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Dissertations / Theses on the topic 'Anton Chekhov'

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Published: 4 June 2021

Last updated: 25 July 2025

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1

Jänis, Marja. "Kirjallisuutta ja teatteriteksti tutkimus näytelmien kääntämisestä esimerkkiaineistona Anton Tšehovin Kolmen sisaren suomennokset /." Joensuu : University of Joensuu, 1991. http://catalog.hathitrust.org/api/volumes/oclc/27683301.html.

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2

Lemieux, Martha. "The evolution of irony in the short stories of Chekhov /." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60576.

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In the corpus of Chekhov's prose there is a perceptible evolution in his use of irony. This study involves an examination of the use of irony in the initial, middle and final phases of his artistic career. It will demonstrate that in the initial phase, Chekhov's use of irony was direct and overt; in the middle phase, it was more deliberate and covert; and in the final phase, it was subdued, more transparent and transcendent. Selected stories taken from all three periods will illustrate this evolution.

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3

Bartlett, Joseph. "Freedom and self-knowledge in the dramatic works of Anton Chekhov." Diss., Columbia, Mo. : University of Missouri-Columbia, 2005. http://hdl.handle.net/10355/4229.

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Thesis (M.A.) University of Missouri-Columbia, 2005.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file viewed on (May 18, 2007) Includes bibliographical references.

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4

Ziskin, Gregory. "The main principles of Chekhov's dramatic technique /." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61256.

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The purpose of the present study is to analyze the structural techniques and genre of Chekhov's plays.<br>The many books and articles published on Chekhov's plays far exceeds his own works. Although there have been numerous studies analyzing the structural techniques of his play, considerable controversy still exists among literary and theatre scholars regarding the genre of his plays. Most of the studies simply avoid this complex and intricate problem.<br>In this study particular emphasis is also placed on the dramatic techniques used by Chekhov: the sequence of events, the nature of the role

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5

Bradley, Edmund R. J. "A comparison of the shorter prose works of Anton Chekhov and Arthur Schnitzler." Thesis, University of Edinburgh, 1988. http://hdl.handle.net/1842/23740.

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6

Augusto, Arboleda Diego. "British Chekhov : an analysis of the United Kingdom's 21st century national identity through contemporary reinterpretations of Anton Chekhov's plays." Thesis, University of Roehampton, 2016. https://pure.roehampton.ac.uk/portal/en/studentthesis/british-chekhov(aa6487da-7274-45fc-9fef-a551b8983adc).html.

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This thesis is a socio-political analysis of the United Kingdom’s contemporary national identity, as expressed through an intercultural examination of eight Anton Chekhov’s productions presented in the country between 2009 and 2011, characterised by their aesthetic and socio-political diversity. The introduction presents a theoretical exploration and definition of the notions of interculturalism and national identity, which serve as the theoretical pillars of this work. A historical contextualisation summarises the reception, assimilation and reinterpretation processes of British Chekhovian di

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7

Biehl, Jennifer N. Ms. "Hoping for Chekhov costume design for Three sisters /." [Kent, Ohio] : Kent State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1236874515.

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Thesis (M.F.A.)--Kent State University, 2009.<br>Title from PDF t.p. (viewed Nov. 30, 2009). Advisor: Sharron Campbell. Keywords: costume design; Three Sisters; Chekhov Includes bibliographical references (p. 94-95).

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8

Ledingham, Georgina May. "Chekhov's doctors : a prescription for a better life." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26864.

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Anton Chekhov pursued two careers simultaneously throughout his life—that of a doctor as well as a writer of prose and drama. It is not surprising, therefore, to discover many physicians amongst his characters but it is puzzling that the portrayal of doctors is frequently unflattering despite his admitted indebtedness to the profession. The thesis herein proposed is that the poor image Chekhov presents points to the necessity of self-determination in matters of emotional and spiritual health; if the doctors are incapable of healing themselves and those in their care, the patients might well ta

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9

Glazkova, Anna. "Detail within the artistic method in the prose of Chekhov and Nabokov /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p1422925.

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10

McCabe, Bri A. "Messing with the Form: Reifying the Suzuki Method of Actor Training to Foster an Ensemble for Anton Chekhov's Three Sisters." Ohio University Honors Tutorial College / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1492701034668501.

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11

Nankov, Nikita. "A poetics of freedom Anton Chekhov's prose fiction and modernity /." [Bloomington, Ind.] : Indiana University, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3243795.

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Thesis (Ph.D.)--Indiana University, Dept. of Slavic Languages and Literatures, 2007.<br>Title from PDF t.p. (viewed Nov. 17, 2008). Source: Dissertation Abstracts International, Volume: 67-12, Section: A, page: 4559. Adviser: Andrew Durkin.

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12

Vasilevich, Elena. "A composição da novela \'Uma novela enfadonha\' de Antón Tchékhov." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-17092018-161317/.

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O presente trabalho tem por objeto a análise da composição da obra Uma novela enfadonha de Antón Tchékhov. O protagonista da novela é único dentro da criação tchekhoviana. Trata-se de um cientista de renome mundial que, ao enfrentar pela primeira vez a dúvida acerca da significância de sua própria existência, tenta resolver esse problema, tão doloroso para ele próprio, por meio de reflexões lógicas registradas em seu diário. Contudo, sofre um fracasso absoluto. Redigida em primeira pessoa, nesta obra, como em toda a criação tchekhoviana, é característico um método de escrita objetivo, de tal f

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13

Marcançoli, Cássia Regina Marconi. "O Jubileu de Vladímir Sorókin: \'um tal Tchékhov, que nunca havíamos visto antes!\'." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-14082017-111742/.

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O presente trabalho apresenta uma tradução direta do russo para o português da peça O jubileu ( - Iubilei) de Vladímir Gueórguievitch Sorókin. Nessa peça, o autor parodia textos dramatúrgicos de Anton Tchékhov e se utiliza também da sátira às instituições soviéticas. Em nossa análise, captamos algumas características essenciais da dramaturgia de Sorókin, que são também comuns a grande parte da literatura russa contemporânea, ou específicas do estilo do autor. Partimos de conceitos de sátira, grotesco e especialmente de paródia, estudados por Linda Hutcheon, Mikhail Bakhtin e Giorgio Agamben, e

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14

Hoshikawa, Ana Maria Novi. "Anton Tchékhov e Tennessee Williams: dramaturgias em comparação." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-12012016-145507/.

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O presente trabalho apresenta três possibilidades de comparação entre os textos de Anton Tchékhov e Tennessee Williams: a primeira trata-se de uma comparação formal, que investiga as semelhantes soluções dramatúrgicas encontradas pelos autores em relação à crise do drama, conceito elaborado por Peter Szondi; a segunda possibilidade se concentra sobre as semelhantes posições de classe (conceito de P. Bourdieu) encontradas na história russa e na história americana, que servem como substrato temático às peças analisadas; a terceira e última possibilidade de comparação apresentada está baseada no

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15

Picone, Lisa. "Fighting the Lethargy: Creating the Role of Masha in Anton Chekhov's The Three Sisters." ScholarWorks@UNO, 2007. http://scholarworks.uno.edu/td/638.

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This thesis serves as documentation of my efforts to define accurately my creative process as an actor in creating the role of Masha in The Three Sisters by Anton Chekhov. This includes research, character analysis, rehearsal journal and an evaluation of my performance. The Three Sisters was produced by the University of New Orleans Department of Film, Theatre and Communication Arts in New Orleans, Louisiana. The play was performed in the Thrust Theatre of the Performing Arts Center at 8:00 pm on the evenings of April 19 through 21 and April 26 through 28, with one matinee at 2:30 pm on

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16

Farris, Jennifer. "The Technical Direction Provided for the 2008 Kent State University School of Theatre and Dance Production of Three Sisters." Kent State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=kent1236642190.

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17

Nascimento, Rodrigo Alves do. "Tchékhov no Brasil: a construção de uma atualidade." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-05062013-115641/.

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Anton Pávlovitch Tchékhov (1860-1904) é hoje um dos dramaturgos mais encenados no Brasil e no mundo. A fim de compreender como se deu o processo de afirmação de sua dramaturgia, bem como as interpretações e atualizações feitas por críticos e grupos teatrais, realizaremos um estudo de recepção com foco específico na relação entre texto e cena. Inicialmente, faremos uma breve análise de suas primeiras encenações em solo russo (e a produção pelo Teatro de Arte de Moscou do que se convencionou chamar tchekhovismo), passando pelos palcos europeus e americanos para, finalmente, entender as principai

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18

Marques, Lia Nogueira. "A Ilha de Sacalina de Tchékhov: a construção do olhar científico e literário no relato de viagem." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-09102018-113900/.

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A Ilha de Sacalina é resultado da viagem do escritor russo Anton Tchékhov à colônia penal de Sacalina, em 1890, e o relato completo foi publicado em 1895, rico em detalhes demográficos e observações sobre os habitantes do local. Este trabalho apresenta a análise da obra a partir da figura do narrador e de seu olhar marcado pela ciência e pela literatura. Tchékhov construiu um narrador em primeira pessoa com base em suas duas profissões e, consequentemente, identidades: a do médico e a do escritor. Da ciência para a literatura, da população para o indivíduo, da natureza para uma casa, do macro

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19

Fritsch, Valter Henrique de Castro. ""Stretching their shadows far away" : weaving Chekhov and the Brontës on the stage through Blake Morrison's We are three sisters." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/140154.

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A presente tese analisa a peça We Are Three Sisters - escrita em 2011 pelo poeta e dramaturgo britânico Philip Blake Morrison - com o objetivo de discutir as ligações entre as instâncias do ficcional, do real, do imagético e do biográfico. Morrison utiliza como pano de fundo para a elaboração de We Are Three Sisters o texto As Três Irmãs (1902) do dramaturgo russo Anton Chekhov. Morrison preenche sua peça com dados sobre a vida das irmãs Brontë, como retratados pela historiadora e biógrafa Juliet Barker em The Brontës: Wild Genius on the Moors (2010). Barker, que foi curadora da biblioteca da

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20

Herrerias, Priscilla. "A poética dramática de Tchékhov: um olhar sobre os problemas de comunicação." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-13072011-143257/.

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As lacunas nos processos de comunicação entre as personagens dramáticas de Anton Tchékhov (1860-1904) apresentam-se como um traço básico e definitivo de sua poética. A análise dos processos comunicativos entre as personagens das quatro principais peças do autor - A gaivota (1896), O tio Vânia (1897), As três irmãs (1900) e O jardim das cerejeiras (1904) - elucida a criação de um novo paradigma artístico em seu sistema dramático, cujas inovações marcaram profundamente todo o teatro do século XX e exercem enorme influência até os dias de hoje. O presente trabalho apresenta um recorte das obras s

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21

Silva, Flavia Cristina Aparecida. "A construção da identidade em Machado de Assis e Tchekhov." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-07012015-124240/.

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Esta dissertação procura entender, através da comparação entre as narrativas O Alienista (1882) e a Enfermaria nº 6 (1892); e O Espelho (1882) e Queridinha (1898), as primeiras de Machado de Assis (1839-1908) e as segundas de Tchekhov (1860-1904), como se formavam as identidades subjetiva e social na segunda metade do século XIX, na Rússia e no Brasil. Na primeira comparação, aproximamos dois textos que tratam de um assunto muito discutido naquele período, a loucura. Tentamos entender qual era o lugar do louco na nova configuração dessas duas sociedades e a conformação da loucura em identida

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22

Kaderabek, Sarah. "Beyond fidelity : the works of Gogol', Dostoevskii and Chekhov in Soviet and Russian film." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36962.

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The transfer of an artistic work from the literary medium to the filmic medium presents technical, personal, social and political factors for consideration which are capable of revealing important information about the times in which both the literary work and the film work were created. In a Russian context, where both literature and film have played roles of central cultural importance, the study of this interaction can be particularly fruitful. The first chapter of this dissertation considers the theoretical aspects of adaptation, namely fidelity to the original work and questions of metaph

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23

Goode, Rich W. IV. ""Little Things": Chekhov's Children and Discourse in the Comic Short Story." ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/td/1630.

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While most critics agree that Anton Chekhov is a funny writer and much critical commentary about his comedic techniques identifies how Chekhov is humorous, none examines why readers find him so. Using the tools of cognitive science, this paper explores the cognitive processes behind humor and narrative, as well as Chekhov’s exploitation of them for comical effect in his early short stories – namely the very concise and blatantly humorous “Kids,” “Grisha,” “Vanka,” and “At Home” – and uncovers, in these early writings, the origins of his celebrated and oft-imitated authorial legacy.

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Bruns, Melinda W. "The Good Doctor: Exploring and Designing a Journey through Simon and Chekhov’s Russia." ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/td/1613.

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This thesis is an exploratory look at the process for designing the costumes for Neil Simon’s The Good Doctor. This production was produced at the University of New Orleans as part of its 2012-2013 season. Within this thesis we explore the multifaceted journey of the costume design process. As a designer, it is one’s job to use both historical and textual analysis in order to create a design that supports the thematic structure of the play. The following journey begins with initial research on the complex relationship between Neil Simon and his subject Anton Chekhov. It continues to include in

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25

Barbosa, Tieza Tissi. "As partituras de Stanislávski para As três irmãs, de Tchekhov: tradução e análise da composição espacial da encenação." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-28022013-115838/.

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Um dos primeiros e principais encenadores do século XX, Konstantin S. Stanislávski é amplamente conhecido por suas obras voltadas ao ator. Suas encenações, que fascinaram o público russo e das principais capitais do mundo e influenciaram o teatro ocidental, não são tão discutidas e estudadas. O presente trabalho traz em tradução direta da língua russa, inédita em português, as Partituras de Encenação de Stanislávski para a montagem do texto As três irmãs, de Anton Tchekhov, também em nova tradução direta. O encontro entre K. Stansilávski e A. Tchekhov foi de extrema importância para a construç

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26

Sauer, Nicholas L. "Disability in Late Imperial Russia: Pathological Metaphors and Medical Orientalism." Youngstown State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1464016404.

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Sobota, Madeleine M. "A set design for Anton Chekhov's The Three Sisters." The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1303330825.

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28

Duborg, Kathleen Joy. "Unlocking the body, finding the heart : directing Anton Chekhov's The Seagull." Thesis, University of British Columbia, 2014. http://hdl.handle.net/2429/50300.

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Unlocking the Body, Finding the Heart: Directing Anton Chekhov’s The Seagull explores my directorial practice while staging Chekhov’s The Seagull at the Telus Studio Theatre, University of British Columbia from January 23 to February 8, 2014. As presented in the following pages, my primary objective was to find and deliver an immediate and unique interpretation of this exceptional play’s dramatization of romantic and artistic conflict in late 19th Century Russia. My practice centred upon an analysis and rehearsal process that investigated character through movement and an understanding o

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Wei, Wen-Chieh, and 魏妏潔. "The Distance between Anton Chekhov and Us－Transform Anton Chekhov’s Novel into Theatre." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/5nj92v.

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碩士<br>國立臺北藝術大學<br>劇場藝術創作研究所導演組<br>101<br>This report will discuss the motivation, the practicing, and the difficulties encountered in the production of the play Will Tomorrow Be a Nice Day. It will also review the result of the performance and do some further discussions about. The topic will be focused on “Anton Chekhov”, “the adaption from novels to theater”, and “the narrations in theater”. The report is divided into four parts: The first part will describe the relationship between Chekhov and me. Using my own life experiences, I will portray the meaning of Chekhov to me and the magic of h

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Lu, Pei-Tzu, and 呂珮慈. "Memory and Time in the Short Fiction of Anton Chekhov." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/bdb8t9.

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碩士<br>東吳大學<br>英文學系<br>102<br>Anton Pavlovich Chekhov is internationally one of the most important and prominent Russian short story writers in the history of literature. As the son of a grocer and grandson of a serf, Chekhov was well-acquainted with Russia’s social hierarchy. To give an accurate portrayal of Russian life, Chekhov oftentimes created a typical nonentity to shed his insights into the current situation. However, he never once made any sort resolution on the matters of life in his writings, as Chekhov believed that the public should sense the need for change first and make it happe

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HSIOU, TZYY-HWAN, and 修子桓. "A study of Anton Chekhov''s four major plays plot and characterization." Thesis, 1992. http://ndltd.ncl.edu.tw/handle/47683090581863907539.

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Dusterbeck, Shelley. "Exploring authentic personal expression by letting go of perfectionism in the role of Irina in Anton Chekhov's "Three Sisters" /." 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR29279.

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Thesis (M.F.A.)--York University, 2006. Graduate Programme in Theatre.<br>Typescript. Includes bibliographical references (leaves 62-64). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR29279

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Purves, Mark Richard. "Related, strictly speaking : the problem of family in the prose of Anton Chekhov /." 2008. http://wwwlib.umi.com/dissertations/fullcit/3294798.

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黃怡瑛. "The historical and cultural phenomenon of country estate in the works of Anton P. Chekhov and Ivan A. Bunin." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/53478185908583982629.

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Gamache, Rachel. "Adopter Tchekhov : étude sociolinguistique de trois traductions québécoises d'Oncle Vania (1983-2001)." Thèse, 2009. http://hdl.handle.net/1866/3705.

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Depuis le début des années 1980, le milieu théâtral québécois manifeste un intérêt croissant pour Tchekhov. Pourtant, les pièces traduites ne répondent pas à la tendance qui, dans le Québec des années 1970-1980, consistait à adapter les classiques du théâtre étranger de façon ethnocentrique, notamment en les traduisant en québécois. Pour Tchekhov, les traducteurs et les praticiens semblent davantage préoccupés par la dimension dramaturgique de la langue que par l'adaptation au contexte sociolinguistique d'accueil. Intriguée par ce phénomène, nous avons cherché à le vérifier et à le comprendre

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Van, Zyl Estelle. "Siberia revealed through the travel narrative : a Russian, American and British perspective." Diss., 2015. http://hdl.handle.net/10500/18322.

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This study examines how travelogues by the Russian author Anton Chekhov, an American, George Kennan and a British citizen, Harry de Windt, contributed towards establishing the image of Siberia towards the end of the 19th century, juxtaposing their individual views against the commonly perceived view of the region at the time. In examining the texts, a literary analysis is merged with elements of other approaches, through a strong thematic focus, centring on the cultural and ideological assumptions implied in the texts. The findings reveal that both native inhabitants and foreigners are capab

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Charlebois, Pascale. "Alice, une récriture d'Hécube à la lumière de la Cerisaie, ou Comment le sacrifice peut se constituer en critique sociale." Mémoire, 2007. http://www.archipel.uqam.ca/801/1/M10169.pdf.

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Ce mémoire-création est né du souci de comprendre le discours sous-jacent que peut contenir la représentation théâtrale d'un sacrifice et du désir de récrire une tragédie grecque. Dans le premier volet, de nature théorique, ce présent travail se base sur l'impact du rite sacrificiel et sur l'importance qu'il occupe dans le maintien de l'ordre social. Nous y développons l'hypothèse qu'une pièce comportant la représentation d'un sacrifice inutile (ou dont l'origine n'est plus tout à fait sacrée) peut receler un certain discours critique sur les conflits sociaux de l'époque dans laquelle évolue s

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Huang, Hsiao-ting, and 黃曉婷. "A Marxist Reading of Anton Chekhov’s The Cherry Orchard." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/44sxcy.

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碩士<br>靜宜大學<br>英國語文學系研究所<br>95<br>The Cherry Orchard reflects the collapse of the old Russia and the coming of a new age, which can be seen through the ownership of the cherry orchard. The ownership transfers from the landed aristocracy to the rising bourgeoisie, who was once slave in the family of the former one. According to Karl Marx, reality is material, not spiritual. People are not spiritual beings but socially constructed ones. Characters in this play also have to face this materialist situation. Inevitably, the conflicts and contradictions between people’s will and their living envi

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Wu, Carme, and 吳佳玫. "Anton Chekhov’s “Anyuta,” “The Darling,” and The Three Sisters: Women Redressing the Concord." Thesis, 1999. http://ndltd.ncl.edu.tw/handle/48149523817499156417.

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碩士<br>國立中正大學<br>外國語文研究所<br>87<br>Abstract Anton Chekhov can be regarded as the greatest Russian novelist and dramatist in the nineteenth century; the great Russian writer Tolstoy ever gives Chekhov such panegyrics “the artist of life” and “the poet of the actual.” Chekhov delineates the facets of life of the Russian people from various ranks in his time with trenchant insight and unprejudiced attitude. Through the representation of his characters, Chekhov probes into the common emotions, anxiety and torture of mankind; the readers are able to meet their minds with the author time

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Chuang, Chao-chun, and 莊朝鈞. "Anton Chekhov’s The Cherry Orchard: The Fall of the Old－with a Comparison to Cao Xueqin’s “Grand View Garden”." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/86190772557104077157.

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Abstract:

碩士<br>國立成功大學<br>外國語文學系碩博士班<br>91<br>Chekhov’s The Cherry Orchard: The Fall of the Old ─with a Comparison to Cao Xueqin’s “Grand View Garden” Abstract Anton Chekhov, one of Russia’s many important literary figures and one of the greatest playwrights of modern times, is skilled in realistically presenting a slice of life and directly reflecting the issues currently being portrayed by society. The Cherry Orchard, which hints at the social upheaval that was beginning in pre-revolutionary Russia, provides an ominous foreshadowing of the 1917 Bolshevik Revolution. This aristocratic family fa

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