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Relevant bibliographies by topics / Anton Chekhov

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Academic literature on the topic 'Anton Chekhov'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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Journal articles on the topic "Anton Chekhov"

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Koptelova, Nataliya G. "CREATIVE WORK OF ANTON CHEKHOV IN THE ASSESSMENT OF DMITRY FILOSOFOV (based on reviews and articles of the 1900s)." Vestnik of Kostroma State University, no. 2 (2020): 156–63. http://dx.doi.org/10.34216/1998-0817-2020-26-2-156-163.

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The article discusses the system of ratings, Anton Chekhov’s creative work, developed in the reviews and articles of Dmitry Filosofov of the 1900s. The features of his critical method, which were realised during this period, are characterised. It is proved that Dmitry Filosofov perceives Anton Chekhov’s work as the artistic peak of Russian literature of the early 20th century and at the same time as a certain limit in its movement. It is noted that using the principle of «in occasion of criticism» in his own way, he refracts the traditions of Vissarion Belinsky, Nikolay Dobrolyubov, Nikolay Ch

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Peace, R. A., Laurence Senelick, and K. A. Lantz. "Anton Chekhov." Modern Language Review 82, no. 2 (1987): 536. http://dx.doi.org/10.2307/3728528.

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Geisler, Sheryl. "Anton Chekhov." Journal of Physician Assistant Education 21, no. 3 (2010): 40–43. http://dx.doi.org/10.1097/01367895-201021030-00007.

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Bigildinskaya, Olga V. "Early plays by Anton Chekhov: a dialogue with Ivan Turgenev." Vestnik of Kostroma State University 27, no. 1 (2021): 166–71. http://dx.doi.org/10.34216/1998-0817-2021-27-1-166-171.

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This article tells about the influence of the poetics of Ivan Turgenev's works on the features of early Anton Chekhov’s drama – the student play “Platonov” (1880–1881), “Ivanov” (edited in 1888–1889) and “The Wood Demon” (1888–1889). The author studies in detail the degree of Chekhov's familiarity with the body of Turgenev's dramatic texts. The author reveals the unity of the chronotope of the noble nest, distant plot similarities (self-serving motivations of actions), and the thematic motif of self-condemnation of the characters. It is shown that in Chekhov's plays there are characters typolo

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Olitskaya, Daria A., and Victoria V. Chertkova. "Anton Chekhov’s novella The Steppe in English translations." Tekst. Kniga. Knigoizdanie, no. 30 (2022): 5–21. http://dx.doi.org/10.17223/23062061/30/1.

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Chekhov’s works have been actively translated into English for 130 years; however, these translations have scarcely been addressed systematically and remain understudied. This is especially relevant in case of his stories and novellas. This article focuses on the translations of Chekhov’s The Steppe - a novella that marked the writer’s transition from early stories to mature prose. The 20th and 21st centuries have seen five English translations of The Steppe, which mark five main stages of its reception. The novella was first introduced to the English-speaking reader by E.L. Kaye in 1916. Thou

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Dr. Anchal Tiwari. "Beyond the Bond: Love, Marriage and Romance in Anton Chekhov’s Selected Short Stories." Creative Launcher 7, no. 1 (2022): 73–78. http://dx.doi.org/10.53032/tcl.2022.7.1.11.

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Anton Chekhov is a literary giant in nineteenth century fiction. He has contributed to the contemporary literature a deep awareness of human emotions, which foregrounds the necessity to understand the emotional values in narrative. Chekhovian realism has been a formula which writers have diligently followed ever since. In most of his fictional oeuvre he has depicted the individuals of modern society experiencing various shades of emotions which guide their psychological, interpersonal as well as social life. The stories written by Anton Chekhov are kaleidoscopes of various experiences which ar

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Rozin, V. M. "Unconventional Chekhov." Uchenyy Sovet (Academic Council), no. 1 (January 9, 2025): 34–39. https://doi.org/10.33920/nik-02-2501-04.

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I read a very interesting book by Donald Rayfi eld, “Anton Chekhov: A Life”. And the image of Chekhov as a subtle, intelligent man wearing pince-nez, a brilliant master of short stories and tales, one of the theater reformers of the late 19th and early 20th centuries literally collapsed for me. More precisely, the assessment and signifi cance of Chekhov’s works have fully stood the test, but only scraps of the image of Anton Pavlovich as a person and an individual remain. Then I thought, what kind of image was this, where did I get it from? Frankly speaking, I must admit that this image is in

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Khabarova, Iuliia. "Anton Chekhov Theater in the perception of Harbin Russians." Человек и культура, no. 5 (May 2021): 13–21. http://dx.doi.org/10.25136/2409-8744.2021.5.36494.

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This article examines the criticism and publicistic writing about A. P. Chekhov&rsquo;s dramaturgy and theatre conducted by the Harbin Russians in the early XX century. Russian immigrants of that time did not break ties with the native culture seeing it as a source of spiritual revival and hopes for returning to Russia. Chekhov was an integral part of their intellectual and cultural life. The ideological and aesthetic views of Harbin Russians resonated with the views of Western immigrants, although indicating certain differences. The publications of Eastern immigrants rarely contain skepti

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Khabarova, Iuliia. "Anton Chekhov Theater in the perception of Harbin Russians." Человек и культура, no. 5 (May 2021): 13–21. http://dx.doi.org/10.25136/2409-8744.2021.5.36494.

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This article examines the criticism and publicistic writing about A. P. Chekhov&rsquo;s dramaturgy and theatre conducted by the Harbin Russians in the early XX century. Russian immigrants of that time did not break ties with the native culture seeing it as a source of spiritual revival and hopes for returning to Russia. Chekhov was an integral part of their intellectual and cultural life. The ideological and aesthetic views of Harbin Russians resonated with the views of Western immigrants, although indicating certain differences. The publications of Eastern immigrants rarely contain skepti

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Roy, Dr Hareshwar. "Chekhov’s Death of a Clerk: A Critical Appreciation." SMART MOVES JOURNAL IJELLH 8, no. 3 (2020): 8. http://dx.doi.org/10.24113/ijellh.v8i3.10462.

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The present paper proposes to undertake a deep study of the Death of a Clerk. This beautiful short story has been written by Anton Chekhov, a prominent story teller of Russia. This story has been translated into English from Russian by Ivy Litvinov. This translation of Ivy Litvinov has been made the basis of the present study. The period of 1880-1885 is a very important period in the career of Anton Chekhov. During this period, he wrote hundreds of humorous tales. They show a keen sense of the social scene and of the incongruities of life. These tales reveal a deep feeling for human injustice

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Dissertations / Theses on the topic "Anton Chekhov"

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Jänis, Marja. "Kirjallisuutta ja teatteriteksti tutkimus näytelmien kääntämisestä esimerkkiaineistona Anton Tšehovin Kolmen sisaren suomennokset /." Joensuu : University of Joensuu, 1991. http://catalog.hathitrust.org/api/volumes/oclc/27683301.html.

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Lemieux, Martha. "The evolution of irony in the short stories of Chekhov /." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60576.

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In the corpus of Chekhov's prose there is a perceptible evolution in his use of irony. This study involves an examination of the use of irony in the initial, middle and final phases of his artistic career. It will demonstrate that in the initial phase, Chekhov's use of irony was direct and overt; in the middle phase, it was more deliberate and covert; and in the final phase, it was subdued, more transparent and transcendent. Selected stories taken from all three periods will illustrate this evolution.

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Bartlett, Joseph. "Freedom and self-knowledge in the dramatic works of Anton Chekhov." Diss., Columbia, Mo. : University of Missouri-Columbia, 2005. http://hdl.handle.net/10355/4229.

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Thesis (M.A.) University of Missouri-Columbia, 2005.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file viewed on (May 18, 2007) Includes bibliographical references.

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Ziskin, Gregory. "The main principles of Chekhov's dramatic technique /." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61256.

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The purpose of the present study is to analyze the structural techniques and genre of Chekhov's plays.<br>The many books and articles published on Chekhov's plays far exceeds his own works. Although there have been numerous studies analyzing the structural techniques of his play, considerable controversy still exists among literary and theatre scholars regarding the genre of his plays. Most of the studies simply avoid this complex and intricate problem.<br>In this study particular emphasis is also placed on the dramatic techniques used by Chekhov: the sequence of events, the nature of the role

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Bradley, Edmund R. J. "A comparison of the shorter prose works of Anton Chekhov and Arthur Schnitzler." Thesis, University of Edinburgh, 1988. http://hdl.handle.net/1842/23740.

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Augusto, Arboleda Diego. "British Chekhov : an analysis of the United Kingdom's 21st century national identity through contemporary reinterpretations of Anton Chekhov's plays." Thesis, University of Roehampton, 2016. https://pure.roehampton.ac.uk/portal/en/studentthesis/british-chekhov(aa6487da-7274-45fc-9fef-a551b8983adc).html.

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This thesis is a socio-political analysis of the United Kingdom’s contemporary national identity, as expressed through an intercultural examination of eight Anton Chekhov’s productions presented in the country between 2009 and 2011, characterised by their aesthetic and socio-political diversity. The introduction presents a theoretical exploration and definition of the notions of interculturalism and national identity, which serve as the theoretical pillars of this work. A historical contextualisation summarises the reception, assimilation and reinterpretation processes of British Chekhovian di

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Biehl, Jennifer N. Ms. "Hoping for Chekhov costume design for Three sisters /." [Kent, Ohio] : Kent State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1236874515.

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Thesis (M.F.A.)--Kent State University, 2009.<br>Title from PDF t.p. (viewed Nov. 30, 2009). Advisor: Sharron Campbell. Keywords: costume design; Three Sisters; Chekhov Includes bibliographical references (p. 94-95).

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Ledingham, Georgina May. "Chekhov's doctors : a prescription for a better life." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26864.

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Anton Chekhov pursued two careers simultaneously throughout his life—that of a doctor as well as a writer of prose and drama. It is not surprising, therefore, to discover many physicians amongst his characters but it is puzzling that the portrayal of doctors is frequently unflattering despite his admitted indebtedness to the profession. The thesis herein proposed is that the poor image Chekhov presents points to the necessity of self-determination in matters of emotional and spiritual health; if the doctors are incapable of healing themselves and those in their care, the patients might well ta

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Glazkova, Anna. "Detail within the artistic method in the prose of Chekhov and Nabokov /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p1422925.

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McCabe, Bri A. "Messing with the Form: Reifying the Suzuki Method of Actor Training to Foster an Ensemble for Anton Chekhov's Three Sisters." Ohio University Honors Tutorial College / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1492701034668501.

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Books on the topic "Anton Chekhov"

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Senelick, Laurence. Anton Chekhov. Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-17981-7.

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Troyat, Henri. Anton Chekhov. Ėksmo, 2004.

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Savelii, Senderovich, and Sendich Munir, eds. Anton Chekhov. Michigan State University, 1985.

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Harold, Bloom. Anton Chekhov. Chelsea House, 2001.

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Whyman, Rose. Anton Chekhov. Routledge, 2010.

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Harold, Bloom, ed. Anton Chekhov. Chelsea House Publishers, 2000.

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Harold, Bloom, ed. Anton Chekhov. Bloom's Literary Criticism, 2009.

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Harold, Bloom, ed. Anton Chekhov. Chelsea House Publishers, 2003.

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Greenman, Ben. Celebrity Chekhov: Stories by Anton Chekhov. Harper Perennial, 2010.

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Chekhov, Anton Pavlovich. Anton Chekhov: Last stories. Oberon Press, 1991.

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Book chapters on the topic "Anton Chekhov"

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Senelick, Laurence. "A Life." In Anton Chekhov. Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-17981-7_1.

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Senelick, Laurence. "At the Play." In Anton Chekhov. Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-17981-7_2.

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Senelick, Laurence. "Journeyman Efforts." In Anton Chekhov. Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-17981-7_3.

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Senelick, Laurence. "The One-Act Plays." In Anton Chekhov. Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-17981-7_4.

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Senelick, Laurence. "The Seagull." In Anton Chekhov. Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-17981-7_5.

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Senelick, Laurence. "Uncle Vanya." In Anton Chekhov. Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-17981-7_6.

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Senelick, Laurence. "Three Sisters." In Anton Chekhov. Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-17981-7_7.

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Senelick, Laurence. "The Cherry Orchard." In Anton Chekhov. Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-17981-7_8.

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Senelick, Laurence. "The Theatrical Filter." In Anton Chekhov. Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-17981-7_9.

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Yu, Sun. "Encounter with Anton Chekhov." In Lu Xun and Russia. Routledge, 2024. http://dx.doi.org/10.4324/9781003516644-10.

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Conference papers on the topic "Anton Chekhov"

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Bhatti, Dr Lalit G. "Anton Chekhov’s “The Cherry Orchard”: Reflection of Some Modern Patterns of Writing Drama." In Two Day National Interdisciplinary Conference on Script Writing. SK Publisher, 2024. https://doi.org/10.61165/sk.publisher.script.writing.2024.31.

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Kovzele, Oksana. "ANTON CHEKHOV�S RECEPTION IN LATVIA." In 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/62/s27.051.

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LIU, D. "ON THE MEANS OF PSYCHOLOGISM IN A. P. CHEKHOV'S SHORT STORY “THE BRIDE”." In FORTUNES OF NATIONAL CULTURES IN GLOBALIZATION CONTEXT: BETWEEN TRADITION AND THE NEW REALITY. Chelyabinsk State University Publishing House, 2024. https://doi.org/10.47475/9785727120088_135.

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The purpose of this article is to study the techniques of psychological description used by Anton P. Chekhov in the short story “The Bride”. Thanks to an in-depth analysis of the text, this article concludes that Chekhov skillfully used internal monologues, individual details, symbolism, and other techniques in “The Bride”, which deeply revealed the psychological changes and the growth process of the heroine Nadia. The research presented in this article not only helps to gain a deep understanding of Chekhov's literary style, but also provides useful inspiration for the use of psychological des

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Vasileva, Irina. "ABOUT THE BOUNDARY MARKERS OF THE TRANSITION PERIODS: LYRICAL DIGRESSIONS IN THE FICTION BY ANTON CHEKHOV." In 50th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063183.03.

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Anton Chekhov is generally acknowledged as a writer who symbolizes a transition period, marks the end of the Classical Russian literature of the 19th century and establishes the basics of the poetics of the 20th century. Scholars are traditionally focused on Chekhov’s innovations but not on the connections with the previous tradition. This contribution makes an attempt to reassess the aspect of Chekhov’s poetics which could be called historical “form’s thinking” (in Alexander Mikhailov’s terminology). I mean the features of tradition which result from historical dynamics of culture and are bey

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Prevlovšek, Anita. "Music in the Life and Literary Works of Anton Pavlovich Chekhov." In Socratic Lectures 8. University of Lubljana Press, 2023. http://dx.doi.org/10.55295/psl.2023.ii20.

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The purpose of the article is to present, with reference to a number of his stories and plays, the part played by music in Chekhov's works, which contain many borrowings from folk songs, Russian romances and classical music. The heroes of his works sing arias from operas, playing and singing the works of Russian and foreign composers. There are many extracts from the works of Tchaikovsky, with whom the writer enjoyed a relationship marked by mutual respect and friendship. Music in Chekhov's literary works embraces the whole of human life, covering a wide variety of emotions and situa-tions des

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Lachaeva, Marina Yurievna. "The topic of alcohol in the correspondence of Anton Pavlovich Chekhov in the late 1870s - 1880s." In Питейное дело и трезвенническое движение в России с древнейших времен до наших дней. Общество с ограниченной ответственностью "Старая Басманная", 2022. http://dx.doi.org/10.51255/978-5-907169-85-2_2022_543.

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Ivanova, N. F. "Pedagogical Potential Of The Writer's (Anton Chekhov's) Biography." In Pedagogical Education: History, Present Time, Perspectives. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.08.02.47.

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Mukhin, Mikhail, and Ekaterina Filatova. "Sychological aspects of the style of 19th century russian authors: corpus-based analysis of literary texts in interdisciplinary research." In 2nd International Neuropsychological Summer School named after A. R. Luria “The World After the Pandemic: Challenges and Prospects for Neuroscience”. Ural University Press, 2020. http://dx.doi.org/10.15826/b978-5-7996-3073-7.16.

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The study is based on the corpus of texts of Russian classical prose of the 19th century. It is shown how by means of comparative statistical analysis it is possible to reveal the unique features of a writer’s individual style. The study focuses on the specific cases of the use of the word litso (face) in Anton Chekhov’s psychological prose. The conclusions are made about the potential of corpus methodology in interdisciplinary research.

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