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Books on the topic 'Antonín Dvořák'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 April 2022

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1

Jelen, Josef. Antonín Dvořák. Nakladatelství L, 1991.

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2

Dvořák, Otakar. Můj otec Antonín Dvořák. Knihovna Jana Drdy, 2004.

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3

Burghauser, Jarmil. Antonín Dvořák: Life and work. KLP, 2007.

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4

Döge, Klaus. Antonín Dvořák: Leben, Werke, Dokumente. 2nd ed. Atlantis Musikbuch-Verlag, 1997.

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5

Strejc, Zdeněk. Antonín Dvořák and his operas. Dilia, 1991.

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6

Philippe, Simon. Antonín Dvořák, ou L'effusion lyrique. Editions Papillon, 2004.

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7

Thirion, Annie. Antonín Dvořák: Sa vie, son oeuvre. Graffikka, 2003.

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8

Burghauser, Jarmil. Antonín Dvořák, thematický katalog =: Thematisches Verzeichnis = thematic catalogue. 2nd ed. Bärenreiter Editio Supraphon, 1996.

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9

Hoffmann, Hans. Aus der Neuen Welt: Antonín Dvořák und seine Zeit. Amalthea, 2007.

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10

Burghauser, Jarmil. Antonín Dvořák, 1841-1904: Life and work = Leben und Werk. Divadelní ústav, 1991.

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11

Die Klavierkammermusik von Antonín Dvořák: Studien und Vergleiche mit Werken von Brahms. Hans Schneider, 2010.

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12

1950-, Adams David, and Smetana Bedřich 1824-1884, eds. The song and duet texts of Antonín Dvořák.: Večerní písně = (Evening songs) of Bedřich Smetana. Leyerle Publications, 2003.

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13

Jarmila, Gabrielová, and Kachlík Jan, eds. The work of Antonín Dvořák (1841-1904): Aspects of composition, problems of editing, reception : proceedings of the international musicological conference, Prague, September 8-11, 2004. Institute of Ethnology, Academy of Sciences of the Czech Republic, 2007.

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14

Mezinárodní muzikologicka konference "Dílo Antonína Dvořáka (1841-1904): kompoziční aspekty - ediční problematika - recepce." The work of Antonín Dvořák (1841-1904): Aspects of composition, problems of editing, reception : proceedings of the international musicological conference, Prague, September 8-11, 2004. Institute of Ethnology, Academy of Sciences of the Czech Republic, 2007.

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15

Mezinárodní muzikologicka konference "Dílo Antonína Dvořáka (1841-1904): kompoziční aspekty - ediční problematika - recepce." The work of Antonín Dvořák (1841-1904): Aspects of composition, problems of editing, reception : proceedings of the international musicological conference, Prague, September 8-11, 2004. Institute of Ethnology, Academy of Sciences of the Czech Republic, 2007.

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16

Burghauser, Jarmil. Antonín Dvořák: Thematický katalog, bibliografie = Thematisches Verzeichnis, Bibliographie = Thematic catalogue, Bibliography ; Přehled života a díla =Übersicht des Lebens und des Werkes = Survey of life and work. 2nd ed. Bärenreiter Editio Supraphon, 1996.

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17

Burghauser, Jarmil. Antonín Dvořák: Thematický katalog, bibliografie, přehled z̆ivota a díla = thematisches Verzeichnis, Bibliographie, Übersicht des Lebens und des Werkes = thematic catalogue, bibliography, survey of life and work. 2nd ed. Bärenreiter Editio Supraphon, 1996.

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18

Schaefer, Carole Lexa. Two scarlet songbirds: A story of Anton Dvor̆ák. Alfred A. Knopf, 2001.

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19

Dvořák, Otakar. Antonín Dvořák, my father. Czech Historical Research Center, 1993.

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20

Antonín Dvořák: Untersuchungen zur Formentwicklung in den drei ersten Symphonien. P. Lang, 1997.

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21

Krajnik, Stanislav. Antonin Dvorak a nas kraj. Okresni muzeum, 1997.

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22

Antonin Dvorak: Le génie d'un peuple. Fayard, 2004.

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23

Dammann, Susanne. Charakteristik und Formprozess: Einheit und Vielfalt in den mittleren und späten Symphonien Antonín Dvořáks. Georg Olms Verlag, 2011.

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24

Charakteristik und Formprozess: Einheit und Vielfalt in den mittleren und späten Symphonien Antonín Dvořáks. Georg Olms Verlag, 2011.

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25

Dvořák: Romantic music's most versatile genius. Amadeus Press, 2005.

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26

Cividini, Iacopo. Die Solokonzerte von Antonin Dvorak: Eine Lösung der Konzertproblematik nach Beethoven. Hans Schneider, 2007.

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27

New worlds of Dvořák: Searching in America for the composer's inner life. Norton, 2003.

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28

Thirion, Annie. Antonin Dvorak: Sa vie, son oeuvre : à la mémoire du professeur Jarmil Burghauser. Annie Thirion, 2003.

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29

Snyder, Jean E. Introducing Antonín Dvořák to African American Music. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039942.003.0005.

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This chapter focuses on how Harry T. Burleigh, during his study at the National Conservatory of Music, became Czech composer Antonín Dvořák's most direct link to the African American music traditions in which he was keenly interested. Burleigh's second year at the conservatory would be a momentous one not only for him but also for the conservatory and for American music when Dvořák was appointed director. By the end of the academic year, Dvořák would complete the composition of his most famous American work, Symphony No. 9 in E Minor, “From the New World.” Burleigh would be intimately involved

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30

Snyder, Jean E. The Symphony “From the New World”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039942.003.0007.

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This chapter focuses on Harry T. Burleigh's involvement in the creation of Antonín Dvořák's Symphony No. 9 in E Minor, “From the New World.” After attending the Chicago World's Fair and visiting Erie, Burleigh returned to New York City in late September 1893 to continue his studies at the National Conservatory of Music. He was joined this time by his friend Will Marion Cook, who was impressed by Jeannette Thurber's genuinely inclusive approach in recruiting students. The two men relished opportunities to enjoy the abundance of fine music the city had to offer, pondering how African American mu

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31

Dvorak, Otaker, and Paul J. Polansky. Antonin Dvorak, My Father. Czech Historical Research Ctr, 1993.

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32

Antonin Dvorak. Reprint Services Corporation, 1990.

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33

Antonin Dvorak--dramatik =: Antonin Dvorak--the dramatist. Divadelni ustav, 1994.

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34

Shadle, Douglas W. Antonín Dvořák's New World Symphony. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190645625.001.0001.

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Antonín Dvořák’s New World Symphony exposed the deep wounds of American racism at the dawn of the Jim Crow era while serving as a flashpoint in broader debates about the national ideals of freedom and equality. Following several strands of musical thought during the second half of the nineteenth century, this richly textured account of the symphony’s 1893 premiere shows that even the classical concert hall could not remain insulated from the country’s fraught racial politics. The New World Symphony continued to wield extraordinary influence over American classical music culture for decades aft

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35

Fischl, Viktor. Antonin Dvorak, His Achievement. Reprint Services Corporation, 1992.

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36

Siepmann, Jeremy. Antonin Dvorak (Life & Works). Naxos AudioBooks, 2007.

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37

Beckerman, Michael. Dvorak and His World. Princeton University Press, 2012.

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38

From the New World Antonin Dvorak. Brooklyn Mus, 1994.

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39

Dunnett, Roddy. Antonin Dvorak (The World's Greatest Composers). Exley Publications Ltd, 1995.

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40

Beckerman, Michael. The Dvorak New World Symphony. R.S. Means Company, 2008.

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41

Straaten, Jan Van. Slavonic Rhapsody: The Life Of Antonin Dvorak. Kessinger Publishing, LLC, 2007.

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42

Sarek, Ondrej. Antonin Dvorak : Biblical Songs: For Baritone Ukulele. CreateSpace Independent Publishing Platform, 2012.

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43

Lott, Marie Sumner. The Diversity of Dvořák’s String Quartet Audiences. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039225.003.0007.

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This concluding chapter analyzes how the diversity of Antonín Dvořák's audiences affected his string quartets. The strain of satisfying the disparate expectations of diverse audiences while attempting to establish himself as a composer of “universal” music in the tradition of German Classicism is most evident in Dvořák's string quartets. These works demonstrate his shrewdness in reading the musical climate and responding to it with appropriate stylistic choices that address not only the desire for exotic signifiers or their absence but also the types of engagement that listeners and performers

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44

Persons, Marjorie Kiel. Antonin Dvorak From the New World with Lyrics. Classical Magic, Inc., 2004.

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45

Sarek, Ondrej. Antonin Dvorak : Biblical Songs: For Ukulele with low G. CreateSpace Independent Publishing Platform, 2012.

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46

Hadow, W. H. Studies in Modern Music: Frederick Chopin, Antonin Dvorak, Johannes Brahms. Kessinger Publishing, 2004.

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47

Hadow, W. H. Studies in Modern Music: Frederick Chopin, Antonin Dvorak, Johannes Brahms. Kessinger Publishing, LLC, 2007.

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48

Company, Voyager. Antonin Dvorak Symphony No. 9 in E Minor: From the New World (Voyager CD companion). Voyager, 1994.

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49

1841-1904, Dvořák Antonín, ed. Rusalka: A performance guide with translations and pronunciation. Scarecrow Press, 2009.

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