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Academic literature on the topic 'Antiquariat T'

Author: Grafiati

Published: 4 June 2021

Last updated: 17 February 2022

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Journal articles on the topic "Antiquariat T"

1

von Rahden, Wolfert. "Das Gesicht zwischen den Büchern." Zeitschrift für Ideengeschichte 13, no. 4 (2019): 43–44. http://dx.doi.org/10.17104/1863-8937-2019-4-43.

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August 1984 - Ich befand mich am Schlusstag einer Konferenz in Princeton im Gespräch mit dem Sprachwissenschaftler T. Craig Christy und dem Historiker Tony Grafton. Beide legten mir nahe, vor meinem Abflug in New York auf jeden Fall das Antiquariat Rosenberg in Manhattan aufzusuchen - ein Geheimtipp für Bibliophile, zu denen wir drei uns natürlich zählten. Die Buchhandlung sei überaus gut sortiert, gerade was deutschsprachige Literatur anginge, ich sollte mich überraschen lassen, da man auch ausgesprochene Raritäten dort finden könne.

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2

Fouts, Judi. "Library acquisitions and the antiquarian/op book trade." Library Acquisitions: Practice & Theory 15, no. 1 (January 1991): 45–48. http://dx.doi.org/10.1016/0364-6408(91)90079-t.

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3

Tyson, Thomas N., and David Oldroyd. "STRAW MEN AND OLD SAWS – AN EVIDENCE-BASED RESPONSE TO SY & TINKER'S CRITIQUE OF ACCOUNTING HISTORY." Accounting Historians Journal 34, no. 1 (June 1, 2007): 173–93. http://dx.doi.org/10.2308/0148-4184.34.1.173.

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In a recent Accounting History article, Sy and Tinker (S&T) [2005] critique accounting history for its support of “archivalism” and empiricism in light of irrefutable arguments against these “antiquarian epistemes.” While tempted to lambaste S&T's article as unfettered social activism rather than evidence-based historical inquiry, we focus instead on the more substantive questions S&T raise. We initially summarize their essential arguments, although some of the statements they make are contradictory in nature. We then discuss fundamental issues and genuine challenges to accounting history posed by the post-Kuhnian critique that S&T and others represent, as well as the nature and purpose of historical enquiry. We reviewed the accounting history journal articles published between 2001 and 2005 and use our findings to evaluate the broad assertions that S&T make about accounting history. We conclude that S&T's critique is unwarranted and unjust, especially when the subject matter of the most recent accounting history articles is considered.

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4

O'Sullivan, Neil. ""Rhetorical" vs "linguistic" Atticism." Rhetorica 33, no. 2 (2015): 134–46. http://dx.doi.org/10.1525/rh.2015.33.2.134.

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Modern students of Atticism, the movement which looked to Athenian literature of the classical age to provide models for later composition, often draw a distinction between what they call "rhetorical" (or "stylistic") Atticism of the first century bce and a supposedly later phenomenon termed "linguistic" (or "grammatical") Atticism. This paper questions this dichotomy by showing the clearly linguistic interests of some significant first century bce Greek and Roman Atticists—Caecilius of Calacte, Dionysius of Halicarnassus, and T. Annius Cimber—and by arguing that they demonstrate that an interest in antiquarian diction and morphology is part of Atticism from its beginnings.

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5

Holmes, Matthew. "The perfect pest: natural history and the red squirrel in nineteenth-century Scotland (William T. Stearn Prize 2014)." Archives of Natural History 42, no. 1 (April 2015): 113–25. http://dx.doi.org/10.3366/anh.2015.0284.

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Following the extirpation of the red squirrel from much of Scotland by the end of the eighteenth century, nineteenth-century naturalists strived to find evidence of its native Scottish status. As medieval accounts and Gaelic place names proved ambiguous, the true extent of the squirrel's former habitat was a matter of some debate. While numerous reintroductions of the species were made from the late eighteenth century, general enthusiasm for the return of the squirrel quickly turned to dismay, ultimately followed by persecution. If the squirrel originally represented a symbolic mission to rediscover a lost species, the physical animal itself fell below expectations. It became publically perceived as both economically and ecologically destructive. The squirrel was despised by foresters and landowners for damaging trees, while naturalists condemned the species for the destruction of bird's eggs and nests. This article will investigate naturalists' quests to rediscover the red squirrel, before examining changing attitudes to the species upon its reintroduction and gradual proliferation. The narrative will emerge through the works and correspondence of Scottish naturalist John Alexander Harvie-Brown (1844–1916) and The new statistical account of Scotland (1834–1845). The argument will be made that the red squirrel as an object of antiquarian curiosity initially made the species endearing to natural historians, as part of a wider fascination with extinct British fauna. However, the clash between naturalists’ established ornithological interests did little to endear the species to that community, leaving the red squirrel open to a policy of general persecution on economic grounds.

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6

Bailey, Donald M. "M. T. Paleani: Le Lucerne Paleocristiane. (Monumenti, Musei e Gallerie Pontificie, Antiquarium Romanum, 1.) Pp. x+124; 163 figs. Rome: ‘L'Erma’ di Bretschneider, 1993. Paper L. 150,000." Classical Review 45, no. 1 (April 1995): 202–3. http://dx.doi.org/10.1017/s0009840x0029330x.

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7

Sweet, Roey. "The Prince of Antiquarians: Francesco de Ficoroni. By Ronald T Ridley. 240mm. Pp 297, frontispiece, 55 b&w ills. Edizioni Quasar, Rome, 2017. isbn9788871407753. (pbk) np." Antiquaries Journal 99 (September 2019): 475–76. http://dx.doi.org/10.1017/s0003581519000532.

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8

O'Sullivan, Neil. "Two notes on [Vergil] Catalepton 2." Classical Quarterly 36, no. 2 (December 1986): 496–501. http://dx.doi.org/10.1017/s0009838800012234.

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The difficulty of this little poem is shown by the facts that Ausonius had no idea what it was about, and that Westendorp Boerma's commentary takes 22 pages to explicate its five lines. The latter relies on Quintilian 8.3.27ff., who quotes the poem, saying that Vergil wrote it to attack a certain Cimber for his taste in obsolete words. This is no doubt the Annius Cimber whom Augustus ridiculed when reprimanding Mark Antony for a similar foible (Suet. Aug. 86) and who, as an antiquarius is contrasted with the Asiatici oratores. For convenience, I have kept Westendorp Boerma's text, but I take issue with his interpretation on two points.4 tau Gallicum: since Bücheler tentatively suggested it in RhM 38 (1883), 508, the standard explanation of this has been to point out that a number of Latin inscriptions in Gaul use a Greek θ or else a barred D (Ð), to represent what appears to have been a dental fricative elsewhere indicated in Latin by -sd- or -st-. Thus Frank, AJP 56 (1935), 255, quotes (T)HYÐRITANVS (CIL xii 686) for what is elsewhere spelled Thysdritanus, and says that ‘Ð clearly represents the best that one Celt could do with sd’. On the basis of this supposed Gallic incompetence, Frank went on to see the repeated -st- sounds in the poem as some sort of joke on the orator's inability to pronounce this sound. His view seems to have been generally accepted.There seems to me a profound error in this viewpoint which shows cultural imperialism at its worst. First, let us note that none of the examples of alleged substitution are in Latin words; they are native names for people or places or things. The Latin names by which we know some of them are only the approximation of foreigners, and not in any sense the ‘correct’ names of those people or places.

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Norton, Christopher. "Book reviews - T. B. James & A. M. Robison with Elizabeth Eames. Clarendon Palace. xxiv + 279 pages, 66 colour & b/w plates, 98 figures, 1989. London: The Society of Antiquaries of London; ISBN 0-85431-248-X hardback £84." Antiquity 63, no. 241 (December 1989): 855–56. http://dx.doi.org/10.1017/s0003598x00077097.

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10

Jones, Rebecca H. "Bearsden on the Antonine Wall: the final report - DAVID J. BREEZE, with contributions by L. Allason-Jones, D. Bailey, M. Baillie, I. Banks, P. Bidwell, S. Bohncke, S. Chalmers, G. H. Collins, A. Crone, A. Croom, B. Dickinson, C. Dickson, J. H. Dickson, A. Fitzpatrick, D. Gallagher, G. Gaunt, R. D. Giles, M. Gillings, K. Hartley, M. Henig, A. Jones, L. Keppie, J. Locke, E. MacKie, F. McLaren, I. Máté, J. Maytom, M. J. Moore, G. C. Morgan, J. Price, S. Rees, A. S. Robertson, J. Robertson, A. T. Welfare and D. F. Williams, BEARSDEN. A ROMAN FORT ON THE ANTONINE WALL (Society of Antiquaries of Scotland; Edinburgh2016). Pp. xxxii + 405, ills. 270 most in colour, tables 59. ISBN 978-1-90833-208-0. £30. - DAVID J. BREEZE, BEARSDEN: THE STORY OF A ROMAN FORT (Archaeopress Publishing Ltd., Oxford2016). Pp. v + 123, figs. 99 mostly in colour. ISBN 978 1 78491 490 5. £20." Journal of Roman Archaeology 31 (2018): 831–34. http://dx.doi.org/10.1017/s1047759418002064.

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Books on the topic "Antiquariat T"

1

Hatry, Antiquariat T. Deutsche Literatur der Barockzeit. Heidelberg: Antiquariat T. Hatry, 1992.

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2

Weijland, C. F. Boek & boek: 't adressenboek : tweedehands boekbedrijf en antiquariaat in Nederland 1994. Apeldoorn, Netherlands: Boek & Boek, 1994.

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3

From conquest to coexistence: Ideology and antiquarian intent in the historiography of Israel's settlement in Canaan. Leiden: Brill, 2011.

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4

Howard, Alison. Sheppard's Book Dealers in Australia and New Zealand: A Directory of Antiquarian and Secondhand Book Dealers in Australia, New Zealand, and Parts of t ... of the British Institute in Eastern Africa). R. Joseph Publishers, 1997.

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Book chapters on the topic "Antiquariat T"

1

Schramm, Jan-Melissa. "‘[T]o see the work of God / Achieved for others’." In Censorship and the Representation of the Sacred in Nineteenth-Century England, 87–122. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198826064.003.0003.

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Hone’s work exerted a profound influence over the nineteenth-century antiquarian and almanac traditions. Perhaps more importantly, his influence was also felt in the sacred dramatic literature of the period, with Lord Byron and Richard Carlile in particular expressing strong affinities with Hone’s radical politics and his appropriation of the plays as foundational to a demotic genealogy of blasphemy. Whilst Joanna Baillie, Richard Hengist Horne, Henry Hart Milman, and Digby Starkey also experimented with the form of the mysteries in the decades which followed Hone’s trials, they were compelled by law to position their work as closet drama, and even then their texts remained vulnerable to either prosecution for the common law offence of blasphemy or a denial of copyright protection from pirates as a consequence of their allegedly amoral tendencies. This chapter looks at a number of nineteenth-century sacred dramas to assess their contribution to political protest in their period.

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2

Hauser, Kitty. "Reading Antiquity, Mapping History." In Shadow Sites. Oxford University Press, 2007. http://dx.doi.org/10.1093/oso/9780199206322.003.0008.

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When, in 1978, the poet, critic, and editor Geoffrey Grigson (1905–85) was asked by the Times Literary Supplement which journals had influenced him when young, he answered that one magazine, Antiquity, founded and edited then by O. G. S. Crawford, still seems to me to have been the flower of all periodicals familiar to me in my day. In that treasury, so decently laid out (and so well printed . . . ), prehistory, and history, rather as it was understood by Marc Bloch in France, and later by W. G. Hoskins, and imagination, received a stimulus such as no periodical administered to literature. Antiquity was begun in 1927 by the field archaeologist O. G. S. Crawford (1886–1957) as a quarterly review aiming to disseminate the findings of a new generation of archaeologists in an accessible style and a visually attractive format. For Grigson, this journal most fitted the bill, in the late 1920s and 1930s, of what he calls the ‘periodical of Utopia’ that Tolstoy had called for in 1858. Tolstoy wanted a journal proclaiming the ‘independence and eternity of art’, where art would be saved from the politics that was engulfing nineteenth-century Russia, threatening to destroy or defile art. Such a journal was Grigson’s ideal, too. Drawing an implicit parallel between Tolstoy’s Moscow of 1858 and politicized interwar Britain, he decried the endemic admixture of politics with art in the periodical press at this time, when every ‘shrewd editor’ had an ‘axe to grind’. One of his favourites, the New Republic, while excellent, ‘came under the curse . . . which ordains that most literary journalism in our language must be for ever mixed with politics’. T. S. Eliot’s journal The Criterion was tainted by the same ‘curse’: ‘covert politics’, claimed Grigson, ‘slightly defiled its superiority’. Only in Antiquity, it seems, could Grigson discern art—‘independent and eternal’—without the defiling politics or the dullness that accompanied it in other journals and weeklies. Only in a publication that did not claim to deal with art could he find what he was looking for, as he viewed this archaeological journal through the lens of poetry. Antiquity, he wrote, made ‘all the past with firework colours burn’—a line he borrowed from Wyndham Lewis’s poem about Sir Thomas Browne’s antiquarian tract Urne Buriall.

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