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Journal articles on the topic 'Antique phrases'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2025

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1

Amsler, Monika. "Voces magicae and Imperial / Late-Antique World-Making. Part 2." ASDIWAL. Revue genevoise d'anthropologie et d'histoire des religions 17, no. 1 (2022): 69–84. http://dx.doi.org/10.3406/asdi.2022.1221.

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La première partie de cette étude abordait les prémisses rationnelles et logiques sous-jacentes à l’utilisation de termes inintelligibles, ou voces magicae , dans le but de modifier un système (physique ou social) en crise, une pratique qui connut un essor important à l’époque impériale. Cette première partie concluait que, dans le sillage d’une tradition ancienne caractérisée par l’emploi de mots comme remèdes dans les carmina , les prières ou les hymnes, les mots et les lettres se sont vu attribuer une dynamis ou puissance propre à l’époque impériale. De ce fait, il convenait de traiter les
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KRUCKENBERG, LORI. "Neumatizing the Sequence: Special Performances of Sequences in the Central Middle Ages." Journal of the American Musicological Society 59, no. 2 (2006): 243–317. http://dx.doi.org/10.1525/jams.2006.59.2.243.

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Abstract In his liturgical commentary Rationale divinorum officiorum, the thirteenthcentury writer Guillaume Durand describes a special, “antique” way of singing sequences called “neumatizing” (“neumatizare”). According to Durand, a sequence could be neumatized either by singing certain phrases melismatically or by vocalizing the entire sequence without words. The chief focus of this investigation is the identification of which sequences were still being neumatized after the decline of that practice around 1100, where and at which feasts they were sung, and why. The evidence suggests that neum
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Budrina, Ludmila A. "Graphic Heritage as a Tool for the Attribution and Style Analysis of Works of the Imperial Ekaterinburg Lapidary Factory of the Last Third of the 19th — Early 20th Centuries." Izvestia of the Ural federal university. Series 2. Humanities and Arts 25, no. 2 (2023): 237–52. http://dx.doi.org/10.15826/izv2.2023.25.2.035.

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Belonging to the style of late eclectics, products of the Ekaterinburg Lapidary Factory are scarce in the collections of Russian museums. Their small size and complex forms did not correspond to the notion of objects worthy of preservation. For this reason, most of the works created by Ural masters in the 1870s–1900s did not enter their collections at the early stage of the formation of Soviet museums. The insignificant presence of these works in available collections, the possibility of becoming acquainted with many of them only from graphic materials, together with a general negative attitud
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Шевченко and Svetlana Shevchenko. "Cultural adaptation of international phrasemes containing natural resources terms in the Russian and English languages." Modern Communication Studies 6, no. 3 (2017): 36–41. http://dx.doi.org/10.12737/21402.

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The article tries to reveal the national particularity of usage of borrowed phrasemes, to show that despite their international character they function differently in different target languages adapting to culture, traditions, reflecting national psychology. The semantics of the same phraseological calque varies to some extent in various languages. The context of usage, frequency and relevance to the culture may vary significantly. The article describes some phrasemes with supplemental words, semantic extension, cases when collocations undergo further mataphorisation. Among the international p
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Минчев, Георги, Малгожата Сковронек та Иван Н. Петров. "Сведения о дуалистических ересях и языческих верованиях в "Шестодневе" Иоанна Экзарха". Studia Ceranea 4 (30 грудня 2014): 95–123. http://dx.doi.org/10.18778/2084-140x.04.07.

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The article aims to present and analyze those passages of the Hexameron (Šestodnev) in which ‘heretics’, ‘Manichaeans’, ‘pagans’ or ‘pagan Slavs’ are mentioned. The fragments are compared with their Greek counterparts (as long as these exist); the Old Bulgarian texts (especially those that can be considered original additions or loose compilations) are utilized for interpreting certain elements of heterodox doctrines common to Manichaeism, Paulicianism, Massalianism and Bogomilism. The Old Bulgarian translation/compilation by John Exarch supplies important information on the cosmology, theolog
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Hammer, Olav. "Jungian Gnosticism of the Ecclesia Gnostica." International Journal for the Study of New Religions 9, no. 1 (2018): 33–56. http://dx.doi.org/10.1558/ijsnr.37615.

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This article examines the ways in which Stephan Hoeller, head of the Ecclesia Gnostica, has transformed a very diverse set of late antique currents, with doctrines phrased in a mythic language unfamiliar to most moderns and rituals only sketchily documented in the sources, into a form of lived religiosity relevant for contemporary audiences.
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Tsebrii, I., and Y. Dudnyk. "THE IMAGE OF JAZZ IN UKRAINIAN POPULAR MUSIC AND THE SIGNIFICANCE OF SUBCULTURES IN IT." Philosophical Horizons, no. 48 (July 31, 2024): 70–80. http://dx.doi.org/10.33989/2075-1443.2024.48.308072.

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The image of jazz in Ukrainian pop music is reproduced, the subcultures that dominate its modern manifestations are shown: African music, Irish-European melodies and rhythms, the interaction between pop music and folklore, a diametrically symmetrical structure, the appropriate composition of variable phrases (voice-instrument), various combinations of timbre acoustic electronics, a fusion of Ukrainian folklore and rock music. But, first of all, it is a harmonious combination of Afro-European traditions with Ukrainian folklore, its best examples. The article also talks about the leading masters
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8

Gitner, Adam. "The Transformation of the Idiom in Late Antique Biblical Hermeneutics." Journal of Late Antiquity 18, no. 1 (2025): 11–38. https://doi.org/10.1353/jla.2025.a953358.

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Abstract: This article explores the grammatical concept of the “idiom” (ἰδίωμα, idioma, proprietas, locutio) in late antique biblical hermeneutics. The concept is central to the development of a bilingual mode of reading the Bible that strongly foregrounds its status as a translation and exploits this feature to derive new interpretive insights (often without direct knowledge of the source language[s]). This is especially apparent in a series of works that devote specialized or systematic attention to the meaning of scriptural idioms: the lost prologue to Theodore of Mopsuestia’s Psalms Commen
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Özhan, Tolga. "Late Antique and Early Byzantine Era Inscriptions at Assos." Tekmeria 14 (November 23, 2018): 47. http://dx.doi.org/10.12681/tekmeria.17292.

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In this paper, eleven new inscriptions are presented, which were found between 1981 and 2017 at Assos in the southern Troad, Asia Minor. Funerary inscriptions that can be dated to the Late Antique and Byzantine periods constitute the majority of the inscriptions found during the period defined above. The first inscription, carved on a lintel, is an acclamation of the Lord/ Emmanouel. The personal name Chrysogonos in the second inscription may have been the name of a stonecutter who worked in the quarry. The third inscription is the epitaph of the gravediggers of the Orthodox “Great Church”. By
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Nieto-Hernández, Purificación. "Contribution à l'étude stylistique de Tacite : la phrase nominale (Histoires I)." L'antiquité classique 57, no. 1 (1988): 204–30. http://dx.doi.org/10.3406/antiq.1988.2235.

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11

Settecase, Marco. "Storia e fortuna di una similitudine nazianzenica: οἷόν τι πέλαγος οὐσίας ἄπειρον καὶ ἀόριστον". Philologus 162, № 2 (2018): 291–315. http://dx.doi.org/10.1515/phil-2017-0024.

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AbstractAfter clarifying the theological implications of the phrase τὸ πολὺ πέλαγος τοῦ καλοῦ in Plat. Symp. 210d4 and demonstrating that it cannot be considered the archetype, the article aims to examine the Nachleben of Gregory of Nazianzus’ expression πέλαγος οὐσίας ἄπειρον καὶ ἀόριστον (Or. 38.7 and 45.3): not only is it spread in late antique and mediaeval literature both Greek and Latin, but it is also present in Dante’s Commedia. The huge diffusion of this image across time and space, supported by a careful examination of the use that is made of it by authors who pick it up, makes it po
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Maksimenko, K. A. "Music and choreography interaction in the stage dances of musical theater productions of the 17th – the first half of the 18th century." Aspects of Historical Musicology 14, no. 14 (2018): 63–73. http://dx.doi.org/10.34064/khnum2-14.05.

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Background. One of the typical trends of modern musicology is the increasing interest in the problem of components dialogue in the synthetic forms of art. In the context of this global topic, the issue of music and choreography interaction in the stage dances of musical theater productions of the 17th – the first half of the 18th century is of particular interest. The connection of music and choreography in the art of stage dance of the 17th – the first half of the 18th century appears as a kind of continuation of the syncretic unity of ancient art seen through the prism of the professional ex
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DIEDHIOU, r. Sergino Paolo César. "Royauté et/ou prêtrise : étude parallèle entre le « rex » dans la Rome antique et le « roi » et la « reine » en Basse-Casamance." Afrosciences Antiquity Sunu-Xalaat 1, no. 3 (2021): 103–23. http://dx.doi.org/10.61585/pud-asasx-v1n36.

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"The king of Oussouye is actually a priest" is a phrase we are used to hearing when we talk about the issue of royalty in Basse-Casamance. This question prompted us to conduct a parallel study with the aim of showing a congruity between priesthood and royalty. The myth of Nemi, the works of Romulus and Numa, the anthropological studies on the Diolas were the elements through which the royal priesthood was analyzed.
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Herdiati, Meilisa Fani, Andi Iriawan, and Hadiah Fitriyah. "Keputusan Pembelian Produk Limited Edition: Systematic Review." Jurnal Sains Pemasaran Indonesia (Indonesian Journal of Marketing Science) 20, no. 1 (2021): 73–87. http://dx.doi.org/10.14710/jspi.v20i1.73-87.

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Every company has an effective strategy for determining whether to develop, maintain or even withdraw from the market. With the development of the times, limited edition products are now mushrooming. Limited edition labels are now given not only to antique, exclusive and expensive products such as luxury cars and savings items but also to fast moving consumer goods. This study will analyze a systematic review using the Preferred Reporting Items for Systematic Reviews and Meta-analysis method. Searches for research articles relevant to the research topic were carried out on the international jo
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15

Thain, Marion, and Ana Parejo Vadillo. "INTRODUCTIONFIN-DE-SIÈCLERENAISSANCE: DIVERSITY, HISTORY, MODERNITY." Victorian Literature and Culture 34, no. 2 (2006): 389–403. http://dx.doi.org/10.1017/s1060150306051230.

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Professor Goodwin has been most good to me, tells me what books to read, argues my “modernisms” of thought away as much as he can.—A. Mary F. Robinson (1879)The command of words and felicity of phrase are as remarkable as the decorative, yet unconventional, qualities of form and colour, so unusual a merit in the handling of motives chosen from the antique. Throughout, thetechniqueis large and modern.—Graham R. Tomson's review of Amy Levy'sA Minor Poet(1891)Her verse is … modern, clever.—Review of Graham R. Tomson'sA Summer Night(1891)… it is for us, England's living and yet unspent poets to ma
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16

Mitchell, Margaret. "Christian Martyrdom and the "Dialect of the Holy Scriptures": The Literal, the Allegorical, the Martyrological." Biblical Interpretation 17, no. 1-2 (2009): 177–206. http://dx.doi.org/10.1163/156851508x383430.

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AbstractThis paper seeks to test a venerable scholarly and popular commonplace: that the ideology of religious martyrdom is based upon and further reflects a literal or even hyper-literal interpretation of Scriptures. Through two test-cases from late antique Christian writings, Tertullian's scorpiace and Origen's exhortatio ad martyrium, I seek to demonstrate the inadequacy of the literal/allegorical dichotomy to comprise and comprehend the complex, ingenious ways in which "the dialect of the holy Scriptures" (Origen's phrase) is claimed to speak in one unambiguous voice that instructs the Chr
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17

Grzesik, Ryszard, and Anna Kotłowska. "Attila nutritus in Engadi or the knowledge of late antique historical geography in mediaeval Hungarian chronicles." Balcanica Posnaniensia. Acta et studia 31 (December 17, 2024): 7–18. https://doi.org/10.14746/bp.2024.31.1.

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The 10th chapter of the Chronica de Gestis Hungarorum written by Simon of Kéza contains a puzzling phrase: Attila (...) nutritus in Engadi. So far, no attempt has been made to explain it. According to the authors of the following article, Simon took it from the Latin translation of the Onomasticon of Eusebius of Caesarea (d. 339) by St. Jerome. In all likelihood, Simon gained access to Jerome’s codex during his trip to southern Italy. It is necessary to distinguish three stages of the rise and change of the scholarly tradition about Attila as the ancestor of the Arpad dynasty and the Huns as t
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Álvarez-Pedrosa Núñez, Juan Antonio. "La frase de Pseudartabas (Ar. Ach. 100): ¿galimatías o antiguo persa?" Myrtia 34 (January 31, 2020): 41–55. http://dx.doi.org/10.6018/myrtia.411931.

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En la comedia de Aristófanes Los acarnienses se presenta a Pseudartabas, un embajador del Imperio aqueménida, que saluda a la Asamblea de los atenienses con un verso en un texto incomprensible. Se han hecho varias interpretaciones del pasaje sobre la hipótesis de que responde a un antiguo persa real y no a una mera sucesión de sílabas que suenan a una lengua extranjera. El presente artículo hace una nueva propuesta en el primer sentido, integrando el mensaje del saludo de Pseudartabas con su segunda intervención, que constituye el contenido real de la embajada persa. In Aristophanes' Acharnian
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Miedziak, Witold. "“The memory of Middle Ages” in church architecture of Italian architects in 16th c. Poland: Problem outline and research postulates." Quart, no. 2(64) (June 1, 2022): 104–21. http://dx.doi.org/10.19195/quart.2022.2.94071.

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It is undoubtful that the Italian Renaissance, understood as the totality of phenomena associated with the concept of the revival of antiquity, had a huge impact on European culture. Simultaneously, there is no question that the development of the revival idea on the Apennine Peninsula was different than in the rest of Europe, north of the Alps. These differences resulted primarily, but not exclusively, from the firm establishment and influence of medieval traditions. The contrast between north and south of Europe was particularly visible in church architecture and in the, newly emerging, arti
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Flower, Richard. "TAMQVAM FIGMENTVM HOMINIS: AMMIANUS, CONSTANTIUS II AND THE PORTRAYAL OF IMPERIAL RITUAL." Classical Quarterly 65, no. 2 (2015): 822–35. http://dx.doi.org/10.1017/s000983881500035x.

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Constantius, as though the Temple of Janus had been closed and all enemies had been laid low, was longing to visit Rome and, following the death of Magnentius, to hold a triumph, without a victory title and after shedding Roman blood. For he did not himself defeat any belligerent nation or learn that any had been defeated through the courage of his commanders, nor did he add anything to the empire, and in dangerous circumstances he was never seen to lead from the front, nor even to be among the front ranks. But he wanted to display an exaggeratedly long procession, standards stiff with gold an
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Вольф, Марина Николаевна, and Евгений Васильевич Афонасин. "Classical Studies in Novosibirsk: A Historical Outline, Scientific Approaches and Perspectives." Платоновские исследования 2, no. 15 (2021): 331–49. http://dx.doi.org/10.25985/pi.15.2.12.

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В настоящей статье мы хотели бы, с одной стороны, кратко осветить историю формирования коллектива антиковедов Новосибирского Академгородка,а с другой - более подробно остановиться на направлениях исследований, этим коллективом развиваемых. Прежде всего, нам представляется, что философское антиковедение междисциплинарно, а значит, в изучении платонизма не следует пренебрегать возможностью сопоставления археологических данных с письменными свидетельствами. Далее, мы видим, что платоноведение не сводится к изучению великих диалогов Платона, а также трудов Плотина и неоплатоников. Многое проясняет
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Michelsen, William. "Om tankebilledet i Grundtvigs sidste digt." Grundtvig-Studier 46, no. 1 (1995): 102–6. http://dx.doi.org/10.7146/grs.v46i1.16182.

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About the Thought-Image in Grundtvig’s Last PoemBy William MichelsenThe article is a contribution to the on-going debate about the interpretation of a hardly legible line in Grundtvig’s last poem, .Old Enough I Now Have Grown. (Grundtvig Studier, 1994, p. 107).In last year’s Grundtvig Studier, FI. Lundgreen Nielsen argues in favour of the reading .Soul-Ferry-Prow., understanding the phrase as determined by .a reversed Charon myth, the antique ferryman having been replaced by the Spirit of God, and his barge pole by the compass of God’s word. (Grundtvig Studier, 1994, p. 116).Thus, with some su
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Ellyawati, Hetty Catur, Qorinta Shinta, and Hernofika Laksmi Tatas. "An Error Analysis of Students' Writing Assignments." ETERNAL (English Teaching Journal) 14, no. 1 (2023): 84–96. http://dx.doi.org/10.26877/eternal.v14i1.14445.

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The objective of this descriptive study was to analyze students' grammatical errors in writing assignments, in this case writing a cover letter for second-semester Computer Science students at University of Semarang. The target population included 21 Computer Science students enrolled in a Business English class chosen randomly from a pool of 50 participants. They were asked to write an application letter in English. Then, using the surface approach taxonomy, the researcher examined the students' writing for the following errors: 1. Omission Errors; 2. Addition Errors; 3. Misinformation Errors
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Pedrosa, Evalyn. "Syntactic Analysis of Hiligaynun Visayan: Select Print Media Articles." JPAIR Multidisciplinary Research 44, no. 1 (2021). http://dx.doi.org/10.7719/jpair.v44i1.599.

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This study investigates the syntactic structuration of the five select Hiligaynun Visayan Print Media Articles, namely: three news articles such as WANTED PERSON SA ANTIQUE, PRISU, LALAKI GINSIRBIHAN WARRANT, 4- KA TU-IG NGA BATA NALUMUS SA SUBA, and two editorials: SWILDU SANG MANUNUDLU and SAKA SA KUNTRIBUSYUN SA SSS. The study focuses on the following linguistic aspects (1) Immediate Constituents Analysis of the sentences, (2) phrase structures of the syntactic forms, and (3) pedagogic grammar monograph on Visayan Hiligaynun Syntax. The syntactic analysis through Immediate Constituents was
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Pedrosa, Evalyn. "Syntactic Analysis of Hiligaynun Visayan: Select Print Media Articles." JPAIR Multidisciplinary Research 44, no. 1 (2021). http://dx.doi.org/10.7719/jpair.v44i1.599.

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This study investigates the syntactic structuration of the five select Hiligaynun Visayan Print Media Articles, namely: three news articles such as WANTED PERSON SA ANTIQUE, PRISU, LALAKI GINSIRBIHAN WARRANT, 4- KA TU-IG NGA BATA NALUMUS SA SUBA, and two editorials: SWILDU SANG MANUNUDLU and SAKA SA KUNTRIBUSYUN SA SSS. The study focuses on the following linguistic aspects (1) Immediate Constituents Analysis of the sentences, (2) phrase structures of the syntactic forms, and (3) pedagogic grammar monograph on Visayan Hiligaynun Syntax. The syntactic analysis through Immediate Constituents was
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26

鄧, 佩玲. "《詩》《書》古義與金文新證二則". 人文中國學報, 1 жовтня 2012, 69–101. http://dx.doi.org/10.24112/sinohumanitas.182202.

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LANGUAGE NOTE | Document text in Chinese; abstract also in English.
 《詩》、《書》成書甚早，其文辭古雅，歷代學者多有《詩》、《書》難明之嘆。比年以來，考古學發展迅速，出土文獻材料與曰俱增，且多爲先賢所未曾獲睹。二十世紀初，王靜安先生嘗提出著名之“二重證據法”，謂以今日之新發現、新材料、新學問補足、印證，乃至修訂傳世文獻、古籍之記述。從今日新見之青銅器銘文可知，金文用語形式更靈活多變，不拘一格，細審其用詞、用語，實有不少能與《詩》、《書》等先秦古籍參照比觀者，吾人固可藉此契機，將兩者作比觀發明，互補有無。因此，本文以新見金文材料與傳世文獻作相互印證，從而對《詩》“假以溢我”及《書》“乃命寧予以秬鬯二卣”二語之語義內涵作重新探討。
 The books Shijing and Shangshu have an early history of formation, and due to its usage of antique wordings and sentence structure, various scholars had expressed great regrets at their difficulties in understanding. In recent years, si
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Ronis, Sara. "The Thigh of Its Mother: The Fetus and the Subordinated Subject in the Babylonian Talmud." Journal of the American Academy of Religion, August 2, 2023. http://dx.doi.org/10.1093/jaarel/lfad008.

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Abstract Modern discussions of abortion in Jewish thought often invoke the Talmudic phrase “ubar yerekh imo,” the fetus is the thigh of its mother. This article examines the ten instances in which the phrase first appears in the Babylonian Talmud. I demonstrate that the rabbis of Late Antique Sasanian Babylonia deploy the phrase in two specific contexts: discussions of the sanctification, criminalization, or sale of non-human animal fetuses, and discussions of the sale and manumission of the fetuses of enslaved people. Drawing on insights from animal studies and studies of slavery, I argue tha
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Livorsi, Lorenzo. "NEC VANA FIDES. THE INTERTEXTUAL BACKGROUND OF A LAW OF VALENTINIAN III (NOV. VAL. 23) AND THE DATE OF THE VERSVS AD GRATIAM DOMINI." Classical Quarterly, April 3, 2025, 1–15. https://doi.org/10.1017/s0009838824000818.

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abstract Late antique laws are rhetorically crafted and often bolstered by expressions of popularized philosophy and theology. This article presents historical evidence that reveals a close link between literary culture and the drafting of laws. It then examines a constitution of Valentinian III against tomb violators (Nouella Valentiniani 23) as case-study. The rhetorical preamble of this law presents a concise argument for the immortality of the soul. At first sight, the phrase nec uana fides which features in this context seems nothing more than a learned, yet merely ornamental, allusion to
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Bueno Alonso, Jorge Luis. "“Gr/edigne Gudhafoc and d/et Gr/ege Deor”: Revisiting Brunanburi’s Beasts-of Battle Topos (57-65ª) in Translation." ODISEA. Revista de estudios ingleses, no. 10 (March 2, 2017). http://dx.doi.org/10.25115/odisea.v0i10.180.

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Gr/edigne Gudhafoc and d/et Gr/ege Deor: Una revisión del tema de las Bestias de la Guerra (57-65h) en las traducciones de la Batalla de Brunanburi.La entrada correspondiente al año 937 de la Crónica Anglosajona narra los hechos que tuvieron lugar en dicha fecha mediante una interpolación poética que constituye una de las piezas más importantes de la poesía heroica del inglés antiguo: La Batalla de Brunanburh. Los versos contenidos en esta entrada son importantes pues su condición y disposición poética nos permite clasifi carlos como poesía heroica del inglés antiguo tanto en la forma (unidade
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