Log in

Relevant bibliographies by topics / Anton Chekhov / Journal articles

To see the other types of publications on this topic, follow the link: Anton Chekhov.

Journal articles on the topic 'Anton Chekhov'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Anton Chekhov.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Koptelova, Nataliya G. "CREATIVE WORK OF ANTON CHEKHOV IN THE ASSESSMENT OF DMITRY FILOSOFOV (based on reviews and articles of the 1900s)." Vestnik of Kostroma State University, no. 2 (2020): 156–63. http://dx.doi.org/10.34216/1998-0817-2020-26-2-156-163.

Full text

Abstract:

The article discusses the system of ratings, Anton Chekhov’s creative work, developed in the reviews and articles of Dmitry Filosofov of the 1900s. The features of his critical method, which were realised during this period, are characterised. It is proved that Dmitry Filosofov perceives Anton Chekhov’s work as the artistic peak of Russian literature of the early 20th century and at the same time as a certain limit in its movement. It is noted that using the principle of «in occasion of criticism» in his own way, he refracts the traditions of Vissarion Belinsky, Nikolay Dobrolyubov, Nikolay Ch

APA, Harvard, Vancouver, ISO, and other styles

2

Peace, R. A., Laurence Senelick, and K. A. Lantz. "Anton Chekhov." Modern Language Review 82, no. 2 (1987): 536. http://dx.doi.org/10.2307/3728528.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Geisler, Sheryl. "Anton Chekhov." Journal of Physician Assistant Education 21, no. 3 (2010): 40–43. http://dx.doi.org/10.1097/01367895-201021030-00007.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Bigildinskaya, Olga V. "Early plays by Anton Chekhov: a dialogue with Ivan Turgenev." Vestnik of Kostroma State University 27, no. 1 (2021): 166–71. http://dx.doi.org/10.34216/1998-0817-2021-27-1-166-171.

Full text

Abstract:

This article tells about the influence of the poetics of Ivan Turgenev's works on the features of early Anton Chekhov’s drama – the student play “Platonov” (1880–1881), “Ivanov” (edited in 1888–1889) and “The Wood Demon” (1888–1889). The author studies in detail the degree of Chekhov's familiarity with the body of Turgenev's dramatic texts. The author reveals the unity of the chronotope of the noble nest, distant plot similarities (self-serving motivations of actions), and the thematic motif of self-condemnation of the characters. It is shown that in Chekhov's plays there are characters typolo

APA, Harvard, Vancouver, ISO, and other styles

5

Olitskaya, Daria A., and Victoria V. Chertkova. "Anton Chekhov’s novella The Steppe in English translations." Tekst. Kniga. Knigoizdanie, no. 30 (2022): 5–21. http://dx.doi.org/10.17223/23062061/30/1.

Full text

Abstract:

Chekhov’s works have been actively translated into English for 130 years; however, these translations have scarcely been addressed systematically and remain understudied. This is especially relevant in case of his stories and novellas. This article focuses on the translations of Chekhov’s The Steppe - a novella that marked the writer’s transition from early stories to mature prose. The 20th and 21st centuries have seen five English translations of The Steppe, which mark five main stages of its reception. The novella was first introduced to the English-speaking reader by E.L. Kaye in 1916. Thou

APA, Harvard, Vancouver, ISO, and other styles

6

Dr. Anchal Tiwari. "Beyond the Bond: Love, Marriage and Romance in Anton Chekhov’s Selected Short Stories." Creative Launcher 7, no. 1 (2022): 73–78. http://dx.doi.org/10.53032/tcl.2022.7.1.11.

Full text

Abstract:

Anton Chekhov is a literary giant in nineteenth century fiction. He has contributed to the contemporary literature a deep awareness of human emotions, which foregrounds the necessity to understand the emotional values in narrative. Chekhovian realism has been a formula which writers have diligently followed ever since. In most of his fictional oeuvre he has depicted the individuals of modern society experiencing various shades of emotions which guide their psychological, interpersonal as well as social life. The stories written by Anton Chekhov are kaleidoscopes of various experiences which ar

APA, Harvard, Vancouver, ISO, and other styles

7

Rozin, V. M. "Unconventional Chekhov." Uchenyy Sovet (Academic Council), no. 1 (January 9, 2025): 34–39. https://doi.org/10.33920/nik-02-2501-04.

Full text

Abstract:

I read a very interesting book by Donald Rayfi eld, “Anton Chekhov: A Life”. And the image of Chekhov as a subtle, intelligent man wearing pince-nez, a brilliant master of short stories and tales, one of the theater reformers of the late 19th and early 20th centuries literally collapsed for me. More precisely, the assessment and signifi cance of Chekhov’s works have fully stood the test, but only scraps of the image of Anton Pavlovich as a person and an individual remain. Then I thought, what kind of image was this, where did I get it from? Frankly speaking, I must admit that this image is in

APA, Harvard, Vancouver, ISO, and other styles

8

Khabarova, Iuliia. "Anton Chekhov Theater in the perception of Harbin Russians." Человек и культура, no. 5 (May 2021): 13–21. http://dx.doi.org/10.25136/2409-8744.2021.5.36494.

Full text

Abstract:

This article examines the criticism and publicistic writing about A. P. Chekhov&rsquo;s dramaturgy and theatre conducted by the Harbin Russians in the early XX century. Russian immigrants of that time did not break ties with the native culture seeing it as a source of spiritual revival and hopes for returning to Russia. Chekhov was an integral part of their intellectual and cultural life. The ideological and aesthetic views of Harbin Russians resonated with the views of Western immigrants, although indicating certain differences. The publications of Eastern immigrants rarely contain skepti

APA, Harvard, Vancouver, ISO, and other styles

9

Khabarova, Iuliia. "Anton Chekhov Theater in the perception of Harbin Russians." Человек и культура, no. 5 (May 2021): 13–21. http://dx.doi.org/10.25136/2409-8744.2021.5.36494.

Full text

Abstract:

This article examines the criticism and publicistic writing about A. P. Chekhov&rsquo;s dramaturgy and theatre conducted by the Harbin Russians in the early XX century. Russian immigrants of that time did not break ties with the native culture seeing it as a source of spiritual revival and hopes for returning to Russia. Chekhov was an integral part of their intellectual and cultural life. The ideological and aesthetic views of Harbin Russians resonated with the views of Western immigrants, although indicating certain differences. The publications of Eastern immigrants rarely contain skepti

APA, Harvard, Vancouver, ISO, and other styles

10

Roy, Dr Hareshwar. "Chekhov’s Death of a Clerk: A Critical Appreciation." SMART MOVES JOURNAL IJELLH 8, no. 3 (2020): 8. http://dx.doi.org/10.24113/ijellh.v8i3.10462.

Full text

Abstract:

The present paper proposes to undertake a deep study of the Death of a Clerk. This beautiful short story has been written by Anton Chekhov, a prominent story teller of Russia. This story has been translated into English from Russian by Ivy Litvinov. This translation of Ivy Litvinov has been made the basis of the present study. The period of 1880-1885 is a very important period in the career of Anton Chekhov. During this period, he wrote hundreds of humorous tales. They show a keen sense of the social scene and of the incongruities of life. These tales reveal a deep feeling for human injustice

APA, Harvard, Vancouver, ISO, and other styles

11

Markina, I. V. "The summer visit to Bogimovo." Voprosy literatury, no. 4 (August 28, 2020): 33–41. http://dx.doi.org/10.31425/0042-8795-2020-4-33-41.

Full text

Abstract:

The article discusses the details of A. Chekhov’s visit to the Kaluga governorate, which influenced some of his later short stories. There is a wooden house in Kaluga. Built on a stone basement, it overlooked the boulevard and once belonged to the parents of Mikhail Mikhaylovich Chekhov (who resided in Moscow at the time), a cousin of Anton Pavlovich Chekhov and his active correspondent. The latter even had plans to visit his Kaluga relatives. Sadly, this never happened. But the writer’s brother, Mikhail Pavlovich Chekhov, worked as a tax inspector in the town on Aleksin, an administrative hub

APA, Harvard, Vancouver, ISO, and other styles

12

Coulehan, Jack. "Commentary on Excerpts From The Letters of Anton Chekhov, Letters of Anton Chekhov, and Doctor Chekhov." Academic Medicine 90, no. 10 (2015): 1355. http://dx.doi.org/10.1097/01.acm.0000472659.66119.1e.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

McVay, Gordon, and Lee J. Williames. "Anton Chekhov the Iconoclast." Modern Language Review 88, no. 4 (1993): 1050. http://dx.doi.org/10.2307/3734531.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Dominiczak, Marek H. "Physician Writers: Anton Chekhov." Clinical Chemistry 60, no. 4 (2014): 703–4. http://dx.doi.org/10.1373/clinchem.2013.218289.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Editorial, Article. "Anniversary of Anton Chekhov. To the 150th Birth Anniversary of Anton Chekhov." Bibliotekovedenie [Russian Journal of Library Science], no. 2 (March 31, 2010): 8–10. http://dx.doi.org/10.25281/0869-608x-2010-0-2-8-10.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Litavrina, Marina G. "Vera, One of the Chekov's Kin." ТЕАТР. ЖИВОПИСЬ. КИНО. МУЗЫКА 2 (June 2024): 220–35. http://dx.doi.org/10.35852/2588-0144-2024-2-220-235.

Full text

Abstract:

Vera Chekhova, actress of Russian-German background, died on April 3d, this year. A grand- daughter of Michael Chekhov and Olga Chekhova (born Knipper), who both left this country in the 1920s. Grand niece of Anton Chekhov, the famous writer. The XX century scattered the representatives of the Chekhov’s kins around the world. Much less is known here in Russia about those of them, who lived abroad. Marina Litavrina, the author of this article, written in memoriam, dwells on her Berlin meetings and talks with Vera Chekhova — actress, film director and producer — referring to the circumstances, w

APA, Harvard, Vancouver, ISO, and other styles

17

Stepanov, Andrei D. "From the Poet of Stagnation to the Prophet of Revolution: Metamorphoses of Anton Chekhov’s reception." Vestnik of Saint Petersburg University. Language and Literature 18, no. 4 (2021): 680–96. http://dx.doi.org/10.21638/spbu09.2021.403.

Full text

Abstract:

The article traces the reception of Chekhov’s image and works from 1880–1900s, and its continuation in Stalinist culture. The transitional (from realism to modernism) nature of Chekhov’s works initially forced 19th century critics to negatively assess the “lack of ideology” and the “accidentality” of his poetics, and later to present Chekhov as an exponent of “longing for a common idea” and “a fighter against vulgarity”. The claims that Chekhov was outdated or, conversely, becoming relevant, were strictly correlated with the periods of stagnation/revolutionary activity. Similar patterns can be

APA, Harvard, Vancouver, ISO, and other styles

18

Glushkova, Maria, and Elena Vasilevich. "Analysis of the Short Story “The Lady with the Dog”. Parallels in the Author-Character Relations in Mikhail Bakhtin and Anton Chekhov." Bakhtiniana: Revista de Estudos do Discurso 17, no. 4 (2022): 75–103. http://dx.doi.org/10.1590/2176-4573p54981387.

Full text

Abstract:

ABSTRACT Bakhtin's early works point to the origins of his theory. The novelty of this article consists in presenting Bakhtin's early works, more precisely the essay “The Author and the Hero in Aesthetic Activity,” written in the 1920s, and comparing it with Chekhov's views on the Author-Character-Reader relationship since we consider Chekhov a writer and a theorist of verbal creation, which we will evidence with excerpts from his letters. The article presents an analysis of Anton Chekhov's short story “The Lady with the Dog,” and the thesis that Chekhov had, right from the title, about the in

APA, Harvard, Vancouver, ISO, and other styles

19

Tešovic, Jasmina. "PERSONA DRAMATIS U DRAMI „VIŠNjIK“ ANTONA ČEHOVA." Lipar, no. 71 (April 2020): 63–81. http://dx.doi.org/10.46793/lipar71.063t.

Full text

Abstract:

/ The work deals with the interpretation of the play The Cherry Orchard (1901), the last play by Chekhov, with an emphasis on an unusual dramaturgical solution when it comes to the status of the main protagonist. Instead of the personae dramatis inherent in the theater of that time, Chekhov chooses an orchard as the protagonist of his drama, i.e. selects the space category. Considering extraordinary awareness and thoughtfulness of Chekhov’s dramaturgy, this choice confirms not only his dissatisfaction with the closeness of the modern stage, the so-called scene-box, but also a distance from the

APA, Harvard, Vancouver, ISO, and other styles

20

Panyukov, Alexander I. "Always Chekhov. Every Day of the Chekhovs... Chekhov and Philosophical Chekhoviana. To the 165th Anniversary of the Birth of Anton Pavlovich Chekhov." Общество: философия, история, культура, no. 6 (June 18, 2025): 22–32. https://doi.org/10.24158/fik.2025.6.2.

Full text

Abstract:

The article is devoted to some aspects of understanding the philosophical content of the work and biography of A.P. Chekhov. Variants of the author's interpretation of the issues that are devoted to the literary and philosoph-ical heritage of A.P. Chekhov and are the subject of literary, historiographical and philosophical reflections are presented. Attention is paid to the uniqueness of A.P. Chekhov “philosophizing”, the philosophical shades of A.P. Chekhov’s works are indicated. The concept of Chekhov’s “truth” is singled out, that is, the appeal to the everyday reality of love, everyday lif

APA, Harvard, Vancouver, ISO, and other styles

21

Timofeeva, A. I. "Image and linguistic personality of the teacher (based on short stories by Anton Chekhov)." Professional Discourse & Communication 2, no. 3 (2020): 85–99. http://dx.doi.org/10.24833/2687-0126-2020-2-3-85-99.

Full text

Abstract:

The main purpose of this article is to introduce readers to the linguistic embodiment of the teacher’s image in the short stories by A.P. Chekhov. In recent decades the linguistic personality of the characters of artistic works has often become the subject of thorough linguistic and literary analysis. A.P. Chekhov, being the master of humorous stories, aims at introducing certain features typical only for the images of characters representing various professions but at the same time corresponding to the genre of the work itself. Attention to details, many artistic features are the hallmark of

APA, Harvard, Vancouver, ISO, and other styles

22

Denisov, Alexander Yuryevich. "Anton Chekhov in school and university teaching in the 2000s−2010s: discussion in the "Chekhov Herald"." Litera, no. 8 (August 2024): 112–23. http://dx.doi.org/10.25136/2409-8698.2024.8.71547.

Full text

Abstract:

The subject of the study is the features and main content of the discussion on the problems of teaching Chekhov's creativity in post-Soviet secondary and higher educational institutions presented on the pages of the information and bibliographic publication "Chekhov Herald" in the 2000s and 2010s. The problem of the need to create new educational and methodological manuals adequate to the post-Soviet socio-cultural situation, as well as the problem of spreading scientific knowledge about the life and work of A.P. Chekhov attracted the attention of leading modern Chekhov scholars, prompted them

APA, Harvard, Vancouver, ISO, and other styles

23

Shatunov, Yuri A. "Muslims and the Muslim world in the works of Anton Chekhov." Imagologiya i komparativistika, no. 18 (2022): 305–22. http://dx.doi.org/10.17223/24099554/18/15.

Full text

Abstract:

The article provides a brief overview of the ideas about Islam and its adherents in Russian public thought of the 19th - early 20th centuries, as well as the policy of the Russian state in relation to this religion. Against this background, the characteristics given by Anton Chekhov to Muslim peoples at different stages of his work in prose and letters to friends and relatives are considered. Most often Chekhov’s works mention Turks, Tatars, Persians, less often Afghans, Circassians, Chechens, the Kirghiz. The development of the level of representation of an ethnic group is closely related to

APA, Harvard, Vancouver, ISO, and other styles

24

Kubasov, A. V. "Biographical and literary context of A. P. Chekhov’s story “gusev”." Culture and Text, no. 49 (2022): 92–102. http://dx.doi.org/10.37386/2305-4077-2022-2-92-102.

Full text

Abstract:

The article is devoted to the analysis of biographical and literary contexts of A. P. Chekhov’s story “Gusev” (1890). The study describes the literary and biographical genealogy of the title character. The purpose of the work is to consider Alexander Chekhov, the writer’s elder brother, as a prototype that determines the profane component of Gusev’s image. The story is considered as a “literary gift” brought to Alexander Chekhov from Anton Pavlovich’s trip to Sakhalin. The significance of the genre originality of “Gusev” as a Christmas story is noted, bringing it closer to other similar works

APA, Harvard, Vancouver, ISO, and other styles

25

Masing-Delic, Irene, and Thomas A. Eekman. "Critical Essays on Anton Chekhov." Russian Review 49, no. 3 (1990): 375. http://dx.doi.org/10.2307/130196.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Ringer, Loren. "The Seagull by Anton Chekhov." Theatre Journal 69, no. 1 (2017): 91–94. http://dx.doi.org/10.1353/tj.2017.0007.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Gerni, Greer. "Three Sisters by Anton Chekhov." Theatre Journal 71, no. 3 (2019): 392–94. http://dx.doi.org/10.1353/tj.2019.0065.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Brandon, James M. "Anton Chekhov (review)." Theatre Topics 21, no. 2 (2011): 214–15. http://dx.doi.org/10.1353/tt.2011.0022.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Igić, Rajko. "Anton Pavlovich Chekhov (1860–1904)." American Journal of Psychiatry 162, no. 12 (2005): 2248. http://dx.doi.org/10.1176/ajp.162.12.2248.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

Khanilo, Alia. "Anton Chekhov – Some Personal Effects." Slavonica 1, no. 2 (1994): 94–97. http://dx.doi.org/10.1179/sla.1994.1.2.94.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

Klimenko, Svetlana O. "Anton Chekhov and English Nostalgia." Orbis Litterarum 56, no. 2 (2001): 121–37. http://dx.doi.org/10.1034/j.1600-0730.2001.d01-38.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

McVay, Gordon. "Russian Views of Anton Chekhov." Slavonic and East European Review 86, no. 3 (2008): 501–12. http://dx.doi.org/10.1353/see.2008.0134.

Full text

APA, Harvard, Vancouver, ISO, and other styles

33

Akhmetshin, Ruslan B. "Anton Chekhov’s “The Philistines” in terms of literature studies." RUDN Journal of Studies in Literature and Journalism 28, no. 3 (2023): 451–61. http://dx.doi.org/10.22363/2312-9220-2023-28-3-451-461.

Full text

Abstract:

The goal of the study is to clarify the chronological framework of the so called Sakhalin period of Chekhov’s biography. The analysis of the creation of “The Teacher of Literature” is conducted to achieve it. The fate of the story “The Teacher of Literature” appears to be somewhat confused: the writer adds together “The Philistines” (“Novoe Vremja”, November 28, 1889) and “The Teacher of Literature” (“Russkie Vedomosti”, July 10, 1894). Chekhov used to avoid reiteration in his publications; thus, he dismissed the first title, and the story first appeared in the collection “Novellas and Stories

APA, Harvard, Vancouver, ISO, and other styles

34

Singh, Raj Kishor. "Pains and Pangs in Anton Chekhov’s Story Vanka." SMART MOVES JOURNAL IJELLH 8, no. 11 (2020): 1–14. http://dx.doi.org/10.24113/ijellh.v8i11.10829.

Full text

Abstract:

The present paper explores and analyses pains and pangs in Anton Chekhov’s Story Vanka by the means of critical discourse analysis for pedagogical purpose. The study paper was carried out by using secondary resources. In Vanka, with his simplicity and minuteness of details, Chekhov reveals his sense of man's inhumanity to man. Poverty, widely discussed in Marxist ideologies, is a curse to majority of school age children. The school age child Vanka is not exception anyway.

APA, Harvard, Vancouver, ISO, and other styles

35

Galharte, Julio Augusto Xavier. "O mundo cão e as crianças em Anton Tchékhov e Graciliano Ramos." RUS (São Paulo) 16, no. 28 (2025): 59–76. https://doi.org/10.11606/issn.2317-4765.rus.235083.

Full text

Abstract:

In this essay, two important female dogs from literature are contrasted: Kashtanka, by Anton Chekhov, and Baleia, by Graciliano Ramos. An interpretative immersion is made in the dog-eat-dog world of both, marked by vicissitudes, such as hunger and death, as well as by joys, such as those generated by the love they offer to their owners and receive from them (Georges, the circus artist, in Kashtanka, and the family of migrants, in Vidas secas). This text takes into consideration the relationship between these little dogs and children, full of connection and affection (especially with the older

APA, Harvard, Vancouver, ISO, and other styles

36

Fard, Maryam Heydari. "A Study of Chekhovian Elements in Radi's Drama." International Letters of Social and Humanistic Sciences 42 (October 2014): 88–97. http://dx.doi.org/10.18052/www.scipress.com/ilshs.42.88.

Full text

Abstract:

As one of the outstanding Iranian playwrights, Akbar Radi (1939-2007) is known to be influenced by Henrik Ibsen and Anton Chekhov. Occasionally by his critics, he was called as "The Persian Chekhov" but they never expounded comprehensively the details of the given epithet which might be derived from similarities, influences and inspirations among Radi and Chekov. By analyzing these similarity cases, this essay attempts to figure out whether this resemblance is resulted from the conscious impressionability. Or otherwise, the similar life conditions of the authors – which caused their parallel w

APA, Harvard, Vancouver, ISO, and other styles

37

Sadecki, Artur. "Metafiction in Anton Chekhov’s "A Story Without an End"." Zeszyty Cyrylo-Metodiańskie 14 (January 10, 2025): 107–17. https://doi.org/10.17951/zcm.2025.14.107-117.

Full text

Abstract:

The paper seeks to explore how the metafictional awareness within each character shapes the overall interpretation of “A Story Without an End” (1886) by Anton Chekhov. From this perspective, this short story can be seen as Chekhov’s commentary on his own writing, revealing the path of evolution he would take in the years that followed. The analysis leads to the conclusion that “A Story Without an End” should be regarded as one of the key texts in the author’s creative breakthrough period, since after 1886 Chekhov’s works evolve towards greater artistic challenges and a style that goes far beyo

APA, Harvard, Vancouver, ISO, and other styles

38

Semghoun, A. A. "ON THE QUESTION OF THE LIFE AND WORK OF A. P. CHEKHOV." Modern Linguistic and Methodical-and-Didactic Researches, no. 1(32) (December 31, 2021): 74–84. http://dx.doi.org/10.36622/mlmdr.2021.32.1.008.

Full text

Abstract:

Statement of the problem.The article is devoted to the description of the biography and an overview of the creative path of the classic of Russian literature - the outstanding Russian writer of the XIX - early XX centuries Anton Pavlovich Chekhov. The relevance of this article is beyond doubt, since acquaintance with the work, biography and personality of the writer A.P. Chekhov is an integral part of the educational process in the study of Russian literature. Results. The author carried out a serious work on the systematization of biographical data indicating various aspects of A.P. Chekhov's

APA, Harvard, Vancouver, ISO, and other styles

39

Shchur, Oleksandra, and J. Douglas Clayton. "Anton Pavlovich Chekhov: Poetics, Hermeneutics, Thematics." Slavic and East European Journal 51, no. 4 (2007): 779. http://dx.doi.org/10.2307/20459576.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

Behrman, S. "The Ailment of Dr Anton Chekhov." Journal of the Royal Society of Medicine 82, no. 3 (1989): 163–64. http://dx.doi.org/10.1177/014107688908200315.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

Alpay, Imge. "The short storytelling of Anton Chekhov." International Journal of Social Sciences and Education Research 2, no. 1 (2016): 153–61. http://dx.doi.org/10.24289/ijsser.279094.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Rozin, V. "Chekhov in the mirror of everyday life of Anton Pavlovich Chekhov." Voprosy kul'turologii (Issues of Cultural Studies), no. 4 (April 1, 2020): 6–15. http://dx.doi.org/10.33920/nik-01-2004-01.

Full text

Abstract:

The paper discusses the problem that has arisen in recent decades in connection with discussions on the Internet, the publication of memoirs, as well as studies of the lives of famous writers and poets. On the example of the interpretation of the life and work of Marina Tsvetaeva and Anton Pavlovich Chekhov, two hypotheses of the relationship between the work of the author and his ordinary life are examined. The author tries to show that if a special reconstruction of both is carried out, then one can understand the essential features of the author’s work.

APA, Harvard, Vancouver, ISO, and other styles

43

Filicheva, Vera V. "Polemics of F. Sologub with Realism (F. Sologub and A. P. Chekhov)." Slovene 9, no. 1 (2020): 321–39. http://dx.doi.org/10.31168/2305-6754.2020.9.1.11.

Full text

Abstract:

The paper analyzes the statements of Fyodor Sologub (both in periodical journalism and in belles-lettres) about the works of Anton Chekhov, examined in the context of the writer's ideas about the place of his own creativity in the literary process. There is a number of allusions and references to Chekhov’s name in the texts of Sologub that had not previously attracted the attention of researchers. Though Sologub had introduced Chekhov’s works into the circle of literature that followed the Tolstoy tradition, he at the same time argued with both authors. Having called Chekhov’s story A Man in t

APA, Harvard, Vancouver, ISO, and other styles

44

Zaitsev, Viktor S. "A.P. CHEKHOV AND “WARTS-AND-ALL BIOGRAPHIES”: GENESIS, ALGORITHMS OF MAKINGS AND SPECIFICITY OF THE GENRE." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 8, no. 1 (2023): 65–81. http://dx.doi.org/10.18522/2415-8852-2023-1-65-81.

Full text

Abstract:

The article is devoted to the phenomenon of “desacralizing” biography at the example of several studies of A.P. Chekhov’s life and works, and to the reasons of popularity of such biographies among the mass readers. This way to describe Chekhov’s life is partly connected with the memoir tradition, in particular, with the essay by N.M. Yezhov “Anton Pavlovich Chekhov (An attempt of characteristics)” (1909). N.M. Yezhov tried to create an objective yet creative psychological portrait of the writer, based on the experience of personal communication with A.P. Chekhov. The attempt was reduced to a m

APA, Harvard, Vancouver, ISO, and other styles

45

Muminov, V. I., and Yu I. Tolstyakova. "MEANS OF EXPRESSION OF EMOTIONS IN A.P. CHEKHOV’s WORKS." Bulletin of Udmurt University. Series History and Philology 30, no. 3 (2020): 387–94. http://dx.doi.org/10.35634/2412-9534-2020-30-3-387-394.

Full text

Abstract:

The article is devoted to the study of the means of expression of emotions in the works of Anton Chekhov. Language means and ways of expressing emotions in the poetics of Anton Chekhov are highlighted that optimize the rhythmic-intonation structure of poetic speech, filling it with content and aesthetic information. The article observes the author’s preferences in the choice of certain means and approaches to emotional, feature intensification, all of which are meant to convey stylistic information and stylistic effect; the dominating method is defined. Features of the language and stylistic m

APA, Harvard, Vancouver, ISO, and other styles

46

Gromov, Alexey A. "THE ABSURDITY OF ANTON CHEKHOV’S VAUDEVILLES AS A FORM OF COMPREHENSION OF THE PASSING ERA." Vestnik of Kostroma State University 28, no. 3 (2023): 103–8. http://dx.doi.org/10.34216/1998-0817-2022-28-3-103-108.

Full text

Abstract:

In the artistic world of Anton Chekhov’s vaudeville, we observe the collision of two worlds: the old and the new. The first world is a space of officials, bureaucracy and “official truthˮ. This is countered by an unpredictable world of hilarious absurdity and buffoonery. The article discusses the concept of updating an outdated form of life, which is part of the unique poetics of the absurd by Anton Chekhov. The main technique is the grotesque, presented on the pages of Anton Chekhov’s plays in both the modernist version of its development and the realistic one. If the modernist grotesque is t

APA, Harvard, Vancouver, ISO, and other styles

47

Stepanov, Andrei D. "Worldwide recognition of Chekhov in Russian diaspora reception." Vestnik of Saint Petersburg University. Language and Literature 20, no. 3 (2023): 579–90. http://dx.doi.org/10.21638/spbu09.2023.311.

Full text

Abstract:

The article deals with one of the aspects of the world recognition of Anton Chekhov’s art: its perception by the Russian emigration of the first wave, the so-called “Russian zarubezhye (expatriate community)”. Based on a large amount of newspaper and magazine publications, including those that were not previously introduced into scholarly circulation, the author demonstrates how the feeling that “Chekhov is outdated” was gradually replaced by surprise at his world glory. The article considers several such explanations. Some authors pointed to the extraordinary accuracy in depicting the details

APA, Harvard, Vancouver, ISO, and other styles

48

Kubasov, A. V. "THE IMAGE OF CHEKHOV UNDER THE MASK OF A HERO IN A. S. SUVORIN’S NOVEL “AT THE END OF THE CENTURY. LOVE”." Culture and Text, no. 56 (2024): 6–17. http://dx.doi.org/10.37386/2305-4077-2024-1-6-17.

Full text

Abstract:

The article is devoted to the phenomenon of creative controversy, realized in a fictional form. One of the most active interlocutors of Chekhov was the publisher, journalist and writer Alexei Sergeevich Suvorin. He knew his younger colleague well and left few but valuable testimonies about him. The loss of Suvorin’s letters to Chekhov causes serious semantic gaps. They can be filled by the analysis of other sources, with a lower level of verification. These include Suvorin’s novel “At the end of the century. Love “(1893), in which the author created the image of Chekhov, hiding him under the m

APA, Harvard, Vancouver, ISO, and other styles

49

Shagbanova, Khabiba Sadyrovna. "The genre diversity of A.P. Chekhov's work and his vision of reality." Litera, no. 3 (March 2024): 176–79. http://dx.doi.org/10.25136/2409-8698.2024.3.69903.

Full text

Abstract:

The author examines the genre diversity of A.P. Chekhov's literary work. It is noted that Chekhov's works have an acute social orientation, pronounced psychologism, and a subtle artistic description of the literary characters. It is said that an interested reader can observe a deep insight into everyday reality, while experiencing a sense of inevitability of fundamental changes in society. Attention is paid to the speech features of Chekhov's characters, which allow us to accurately characterize their natural essence in a sufficiently capacious form. At the same time, the importance of using t

APA, Harvard, Vancouver, ISO, and other styles

50

Spachil, Olga V. "Anton Chekhov’s Sakhalin Island: An Ongoing Commentary." RUDN Journal of Studies in Literature and Journalism 26, no. 2 (2021): 169–76. http://dx.doi.org/10.22363/2312-9220-2021-26-2-169-176.

Full text

Abstract:

A study of the currently existing translations of Anton Chekhovs Sakhalin Island (From Travel Notes) (Luba and Michael Terpak - 1967, Brian Reeve - 1993) shows that the reason for some errors in translated texts is not always due to the negligence of translators, which is so clearly noticeable in the first translation, but rather in the incomprehensibi- lity for foreigners of some realia in the original text. Reference to two available Сommentaries on Sakhalin Island, by M.L. Semanova (1985) and M.S. Vysokov (2010), as well as to the works of other Chekhov scholars, did not give the sought-aft

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!