Relevant bibliographies by topics / Antoine jean-baptiste

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Academic literature on the topic 'Antoine jean-baptiste'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Antoine jean-baptiste"

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Todd, Christopher, and Eric Francalanza. "Jean-Baptiste-Antoine Suard, journaliste des lumieres." Modern Language Review 99, no. 2 (2004): 493. http://dx.doi.org/10.2307/3738795.

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Fourvel, Jean-Baptiste, Philippe Fosse, Philippe Fernandez, and Pierre-Olivier Antoine. "Large mammals of Fouvent-Saint-Andoche (Haute-Saône, France): a glimpse into a Late Pleistocene hyena den." Geodiversitas 37, no. 2 (2015): 237–66. https://doi.org/10.5252/g2015n2a5.

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Fourvel, Jean-Baptiste, Fosse, Philippe, Fernandez, Philippe, Antoine, Pierre-Olivier (2015): Large mammals of Fouvent-Saint-Andoche (Haute-Saône, France): a glimpse into a Late Pleistocene hyena den. Geodiversitas 37 (2): 237-266, DOI: 10.5252/g2015n2a5, URL: http://dx.doi.org/10.5252/g2015n2a5
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Perronneau, Jean Baptiste. "Portrait of Jean Baptiste Antoine Le Moyne, 1747." Art Institute of Chicago Museum Studies 26, no. 1 (2000): 48. http://dx.doi.org/10.2307/4104426.

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Mason, H. "Review: Jean-Baptiste-Antoine Suard: journaliste des Lumieres." French Studies 57, no. 3 (2003): 397–98. http://dx.doi.org/10.1093/fs/57.3.397.

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Burgess, Geoffrey. "(Re)presenting Rameau's Hippolyte et Aricie." Cambridge Opera Journal 10, no. 3 (1998): 223–24. http://dx.doi.org/10.1017/s0954586700005395.

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Each year for the past decade, the French vocal and instrumental ensemble Les Arts Florissants has visited the Brooklyn Academy of Music. In that time, three of their productions stand out as particularly significant: Jean-Baptiste Lully's Atys (1989 and 1992), Marc-Antoine Charpentier's Medée (1994) and Hippolyte et Aricie by Jean-Philippe Rameau (1997). This trilogy of landmarks in the history of French opera was presented in fully staged productions conceived by stage director Jean-Marie Villegier and conductor William Christie.
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Libault, Dominique, and Julien Damon. "Grands t�moins�: Jean-Baptiste de Foucauld et Antoine Dulin." Regards N�48, no. 2 (2015): 11. http://dx.doi.org/10.3917/regar.048.0011.

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Spielman, Andrew I. "The Birth of the Most Important 18th Century Dental Text: Pierre Fauchard’s Le Chirurgien Dentist." Journal of Dental Research 86, no. 10 (2007): 922–26. http://dx.doi.org/10.1177/154405910708601004.

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Pierre Fauchard (1678–1761) is considered the father of modern dentistry. His seminal book, Le Chirurgien Dentiste, ou Traité des Dents (1728), is the discipline’s first complete work. During the five years preceding its publication (1723–1728), Pierre Fauchard sought the opinions, contributions, and “ approbation” (approval) of 19 of his colleagues: six physicians, 12 surgeons, and one dentist. The first and most important contributor to the manuscript was Jean Devaux, surgeon and mentor to Fauchard. The next six reviewers were illustrious physicians and scientists of the time: Philippe Hecqu
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Todd, Christopher. "Jean-Baptiste-Antoine Suard, journaliste des lumières by Eric Francalanza (review)." Modern Language Review 99, no. 2 (2004): 493–94. http://dx.doi.org/10.1353/mlr.2004.a827457.

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Various French Lexicographers. "Title pages and extracts from French dictionaries printed in the first half of the eighteenth century." Aurorae Borealis Studia Classica 18 (February 21, 2025): 15. https://doi.org/10.7557/16.8037.

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The following dictionaries are included: Antoine Furetière’s Dictionnaire universel edited by Henri Basnage de Beauval’s (1701), title page and pages with description of the Aurore, taken from the Gallica database of the Bibliothèque nationale de France. Antoine Furetière’s Dictionnaire universel edited by Jean-Baptiste Brutel de la Rivière (1727), title page and page with description of the Aurore, taken from the Gallica database. The “Dictionnaire de Trévoux” edited by a group of Jesuits (editions from 1704, 1721, 1732, 1743), title pages and descriptions of the Aurore, taken from the Gallic
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Sardet, Christian. "Two centuries of arts and science in Nice and Villefranche sur Mer: 1) Pioneers: 1800 to 1900." Arts et sciences 9, no. 2 (2025): 46–67. https://doi.org/10.21494/iste.op.2025.1290.

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We tell the story of exploration of the flora and fauna in the Nice region, and especially pelagic organisms, the work of some twenty biologists associated with painters. In 1800, Antoine Risso, Jean Gabriel Prêtre, François Péron and Alexandre Lesueur described and painted flowers, fish and some marine invertebrates. In the middle of the century, Jean Baptiste Vérany, a naturalist from Nice, welcomed prestigious German and Swiss biologists - Johannes Müller, Rudolf Leuckart, Ernst Haeckel and Carl Vogt - who described andstudied little known organisms such as siphonophores and radiolarians. A
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Dissertations / Theses on the topic "Antoine jean-baptiste"

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Gouardères, Hugues. "La vie et l'œuvre de Jean-Baptiste Andouillé (1718-1799)." Bordeaux 2, 1995. http://www.theses.fr/1995BOR2M129.

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Delvallée, Laurent. "Les violistes Antoine et Jean-Baptiste Forqueray et la vie musicale de leur temps, 1672-1782." Paris, EPHE, 2013. http://www.theses.fr/2013EPHE4006.

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L’oeuvre pour basse de viole des Forqueray est presque limitée aux seules Pièces du Livre 1er (1747), publication posthume réalisée par Jean-Baptiste Forqueray. Cette édition contient 32 pièces réparties en 5 suites attribuées à Antoine, son père, Jean-Baptiste ne reconnaissant être l’auteur que de trois d’entre elles, et de la basse de toutes les pièces. Dédié à Henriette de France, ce recueil révèle par ses titres quelques-uns des personnages côtoyés par ces deux violistes, notamment des musiciens célèbres : Rameau, Couperin, Leclair. A l’inverse, des compositeurs insèrent parmi leurs public
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Martins, Lilian Al-Chueyr Pereira. "A teoria da progressão dos animais de Lamarck." [s.n.], 1993. http://repositorio.unicamp.br/jspui/handle/REPOSIP/317264.

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Orientador: Roberto de Andrade Martins<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Biologia<br>Made available in DSpace on 2018-07-18T08:48:50Z (GMT). No. of bitstreams: 1 Martins_LilianAl-ChueyrPereira_M.pdf: 20920635 bytes, checksum: 72bf335360a63dacf38b77514766b8a3 (MD5) Previous issue date: 1993<br>Mestrado<br>Genetica<br>Mestre em Genética e Biologia Molecular
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Francalanza, Éric. "Jean-Baptiste-Antoine Suard, journaliste des Lumières : essai sur la carrière et l'oeuvre d'un critique littéraire de la seconde moitié du XVIIIe siècle." Nancy 2, 1999. http://www.theses.fr/1999NAN21012.

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Si l’œuvre de Jean-Baptiste-Antoine Suard (1733-1817) peut encore nous intéresser, c'est qu'elle pose le problème fondamental de l'auteur et de la création critique au XVIIIe siècle. Ses premiers journaux, notamment, le journal étranger (1760-1762) et la gazette littéraire de l'Europe (1764-1766), sont le fruit d'une collaboration de toute l'Europe savante. De fait, la situation du journaliste qu'est Suard se révèle difficile à décrire. Elle peut être regardée comme le résultat de ce compromis, idéologique et économique, entre le pouvoir et les philosophes, qui caractérise cette seconde moitié
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Vasilakou, Antonia. "Le mime tragique dans les mises en scène de Jean-Louis Barrault : quatre exemples : la Faim, Antoine et Cléopâtre, Baptiste et Les Suites d’une course." Thesis, Paris 10, 2014. http://www.theses.fr/2014PA100119.

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Le sujet traite de la notion du mime tragique de J.-L. Barrault dans quatre de ses mises en scènes relatives à l'art du geste et du mime.La première partie de la thèse trace les influences qui ont forgées artistiquement Barrault, dont J. Copeau, le Cartel et plus particulièrement Ch. Dullin. Une grande partie est consacrée à Étienne Decroux sur les niveaux théorique et pratique du mime corporel de Barrault. Barrault fut aussi sous le charme « magnétique » d'A. Artaud ce qui sera également évoqué à divers moments dans cette recherche. La partie est complétée par une section dédiée à l’empreinte
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Donda, Pedrita Fernanda. "Erasmus Darwin e os seres vivos: concepções de \'evolução\' e herança." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/59/59139/tde-24032016-092306/.

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Erasmus Darwin (1731-1802) apresentou suas ideias evolutivas principalmente no fim do século XVIII. No entanto, elas não foram consideradas na época. Seu neto, Charles Darwin (1809-1882), na 6ª edição do Origin of species as avaliou de modo negativo, comparando-as às concepções equivocadas de Lamarck. O objetivo desta dissertação é inicialmente, descrever as concepções de hereditariedade e evolução de Erasmus, considerando o contexto de sua época. Além disso, procura esclarecer se o tratamento recebido se deveu a uma proposta fraca ou se ela mereceria uma maior consideração. Esta dissertação c
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Jollet, Étienne. "Figures de la pesanteur : équilibre et pondération dans la peinture de genre du XVIIIe siècle en France (Watteau, Chardin, Fragonard)." Paris, EHESS, 1992. http://www.theses.fr/1991EHES0314.

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La conception du tableau comme totalite structuree a eu pour consequence un desinteret pour la question des efets de la pesanteur en peinture. Ceux-ci, qui ne se manifestent que par accident, jouent pourtant un role decisif dans la peinture de genre de watteau, chardin et fragonard. Ils permettent d'isoler certaines figures et de la mettre en rapport direct avec l'experience commune a tout spectateur, de par la reference a un phenomene physique qui releve a la fois de l'intuition et d'un savoir constitue, la physique. C'est de fait par l'analyse de la notion correspondante, la ponderation, dan
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Maïsseu-Nardi, Dorothée. "Le Secrétariat d'Etat à la Marine au temps du marquis de Seignelay, (1683-1690)." Angers, 2002. http://www.theses.fr/2002ANGE0028.

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L'étude du Secrétariat d'Etat à la Marine au temps de Seignelay couvre les sept années pendant lesquelles le fils aîné de Colbert a dirigé la Marine. Le Secrétariat d'Etat à la Marine est en relation constante avec les autres Secrétaires d'Etat, en particulier à la Guerre et aux Affaires Etrangères, ce qui suscite des conflits d'intérêts puisque chacun, et Seignelay en particulier, tente d'empiéter sur le domaine d'attributions d'autrui. C'est ainsi que par son influence grandissante, que ce soit par le biais de la législation, ou son action au sein des Conseils du Roi, Seignelay a réalisé et
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Gourdon, Marie-Louise. "Contribution à l'histoire de la langue occitane : systèmes graphiques pour l'occitan (niçois - provençal - languedocien) 1881-1919 : itinéraires et travaux de A. L. Sardou, J. B. Calvino, L. Funel, A. Perbosc et P. Estieu." Nice, 1997. http://www.theses.fr/1997NICE2027.

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Nous avons tenté de comprendre selon quels processus et pour quelles motivations linguistiques, idéologiques et politiques, des chercheurs, écrivains, poètes ou grammairiens, dans une situation historique ou sociologique donnée, ont tenté de mettre au point une normalisation graphique de leur langue. La période concernée va de 1881 à 1919 et concerne le niçois, le provençal et le languedocien. Pour comprendre ces mécanismes subtils, nous avons étudié le cheminement de la réflexion et les travaux de cinq auteurs : A. L. Sardou et J. B. Calvino à Nice ; L. Funel, en Provence ; A. Perbosc et P. E
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Mottola, Nicolau [UNESP]. "O evolucionismo no ensino de Biologia: investigação das teorias de Lamarck e Darwin expostas nos livros didáticos de Biologia do Plano Nacional do Livro Didático do ensino médio - PNLEM." Universidade Estadual Paulista (UNESP), 2011. http://hdl.handle.net/11449/90127.

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Made available in DSpace on 2014-06-11T19:24:19Z (GMT). No. of bitstreams: 0 Previous issue date: 2011-09-02Bitstream added on 2014-06-13T18:52:11Z : No. of bitstreams: 1 mottola_n_me_rcla.pdf: 359757 bytes, checksum: 647c20048f335ae16df7f299898b7f99 (MD5)<br>Analisou-se aqui o modo como o conceito de evolução, elaborado por Lamarck e Darwin, é apresentado nos livros didáticos de Biologia, selecionados pelo Programa Nacional do Livro Didático para o Ensino Médio (PNLEM), distribuídos em 2007 para todas as escolas da rede pública do Brasil. Para essa análise, foram consideradas as cinco teori
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Books on the topic "Antoine jean-baptiste"

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Francalanza, Éric. Jean-Baptiste-Antoine Suard: Journaliste des lumières. Champion, 2002.

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Francalanza, Eric. Jean-Baptiste-Antoine Suard: Journaliste des Lumières. H. Champion, 2002.

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Schwerin, Staatliches Museum. Jean-Baptiste Oudry, Jean-Antoine Houdon: Vermächtnis der Aufklärung : Sammlung Staatliches Museum Schwerin. Staatliches Museum, 2000.

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Thomas, Antoine Jean-Baptiste. Antoine Jean-Baptiste Thomas e il popolo di Roma: 1817-1818. Campisano editore, 2016.

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Abel, Louis. Kembs en Sundgau rhénan: L'Eglise et l'architecte du XVIIIème siècle : François-Antoine Zeller, 1740-1816, et son activité en Haute-Alsace. Association du souvenir de l'Eglise St-Jean-Baptiste de Kembs, 1986.

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Corsi, Pietro. The age of Lamarck: Evolutionary theories in France, 1790-1830. University of California Press, 1988.

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Marbot, Jean-Baptiste-Antoine-Marcelin. The memoirs of Baron de Marbot: Late lieutenant-general in the French Army. Greenhill Books, 1988.

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Colloque des Invalides (4th 2000 Paris, France). Les mystifications littéraires: Calixte Beyala, Francis Blanche, Jean-Baptiste Botul, Claire Chazal, Mitrophane Crapoussin, Régine Deforges, abbé Domenech, Michel Leiris, Antoine de Livron, Paul Masson, Myriam Mester, Edgar Poe, Rabelais, Arthur Rimbaud, Julien Torma, Touchatout, Voltaire, Binjamin Wikimorsk, etc. Du Lérot, 2001.

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Der Französische Barock: Jean-Baptiste Lully, Marc Antoine Charpentier und Jean-Philippe Rameau. GRIN Verlag GmbH, 2008.

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Antoine Leduc et les descendants de son fils Jean-Baptiste Leduc. Editions Les Amis de l'histoire, 1992.

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Book chapters on the topic "Antoine jean-baptiste"

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Sr, Charles Burney,. "To Jean-Baptiste-Antoine Suard: Queen Square, 24 May 1771." In The Letters of Dr Charles Burney, Vol. 1: 1751–1784, edited by Alvaro Ribeiro, S.J. Oxford University Press, 1991. http://dx.doi.org/10.1093/oseo/instance.00054708.

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Sr, Charles Burney,. "To Jean-Baptiste-Antoine Suard: St Martin's Street, 25 May 1776." In The Letters of Dr Charles Burney, Vol. 1: 1751–1784, edited by Alvaro Ribeiro, S.J. Oxford University Press, 1991. http://dx.doi.org/10.1093/oseo/instance.00054763.

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Savettieri, Chiara. "La Galerie de Florence de Jean-Baptiste Wicar et Antoine Mongez : tradition et originalité à l’époque de la Révolution." In Jean-Baptiste Wicar et son temps 1762-1834. Presses universitaires du Septentrion, 2007. http://dx.doi.org/10.4000/books.septentrion.111435.

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Leniaud, Jean-Michel. "Joachim Le Breton et Antoine Quatremère de Quincy, secrétaires perpétuels de l’Académie des Beaux-Arts : deux conceptions divergentes du musée." In Jean-Baptiste Wicar et son temps 1762-1834. Presses universitaires du Septentrion, 2007. http://dx.doi.org/10.4000/books.septentrion.111395.

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"Attracting New Patrons in the Eighteenth Century." In Claude III Audran, Arbiter of the French Arabesque. Amsterdam University Press, 2024. http://dx.doi.org/10.5117/9789463729284_ch04.

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During the Régence, the nobility left Versailles and flocked back to Paris, constructing new grand townhouses that required interior decoration. For these commissions, Audran combined venerable motifs with those from popular culture suited to each patron. For Louis de Béchameil, marquis de Nointel (1630–1703), Audran and his then assistant Jean-Antoine Watteau (1684–1721) painted a ceiling and panels with singerie and made reference to Momus, god of satire, and the Régiment de la Calotte, a French secret society. For other patrons, such as the comtesse de Verrue, Jeanne-Baptiste d’Albert de Lu
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Gratzer, Walter. "The physicist’s peregrinations." In Eurekas and euphorias. Oxford University PressNew York, NY, 2002. http://dx.doi.org/10.1093/oso/9780192804037.003.0167.

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Abstract If the French revolutionaries cut off Antoine Lavoisier’s head, declaring that the Revolution had no need for scholars [90], the Republic nevertheless upheld the primacy of reason and encouraged the growth of science and technology. One of its monuments is the metric system of measurement, which succeeded in all spheres except that of time. The standard of length laid down, the metre, was to be one ten-millionth of the separation of the North Pole from the Equator along the Paris meridian. The Bureau des Longitudes was charged in 1806 with determining this length with the greatest pos
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Tunley, David. "The Early Cantata Composers (i) Jean-Baptiste Morin And The Emergence Of The Eighteenth Century French Cantata." In The Eighteenth-Century French Cantata. Oxford University PressOxford, 1997. http://dx.doi.org/10.1093/oso/9780198164395.003.0004.

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Abstract To the minds of eighteenth-century writers on the subject there was no doubt that the paternity of the French cantata could be traced to Jean Baptiste Morin (1677-1745), ordinaire de la musique in the household of the Duke of Orleans. The Duke’s enthusiasm for Italian music may have been kindled by Marc-Antoine Charpentier, who taught composition to the future Regent of France,1 and, as has been mentioned earlier, the royal pupil in turn encouraged his musicians to compose and perform in the Italian style. The House of Orleans seems to have been a veritable incubator of musical Italia
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Dolman, Han. "THE DISCOVERY OF THE CARBON DIOXIDE MOLECULE." In Carbon Dioxide through the Ages. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198869412.003.0003.

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Abstract This chapter deals with the appearance of the carbon dioxide molecule on the world stage. The Flemish medical doctor Jean Baptiste van Helmont discovered that something was released when charcoal was burned. He called that a gas, a gas sylvestris, a spirit from the woods, or wild spirit. Around the middle of the nineteenth century the Scotsman Black discovered that a white powder, magnesium alba, when heated would lose air, that was previously held: fixed air (carbon dioxide). Like van Helmont, the German scientist Becher and Stahl realized that in combustion (burning) a substance was
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Hendrickson, Brett. "New Mexican Catholicism in Transition." In The Healing Power of the Santuario de Chimayó. NYU Press, 2017. http://dx.doi.org/10.18574/nyu/9781479815500.003.0004.

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Soon after the Santuario’s construction was completed in 1816, Spain was defeated in Mexico’s war for independence (1821). In 1847 the regime once again changed, with the arrival and takeover by the Americans during the Mexican-American War. This chapter shows how New Mexican Catholics, especially in and around Chimayó, adapted to the changes in both political and ecclesiastical oversight that occurred in these tumultuous decades. Other topics are the 1837 Chimayó Rebellion; the difficulties and conflicts that resulted from Archbishop Jean Baptiste Lamy’s tenure; and the challenge by Padre Ant
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Wilson, Miranda. "Domenico Gabrielli (1651/1659–1690)." In Notes for Cellists. Oxford University PressNew York, NY, 2024. http://dx.doi.org/10.1093/9780197623770.003.0002.

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Abstract The cello originated during the Baroque era. The youngest member of the violin family, it went through many variations in size and string tuning before instrument builders and string manufacturers reached a consensus. The earliest solo cello repertoire comes from seventeenth-century Bologna with the pioneering Ricercare of Domenico Gabrielli. After that, the cello rose in popularity across Europe. It superseded the viola da gamba in popularity in France, where Jean-Baptiste Barrière composed his four books of sonatas. In Germany, Johann Sebastian Bach’s Six Suites created a cello repe
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