various Slavonic sources were described.
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Bartulović, Željko, and Hrvoje Vuković. "NESRETAN SLUČAJ U SPORTU – OD ANTIČKE GRČKE DO SUVREMENOG UGOVORA O OSIGURANjU SPORTAŠA." In XIX majsko savetovanje. University of Kragujevac, Faculty of Law, 2023. http://dx.doi.org/10.46793/xixmajsko.225b.

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In the first part of this paper, the authors deal with a preserved ancient source about an unfortunate case in sports in Antiphon's Second Tetralogy as proof of the existence mutual point of legal considerations and sport at that time. The question arises of the non/responsibility of an athlete who caused the death of another athlete on the practice field. In the second part of the paper, the contemporary insurance of athletes due to the consequences of an accident is analyzed, the obligation and voluntariness of insurance, the rights and obligations of the contracting parties, the characteristics of the insurance contract, the conclusion of the contract, insurable interest, risk, etc.
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Bartulović, Željko, and Hrvoje Vojković. "NESRETAN SLUČAJ U SPORTU – OD ANTIČKE GRČKE DO SUVREMENOG UGOVORA O OSIGURANjU SPORTAŠA." In XIX majsko savetovanje. University of Kragujevac, Faculty of Law, 2023. http://dx.doi.org/10.46793/xvixmajsko.225b.

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In the first part of this paper, the authors deal with a preserved ancient source about an unfortunate case in sports in Antiphon's Second Tetralogy as proof of the existence mutual point of legal considerations and sport at that time. The question arises of the non/responsibility of an athlete who caused the death of another athlete on the practice field. In the second part of the paper, the contemporary insurance of athletes due to the consequences of an accident is analyzed, the obligation and voluntariness of insurance, the rights and obligations of the contracting parties, the characteristics of the insurance contract, the conclusion of the contract, insurable interest, risk, etc.
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Mozhaitsev, Evgenii, Evgenii Suslov, Darya Rastrepaeva, Dina Korchagina, Nikolay Bormotov, Olga Yarovaya, Olga Serova, Alexander Agafonov, Rinat Maksyutov, and Larisa Shishkina. "New adamantane derivatives containing monoterpene fragments in their structure and investigation of their antipox activity." In 6th International Electronic Conference on Medicinal Chemistry. Basel, Switzerland: MDPI, 2020. http://dx.doi.org/10.3390/ecmc2020-07302.

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