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Dissertations / Theses on the topic 'Antiquities, Greek'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Meyer, Hans-Caspar. "The discovery, collection and scholarship of classical Greek and Greco-Scythian antiquities in imperial Russia." Thesis, University of Oxford, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.439815.

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Riedemann, Lorca Valeria. "Greek myths abroad : a comparative regional study of their funerary uses in fourth-century BC Apulia and Etruria." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:2bc2051b-16ec-42cd-8460-69e78ddbeff9.

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This dissertation presents a regional comparative study of the uses of Greek heroic stories as illustrated on funerary monuments of Apulia and Etruria in the fourth century BC. Founded on the grounds of contextual archaeology and reception theory, it approaches a group of Apulian red-figure vases, Etruscan sarcophagi and tomb-paintings from both regions as a means of investigating the cultural significance of the myths presented in the grave by different peoples in Italy. Moreover, this study emphasises the possible ways in which viewers engaged with the images depicted on these monuments by d

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Pollard, Alison. "Carmen heroum : Greek epic in Roman friezes." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:1bd394a8-200e-48c7-b7b4-e1e7cabd39e0.

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Roman wallpainting has been the subject of innumerable studies from the eighteenth century to the present day, but the epic-themed friezes of Late Republican and Early Imperial Italy have been comparatively neglected throughout this history of scholarship. This thesis therefore seeks to examine the three painted and stucco Iliad friezes from Pompeii, all found on the Via dell'Abbondanza, and the Odyssey frescoes from a house on the Esquiline in Rome, as four examples of a type which had a long history in the Graeco-Roman world, even if their survival in the archaeological record is scant. The

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4

Davies, Gordon Neil. "Economic geography of the ancient Greek countryside : a re-examination of monumental rural sites on the island of Siphnos." Thesis, University of Oxford, 1998. http://ora.ox.ac.uk/objects/uuid:a3ab7d1e-eb0f-44d4-9338-b21112c19580.

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Part I: Approaches to the study of the ancient Greek countryside. Chapter 1: The ancient Greek countryside in classical scholarship. The Introduction locates the present study within the wider historiography of research into the ancient Greek countryside, assessing the contribution of geographical, archaeological and anthropological studies to the history of the ancient countryside, and analysing the methods which have tended to place the subject on the margins of traditional, text-based studies of the ancient world. Chapter 2: The context of the case study. Ch. 2 justifies the choice of the i

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Walker, Lauren L. "Boiotian black figure floral ware : a re-analysis of the Southern style with an introduction to floral groups from Halíartos." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85212.

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Black Figure Floral Ware is an understudied style of pottery which was produced in Boiotia and the nearby regions of Euboia and Phokis during the fifth and fourth centuries B.C.E. Floral Style vases are painted with compositions formed predominantly of palmettes and lotuses rendered in black gloss without the incised details which are typically associated with Black Figure pottery. The corpus of Boiotian Floral Ware is divided into two sub-styles: the Northern Style and the Southern Style. The Northern Style is thought to have been produced in the area North and West of the Kopais while

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Glenn, Simon. "Royal coinage in Hellenistic Bactria : a die study of coins from Euthydemus I to Antimachus I." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:5af5c51b-b1dc-4eb5-b33b-b27a9958a9f9.

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The history of Hellenistic Bactria (northern Afghanistan, and areas of Tajikistan and Uzbekistan) is particularly obscure and its reconstruction contentious. Unlike other Hellenistic kingdoms very little evidence survives from literary sources and inscriptions; the best primary source is the large quantity of coins issued under the Graeco-Bactrian kings who ruled the area from the third century to the mid first century BC. With limited details of the find spots of the coins and only a few published hoards, their use has often been limited to a superficial analysis of their iconography. This th

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Esposto, Maria Luigina <1972&gt. "La battaglia dell'Arte per l'Arte. Il British Museum e il Greek and Roman Antiquities Department durante la Seconda Guerra Mondiale: il salvataggio della collezione Greca." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/14573.

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Il 3 Settembre 1939 la Gran Bretagna dichiarava guerra alla Germania nazista di Hitler. Iniziava così la Seconda Guerra Mondiale. Una guerra che coinvolse tutto e tutti anche il settore artistico-museale dei paesi Europei interessati dalle operazioni belliche. Memori di quanto era accaduto durante la Prima Guerra Mondiale, il Governo Inglese e i direttori dei musei, delle gallerie e delle biblioteche nazionali delinearono le linee guida per salvare i tesori che formavano il patrimonio artistico della nazione fin dal Novembre 1933. Una data precoce che permise alle realtà museali inglesi di pre

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Warda, Aleksandra Andrea. "Egyptian draped male figures, inscriptions and context, 1st century BC - 1st century AD." Thesis, University of Oxford, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669919.

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Plagens, Emily S. Hafertepe Kenneth. "Collecting Greek and Roman antiquities remarkable individuals and acquisitions in the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, and the J. Paul Getty Museum /." Waco, Tex. : Baylor University, 2008. http://hdl.handle.net/2104/5259.

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Tsipotas, Dimitrios. "Reviving Greek furniture : technological and design aspects through interdisciplinary research and digital three-dimensional techniques : the prehistoric period." Thesis, Bucks New University, 2010. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.714453.

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Sheedy, Kenneth A. "The archaic and early classical coinages of the Cyclades." London : Royal Numismatic Soc, 2006. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016094867&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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West, Nicholas J. "Hellenistic and Roman bronze statuettes in the Ashmolean Museum." Thesis, University of Oxford, 2016. http://ora.ox.ac.uk/objects/uuid:9040b5bf-05db-4524-8ec5-f0e00a77fa86.

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This thesis is an aetiological investigation of the Hellenistic and Roman figural bronze statuettes in the round that form part of the Ashmolean Museum's antiquities collection. The collection serves as a lens through which to study aspects of ancient and modern receptions of Classical sculptural forms. This approach is based on the premise that the collection's composition has been historically determined not only by how the modern parties responsible for its creation and growth responded to the sculptural forms and images recovered from antiquity, but also by how sculptural forms developed i

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Baleriaux, Julie. "Religious landscapes, places of meaning : the religious topography of Arcadia from the end of the Bronze Age to the early imperial period." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:4d515b1e-a4c3-4050-9679-24a9c8f4c4e3.

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The thesis examines the religious topography of Arcadia through two particular aspects: the built and the natural landscape, and how each relates to human communities, their places of living, and their understanding of the world around. It relies on the assumption commonly made in the field that, since ritual practice was of prevalent importance for the Greeks, cult sites are the most important places for the communities, and therefore they can tell us a lot about the people who built, visited and looked after them. The first part rests on the acknowledgement that sanctuaries are places of int

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Meimaris, Yiannis E. "Sacred names, saints, martyrs and church officials in the Greek inscriptions and papyri pertaining to the Christian church of Palestine." Athens, Greece : Paris : Research Centre for Greek and Roman Antiquity, National Hellenic Research Foundation ; Diffusion De Boccard, 1986. http://catalog.hathitrust.org/api/volumes/oclc/18374549.html.

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"Based on the thesis submitted by the author for the degree 'Doctor of Philosophy' to the Senate of Hebrew University, Jerusalem, in 1976"--P. viii.<br>Includes bibliographical references (p. 265-275) and indexes.

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Tonglet, Delphine. "Le kyathos attique de Madame Teithurnai: échanges artisanaux et interactions culturelles entre Grecs et Etrusques en Méditerranée archaïque." Doctoral thesis, Universite Libre de Bruxelles, 2014. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209236.

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The research project concerned cultural and economic transfers between the Etruscan world and Attica during the Archaic period and focused on the copy and the adaptation of Etruscan vase shapes by some potters of the Athenian Kerameikos. This being a vast and known subject, it was decided to concentrate on the case study of one shape, the kyathos, for which a large range of aspects were studied: the origins and typology of the shape in Etruria and its variants according to regional tastes. Etruscan black-figure productions are also included. The research then moved on the Attic shores and prop

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Algrain, Isabelle. "L'alabastre attique: origine, forme et usages." Doctoral thesis, Universite Libre de Bruxelles, 2011. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209979.

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L’alabastre attique est une forme de vase à parfum en céramique produite à Athènes entre le milieu du VIe s. av. J.-C. et le début du IVe s. av. J.-C. L’objet de cette thèse est de présenter une étude globale, inexistante à ce jour, sur l’alabastre attique. En plus d’un examen typologique de la forme, généralement mené dans le cadre de ce type de recherche, nous avons voulu proposer une lecture économique, culturelle et sociale de l’alabastre.<p><p>La première partie de cette thèse est consacrée à l’identification de l’origine de l’alabastre et à sa diffusion en Méditerranée orientale. L’alaba

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Luke, Joanna. "Ports of trade, Al Mina and geometric Greek pottery in the Levant /." Oxford : Archaeopress, 2003. http://catalogue.bnf.fr/ark:/12148/cb39135006p.

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Hogg, Daniel A. W. "Speech and action in the Antiquitates Romanae of Dionysius of Halicarnassus : the question of historical change." Thesis, University of Oxford, 2008. http://ora.ox.ac.uk/objects/uuid:30012af0-0ba8-46cd-a9d8-d53d8d3f73c1.

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This thesis examines the relationship between speech and action in Dionysius' Antiquitates Romanae. It consists of five main chapters, an introduction and a conclusion. In the introduction I establish the status quaestionis and consider different modes of presenting discourse. Chapter 2 is an intertextual analysis of Dionysius' first preface, AR I.1-8, exploring Dionysius' engagement with his Greek and Roman predecessors. I take one modern theory, concerning Dionysius apparent 'idealisation' of the Roman past, in order to examine the relationship between the Antiquities and Dionysius' rhetoric

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Tillisch, Søren Skriver. ""Scythians is a name given them by the Greeks" : an analysis of six barrow burials on the West Euroasian steppe /." Oxford : John and Erica Hedges Ltd, 2008. http://catalogue.bnf.fr/ark:/12148/cb41222726g.

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Brisart, Thomas. "Un art citoyen: recherches sur l'orientalisation des artisanats en Grèce proto-archaïque." Doctoral thesis, Universite Libre de Bruxelles, 2009. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210339.

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Cette thèse cherche à mettre en évidence les raisons qui ont amené une large part des ateliers grecs à orientaliser leurs productions durant la "période orientalisante" (VIIe siècle avant J.-C.). La méthode déployée pour répondre à cet objectif consiste en une contextualisation sociale des artisanats orientalisants, laquelle s'effectue par le biais de l'analyse d'un certain nombre de contextes archéologiques et de textes. Une fois le rôle des objets orientalisants dans la société proto-archaïque mis en évidence, leurs raisons d'être apparaissent plus clairement.<p>Le développement de la citoye

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Podestà, Simone. "Storia e storiografia della Licia." Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040163.

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La Lycie, région mystérieuse et fascinante, avec une identité mixte qui englobait des éléments locaux et des éléments gréco-perses, n’a pas encore une étude « générale » : pour cette raison, j’ai décidé de consacrer mon travail à son analyse. Cette thèse a été divisée en trois grandes parties : la première présente une analyse de l’évolution géographique des frontières régionales à partir du VIe siècle av. J.-C. jusqu’à la provincialisation romaine avec une perspective synchronique et diachronique. La deuxième décrit l’histoire régionale, en tenant naturellement compte des sources arrivées jus

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Attuil, Rebecca. "Une archéologie des identités crétoises : l’exemple de l’architecture publique en Crète du IVe s. av. au début du IIIe s. de n.è." Electronic Thesis or Diss., Sorbonne université, 2024. https://accesdistant.sorbonne-universite.fr/login?url=https://theses-intra.sorbonne-universite.fr/2024SORUL027.pdf.

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Cette thèse s'est donnée pour objectif de produire une synthèse sur l'architecture publique des cités de Crète en se concentrant sur les vestiges datés entre le IVe s. av. et le début du IIIe s. de notre ère. Ce rassemblement inédit de données devient le support d'une observation des monuments publics selon trois angles d'approche : la fonction des édifices, leurs caractéristiques architecturales et leurs évolutions stylistiques durant la période considérée. En toile de fond de ce travail se glisse la volonté d'interroger l'existence d'identités crétoises grâce à l'observation d'une production

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Meadeb, François. "La céramique achrome de l'Incoronata : concepts, terminologies, typologies d'une production indigène de l'Âge du Fer." Thesis, Rennes 2, 2016. http://www.theses.fr/2016REN20008.

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Cette thèse doctorale constitue une enquête éminemment céramologique, prenant pour cadre historique le phénomène de la « protocolonisation » grecque en Italie méridionale, et plus particulièrement dans une région du littoral ionien. Elle prend en considération la céramique auparavant considérée et dite « commune », classe de matériel aux contours incertains et à la définition particulièrement fluctuante. En effet, contrairement à la production fine indigène décorée ou à celle produite localement par des migrants Grecs, dont les formes et les motifs décoratifs sont nettement identifiables, la c

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Adra, Kaïs. "Le monnayage de Laodicée-sur-mer dans l'Antiquité (IIIe siècle av. J.-C. — IIIe siècle ap. J.-C.) : étude historique et monétaire." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040013.

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Laodicée-sur-Mer, l’actuelle Lattaquié se situe sur la côte méditerranéenne de la Syrie au Nord. Elle a joué un rôle très important depuis sa fondation par Séleucos Ie, ce rôle a surtout consisté en son monnayage. L’histoire monétaire de Laodicée a commencé en 300 av. J.-C. avec la frappe des monnaies au type d’Alexandre le Grand. Puis des émissions municipales sont apparues sous le règne d’Antiochos IV et d’Alexandre Bala. Laodicée, après l’an 82/81, a frappé de grande quantité de tétradrachmes civiques. Elle a conservé son rôle pendant l’époque impériale, et a connu l’âge d’or lorsqu’ elle e

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Labadie, Mathieu. "Xénophon et la divination." Thèse, Caen, 2014. http://hdl.handle.net/1866/11653.

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Cette thèse a pour but de dresser un panorama complet des croyances de Xénophon en la divination. À l’aide d’une analyse rigoureuse de la totalité des œuvres de cet auteur antique pendant longtemps déprécié, il ressort que le problème de la consultation des dieux, loin d’être abordé de manière anecdotique et spontanée à la façon d’un legs de la tradition que la pensée critique n’a pas touchée, est au contraire un élément essentiel de la formation d’une réflexion profonde sur la piété et plus généralement les rapports qu’entretiennent les hommes avec les dieux. D’autre part, en raison du zèle d

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Rohaut, Laura. "Les naïskoi votifs de Marseille : étude des édicules avec femme assise dans les cités phocéennes, ioniennes et éoliennes à l’époque archaïque." Thesis, Aix-Marseille, 2017. http://www.theses.fr/2017AIXM0122.

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Si les fouilles archéologiques menées depuis la fin des années 1960 ont enrichi nos connaissances sur Marseille grecque, la documentation relative à la période archaïque demeure restreinte dans le domaine des productions locales. L’artisanat de la sculpture est très peu représenté : seuls les quarante-quatre édicules en calcaire, trouvés rue Négrel au XIXe s. dans un même contexte, témoignent de l’activité d’ateliers locaux. Ces œuvres appartiennent à un type créé à Marseille à partir d’un modèle grec d’Asie Mineure, probablement introduit en Occident par les Phocéens, ou peut-être par d’autre

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Tirloni, Salone Ilaria. "Manifestazioni del sacro e pratiche rituali in Italia meridionale e Sicilia nella prima età del Ferro (IX-VII secolo a.C.)." Thesis, Rennes 2, 2014. http://www.theses.fr/2014REN20047.

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Reconstruire les manifestations du sacré et les pratiques rituelles et/ou cultuelles de l'Italie méridionale et dela Sicile, au Xème-VIIème siècle av. J. Chr., est un objectif ambitieux parce que on doit aborder des aspectsimmatériels, liés à la spiritualité, pas facilement visibles dans l'évidence archéologique. Choisir, en plus, lapériode de la protohistoire représente une difficulté majeure puisque les sources littéraires sont presquetotalement absentes. L'analyse de la documentation archéologique, axée sur trois direction d'intervention -l'espace ainsi naturel qu'humain, les bâtiments et l

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Perron, Martin. "La production et la diffusion des céramiques utilitaires de style à bandes à Argilos et dans le Nord de l'Egée aux périodes archaïque et classique." Phd thesis, Université Panthéon-Sorbonne - Paris I, 2013. http://tel.archives-ouvertes.fr/tel-01011569.

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Cette recherche propose de dresser le portrait de la production et de la diffusion des céramiques de style à bandes (waveline) produites en Égée du Nord aux périodes archaïque et classique par le biais de l'étude de matériel inédit recueilli sur sept sites de colonies grecques établies entre le Strymon et le golfe de Maronée et six sites de l'arrière-pays thrace. Elle vise à rassembler, au moyen de données archéologiques et archéornétriques, des informations sur les milieux de production, les réseaux d'échanges et les habitudes de consommation de la clientèle à l'égard de ces céramiques. Le vo

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Kokkini, Fotini. "La représentation de la vie quotidienne sur les mosaïques grecques de l'époque impériale." Thesis, Paris 10, 2012. http://www.theses.fr/2012PA100047/document.

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La présente étude vise à rassembler et étudier les représentations de la vie quotidienne sur les mosaïques grecques de l’époque impériale. Les scènes qui intéressent sont les images qui présentent des activités humaines, les travaux agricoles, la pêche et la chasse, les spectacles, les rites religieux, les portraits des personnages historiques, des objets, les scènes de la vie quotidienne des autres peuples, des Pygmées et des scènes nilotiques. Les scènes proviennent du territoire de la Grèce moderne qui pendant l’époque impériale était divisé en plusieurs provinces de l’Empire. Les bornes ch

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Villette, Mathilde. "Physionomie d’un espace artisanal et processus de fabrication de la céramique à l’âge du Fer sur la côte ionienne de l’Italie du Sud : l’atelier de potiers de l’Incoronata." Thesis, Rennes 2, 2017. http://www.theses.fr/2017REN20017/document.

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Cette thèse doctorale porte sur les lieux et les processus de fabrication de la céramique dans le Golfe de Tarente entre les VIIIe et VIe av. J.-C. Le sujet a été abordé par une analyse archéologique des vestiges des installations actuellementconnues. L’enquête prend pour cadre historique le phénomène « précolonial », au sein duquel il est possible d'évaluer les éventuels changements opérés dans l'artisanat potier au moment de l'arrivée de groupes grecs sur les côtes méridionales de l'Italie. Le cadre géographique choisi permet de proposer un modèle de fonctionnement des espaces productifs à l

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Bellamy, Clément. "La céramique indigène peinte de l'Incoronata : étude typo-fonctionnelle et anthropologie d'une production de l'âge du Fer en l'Italie méridionale." Thesis, Rennes 2, 2017. http://www.theses.fr/2017REN20032.

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Cette thèse de doctorat met en oeuvre une analyse morphofonctionnelle et historico-archéologique d’une productioncéramique indigène décorée inédite de l’âge du Fer provenant du site de l’Incoronata en Italie du Sud (Basilicate, commune de Pisticci).L’objet de cette enquête est multiple : par l’examen attentif des formes, décors et techniques, un catalogue complet de notrecorpus céramique a été constitué, accompagné d’un dense faisceau de comparaisons. Celles-ci appartiennent à un horizon historico-culturel sud-italien cohérent, resserré entre les vallées du Cavone et du Bradano, entre IX e et

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Luppino, Angela. "Raffaele Gargiulo e la sua collezione di vasi al Museo Archeologico Nazionale di Napoli : ricerche sul restauro dei vasi antichi nella prima metà del XIX secolo a Napoli : tecniche e materiali." Thesis, Paris 10, 2017. http://www.theses.fr/2017PA100020.

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La recherche a analysé la figure éclectique de Raffaele Gargiulo, marchand d'antiquités célèbre en Europe, collectionneur, personnage complexe et controversé de l'histoire du Musée de Naples, dans le monde des Antiquités napolitaines de la première moitié du XIXème siècle. À partir de sa collection d’objets provenant de la Grande-Grèce; l'une des plus riches du Musée de Naples, et en examinant en particulier les vases peints, nous avons analysé ses méthodes de travail ainsi que ses techniques de restauration, les matériaux qu’il a utilisés et les choix qu’il a faits pour reconstruire et compre

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Simone, Caleb. "Enchanted Bodies: Reframing the Culture of Greek Aulos Performance." Thesis, 2020. https://doi.org/10.7916/d8-gbs6-4g39.

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The double-pipe reed woodwind known as the aulos was the most pervasive instrument in ancient Greek life. Despite recent attention to affect and the senses and advancements in ancient musicology, there remains no comprehensive study of this cultural phenomenon. Bringing the burgeoning field of sound studies to bear on the diverse range of evidence, this dissertation offers the first cultural history of aulos performance, focusing on a crucial period of its activity spanning the sixth through fourth centuries BCE. I propose an interpretive model that works across textual and material sources to

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Fowler, Michael Anthony. "Human Sacrifice in Greek Antiquity: Between Myth, Image, and Reality." Thesis, 2019. https://doi.org/10.7916/d8-y3vy-5j71.

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This dissertation offers an archaeologically and art historically grounded inquiry into the actuality, form, and meaning of human sacrifice from the Bronze Age through the Hellenistic period. It opens with a critical, up-to-date review of the corpus of proposed archaeological evidence for human sacrifice in the Minoan, Mycenaean, and Greek civilizations, wherein it is argued that rituals of this kind were rare but nevertheless a historical reality, performed in special or extraordinary circumstances at least until the Late Archaic period. The rarity of human sacrifice in the archaeological rec

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Kim, SeungJung. "Concepts of Time and Temporality in the Visual Tradition of Late Archaic and Classical Greece." Thesis, 2014. https://doi.org/10.7916/D8VT1QQJ.

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This dissertation presents, for the first time, a freestanding account of notions of time and temporality as seen in the visual arts of the late Archaic and Classical Greece and contextualizes it within the larger cultural history of time. There is a growing consensus among scholars regarding a societal shift in fifth-century Greek attitudes towards time, from the authority of the past to the uncertainties and the immediacy of the present. This dissertation explores such changing notions of time in the visual tradition in four different ways: firstly through the personification of the key noti

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Oppen, Simone Antonia. "Comparative perspectives on Persian interactions with Greek sanctuaries during the Greco-Persian Wars." Thesis, 2019. https://doi.org/10.7916/d8-2nd6-a636.

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This dissertation considers Aeschylus’ Persae and portions of Herodotus’ Histories as attempts to shape memories of the Greco-Persian Wars by invocation of material evidence at very different moments in the fifth century BCE. Given the literary and archaeological nature of our surviving Greek evidence, this consideration is a necessary part of the larger project towards which I work: a history of Persian interactions with Greek sanctuaries during the Greco-Persian Wars. Greek archaeological evidence offers one set of comparative perspectives on these interactions. I attempt to place Aeschylus

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Schneller, David H. "Crafting Across Time and Space: Artistic Exchange and Archaic Greek Sanctuaries in the Eastern Mediterranean." Thesis, 2021. https://doi.org/10.7916/d8-2vra-q778.

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Portable objects made of terracotta, stone, and bronze, among other materials, stylistically linked to cultural spheres around the eastern Mediterranean basin and further inland in the Near East, Cyprus, and Egypt, were dedicated with fervor at Greek sanctuaries during the Archaic period. Previously, such votive offerings were superficially interpreted as “foreign imports” and enumerated in oversimplified tallies and exoticizing lists of “orientalia” and/or “aegyptiaca.” They have been embedded as the stimuli of the so-called “Orientalizing” phenomenon—a 19th-century paradigm and enduring tren

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Claros, Yujhan. "(Post-)Classical Coloniality; Identity, Gender (Trouble), and Marginality/subalternity in Hellenized Imperial Dynastic Poetry from Alexandria, with an epilogue on Rome." Thesis, 2021. https://doi.org/10.7916/d8-rtx8-ez62.

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This dissertation is about how dominant identity is constructed through the centering and incorporation of marginal and subaltern subjectivities in Ancient Greek thought, with some preliminary consideration of the Classical Age but chiefly devoted to a study of Hellenistic poetic aesthetics at Ptolemaic Alexandria. The thesis argues ultimately for a specifically Queer and Afrocentric reading of the ArgonautikaI use postcolonial methods, tactics, and strategies to theorize the genealogical intersection(s) of gender and race, and explore the ancient roots of racism. I am indebted in my work to C

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Barker, Peter Frederick. "From the scamander to syracuse: studies in ancient logistics." Diss., 2005. http://hdl.handle.net/10500/1740.

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This dissertation discusses logistical aspects of the Persians invasion of Greece; the Athenian need for timber for building warships; supply problems in their assault on Syracuse; and the march of Alexander's army from Macedonia into Asia. The amount of cereals needed by the Persian and Greek armies and navies is calculated from modern nutritional data and an estimate of the numbers of combatants. The location and size of the Persian food dumps; the excavation of the Athos canal; and the ships and materials needed to build the bridges of boats are considered. The Athenian need for ship-timb

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Herrmann, Nicholas Paul. "Biological affinities of archaic period populations from west-central Kentucky and Tennessee." 2002. http://etd.utk.edu/2002/HermannNicholas.pdf.

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Thesis (Ph. D.)--University of Tennessee, Knoxville, 2002.<br>Title from title page screen (viewed Feb. 27, 2003). Thesis advisor: Lyle W. Konigsberg. Document formatted into pages (xii, 208 p. : ill., maps (some col.)). Vita. Includes bibliographical references (p. 180-202).

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