Relevant bibliographies by topics / Antiquite culture. Art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Antiquite culture. Art'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 February 2022

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Journal articles on the topic "Antiquite culture. Art"

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Marrone, James, and Silvia Beltrametti. "“Sleeper” Antiquities: Misattributions in Sales of Ancient Art." International Journal of Cultural Property 27, no. 1 (2020): 3–51. http://dx.doi.org/10.1017/s094073912000003x.

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Abstract:“Sleepers” are artworks or collectibles that are undervalued because one or more characteristics go unrecognized. This article discusses 12 sleepers that have been sold at auction on the antiquity market since 2007 whose attribution as antiquities were originally overlooked, either accidentally or deliberately. The objects are presented in the context of a theoretical framework describing both the legal and economic incentives to perform due diligence and to reveal, or “awaken,” a sleeper antiquity. The theory implies that sleepers may arise for several reasons, and the case studies a
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La Follette, Laetitia. "Looted Antiquities, Art Museums and Restitution in the United States since 1970." Journal of Contemporary History 52, no. 3 (2016): 669–87. http://dx.doi.org/10.1177/0022009416641198.

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US attitudes towards restitution and the problem of looted antiquities have shifted since 1970, as pressure builds to change norms for the acquisition of unprovenanced artefacts that have fueled a transnational trade in stolen objects and the depredation of archaeological sites worldwide. This article traces several triggers for change and initial steps towards a revised policy while also cataloguing areas of resistance. It examines the mechanisms of US government policy for international heritage protection and suggests that domestic legislation of the 1990s protecting the heritage of Native
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Sukla, A. C. "Aesthetics as Mass Culture in Indian Antiquity." Dialogue and Universalism 7, no. 3 (1997): 91–99. http://dx.doi.org/10.5840/du199773/410.

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Aesthetics originated in ancient India (4th c. B.C.) as a descriptive account of the drama which was meant for both entertainment and education of the mass. If the drama was a mass medium, aesthetics — its account — represented the mass culture. Philosophical thinking, rigorous ethical practices and the dramatic art had a common aim — experience of the Reality as a whole. The difference was that while the first two were accessible to only a few elite or intellectuals, the third one was meant for all. The mass was experiencing the representation of Reality in the drama by a dehghtful emotional
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Litinskaya, Evgeniya. "RHETORIC AND POETICS OF DOSTOEVSKY’S PUSHKIN SPEECH." Проблемы исторической поэтики 19, no. 2 (2021): 141–75. http://dx.doi.org/10.15393/j9.art.2021.9583.

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The article examines the F. M. Dostoevsky’s Pushkin's Speech in the context of modern studies of the way ancient heritage was reflected in the writer's work. The analysis of the speech was carried out in the categories of rhetorical poetics. The author proves that the speech is structured according to the rules of epideictic eloquence, with a pronounced emotional component characteristic of Christian preaching. The author identifies established stylistic figures, the use of which is always justified: repetition, parallelism, gradation, amplification, polyphonic forms, period, allusion, irony.
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Fine, Steven. "Menorahs in Color: Polychromy in Jewish Visual Culture of Roman Antiquity." Images 6, no. 1 (2012): 3–25. http://dx.doi.org/10.1163/18718000-12340001.

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Abstract In recent years, polychromy has developed as a significant area of research in the study of classical art. This essay explores the significance of this work for interpreting Jewish visual culture during Roman antiquity, through the focal lens of the Arch of Titus Digital Restoration Project. In July 2012, this project discovered that the Arch of Titus menorah was originally colored with yellow ochre paint. The article begins by presenting the general field of polychromy research, which has developed in recent years and resulted in significant museum exhibitions in Europe and the US. I
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Kerimli, V. G., and N. V. Gajburova. "CULTURE OF TURKISH PEOPLES OF THE CAUCASUS: CONCEPTUAL APPROACH." EurasianUnionScientists 8, no. 6(75) (2020): 32–36. http://dx.doi.org/10.31618/esu.2413-9335.2020.8.75.888.

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In this paper, the author traced the development of culture of the Turkic peoples of the Caucasus in the period from antiquity to modernity. The novelty of the topic lies in the fact that it is one of the first works in which an attempt was made to comprehensively study the artistic culture of the Turkic peoples of the Caucasus as an independent layer of culture.The main research concept of the topic is the historical and cultural development and coverage of the problems associated with the development of the artistic culture of the Turkic peoples of the Caucasus. Over the centuries, on the et
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Scott, David A. "Modern Antiquities: The Looted and the Faked." International Journal of Cultural Property 20, no. 1 (2013): 49–75. http://dx.doi.org/10.1017/s0940739112000471.

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AbstractThis article discusses some of the issues regarding the acquisition of art and the different philosophical views of some of the main protagonists regarding the reclaiming of art by nation-states, following American museums' acceptance of the 1970 UNESCO Convention, using examples from the Getty Museum and the Metropolitan Museum of Art. The mediation of Native American Graves Protection and Repatriation Act (NAGPRA) claims by conservators is often an important component of the dialogue between museums and native communities. The philosophical and art-historical opinions regarding the v
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Lenaghan, Julia. "Two portraits from Aphrodisias: late-antique re-visualizations of traditional culture-heroes?" Journal of Roman Archaeology 31 (2018): 458–73. http://dx.doi.org/10.1017/s1047759418001435.

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The “Last Statues of Antiquity”, the collaborative project directed by R. R. R. Smith and B. Ward-Perkins, gathers into a single database all extant late-antique portraits. As a member of the research team, I was given the opportunity to study all the portraits that are either known or conjectured to represent traditional culture-heroes. This exercise gave me “new” eyes for viewing two “old” portraits from Aphrodisias, until now not identifiable. One, excavated in 1982, is a clean-shaven portrait, once fancifully identified as Julius Caesar (fig. 2); the other, first published in 1958, is a be
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Wani, Showkat Ahmad, Asifa Ali, and Shabir Ahmad Ganaie. "The digitally preserved old-aged art, culture and artists." PSU Research Review 3, no. 2 (2019): 111–22. http://dx.doi.org/10.1108/prr-08-2018-0026.

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Purpose This paper aims to explore the Google Arts and Culture platform in terms of parameters used for categorizing the digital collections by it; the total number of items and their types; top contributing artists; top ten historical events and figures; and the top ten countries having maximum artworks. Design/methodology/approach An online method was used to collect the relevant data for achieving the objectives of the study. Data were harvested from the official website of Google Arts and Culture (https://artsandculture.google.com/) during the period of 15 May to 31 May 2018, and the same
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Rusin, R. M. "CORPORALITY AS AN ATTRIBUTE OF SCULPTURE(EUROPEAN CONTEXT)." UKRAINIAN CULTURAL STUDIES, no. 1 (2017): 87–93. http://dx.doi.org/10.17721/ucs.2017.1.19.

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The historical development of art is a change of paradigms. Each paradigm contains a special understanding of art, defined bothby the act of creativity itself and by the evaluation of its results. It is especially important to identify the origins of these changes, identify their stages, and determine the direction of the evolution of artistic creativity. In this context, corporeality as an artistic paradigm of European sculpture is considered in an article in the historical dimension from classics to postmodernism. Background research driven by changes that have suffered over the past century
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Dissertations / Theses on the topic "Antiquite culture. Art"

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Py, Michel. "Culture, economie et societe protohistoriques dans la region nimoise." Montpellier 3, 1987. http://www.theses.fr/1987MON30023.

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Enquete sur l'evolution d'une civilisation protohistorique regionale, entre la fin de l'age du bronze et notre ere, sur la base des fouilles et decouvertes archeologiques intervenues en languedoc oriental dans les environs de nimes. Etude systematique de la documentation sous le triple aspect chronologique, typologique et quantitatif. Synthese des donnees faisant ressortir pour chaque phase (bronze final, premier et deuxieme age du fer) les caracteres specifiques de la culture indigene, les fondements de l'economie de production, de fabrication et d'echange, et les transformations structurelle
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Ennabli, Liliane. "Carthage : recherches epigraphiques et archeologiques sur une metropole chretienne entre le 4eme siecle et la fin du 7eme siecle." Paris 4, 1994. http://www.theses.fr/1993PA040261.

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Ce travail est une etude des monuments du culte chretien a carthage ou ayant un rapport avec la chretiente de cette ville. En premiere partie, on presente un etat de la question, grace a un inventaire critique des textes connus et des monuments mis au jour. Deux sites, fouilles par l'auteur, le "locus des sept moines de gafsa" au monastere de bigua et la basilique de carthagenna, permettent, en deuxieme partie, de suivre l'evolution de deux edifices, de la fin du 4e siecle jusqu'a la fin du 7e siecle. Cette topographie de la carthage chretienne voudrait dresser un tableau non statique du paysa
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PARAVRE, DOMINIQUE. "Le disque solaire aile dans les representations figurees du proche-orient ancien au iie et ier millenaires : recherches sur l'image." Université Marc Bloch (Strasbourg) (1971-2008), 1988. http://www.theses.fr/1988STR20047.

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Part, la codification permet de distinguer 3 types majeurs : les types egyptisant, orientaux sans volutes et orientaux a volutes, qui caracterisent respectivement le levant et l'empire achemenide; cherche : l'espace figuratif ; materiaux et techniques ; la notion (disque aptere, oiseaux eployes); les relations entre l'image et<br>3 major types : those close to egyptian models; those properly eastern and without volutes; those properly eastern and voluted. Empire; mesopotamia; the hittite and neo-hittite areas. On the fields of research : figurative space; materials and technics; (disk without
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ERROUX, MORFIN MARGUERITE. "Etude archeologique et symbolique de la colonne egyptienne." Montpellier 3, 1989. http://www.theses.fr/1989MON30029.

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Ce travail comprend deux parties. La premiere est consacree a un inventaire archeologique des colonnes dans l'egypte ancienne. 450 documents architecturaux sont presentes et analyses. Les colonnes egyptiennes sont classees en deux groupes, les supports simples (colonnes cylindriques, polygonales et les colonnes-poteaux) et les supportsplantes (colonnes papyriformes, lotiformes, palmiformes et composites). Est aussi etudie un type de support propre a l'egypte, a savoir les supports dont le chapiteau reproduit le visage de la deesse hathor ou du dieu bes. La deuxieme partie traite de la signific
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Naǧǧār, ʿAbd al-Ḥalīm al. "Les systemes de couvrement dans l'architecture de l'egypte ancienne : les voutes." Paris 4, 1989. http://www.theses.fr/1989PA040089.

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En egypte ancienne, les voutes etaient construites en brique ou en pierre selon trois procedes: par assises horizontales en tas-decharge (vol. I,1); au moyen de blocs inclines en chevrons (vopl. I,2) ou d'elements disposes suivant des lits rayonnants (vol. Ii,1) la voute fermee (coupole), rare (vol. Ii,2) est un cas particulier de la voute en general. , le vol. Iii presente de brefs chapitres complementaires au couvrement: en bois, a godrons, a intrados, de decharge, trace de la voute, decoration, representations, dans l'habitat. Suivent enfin conclusions et indices. , la voute la plus ancienn
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Labrousse, Audran. "Recherches architecturales sur les pyramides a textes de saqqarah." Paris 4, 1988. http://www.theses.fr/1987PA040426.

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La premiere partie de ces recherches porte sur l'etude de l'architecture des dernieres pyramides de l'ancien empire d'egypte, celles des rois ounas, teti, pepi 1er, merenre et pepi ii (fin de la cinquieme et sixieme dynastie, environ 2355-2160 av. J. C. ). La seconde partie analyse la construction interne de ces monuments pour tenter de mieux en saisir la fonction. On voit se stabiliser une architecture symbolique, qui, associee desormais aux "textes des pyramides" correspond a l'aboutissement des tentatives menees par les architectes-theologiens depuis le debut de la troisieme dynastie (envir
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Essid, Mohammed Yassine. "Les Ecrivains grecs et la genèse de la pensée économique : les développements médiévaux chez les auteurs arabes." Paris 1, 1988. http://www.theses.fr/1988PA010614.

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Ce travail se propose dans une premiere partie une relecture des idees economiques des ecrivains grecs et plus particulierement celles de xenophon, platon et aristote. Contrairement aux interpretations abusives d'une science economique imbue du modele d'efficacite de l'economie de marche, l'oikonomia grecque, dans la mesure ou elle repondait parfaitement aux objectifs que la societe antique assignait a l'activite economique, etait de ce fait rationnelle, coherente et pertinente. La pensee economique en islam n'est pas restee indifferente au modele grec que l'on retrouve reproduit dans le conce
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Frontisi-Ducroux, Françoise. "Prosopon : valeurs grecques du masque et du visage." Paris, EHESS, 1987. http://www.theses.fr/1987EHESA002.

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La langue grecque designe par un meme mot -prosopon- le masque et le visage. Cette notion, "face offerte a la vue", ne comporte pas de valeur de dissimulation. Le proso- pon coincide avec ce qu'il recouvre. Visage, il est ce qui identifie chaque homme, ce qui manifeste son individualite. Masque, il devient le seul visage de celui qui le porte. C'est de cette notion unique, et non du masque de theatre que part l'evo- lution qui par l'intermediaire du personnage et de la personne grammaticale aboutira a la categorie occidentale de la personne. Le mythe de meduse, prototype du masque dans les fig
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Arnaud-Lindet, Marie-Pierre. "Recherches sur Orose historien : sources et méthodes de compositions des histoires." Paris 1, 1986. http://www.theses.fr/1986PA010575.

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Le pretre orose auquel une tradition posterieure a attribue le prenom paul, est ne a une date inconnue qui se situe entre 374 et 384. Son appartenance au clerge de braga dans la province de gallecie conduit a lui donner une origine espagnole, bien que son nom "orosius" n'appartienne pas au domaine latin et n'ait jamais ete porte auparavant; il est possible qu'il soit venu de bretagne apres avoir ete un temps prisonnier des scots. Le surnom que certains lui ont attribue: ormesta, n'est pas un anthroponyme mais un element du sous-titre breton de son oeuvre principale: les histoires, et est l'equ
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Herbin, François René. "Le livre de vivre tout au long de l'eternite - transcription, traduction et commentaire du pap. Leyde t 32 et des versions paralleles." Lille 3, 1991. http://www.theses.fr/1991LIL30016.

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Transcription, traduction et commentaire du "livre de vivre tout au long de l'eternite", qui s'inscrit dans la riche production que l'egypte a fournie dans le domaine de la litterature religieuse tardive. Une recherche a permis de recenser de ce texte 19 versions de longueur et d'importance variables, dont 16 (en hieratique) sur papyrus, 2 sur stele et 1 sur sarcophage. Toutes, a l'exception de 4, sont originaires de thebes. Ces documents, attribuables dans leur majorite a l'epoque romaine, sont au nom d'un particulier qu'ils accompagnent dans la tombe. Les themes sont ceux que l'on trouve dan
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Books on the topic "Antiquite culture. Art"

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Siagian, Renville. Indonesian art & culture heritage. Yayasan Cempaka Kencana, 2006.

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Perspective in the visual culture of classical antiquity. Cambridge University Press, 2013.

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Tibet: History, art & culture. Pratibha Prakashan, 2012.

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(Russia), Gosudarstvennyĭ Ėrmitazh. The Hermitage: Prehistoric culture, art of classical antiquity, art of the peoples of the East, Western European art, Russian culture, numismatics. Aurora Art Pub., 1987.

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Color and culture: Practice and meaning from antiquity to abstraction. University of California Press, 1993.

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Color and culture: Practice and meaning from antiquity to abstraction. Little, Brown and Company, 1993.

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Colour and culture: Practice and meaning from antiquity to abstraction. Thames and Hudson, 1993.

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Color and culture: Practice and meaning from antiquity to abstraction. University of California Press, 1999.

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Marazov, Ivan. Crossroads of cultures: Art on Bulgarian territories : prehistory : antiquity : the Middle Ages. Lettera, 2009.

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Marazov, Ivan. Crossroads of cultures: Art on Bulgarian territories : prehistory : antiquity : the Middle Ages. Lettera, 2009.

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Book chapters on the topic "Antiquite culture. Art"

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Gagoshidze, George. "Jerusalem in Medieval Georgian Art." In Cultural Encounters in Late Antiquity and the Middle Ages. Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.celama-eb.5.103070.

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Nistri, Giovanni. "The Experience of the Italian Cultural Heritage Protection Unit." In Crime in the Art and Antiquities World. Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-7946-9_11.

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Manacorda, Stefano. "Criminal Law Protection of Cultural Heritage: An International Perspective." In Crime in the Art and Antiquities World. Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-7946-9_2.

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Kühnel, Bianca. "The Holy Land as a Factor in Christian Art." In Cultural Encounters in Late Antiquity and the Middle Ages. Brepols Publishers, 2006. http://dx.doi.org/10.1484/m.celama-eb.3.3201.

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Flechner, Roy. "Conversion in Ireland: Reflections on the State of the Art." In Cultural Encounters in Late Antiquity and the Middle Ages. Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.celama-eb.5.108736.

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Chappell, Duncan, and Kenneth Polk. "Unraveling the “Cordata”: Just How Organized Is the International Traffic in Cultural Objects?" In Crime in the Art and Antiquities World. Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-7946-9_6.

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Kind, Karl-Heinz. "The Role of INTERPOL in the Fight Against the Illicit Trafficking in Cultural Property." In Crime in the Art and Antiquities World. Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-7946-9_10.

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Pickles, Thomas. "The Historiography of the Anglo-Saxon Conversion: The State of the Art." In Cultural Encounters in Late Antiquity and the Middle Ages. Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.celama-eb.5.108737.

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Bowen Savant, Sarah. "Iran’s Conversion to Islam and History Writing as an Art for Forgetting." In Cultural Encounters in Late Antiquity and the Middle Ages. Brepols Publishers, 2021. http://dx.doi.org/10.1484/m.celama-eb.5.121054.

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Irving, Sarah. "Palestinian Christians in the Mandate Department of Antiquities: History and Archaeology in a Colonial Space." In European Cultural Diplomacy and Arab Christians in Palestine, 1918–1948. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-55540-5_9.

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AbstractCultural diplomacy is often understood first and foremost as an activity of states and institutions, operationalising culture to wield power and communicate ideologies. This chapter considers the use of the concept firstly in terms of its impact on individuals affected by the activities of cultural diplomacy through education and employment by relevant institutions. Secondly, by examining the potential for such individuals also to act as cultural diplomats themselves, for their own subaltern and resistant ends, by tracking the life-histories of Na’im Shehadi Makhouly and Stephan Hanna Stephan, both Palestinian Christian employees of the British Mandate administration’s Department of Antiquities. This chapter shows how cultural diplomacy can be activated as a means of dissent within a colonial setting, but that its appeal and potential are limited.
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Conference papers on the topic "Antiquite culture. Art"

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Jun-yan, SONG. "The Reconstruction of Greek Religion in Late Antiquity." In 2020 International Conference on Language, Art and Cultural Exchange (ICLACE 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200709.032.

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Cabrillos, Edbert Jay M., and Rowena S. Cabrillos. "Pagdihon: The Art and Language of Pottery Making in Bari, Sibalom, Antique." In GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.8-1.

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Pottery is seen as creation of ornamentals, cooking and storing materials. Yet, while economic gains are often considered from producing these materials, the artistic and linguistic aspects have been ignored. This study discusses the factors influencing the culture of pottery, the processes of pottery making, and seeks to uncover the language used in processes of pottery making in Bari, Sibalom, Antique. A qualitative research employing ethnographic study with participant observation and face to face interviews using photo documentation, video recording and open-ended questions in gathering th
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Al-Harithy, Howayda Nawwaf. "The Culture of Design and Production in Abbasid Samarra." In ASME 2002 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2002. http://dx.doi.org/10.1115/detc2002/edc-34380.

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The paper discusses the culture of design produced by a particular patronage pattern of city building; the case study is that of Samarra in the 9th century. It investigates the process through which mechanical mass production of art transforms the Late Antique visual forms into new vocabulary that acquires universal popularity and new cultural significance.
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Savinov, Dmitrii. ""A breath of the Eastern civilizations” in the monuments of art of the Okunev culture." In Antiquities of East Europe, South Asia and South Siberia in the context of connections and interactions within the Eurasian cultural space (new data and concepts). Institute for the History of Material Culture Russian Academy of Sciences, 2019. http://dx.doi.org/10.31600/978-5-907053-34-2-209-212.

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Korobova, Ekaterina. "Particularities of defense in judicial rhetoric." In 6th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2020. http://dx.doi.org/10.32591/coas.e-conf.06.15173k.

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The article examines the linguistic particularities of defense in judicial rhetoric that have not considerably changed since Antiquity. As at present the interest in judicial rhetoric has increased, it is necessary to carry out its comprehensive analysis with the consideration of its modern modifications. In the course of history, judicial rhetoric has preserved its main rules to be used in Modern Times by Western culture advocates for defense purposes. Special attention is paid to stylistic devices, phonetic means and linguistic features to discern that are most frequently used by the advocat
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Korobova, Ekaterina. "Particularities of defense in judicial rhetoric." In 6th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2020. http://dx.doi.org/10.32591/coas.e-conf.06.15173k.

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The article examines the linguistic particularities of defense in judicial rhetoric that have not considerably changed since Antiquity. As at present the interest in judicial rhetoric has increased, it is necessary to carry out its comprehensive analysis with the consideration of its modern modifications. In the course of history, judicial rhetoric has preserved its main rules to be used in Modern Times by Western culture advocates for defense purposes. Special attention is paid to stylistic devices, phonetic means and linguistic features to discern that are most frequently used by the advocat
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Palaguta, Il’ya. "On the problem of the methodology of researching works of prehistoric art." In Antiquities of East Europe, South Asia and South Siberia in the context of connections and interactions within the Eurasian cultural space (new data and concepts). Institute for the History of Material Culture Russian Academy of Sciences, 2019. http://dx.doi.org/10.31600/978-5-907053-34-2-207-209.

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Kilunovskaya, Marina, and Vladimir Semenov. "The image of the bull in the art of the bronze age of Central asia." In Antiquities of East Europe, South Asia and South Siberia in the context of connections and interactions within the Eurasian cultural space (new data and concepts). Institute for the History of Material Culture Russian Academy of Sciences, 2019. http://dx.doi.org/10.31600/978-5-907053-34-2-212-213.

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Tabaldiev, Kubatbek, and Taalaibek Abdiev. "On works of art and monuments of written tradition in the medieval cities of Kyrgyzstan." In Antiquities of East Europe, South Asia and South Siberia in the context of connections and interactions within the Eurasian cultural space (new data and concepts). Institute for the History of Material Culture Russian Academy of Sciences, 2019. http://dx.doi.org/10.31600/978-5-907053-34-2-228-230.

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Tashbaeva, Kadicha. "On the problem of dating the bi-triangular style in the rock art of Central asia." In Antiquities of East Europe, South Asia and South Siberia in the context of connections and interactions within the Eurasian cultural space (new data and concepts). Institute for the History of Material Culture Russian Academy of Sciences, 2019. http://dx.doi.org/10.31600/978-5-907053-34-2-213-215.

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