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Journal articles on the topic 'Antiquarianism'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 June 2025

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1

Jackson Williams, Kelsey. "Antiquarianism: A Reinterpretation." Erudition and the Republic of Letters 2, no. 1 (2017): 56–96. http://dx.doi.org/10.1163/24055069-00201002.

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Antiquarianism, the early modern study of the past, occupies a central role in modern studies of humanist and post-humanist scholarship. Its relationship to modern disciplines such as archaeology is widely acknowledged, and at least some antiquaries—such as John Aubrey, William Camden, and William Dugdale—are well-known to Anglophone historians. But what was antiquarianism and how can twenty-first century scholars begin to make sense of it? To answer these questions, the article begins with a survey of recent scholarship, outlining how our understanding of antiquarianism has developed since the ground-breaking work of Arnaldo Momigliano in the mid-twentieth century. It then explores the definition and scope of antiquarian practice through close attention to contemporaneous accounts and actors’ categories before turning to three case-studies of antiquaries in Denmark, Scotland, and England. By way of conclusion, it develops a series of propositions for reassessing our understanding of antiquarianism. It reaffirms antiquarianism’s central role in the learned culture of the early modern world and offers suggestions for avenues which might be taken in future research on the discipline.

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2

Murray, Tim. "Rethinking Antiquarianism." Bulletin of the History of Archaeology 17, no. 2 (2007): 14. http://dx.doi.org/10.5334/bha.17203.

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3

Barrett, John C. "The new antiquarianism?" Antiquity 90, no. 354 (2016): 1681–86. http://dx.doi.org/10.15184/aqy.2016.216.

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Christopher Witmore (2014: 215) recently observed that “things go on perturbing one another when humans cease to be part of the picture. A former house may be transformed through relations with bacteria, hedgehogs, water, compaction”; and if the materials that archaeologists confront are material memories (cf. Olivier 2011) from which a past is to be recalled in the future, then The kind of memory that things hold often tells us little of whether materials strewn across an abandonment level resulted from the reuse of a structure as a sheepfold, a series of exceptional snow storms, the collapse of a roof made of olive wood after many years of exposure to the weather (rapports between microbes, fungi, water and wood), the cumulative labors of generations of badgers, children playing a game in a ruin, or the probing roots of oak trees (Witmore 2014: 215). In other words, the things that archaeologists confront bear the memories of their own formation without the necessity of a human presence, and the traditional and often exclusive priority given to a human agency in the making of those things and in giving them meaning is simply misplaced. Things get on “just fine” without the benefit of human intervention and interpretation (Witmore 2014: 217). Should archaeology therefore allow that it is not a discipline concerned with excavating the indications of the various past human labours that once acted upon things, and should it eschew the demand to “look beyond the pot, the awl or a stone enclosure for explanations concerning the reasons for their existence” (Witmore 2014: 204)? Consequently, is archaeology now a matter of following the things themselves to wherever they might lead—what Witmore characterises as the New Materialisms—and if so, are we now to practise archaeology “not as the study of the human past through its material remains, but as the discipline of things” (Witmore 2014: 203)?

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4

MacRae, Duncan E. "Late Antiquity and the Antiquarian." Studies in Late Antiquity 1, no. 4 (2017): 335–58. http://dx.doi.org/10.1525/sla.2017.1.4.335.

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Arnaldo Momigliano, the most influential modern student of antiquarianism, advanced the view that there was a late antique antiquarianism, but also lamented the absence of study of the history of antiquarianism in this period. Part of the challenge, however, has been to define the object of such a study. Rather than “finding” antiquarianism in late antiquity as Momigliano did, this article argues that a history that offers explicit analogies between late antique evidence and the avowed antiquarianism of early modern Europe allows a more self-conscious and critical history of late antique engagement with the past. The article offers three examples of this form of analysis, comparing practices of statue collecting in Renaissance Rome and the late Roman West, learned treatises on the Roman army by Vegetius and Justus Lipsius, and feelings of attachment to a local past as a modern antiquarian stereotype and in a pair of letters to and from Augustine of Hippo.

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5

Adamsen, Christian. "Antikvarer og oldforskning på Grundtvigs tid." Grundtvig-Studier 57, no. 1 (2006): 99–109. http://dx.doi.org/10.7146/grs.v57i1.16494.

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Antikvarer og oldforskning på Grundtvigs tid[Antiquarians and the Study of Antiquity during Grundtvig’s Lifetime]By Christian AdamsenWhile the 17th and 18th centuries were dominated by the so-called antiquarianism, the 19th century saw the dawn of scientific archaeology. The Danish Royal Commission of Antiquities in Copenhagen, established 1807 (much later to become the National Museum), sent out a questionnaire to every clerk in the country in order to collect information about various antiquities. The answers, recently published in full text, reflect not only the local perception of Antiquity all over the country, but also the amount of knowledge available to the commission members in Copenhagen. Central persons in the Danish development are Frederik Munter, Rasmus Nyerup, Christian Jurgensen Thomsen and J. J. A. Worsaae. The relations between Grundtvig and the professional antiquarians were however distant but heartful, still Grundtvig’s lifelong efforts probably constitute the most important contribution to the 20th century status of archaeology as the most widespread Danish hobby.

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6

Guest, Clare E. L. "Art, antiquarianism and early anatomy." Medical Humanities 40, no. 2 (2014): 97–104. http://dx.doi.org/10.1136/medhum-2013-010419.

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7

Hill, R. "Keats, Antiquarianism, and the Picturesque." Essays in Criticism 64, no. 2 (2014): 119–37. http://dx.doi.org/10.1093/escrit/cgu005.

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8

Brown, Patricia Fortini. "The Antiquarianism of Jacopo Bellini." Artibus et Historiae 13, no. 26 (1992): 65. http://dx.doi.org/10.2307/1483431.

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9

Hamilton, Donna B. "Catholic Use of Anglo-Saxon Precedents, 1565–1625." Recusant History 26, no. 4 (2003): 537–55. http://dx.doi.org/10.1017/s0034193200031757.

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The study of antiquarianism and particularly of the use of Anglo-Saxon precedents in England in the sixteenth and seventeenth centuries has belonged primarily to historians of Protestantism and parliament, to their studies of English Protestant antiquarians and English Protestant theories of common law, royal absolutism, constitutionalism, Laudian Anglicanism, and non-conforming Protestant resistance. Although it has been clear to everyone that Protestant interest in Saxonism was part and parcel of an anti-Catholic agenda, the Catholic side of this discourse has been virtually unexamined. The focus almost exclusively on Protestant Saxonism has isolated even Protestant thought from some of the contexts within which it developed and, more obviously, has all but occluded the importance of Saxonism to a range of Catholic arguments.

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10

Marsden, Richard. "In Defiance of Discipline: Antiquarianism, Archaeology and History in Late Nineteenth-Century Scotland." Journal of Scottish Historical Studies 40, no. 2 (2020): 103–33. http://dx.doi.org/10.3366/jshs.2020.0299.

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The nineteenth century is often seen as the period in which old-fashioned antiquarianism gave way to modern archaeological science. Whilst that is certainly the case, this article argues that in Scotland that new emphasis on material evidence and prehistory remained part of a broad antiquarian sphere until the early twentieth century. Even towards the end of the 1800s, antiquarianism continued to encompass the study of both material culture and documentary sources. It was also, for a time at least, a major influence on narrative history-writing. Throughout this period, it was primarily in Scotland's antiquarian community, rather than its academic or professional institutions, that collective understandings of the nation's history were advanced. The article thus uses the Scottish case study to question common assumptions about the decline of polymathic antiquarianism and the rise of specialist disciplinarity in the later part of the nineteenth century.

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11

Kidd, Colin. "Antiquarianism, religion and the Scottish Enlightenment." Innes Review 46, no. 2 (1995): 139–54. http://dx.doi.org/10.3366/inr.1995.46.2.139.

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12

WILLIAMS, JONATHAN. "PLINY, ANTIQUARIANISM, AND ROMAN IMPERIAL COINAGE." Bulletin of the Institute of Classical Studies 50, Supplement_100 (2007): 171–82. http://dx.doi.org/10.1111/j.2041-5370.2007.tb02470.x.

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13

GOULD, REBECCA. "ANTIQUARIANISM AS GENEALOGY: ARNALDO MOMIGLIANO'S METHOD." History and Theory 53, no. 2 (2014): 212–33. http://dx.doi.org/10.1111/hith.10706.

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14

Eppihimer, Melissa. "A paradox of eighteenth-century antiquarianism." Journal of the History of Collections 28, no. 2 (2015): 191–208. http://dx.doi.org/10.1093/jhc/fhv021.

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15

Roebuck, Thomas. "Politics, Patronage and Medieval Scholarship: Henry Savile’s Rerum Anglicarum scriptores post Bedam (1596) in Context." Erudition and the Republic of Letters 6, no. 1-2 (2021): 61–115. http://dx.doi.org/10.1163/24055069-06010005.

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Abstract Henry Savile’s Rerum Anglicarum scriptores (1596), his collection of writings of medieval historians, was essential reading for Britain’s antiquaries for generations. However, it has not generally figured largely in histories of British antiquarianism and its publication has seemed a puzzling episode in Savile’s scholarly career. This article draws on newly-discovered or redated print and manuscript evidence to illuminate the nexus of politics and patronage from which the book emerged. Exploring Savile’s place within British antiquarianism, his practice as an editor of medieval manuscripts, and the volume’s publication in Frankfurt, the essay argues that Savile’s Scriptores constitutes a significant departure from earlier sixteenth-century traditions of medieval textual editing.

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16

Wunder, Amanda. "WESTERN TRAVELERS, EASTERN ANTIQUITIES, AND THE IMAGE OF THE TURK IN EARLY MODERN EUROPE." Journal of Early Modern History 7, no. 1 (2003): 89–119. http://dx.doi.org/10.1163/157006503322487368.

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AbstractEducated elite Europeans who visited Constantinople on diplomatic, scholarly, and commercial enterprises in the sixteenth century shared a common culture of antiquarianism, and their passion for the antiquities of the East shaped their accounts of the Turk and Ottoman Constantinople. The traveling antiquarians Augier Ghislain de Busbecq, Pierre Gilles, Melchior Lorck, Pieter Coecke van Aelst, and Nicholas de Nicolay produced a diverse range of printed works based on their firsthand experiences in the Ottoman Empire, in which they used traditional Renaissance genres (such as the urban encomium, the city view, the historia painting, and the costume book) to depict the Turk either as the enemy of antiquities or, alternatively, as an eternal, exotic object like the relics of the past. While some antiquarian travelers, most notably Lorck, Coecke, and Nicolay, demonstrated the variety that existed amongst the Turks, the ultimate impact of sixteenth-century antiquarian accounts of the Ottoman Empire was to deepen the Western perception of Oriental difference.

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17

Grigg, Robert. "Byzantine Credulity as an Impediment to Antiquarianism." Gesta 26, no. 1 (1987): 3–9. http://dx.doi.org/10.2307/767073.

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18

McGowan, Maggie. "A Novel in Ruins: Thomas Amory’s Antiquarianism." Eighteenth-Century Fiction 34, s1 (2022): 517–46. http://dx.doi.org/10.3138/ecf.34.s1.517.

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This essay considers Thomas Amory’s Memoirs of the Lives of Several Ladies of Great Britain (1755) and The Life and Opinions of John Buncle, Esq. (1756) as experiments in the novel form. Amory’s novels flout many of the genre’s central conventions—like plot and character development—and instead present a deluge of facts, theories, and natural historical and antiquarian descriptions. I argue that these novels offer a peculiar sort of formal or fictional realism that attends not to particular people or places but to the general impressions of objects and ideas. In light of William Stukeley’s antiquarianism, which includes a model for what I label an “ecstatic epistemology” that affectively registers a general sense of the whole in excess of a ruin’s fragments, I read the formal peculiarities of Amory’s novels as a means for producing knowledge about the forms of ideas. By attaching feelings to these ideas—feelings that range from boredom to sublimity—Amory’s novels can give us the general sense of their form.

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19

Hill, Richard. "Review: Tracing Architecture: The Aesthetics of Antiquarianism." British Journal of Aesthetics 45, no. 3 (2005): 314–15. http://dx.doi.org/10.1093/aesthj/ayi041.

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20

Leighton, Robert. "Antiquarianism and Prehistory in West Mediterranean Islands." Antiquaries Journal 69, no. 2 (1989): 183–204. http://dx.doi.org/10.1017/s0003581500085401.

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In the West Mediterranean islands before the mid-nineteenth century, discoveries of fossil bones, prehistoric deposits in caves and megalithic monuments stimulated ideas about the remote past, as in other parts of Europe where similar phenomena were observed. Many of these ideas were characteristic of a pre-scientific age and their sources are sometimes obscure. Their inspiration can often be traced to the Bible, classical texts, folklore, as well as to advances in palaeontology and direct observation of antiquities. The study of fossils and prehistoric remains progressed gradually, following a similar pattern elsewhere. Two lines of enquiry emerged, one closely linked with progress in the natural sciences and the other concerned with ancient monuments and the background to the classical world.

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21

Achim, Miruna. "Writing lessons in antiquarianism: Guillermo Dupaix’s manuscripts." Colonial Latin American Review 29, no. 2 (2020): 316–39. http://dx.doi.org/10.1080/10609164.2020.1755942.

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22

Henig, Martin. "The World of Disney: From antiquarianism to archaeology." Journal of the History of Collections 33, no. 2 (2021): 388–90. http://dx.doi.org/10.1093/jhc/fhab018.

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23

Arnold, Dana, and Stephen Bending. "Editors' Introduction: Tracing Architecture: the Aesthetics of Antiquarianism." Art History 25, no. 4 (2002): 421–30. http://dx.doi.org/10.1111/1467-8365.00336.

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24

Young, Francis. "Edward Kelley’s Danish treasure hoax and Elizabethan antiquarianism." Intellectual History Review 30, no. 2 (2019): 167–86. http://dx.doi.org/10.1080/17496977.2019.1643182.

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25

Rose, Louis. "Book review: Momigliano and the limits of antiquarianism." History of the Human Sciences 22, no. 5 (2009): 102–7. http://dx.doi.org/10.1177/0952695109339639.

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26

Cunnally, John. "ANTIQUARIANISM AND THE ORIGINS OF THE FLATBED MATRIX." Source: Notes in the History of Art 31/32, no. 4/1 (2012): 6–12. http://dx.doi.org/10.1086/sou.31_32.4_1.41552779.

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27

Yeager, Stephen M. "Diplomatic Antiquarianism and the Manuscripts of LaƷamon’s Brut." Arthuriana 26, no. 1 (2016): 124–40. http://dx.doi.org/10.1353/art.2016.0014.

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28

Hamilton, Scott Eric. "Antiquarianism, archaeology, and aporetic immanence in Beckett’s prose." Irish Studies Review 26, no. 2 (2018): 163–80. http://dx.doi.org/10.1080/09670882.2018.1443708.

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29

Acciarino, Damiano. "The nature of renaissance antiquarianism: History, methodology, definition." Acta Antiqua Academiae Scientiarum Hungaricae 57, no. 4 (2017): 485–502. http://dx.doi.org/10.1556/068.2017.57.4.8.

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30

Gamer, Michael C. "Marketing a Masculine Romance: Scott, Antiquarianism, and the Gothic." Studies in Romanticism 32, no. 4 (1993): 523. http://dx.doi.org/10.2307/25601032.

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31

Bann, Stephen. "Clio in Part: On Antiquarianism and the Historical Fragment." Perspecta 23 (1987): 24. http://dx.doi.org/10.2307/1567105.

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32

Pasco-Pranger, Molly. ""Vates operosus": Vatic Poetics and Antiquarianism in Ovid's "Fasti"." Classical World 93, no. 3 (2000): 275. http://dx.doi.org/10.2307/4352416.

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33

Lolla, Maria Grazia. "Monuments and Texts: Antiquarianism and the Beauty of Antiquity." Art History 25, no. 4 (2002): 431–49. http://dx.doi.org/10.1111/1467-8365.00337.

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34

Murray, O. "Momigliano and Antiquarianism: Foundations of the Modern Cultural Sciences." English Historical Review CXXIII, no. 501 (2008): 414–16. http://dx.doi.org/10.1093/ehr/cen065.

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35

Price, J. V. "Antiquarianism in the Augustan Age: Thomas Hearne 1678-1735." Notes and Queries 50, no. 4 (2003): 476–77. http://dx.doi.org/10.1093/nq/50.4.476.

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36

Price, John Valdimir. "Antiquarianism in the Augustan Age: Thomas Hearne 1678–1735." Notes and Queries 50, no. 4 (2003): 476–77. http://dx.doi.org/10.1093/nq/500476.

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37

Siraisi, Nancy G. "History, Antiquarianism, and Medicine: The Case of Girolamo Mercuriale." Journal of the History of Ideas 64, no. 2 (2003): 231–51. http://dx.doi.org/10.1353/jhi.2003.0028.

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38

Orestano, F. "Antiquarianism in the Augustan Age. Thomas Hearne 1678-1735." Journal of the History of Collections 14, no. 2 (2002): 295–96. http://dx.doi.org/10.1093/jhc/14.2.295.

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39

Lindfield, Peter N. "A FAKE OR GENUINE ARTEFACT? THE PARIAN CHRONICLE AND PERCEPTIONS OF AUTHENTICITY IN EIGHTEENTH-CENTURY BRITAIN." Antiquaries Journal 99 (September 2019): 271–95. http://dx.doi.org/10.1017/s0003581519000106.

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A remarkable controversy raged in the late 1780s concerning the authenticity of the Parian Chronicle, a supposedly genuine carved fragment recording ancient Greek history that was included in the 1667 Arundel bequest to the University of Oxford. Drawing in figures in British antiquarianism, including Richard Gough who, as Director of the Society of Antiquaries of London, intervened in the debate with a pamphlet that came out in support of the artefact’s authenticity, this was an important moment in eighteenth-century antiquarian study. Hot on the heels of the now much more well-known Ossian controversy of the 1760s, the Chatterton–Rowley–Walpole debacle from 1770, Chatterton’s subsequent death and the publication of his forgeries from 1777, the literature variously refuting and supporting the Parian Chronicle’s authenticity strikes at the heart of antiquarianism, in particular opening up to dispute assumptions made about or accepted interpretations concerning the authenticity of the fragments upon which subsequent antiquarian work and interpretation was based. This debate took the form of a very public attack upon, and defence of, the Parian Chronicle’s status as a genuine third-century bc antiquarian fragment, and the controversy within antiquarian circles that it occasioned is reconstructed here.

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40

Kolosova, Ekaterina. "ANTIQUARY SOCIETIES IN THE CONTEXT OF EIGHTEENTH-CENTURY BRITISH LITERATURE." RZ-Literaturovedenie, no. 3 (2021): 95–108. http://dx.doi.org/10.31249/lit/2021.03.08.

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The review considers some preconditions for the foundation of antiquary societies in the eighteenth century and their influence on British poetry; antiquarianism as a phenomenon that contributed to research in the fields of linguistics and literary history, history, sociology. A. Ramsay is also considered as a poet who popularized Scottish folk art and made a great contribution to the scholarly study of the Scottish heritage.

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41

Shestakova, Nadezhda F. "From Humphrey Llwyd to Iolo Morganwg: Main Stages of Development of Antiquarian Tradition of Wales in the XVI – Mid XIX Century." Izvestiya of Saratov University. New Series. Series: History. International Relations 20, no. 3 (2020): 353–58. http://dx.doi.org/10.18500/1819-4907-2020-20-3-353-358.

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This article is devoted to the analysis of antiquarian tradition of Wales in the XVI – mid-XIX century. The author highlights the basic stages and reasons for the development of Welsh antiquarianism, and also on the example of the works of a number of Welsh antiquaries gives an assessment of their contribution to the study of the past of the western Celtic region of Britain.

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42

Guimarães, João Paulo. "Sleeping together: Antiquarianism, anti-naturalism and Kate Colby’s narco-poetics." Nordic Journal of English Studies 17, no. 2 (2018): 29. http://dx.doi.org/10.35360/njes.433.

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43

Talvacchia, Bette. "Classical Paradigms and Renaissance Antiquarianism in Giulio Romano's "I Modi"." I Tatti Studies in the Italian Renaissance 7 (January 1997): 81–118. http://dx.doi.org/10.2307/4603702.

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44

Yonan, Michael. "History and Its Objects: Antiquarianism and Material Culture since 1500." Journal of Interdisciplinary History 49, no. 1 (2018): 142–44. http://dx.doi.org/10.1162/jinh_r_01236.

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45

Tessone, Natasha. "Displaying Ireland: Sydney Owenson and the Politics of Spectacular Antiquarianism." Éire-Ireland 37, no. 3-4 (2002): 169–86. http://dx.doi.org/10.1353/eir.2002.0021.

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46

Goff, Alice. "History and Its Objects: Antiquarianism and Material Culture since 1500." German History 36, no. 4 (2018): 637–38. http://dx.doi.org/10.1093/gerhis/ghy081.

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47

Lake, Crystal B. "Antiquarianism as a Vital Historiography for the Twenty-First Century." Wordsworth Circle 50, no. 1 (2019): 74–89. http://dx.doi.org/10.1086/702584.

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48

Sweet, R. "Sciences of Antiquity. Romantic Antiquarianism, Natural History and Knowledge Work." Journal of the History of Collections 26, no. 1 (2013): 119–20. http://dx.doi.org/10.1093/jhc/fht034.

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49

Naylor, Simon. "Collecting quoits: field cultures in the history of Cornish antiquarianism." cultural geographies 10, no. 3 (2003): 309–33. http://dx.doi.org/10.1191/1474474003eu277oa.

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50

Alvarez, David. ""Poetical Cash": Joseph Addison, Antiquarianism, and Aesthetic Value." Eighteenth-Century Studies 38, no. 3 (2005): 509–31. http://dx.doi.org/10.1353/ecs.2005.0023.

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