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Journal articles on the topic 'Antiutopie'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 February 2022

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1

Partsch, Cornelius, and Hans Esselborn. "Utopie, Antiutopie und Science Fiction im deutschsprachigen Roman des 20. Jahrhunderts. Vorträge des deutsch-französischen Kolloquiums." German Studies Review 27, no. 1 (2004): 223. http://dx.doi.org/10.2307/1433618.

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2

Schaupp, J. "Utopie, Antiutopie und Science Fiction im deutschsprachigen Roman des 20. Jahrhunderts. Herausgegeben von Hans Esselborn. Wurzburg: Konigshausen & Neumann, 2003. 189 Seiten. 29,50." Monatshefte XCVIII, no. 1 (2006): 145–48. http://dx.doi.org/10.3368/m.xcviii.1.145.

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3

Chantsev, Aleksandr. "The Antiutopia Factory." Russian Studies in Literature 45, no. 2 (2009): 6–41. http://dx.doi.org/10.2753/rsl1061-1975450201.

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4

Chantsev, Aleksandr. "The Antiutopia Factory." Russian Social Science Review 50, no. 4 (2009): 61–96. http://dx.doi.org/10.1080/10611428.2009.11065357.

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5

Takho-Godi, Elena. "Aleksej Losev's Antiutopia." Studies in East European Thought 56, no. 2/3 (2004): 225–41. http://dx.doi.org/10.1023/b:sovi.0000021890.95865.05.

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6

Ferreira Barros, Douglas. "Democracia como Antiutopia." Cadernos de Ética e Filosofia Política 1, no. 36 (2020): 49–60. http://dx.doi.org/10.11606/issn.1517-0128.v1i36p49-60.

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O objetivo do artigo é estudar concepções da democracia como uma antiutopia. Pretendemosobservar o estatuto das relações estabelecidas entre cidadãos e o poder político para mostrar como estasversões rebaixam as expectativas quanto às promessas do bom governo ou das ficções políticas. Nãose trata aqui de fazer o recenseamento das democracias contemporâneas. Pretendemos destacar duasacepções para diferenciá-las das ficções políticas ideais e dos modelos utópicos. Na democracia, acondução do poder político e a ordenação do todo social é demarcada por interrupções e desajustesconstantes. Seja par
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7

Braga, Corin. "Antiutopies apocalyptiques et posthumaines." Caietele Echinox 34 (April 20, 2018): 241–54. http://dx.doi.org/10.24193/cechinox.2018.34.19.

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8

Kathleen Wine. "Les antiutopies classiques by Corin Braga." French Review 87, no. 3 (2014): 256–57. http://dx.doi.org/10.1353/tfr.2014.0382.

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9

Puccini, Dario. "Utopia y antiutopia en Gabriel Garcia Marquez." Nuevo Texto Crítico 2, no. 3 (1989): 83–116. http://dx.doi.org/10.1353/ntc.1989.0022.

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10

Braga, Corin. "L’attaque contre l’individualité dans les antiutopies totalitaires modernes." Caietele Echinox 32 (June 20, 2017): 109–23. http://dx.doi.org/10.24193/cechinox.2017.32.09.

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11

Lee SooYean. "A Study of Antiutopia on the A. Volos’s “Maskavskaja Mekka”." Korean Journal of Slavic Studies 24, no. 2 (2008): 205–25. http://dx.doi.org/10.17840/irsprs.2008.24.2.008.

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12

Nikolaieva, O. Yu. "MONODRAMA-ANTIUTOPIA IN THE WORKS OF ALEXANDER IRVANTS: GENROLOGICAL ASPECT." Тrаnscarpathian Philological Studies 2, no. 17 (2021): 182–88. http://dx.doi.org/10.32782/tps2663-4880/2021.17-2.34.

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13

Kiljuszik, Ivanna. "Питер Фрейз, Четыре сценария будущего: Жизнь после капитализма". Studia Politologiczne 2019, № 54 (2019): 305–9. http://dx.doi.org/10.33896/spolit.2019.54.13.

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The author of the book raises the problem of fast automation of production and the crisis of capitalism. He analyzes the space of possibilities and wonders about the vision of the future, presenting two utopias and two antiutopias.
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14

Adil Majidova, Ilaha. "The dystopian genre as one of Ray Bradbury’s creative trends." SCIENTIFIC WORK 61, no. 12 (2020): 87–90. http://dx.doi.org/10.36719/2663-4619/61/87-90.

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Utopia is a common literary theme, especially in a speculative and science-fiction genre. Authors use utopian genre to explore what a perfect society would look like. Utopian fiction is set in a perfect world, while a dystopian novel drops its main character into a world where everything seems to have gone wrong. Dystopian fiction can challenge readers to think differently about current world. The article is devoted to the etymology of dystopia genre within Ray Bradbury’s creativity. In his short stories he tried to show the depth of his imagination. In Ray Bradbury’s fiction the world is a te
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15

Temirova, Jamila Khasanovna. "ANTI-UTOPIC MO OPIC MOTIVES IN THE NO TIVES IN THE NOVEL OF EV VEL OF EVGENIY ZAMYATIN "WE"." Scientific Reports of Bukhara State University 3, no. 1 (2019): 197–201. http://dx.doi.org/10.52297/2181-1466/2019/3/1/11.

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In this article, in a comparative aspect, the specificity of the antiutopian genre in twentieth century literature is considered. Anti-utopian motifs in the work of Yevgeny Zamyatin "We" are defined. Focused on a new, "planetary" reader, on a new life reality, the novel turned out to be fantastic, utopian, with elements of a detective story and amusement
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16

Ferreira, M. Simões. "Rabelais e “A Abadia de Thélème”, génese da antiutopia na Idade Moderna." Cultura, Vol. 22 (January 1, 2006): 339–69. http://dx.doi.org/10.4000/cultura.2288.

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17

Kolomiets, G. G., and P. V. Lyasheko. "SENSUALITY IN THE PHILOSOPHICAL AND ANTHROPOLOGICAL CONCEPT OF MARX-ANTIUTOPIST." RUDN Journal of Philosophy 22, no. 4 (2018): 434–45. http://dx.doi.org/10.22363/2313-2302-2018-22-4-434-445.

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18

Dručkutė, Genovaitė. "L’Écriture de voyage d’après Les Mémoi­res de Joseph Frank." Literatūra 50, no. 4 (2008): 13. http://dx.doi.org/10.15388/litera.2008.4.7818.

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Straipsnyje Jozefo Franko Memuarai analizuojami kaip pasakojimas apie kelionę. Susitelkiama į vil­nietiškąjį laikotarpį, apimantį 1804–1823 metus, kai daktaras Frankas dirbo Vilniaus universiteto pro­fesoriumi. Aptarus žanrinius Memuarų ypatumus, parašymo aplinkybes, autoriaus tikslą ir vertimus iš prancūzų kalbos į kitas kalbas, toliau tiriama ke­liautojo žvilgsnio struktūra, nagrinėjama centro ir periferijos problema. Keliautojo žvilgsnį apibūdina nuostaba, pastanga lyginti ir vertinti. Į jo akiratį pa­tenkanti aplinka vertinama sumaišties, kaitos, suiru­tės, nepastovumo, maišto ir tvarkos o
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19

Zanezi, Juliana Cristina. "O conto da Aia, de Margaret Atwood (1985): Antiutopia, ovários e uma história social do tempo." Epígrafe 6, no. 6 (2018): 305–34. http://dx.doi.org/10.11606/issn.2318-8855.v6i6p305-334.

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Professora de literatura inglesa, a autora canadense Margaret Atwood, famosa por sua extensa obra literária com protagonismo de mulheres fortes, aventura-se pelo gênero da ficção científica ao publicar o romance “The Handmaid’s Tale” em 1985. Sendo um sucesso de crítica e vendas, é amplamente reconhecido por sua reprimenda a valores tradicionais da sociedade patriarcal, em especial cristã, e ao feminismo da chamada Segunda Onda. Característico de um movimento literário distópico e de finais da Guerra Fria, Atwood concebe um sistema político que é facilmente reconhecível por suas característica
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20

Mitidieri, André Luis, and Rejane Seitenfuss Gehlen. "Colonialismo e anticolonialismo em contos angolanos de João Melo." Veredas: Revista da Associação Internacional de Lusitanistas, no. 25 (July 23, 2017): 149–70. http://dx.doi.org/10.24261/2183-816x2508.

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A presente análise busca relacionar as obras literárias Imitação de Sartre & Simone de Beauvoir e Filhos da pátria, de autoria do escritor angolano João Melo, com o colonialismo e o anticolonialismo, que são diretamente implicados ao pós-colonialismo. A literatura pós‑colonial reflete sobre a condição periférica e sua relação contextual. Como aspecto colonialista a ser considerado, na primeira das coletâneas de contos referidas, tem-se a dominação masculina e, na segunda, a organização da elite angolana pós‑independência. Como aspecto anticolonialista, tem-se, no primeiro livro, o pensamen
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21

Piskunov, S. "We E. Zamyatin, or the integrity of the mystery." Canadian-American Slavic Studies 45, no. 3-4 (2011): 289–306. http://dx.doi.org/10.1163/221023911x567588.

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AbstractThis essay attempts to analize Zamiatin's We as an aesthetic whole in which, pace Yuri Tynianov, antiutopia is organically combined with “a fantastic adventure novel.” With this aim in mind We is read not only in its literary context but also in a historical-poetologic perspective, ranging from Hellenistic love/adventure novels to Andrei Belyi's Silver Dove. Following in Belyi's footsteps, Zamiatin develops a Dionysian theme according to the interpretation proposed by Viacheslav Ivanov's interpretation (his conception of the divine unity of existence), making the myth of Dionysus the s
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22

Oprea, Alexandra. "Pluralism and the General Will: The Roman and Spartan Models in Rousseau's Social Contract." Review of Politics 81, no. 4 (2019): 573–96. http://dx.doi.org/10.1017/s0034670519000482.

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AbstractHow should institutions be designed so that the votes of the people reflect the general will and not the corporate will of the politically powerful? Rousseau's Social Contract provides us with two mutually exclusive solutions. The first is the more commonly discussed Spartan model where an encompassing public education system eliminates pluralism through social engineering. The second is the often overlooked Roman model of organizing the population into multiple overlapping electoral divisions and checking the power of various interest groups. Rousseau's discussion of Servius's elector
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23

Alfaro Vargas, Roy. "Crítica a la acrítica en Cantos de las guerras preventivas, de Fernando Contreras." LETRAS, no. 45 (April 20, 2009): 157–70. http://dx.doi.org/10.15359/rl.1-45.7.

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Este artículo presenta un análisis de la novela Cantos de las guerras preventivas, de Fernando Contreras tratando de establecer los elementos posmodernos que funcionan a nivel textual, como medio para abordar el texto como antiutopía. Se estudia el papel del deseo insatisfecho en relación con la trama textual, con el fin de señalar las fallas que existen en relación con la crítica que el autor pretende dirigir contra las guerras preventivas.This article presents as analysis of Fernando Contreras’ novel Cantos de las guerras preventivas, in an effort to establish the post-modern elements existi
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24

Rudanovskaya, S. V. "Construction of Social Reality in Fiction and Phenomenology of Everyday Life." RUDN Journal of Philosophy 23, no. 4 (2019): 521–32. http://dx.doi.org/10.22363/2313-2302-2019-23-4-521-532.

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The idea of the constructed character of social reality implies human contribution to institutional arrangements and cultural patterns that determine the shape of collective existence. The article examines the specific features of social construction seen and studied in phenomenological approach by A. Schutz, P. Berger, Th. Luckmann. The concept reveals significance of daily cognitive style which enables people to structure and understand the world they share with others, escaping situations fraught with gaps of meanings and anomy. The author of the article analyzes the process of social const
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25

Martorell Campos, Francisco. "Nueve tesis introductorias sobre la distopía." Quaderns de Filosofia 7, no. 2 (2021): 11. http://dx.doi.org/10.7203/qfia.7.2.20287.

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Nine introductory theses about dystopia
 
 Resumen: Este artículo proporciona una introducción actualizada a la distopía y una exégesis del apogeo ilimitado que esta vive. Y lo hace planteando nueve tesis. El supuesto de partida es que el término “distopía” no designa solamente una forma literaria. Sus premisas, metodologías y actitudes elementales son visibles en el pensamiento social contemporáneo y otras muchas expresiones culturales. En las dos primeras tesis diferencio el género distópico de otros géneros afines y sondeo las coincidencias temáticas que atesoran sus expresiones l
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26

Shaulov, Sergey S. "The Idiom “Twice Two is Four” in Russian Literature of the 20th Century." Проблемы исторической поэтики 18, no. 3 (2020): 266–89. http://dx.doi.org/10.15393/j9.art.2020.8182.

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<p>The idiom “twice two is four” along with its variations is seen in the article as a marker of the situation of an “underground man”. In literature of the twentieth century the “underground” in its ethical and philosophical aspects has expanded its meaning, becoming the context of a utopian and antiutopian thought, absorbing the tragic experience of Russian culture after Dostoevsky. Of course, the widespread locution “as sure as twice two is four” does not always point at this variety of meanings, but it ca
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27

Stanovcic, Vojislav. "Contribution of historical and literary works to the understanding of political phenomena." Zbornik Matice srpske za drustvene nauke, no. 118-119 (2005): 93–124. http://dx.doi.org/10.2298/zmsdn0519093s.

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The paper presents a series of arguments which indicate that significant historiographic works describing and analyzing bygone political phenomena as well the literary works which picturesquely depict political situations and human destinies - with their specific approaches and methods - contribute to the better insight and understanding of the phenomena in the political life which philosophy and social sciences express by notions. Social and political life have their bright and dark sides. It is less arguable that political sciences - in the study of phenomena included in their topic -find gr
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28

Krah, Hans. "Hans Esselborn (Hg.), Utopie, Antiutopie und Science Fiction im deutschsprachigen Roman des 20. Jahrhunderts. 2003." Arbitrium 23, no. 2 (2005). http://dx.doi.org/10.1515/arbi.2005.228.

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29

СТОЯНОВА, Інна. "ANTIUTOPIA AS THE OBJECT OF INTERDISCIPLINARY INVESTIGATION." Humanitarian Education in Technical Universities, no. 34 (December 2, 2016). http://dx.doi.org/10.18372/2520-6818.34.11463.

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30

Pastelli, Vittorio. "ANTIUTOPIAS - literatura, cinema e crítica social 1895-1990 (Antiutopias - literature, cinema and social criticism, 1895-1990)." SSRN Electronic Journal, 1995. http://dx.doi.org/10.2139/ssrn.3303492.

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31

Kačerauskas, Tomas. "Politinis korektiškumas – šviesi utopija ar orveliška antiutopija?" LOGOS 105 (2020). http://dx.doi.org/10.24101/logos.2020.73.

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32

Врублевський, Войцех. "Wells – Zamiatin, Zamiatin – Wells. Two antiutopic visions, one (common) civilization reflection." Philological Review, no. 2 (November 30, 2020). http://dx.doi.org/10.31499/2415-8828.2.2020.220623.

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33

Valverde, Antonio. "Utopismo e antiutopismo, em Bloch e Jonas." Revista de Filosofia Aurora 32, no. 57 (2020). http://dx.doi.org/10.7213/1980-5934.32.057.ds05.

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Aos quarenta anos de O Princípio Responsabilidade, de Hans Jonas, o ensaio1 procede à sondagem exploratória e à análise da tensão ético-política acerca das concepções de utopia e de antiutopia, dispostas e posicionadas pelas filosofias blochiana e jonasiana. Se para Bloch o que tem movido — e, por certo, seguirá movendo — a humanidade recebe sua identidade da docta spes (a esperança compreendida), sob a forma utopia concreta, fundada na ontologia do "ainda-não consciente"; para Jonas, ao contrário, é necessário suplantar a mentalidade utópica, sobremaneira a tecnológica, derivada e executora d
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34

"Work in the Age of Intelligent Machines: The Rise of Invisible Automation." Philosophical Literary Journal Logos 29, no. 1 (2019): 53–84. http://dx.doi.org/10.22394/0869-5377-2019-1-53-80.

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The article analyzes how an emerging form of automation may drastically transform contemporary employment dynamics. Recent breakthroughs in the field of artificial intelligence (AI) make it possible to automate both manual and mental non-standard tasks. The first part of the article traces the development of AI. Whereas classical algorithms required the creation of a hermetic environment for AI to thrive, modern neural network-based AI is capable of surviving in the chaotic realm occupied by humans. Based on an analysis of changes in the nature of AI, the authors distinguish between substituti
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