Relevant bibliographies by topics / Antiquité Ruins

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Antiquité Ruins'

Author: Grafiati
Published: 10 March 2023

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Journal articles on the topic "Antiquité Ruins"

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Edwards, Catharine. "Antiquité et psychologie des ruines." Anabases, no. 9 (March 1, 2009): 267–70. http://dx.doi.org/10.4000/anabases.520.

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Campbell, Kermit E. "Rhetoric from the Ruins of African Antiquity." Rhetorica 24, no. 3 (2006): 255–74. http://dx.doi.org/10.1525/rh.2006.24.3.255.

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Abstract Recent studies in comparative rhetoric have brought much needed attention to traditions of rhetoric in non-Western cultures, including many in Africa. Yet the exclusive focus on contemporary African cultures limits understanding of the history of rhetoric in Africa. Although extensive data on African antiquity is lacking, we know that early Nubian and Ethiopian cultures were highly civilized, socially and politically. Literacy in the ancient cities of Napata, Meroe, and Axum, and in the medieval city of Timbuktu suggests that black Africa was not exclusively oral and not without recou
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Kahane, Ahuvia. "Image, word and the antiquity of ruins." European Review of History: Revue europeenne d'histoire 18, no. 5-6 (2011): 829–50. http://dx.doi.org/10.1080/13507486.2011.618333.

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Kahane, Ahuvia. "Antiquity and the ruin: introduction." European Review of History: Revue europeenne d'histoire 18, no. 5-6 (2011): 631–44. http://dx.doi.org/10.1080/13507486.2011.618315.

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Dal Prete, Ivano. "The Ruins of the Earth." Nuncius 33, no. 3 (2018): 415–41. http://dx.doi.org/10.1163/18253911-03303002.

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Abstract The relation between visual depictions of rocks and mountains, and coeval notions on the origin and nature of the Earth, is one of the least studied aspects of Renaissance scientific culture. Yet, in the course of the 1400s a new kind of ruins made its appearance in drawings and paintings, alongside those of the classical antiquity: the vestiges of an ancient Earth, as shown in eroded crags, decomposing mountains and in the layered structure of their exposed bowels. In this essay I relate these representations to both the learned tradition of medieval “meteorology,” and to the empiric
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Dagios, Mateus. "HAMILAKIS, Yannis. The Nation and its Ruins: Antiquity, Archaeology, and National Imagination in Greece, (Classical Presences). Oxford University Press, 2007. 352 pp. Reeditado em 2009." Em Tempo de Histórias, no. 20 (August 17, 2012): 183–88. http://dx.doi.org/10.26512/emtempos.v0i20.19868.

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Baker, David Weil. "Ruin and Utopia." Moreana 40 (Number 155), no. 3 (2003): 49–66. http://dx.doi.org/10.3366/more.2003.40.3.4.

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The author examines Utopia in the light of antiquarian exchanges between More and Jerome Busleyden. More visited Busleyden at his home in Mechlin during the weeks when enforced leisure allowed him to write Utopia. More praised Busleyden’s collection of ancient Roman coins in an epigram, and he celebrated the antiquities of the house in a letter to Erasmus. Busleyden in turn alludes to his and More’s shared antiquarian interests in his prefatory letter to Utopia. The two humanists’ ruminations on the ruins of past empires highlight the paradox of Utopia being an antiquity without ruins, and the
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Sakellariadi, Anastasia. "The Nation and its Ruins: Antiquity, Archaeology, and National Imagination in Greece." Public Archaeology 7, no. 2 (2008): 130–34. http://dx.doi.org/10.1179/175355308x330034.

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Boardman, J. "The Nation and Its Ruins: Antiquity, Archaeology, and National Imagination in Greece." Common Knowledge 15, no. 3 (2009): 503–4. http://dx.doi.org/10.1215/0961754x-2009-028.

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Shaw, Wendy. "How to View the Parthenon through the Camera Obscura of the Tortoise." Review of Middle East Studies 51, no. 2 (2017): 214–20. http://dx.doi.org/10.1017/rms.2017.109.

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Visiting ruins, I enjoy the texture of the weathered stones. The wide space, colored in spring by wildflowers. Open space and vistas, the heady smell of grasses drying in the hot sun. Birds sing as they have since Plato's cicadas. Once, alone near the ruins, I heard a strange rhythmic clicking in the grass: two tortoises making love. The ruins that I visit remind me of antiquity not because I picture Socrates walking through the Stoa, but because I picture him walking along the still undeveloped riverbank, smelling these grasses, listening to these birds. The simplicity that I long for, howeve
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Dissertations / Theses on the topic "Antiquité Ruins"

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Houcke, Anne-violaine. "L'invention de l'antique dans le cinéma italien moderne : la poétique des ruines chez Federico Fellini et Pier Paolo Pasolini." Thesis, Paris 10, 2012. http://www.theses.fr/2012PA100170.

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Le néoréalisme – et notamment le cinéma de Roberto Rossellini – a montré à quel point l’Italie sortait ruinée de la Seconde Guerre mondiale. À la théâtralité fasciste et à la rhétorique grandiloquente de la romanità succède une attention nouvelle portée à l’humilis et, corollaires de cet « amour pour la réalité » (expression de Pasolini, à propos de Rossellini et de Fellini), de nouvelles pratiques cinématographiques. Cette recherche a pour ambition de mettre en regard deux cinéastes généralement considérés comme antithétiques, avec pour fil directeur « l’invention de l’antique », afin de mett
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Bousdroukis, Apostolos. "Recherches sur la toponymie, la topographie et l'histoire des fondations macédoniennes du Proche-Orient hélénistique." Paris, EPHE, 2004. http://www.theses.fr/2004EPHE4007.

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Parmi les villes fondées en Orient par les successeurs d'Alexandrie, celles portant le nom d'une localité de Macédoine ou du reste de la Grèce représentent u taux très important. Leur présence de façon presque exclusive en Syrie du Nord et en Mésopotamie, le centre politique et militaire des territoires asiatiques sous le règne d'Antigone le borgne, puis sous celui de Séleucos I, suggère que ces villes reçurent un peuplement d'origine macédonienne ou grecque, établi là selon un plan conçu et mis en place par les diadoques. La majorité de ces villes ont du avoir été fondées à la haute période h
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Ghaddhab, Ridha. "Le fait urbain en Afrique du Nord : de la ville du Bas-empire à l'agglomération médiévale à travers des exemples tunisiens." Bordeaux 3, 2003. http://www.theses.fr/2003BOR30041.

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A partir d'exemples tirés de la Tunisie actuelle, ce travail voudrait examiner le destin de la ville pendant la période située entre la fin de l'Empire romain et le haut Moyen Age. Pour le Bas-Empire, les dirigeants ont voulu reprendre les traditions du Haut-Empire dans l'aspect matériel des villes. La période est caractérisée par l'intervention du pouvoir impérial dans ce que l'on peut considérer commes des villes moyennes ou petites. Chefs-lieux d'un terrtoire de faible étendue ; elles ne pouvaient plus se maintenir comme des centres urbains sans l'intervention impériale. Les grandes villes
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Ben, Hassen Habib. "Thignica (Ai͏̈n-Tounga) : son histoire et ses monuments." Paris 4, 2003. http://www.theses.fr/2003PA040013.

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Thignica, l'actuelle Ai͏̈n-Tounga est un site archéologique du nord-est dde la Tunisie. Il se trouvait dans l'Antiquité, sur la voie qui reliait Carthage à Theveste. C'était une ancienne agglomération imprégnée de culture punique. Cette étude essaie de retracer son histoire municipale; la ville passe de cité indigène (civitas) au statut de municipe à l'époque de Septime Sévère. Une découverte récente atteste qu'elle était dirigée à l'époque punique par des suffetes. L'étude essaie d'expliquer et d'interpréter l'expression qui mentionne les "deux parties de la ville" : "utraque pars civitatis t
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Lingane, Zakaria. "Sites d'anciens villages et organisation de l'espace dans le Yatenga (Nord-Ouest du Burkina Faso)." Paris 1, 1995. http://www.theses.fr/1995PA010522.

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La région du Yatenga, située dans le haut bassin de la Nakanbé (ex-volta blanche) au nord-ouest du Burkina Faso, est riche en sites archéologiques, témoins d'une importante civilisation villageoise stable sur plus de trois siècles. Les marques des peuplements anciens, qui se retrouvent dans tout l'espace régional du nord du Burkina, sont matérialisées par des groupements de buttes anthropiques en association avec des sols dénudés avec ou sans vestiges, des cimetières à jarres funéraires, des parcs à acacia albida, des ouvrages hydrauliques, des structures agraires, des témoins d'activités arti
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Nicolle, Christophe. "L'urbanisation de la Palestine au bronze ancien : analyse morphologique de sites." Paris 1, 1992. http://www.theses.fr/1992PA010558.

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Au cours du bronze ancien, la Palestine connait un mouvement d'urbanisation. Comme dans d'autres régions du Proche-Orient, ce phénomène est étudié à l'aide de modèles qui proviennent de l'anthropologie culturelle. L'urbanisation y est considérée comme un progrès marquant le début d'une hiérarchisation sociale et elle est liée à l'étatisation d'une société dans un rapport suppose entre une certaine forme d'organisation sociale et un type de culture urbaine selon une argumentation fondée sur un empirisme néo-évolutionnisme. L'hypothèse développée est que cette liaison urbanisation étatisation do
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Baudouin, Harry. "La céramique de Yagul, Oaxaca, Mexique : relecture d'un site "postclassique"." Paris 1, 2010. http://www.theses.fr/2010PA010660.

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Driaux, Delphine. "Les aménagements hydrauliques en contexte urbain dans l’Égypte ancienne." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040259.

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Essentielle au développement de la civilisation pharaonique, l’eau a surtout été étudiée au travers de la place qu’elle occupe dans la religion mais rarement au travers de ses usages dans la vie quotidienne. Ainsi les aménagements hydrauliques ne sont-ils généralement que très brièvement mentionnés dans la littérature égyptologique. À partir des données fournies par l’archéologie (matériaux, modes de construction, etc.), cette thèse a donc pour premier objectif d’étudier dans le détail ces installations en s’appuyant sur un corpus qui recense, pour toute la période pharaonique, près de 400 str
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Gillot, Laurence. "La mise en valeur des sites archéologiques: un rapprochement entre archéologie, tourisme et développement :le cas de la Syrie." Doctoral thesis, Universite Libre de Bruxelles, 2008. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210429.

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La thèse examine les rapports complexes entre Archéologie, Tourisme et Développement à travers l’analyse des enjeux et modalités de la mise en valeur des sites archéologiques en Syrie. Le contexte syrien offre à ces égards un terrain d’observation particulièrement riche puisque les sites archéologiques y ont été investis dès la fin du XIXème siècle de valeurs cognitives, identitaires et plus récemment économiques et touristiques dans le cadre des politiques de développement et d’aménagement du territoire « national ». Alors que les relations entre Archéologie, Tourisme et Développement sont st
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Datouang, Djoussou Jean-Marie. "Patrimoine et patrimonialisation au Cameroun : les Diy-gid-biy des monts Mandara septentrionaux pour une étude de cas." Thesis, Université Laval, 2014. http://www.theses.ulaval.ca/2014/30415/30415.pdf.

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Portant le titre Patrimoine et patrimonialisation au Cameroun: les Diy-gid-biy des monts Mandara septentrionaux pour une étude de cas, notre thèse est un chainon d'éléments argumentatifs orientés vers l'élucidation du statut de bien patrimonial. Elle s'inscrit dans le champ des recherches considérant le patrimoine et la patrimonialisation comme un ensemble de codes discursifs dont l'intérêt pour l'anthropologue est la compréhension du sens et non de la caractéristique ontique. Il s'agit de l'intelligibilité des rapports aux éléments patrimoniaux qui passe par une mise en évidence de la patrimo
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Books on the topic "Antiquité Ruins"

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Anna-Maryke. Fragment: Icons from antiquity. Chapter & Verse, 2000.

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contributor, Conésa Héloïse, Latarget Bernard contributor, Schnapp Alain 1946 contributor, and Bibliothèque nationale de France, eds. Ruines. Éditions Xavier Barral, 2020.

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Speaking ruins: Piranesi, architects and antiquity in eighteenth-century Rome. University of Michigan Press, 2012.

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1955-, Lyons Claire L., and J. Paul Getty Museum, eds. Antiquity & photography: Early views of ancient Mediterranean sites. The J. Paul Getty Museum, 2005.

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Claude, Aziza, ed. Pompei: Le rêve sous les ruines. Presses de la Cité, 1992.

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The ruins of the most beautiful monuments of Greece. Getty Research Institute, 2004.

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Gregori, Elisa. Un virtuose des ruines: Chateaubriand au pays des antiquités et de l'archeologie. CLEUP, 2010.

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Un virtuose des ruines: Chateaubriand au pays des antiquités et de l'archeologie. CLEUP, 2010.

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Lister, Robert Hill. Aztec Ruins on the Animas: Excavated, preserved, and interpreted. Southwest Parks and Monuments Association, 1996.

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Cline, Lister Florence, ed. Aztec Ruins on the Animas: Excavated, preserved, and interpreted. University of New Mexico Press, 1987.

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Book chapters on the topic "Antiquité Ruins"

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Whiting, Marlena. "A River Runs Through It: The Role of the Tigris and Euphrates in Transport and Communication in Late Antiquity." In Studies in Byzantine History and Civilization. Brepols Publishers, 2017. http://dx.doi.org/10.1484/m.sbhc-eb.5.113951.

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Paolo Tamburelli, Pier. "As a Snake Sheds its Skin." In Architekturen. transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839461112-006.

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Among the ruins of ancient Rome Bramante found the pieces he needed to assemble a much more rigorous system of forms than the one known to him in Milan. His repertoire changed, the solutions typical of the Lombard period were abandoned. This change of style is perhaps the most striking aspect of Bramante's artistic production and has not failed to attract the attention of historians of architecture. To understand his work it is necessary to start from right here, from this glaring fact-and a fairly unusual one with respect to the kind of behavior that, after centuries of romantic idolizing of the self, we tend to expect from an artist. And yet these choices were fully conscious, as is evident from an unequivocal passage in a letter from Guglielmo della Porta to Bartolomeo Ammannati (circa 1560): »Bramante asserted that anyone who came to Rome to practise as an architect had to strip himself, as a snake sheds its skin, of everything he had learned elsewhere, and he proved this himself with his own example, saying that before he saw this city he used to think himself an excellent painter and architect, but that after practising for many years he became aware of his error, and this was the reason that, after having drawn a great number of the buildings of ancient Rome, of Tivoli, of Praeneste, and many other places, studying, noting and learning something new every day, he opened the way to the good and regulated architecture of antiquity.« It is precisely the shedding of skin that took place in the move from Milan to Rome which we need to take as the starting point in our observation of Bramante's work. Just what changed? And what did not change?
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Townshend, Dale. "‘Venerable Ruin’ or ‘Nurseries of Superstition’." In Gothic Antiquity. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198845669.003.0005.

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Ranging across antiquarian studies, executed architectural projects, romances, letters, essays, and topographical writing, this chapter seeks to show how the Gothic fictional aesthetic, in both its pro-Catholic and anti-Catholic extremes, was merely one manifestation of the broader discourse on ecclesiastical Gothic architecture and architectural ruin in the long eighteenth century. While, for many antiquaries, ecclesiastical ruins were ‘venerable’ and deserving of respect, for other, more popular writers they were ‘nurseries of superstition’, painful remainders (and reminders) of England’s Catholic past. Having explored the ceaseless vacillation between the poles of ‘venerable ruin’ and ‘nurseries of superstition’ across a range of architectural theorists, essayists, and Gothic writers of the period, the argument shows how Gothic architecture, particularly the architecture of ecclesiastical ruin, prompted imaginative reconstructions of the nation’s Gothic past, an age not only characterized by Catholic ‘darkness’ and ‘superstition’, but one also felicitously inhabited by ‘enlightened’ English Catholics.
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Hui, Andrew. "Introduction A Japanese Friend." In The Poetics of Ruins in Renaissance Literature. Fordham University Press, 2017. http://dx.doi.org/10.5422/fordham/9780823273355.003.0001.

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The Renaissance was the Ruin-naissance, the birth of the ruin as a distinct category of cultural discourse that became an inspirational force in the poetic imagination, artistic expression, and historical inquiry of fifteenth- and sixteenth-century Europe. The ruin functions as a privileged cipher or master topos that marks the rupture between the world of the humanists and the world of antiquity. The Renaissance sees a new understanding of both ruins and poetics, made possible by sustained meditation on the crumbled monuments of antiquity. The book imagines fluid multiplicity rather than fixed monumentalization as a survival strategy in the classical tradition. Its method is avowedly a philological one. This approach is particularly appropriate to the subject matter, since both philology and the study of ruins are fundamentally concerned with the figure of synecdoche, about imagining the whole through their parts. To make its case, the book uses three words with particularly rich semantic reach and deep etymological roots: vestigium in Petrarch, cendre in Du Bellay, and moniment in Spenser. They form “word clouds” in their authors’ œuvres: verbal constellations of associations that provide different iterations of the materiality of memory.
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Storey, Mark. "Among the Ruins." In Time and Antiquity in American Empire. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198871507.003.0005.

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From the ancient past of Chapter 3, this chapter moves to the account of contemporary American travelers through the ruins and remnants of the ancient Roman world. Starting with Jhumpa Lahiri’s period living in Rome, and touching also on Thomas Jefferson’s account of antique ruins over two hundred years before, the chapter uses the potent image of the “ruin”—both as noun and as verb—to read American travelers in Europe as observers of empire’s recursive temporalities. Closer examinations of travel writing by William Dean Howells, Mark Twain, Eleanor Clark, and Margaret Fuller reveal the ways in which the contemporary moment for each of these writers ends up filtered through the liberal observing subject via their confrontation with the materiality of an ancient empire, collectively registering the analogical history that the ruins of empire inculcate within the landscape.
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Marshall, Hallie. "Ruins and Fragments." In Tony Harrison and the Classics. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198861072.003.0004.

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Discussion of Tony Harrison’s translations and adaptations tends to focus on the texts; both Harrison’s and the classical texts with which he is engaging. This chapter, however, explores his engagement not with the literary remains of the ancient world, but rather its physical remains. The chapter examines the ways in which works such as The Trackers of Oxyrhynchus, The Labourers of Herakles, The Kaisers of Carnuntum, and The Gaze of the Gorgon engage with the material remains of antiquity, arguing that the physical remnants increasingly exert an influence on a par with the literary texts and that, while Harrison’s works from Trackers on remain deeply engaged with ancient texts, their engagement with antiquity and its legacy are far broader than that of the earlier writing.
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Gjesdal, Kristin. "Ruins of Antiquity (Emperor and Galilean)." In The Drama of History. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190070762.003.0004.

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“The Ruins of Antiquity” focuses on Ibsen’s Emperor and Galilean, a play that is given the subtitle “A World Historical Drama.” Along Hegelian lines, Ibsen’s work displays the strengths, but also the price of the rising Christian mindset. In particular, it shows how early Christianity was prone to overlooking the earthly beauty and joy that characterized Ancient cultures. Yet in his presentation of Emperor Julian and his increasing existential anguish, Ibsen goes beyond the Hegelian framework and sets the stage for his turn, in his contemporary drama, to a full concentration on modern life.
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"Mary Shelley’s ‘Desart Ruins’." In Kinaesthesia and Classical Antiquity 1750–1820. Bloomsbury Academic, 2020. http://dx.doi.org/10.5040/9781350144057.ch-010.

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Hui, Andrew. "Du Bellay’s Cendre and the Formless Signifier." In The Poetics of Ruins in Renaissance Literature. Fordham University Press, 2017. http://dx.doi.org/10.5422/fordham/9780823273355.003.0006.

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La poudreuse cendre, “the dusty ashes,” is the lexical guide to this chapter. Signifying a persistent, formless materiality, this formulation is repeated like a mantra throughout Les Antiquitez. Cendre and poudre play an operative role in Du Bellay’s poetics, for the two words are used to describe the matter of literary tradition itself and to rethink the nature of poetic representation. We will first give a mini-history of the cendre topos in the literary and biblical tradition, which will help us think about the nature of signs and their signified vis-à-vis Rome. Then we will look at how Du Bellay uses repetition in order to evoke the innumerable permutations of Rome. And finally with architecture we go back to the exegi monumentum topos as it is played out in the afterlife of Du Bellay’s sonnets. Under the long shadow of a ruinous antiquity, Du Bellay crafts his monuments as fluid, mutable things.
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Townshend, Dale. "Antiquarian Gothic Romance." In Gothic Antiquity. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198845669.003.0006.

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Consolidating the themes explored in previous chapters, Chapter 6 turns to consider the ‘antiquarian Gothic romance’, an oxymoronic strain of Gothic writing that, even as it peddled its hyperbolic, highly fanciful tales, self-consciously aspired towards the rigour and facticity of the antiquarian topographical method. Having discussed these impulses in a selection of lesser-known Gothic romancers, as well as the curious antiquarian romances of writers such as Thomas Pownall and Joseph Strutt, the chapter focuses on two literary responses to the ruins of Kenilworth Castle, Warwickshire: Ann Radcliffe’s posthumously published Gaston De Blondeville (1826), and Walter Scott’s Kenilworth (1821). As in previous chapters, Gothic ruins are shown to call up vastly competing imaginative constructions of the Gothic past, each of which is politically inflected: the Tory ‘white Gothic’ of Scott, and the radicalism of Radcliffe.
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Conference papers on the topic "Antiquité Ruins"

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Korichi, Amina, Zineeddine Guenadez, and Nicolas Faucherre. "La réutilisation du patrimoine défensif urbain en Algérie." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11367.

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Reuse of urban defensive heritage in AlgeriaThe growing interest in the heritage that contemporary society carries with it, and which is reflected in the extent of the debates and issues relating to its preservation and enhancement, runs up, most of the time, to the authentic memory / memory dichotomy. Dynamic. That being said, the reuse of built heritage in the process of renewing the image of our cities (use-value) becomes dependent on a global conception included in a sustainable urban development approach. The monumental heritage, subdivided, generally, into five categories namely; religio
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Chen, Franklin F. K., and B. Ronald Moncrief. "Canyon Building Ventilation System Dynamic Model Optimization Study." In ASME 1993 International Computers in Engineering Conference and Exposition. American Society of Mechanical Engineers, 1993. http://dx.doi.org/10.1115/cie1993-0052.

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Abstract A canyon building houses special nuclear material processing facilities in two canyon like structures, each with approximately a million cubic feet of air space and a hundred thousand hydraulic equivalent feet of ductwork of various cross sections. The canyon ventilation system is a “once through” design with separate supply and exhaust fans, utilizes two large sand filters to remove radionuclide particulate matter, and exhausts through a tall stack. The ventilation equipment is similar to most industrial ventilation systems. However, in a canyon building, nuclear contamination prohib
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