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Journal articles on the topic 'Antonio da Sangallo'

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1

Jestaz, Bertrand. "Antonio Da Sangallo à Orvieto." Bulletin Monumental 158, no. 2 (2000): 162–63. http://dx.doi.org/10.3406/bulmo.2000.2383.

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2

Benelli, Francesco. "Antonio da Sangallo the Younger's Reactions to the Pantheon:." Journal of the Society of Architectural Historians 78, no. 3 (2019): 276–91. http://dx.doi.org/10.1525/jsah.2019.78.3.276.

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In Antonio da Sangallo the Younger's Reactions to the Pantheon: An Early Modern Case of Operative Criticism, Francesco Benelli looks at three annotated drawings by Antonio in which he analyzed features of the Roman Pantheon. The architect's analysis of this ancient monument drew on both his close, methodical, and pragmatic investigations of the building and his deep knowledge of Vitruvian theory. Together, the drawings and text represent an unprecedented critique of a building then almost universally admired. Yet Antonio's dependence on Vitruvius, who belonged to a different period of Roman hi
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3

Wallace, William E. "Review: The Architectural Drawings of Antonio da Sangallo the Younger and His Circle, Vol. 1: Fortifications, Machines, and Festival Architecture by Christoph L. Frommel, Nicholas Adams, Antonio da Sangallo." Journal of the Society of Architectural Historians 54, no. 1 (1995): 102–3. http://dx.doi.org/10.2307/991039.

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4

SALIBA, GEORGE. "ASIXTEENTH-CENTURYDRAWINGOFAN ASTROLABE MADE BY KHAFĪF GHULĀM 'ALĪ B. 'ĪSĀ (c. 850 A.D.)." Nuncius 6, no. 2 (1991): 109–19. http://dx.doi.org/10.1163/182539191x00786.

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Abstract<title> RIASSUNTO </title>Questo articolo identifica un disegno, eseguito da Antonio da Sangallo il Giovane, di un astrolabio costruito dal famoso astrolabista di Baghdad Khafif (850 d.C. ca.). Al Museum of the History of Science di Oxford è conservato l'unico astrolabio di Khafīf oggi esistente, del quale si pubblica una fotografia. Grazie alla notevole precisione della copia di Antonio e alla somiglianza di questa copia con la rete di un astrolabio anonimo, pure conservato a Oxford, sembra possibile confermare che la parte non firmata debba essere stata costruita dallo st
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5

Kuntz, Margaret. "Designed for Ceremony: The Cappella Paolina at the Vatican Palace." Journal of the Society of Architectural Historians 62, no. 2 (2003): 228–55. http://dx.doi.org/10.2307/3592479.

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This article explores the renovations of the ceremonial rooms of the Vatican Palace executed by Antonio da Sangallo the Younger under Pope Paul III Farnese (r. 1534-49). The focus of the investigation is the evolution of Sangallo's design for the Cappella Paolina. From the evidence it is clear that the various ceremonial and liturgical functions performed in the chapel defined the ultimate design and the strategic, yet problematic, location at the nexus of the papal palace and St. Peter's basilica. The Cappella Paolina replaced the medieval Capella parva and assumed its functions, which necess
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6

Kulawik, Bernd. "Sangallo, Vignola, Palladio and the Roman «Accademia de lo Studio de l’Architettura»." TEMPORÁNEA. Revista de Historia de la Arquitectura, no. 2 (2021): 52–79. http://dx.doi.org/10.12795/temporanea.2021.02.03.

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Bernd Kulawik is a trained marine engineer who studied physics, musicology and philosophy at the Technical Universities of Dresden and Berlin. MA thesis in 1996 about Monteverdi’s «Seconda Pratica». PhD in 2002 with a dissertation about drawings in the Berlin «Codex Destailleur D» for Antonio da Sangallo the Younger’s last project for St. Peter’s in Rome. Since 1988 he worked in research libraries and institutes in Berlin, Rome, Berne, Einsiedeln and Zurich, mostly as developer for database projects. Since 2013 he could take up his research about the study of ancient architecture in Renaissanc
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7

Long, Pamela O., Christoph L. Frommel, and Nicholas Adams. "The Architectural Drawings of Antonio da Sangallo the Younger and His Circle, Vol. 1: Fortifications, Machines, and Festival Architecture." Technology and Culture 36, no. 2 (1995): 397. http://dx.doi.org/10.2307/3106379.

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8

Roberti, Giulio Mirabella, Giuseppe Ruscica, and Vittorio Paris. "From the herringbone dome by Sangallo to the Serlio floor of Emy (and beyond)." Curved and Layered Structures 8, no. 1 (2021): 259–70. http://dx.doi.org/10.1515/cls-2021-0023.

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Abstract The research starts from an analogy found between two apparently very different structural solutions: the double spiral pattern of the herringbone brick courses in the domes built by Antonio da Sangallo the Younger (1484-1546) during the Renaissance, and the particular pattern of a wooden floor ‘à la Serlio’, described by Amand Rose Emy in his Treatise at the beginning of 19th century, made by diagonal beams reciprocally sustained. The diagonal pattern of the floor has a geometrical relationship with the cross-herringbone pattern, so that the latter can be obtained by some geometrical
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9

Paradiso, Michele. "EL TEMPLO DE SAN BIAGIO DE ANTONIO DA SANGALLO EL VIEJO EN MONTEPULCIANO. VERIFICACIÓN DE LA CONSISTENCIA ESTÁTICA PARA SU CONSOLIDACIÓN." Revista M 7, no. 2 (2010): 34. http://dx.doi.org/10.15332/rev.m.v7i2.1005.

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10

Alexander, John, Christoph L. Frommel, and Nicholas Adams. "The Architectural Drawings of Antonio da Sangallo the Younger and His Circle, Volume II: Churches, Villas, and Pantheon, Tombs, and Ancient Inscriptions." APT Bulletin 32, no. 4 (2001): 60. http://dx.doi.org/10.2307/1504777.

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11

Joost-Gaugier, Christiane L., Christoph L. Frommel, and Nicholas Adams. "The Architectural Drawings of Antonio da Sangallo the Younger and His Circle; vol. 2: Churches, Villas, the Pantheon, Tombs, and Ancient Inscriptions." Sixteenth Century Journal 32, no. 3 (2001): 850. http://dx.doi.org/10.2307/2671560.

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12

ANTONUCCI, Micaela. "Un´opera di Antonio da Sangallo il Giovane tra architettura e città. La facciata della Zecca in Banchi a Roma. Mit 18 Abbildungen." RÖMISCHE HISTORISCHE MITTEILUNGEN 1, no. 46. BAND (2005): 201. http://dx.doi.org/10.1553/rhm46s201.

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13

Johnson, Eugene J. "The Architectural Drawings of Antonio da Sangallo the Younger and His Circle. Volume 1: Fortifications, Machines, and Festival Architecture. Christoph L. Frommel , Nicholas Adams." Isis 86, no. 3 (1995): 482–83. http://dx.doi.org/10.1086/357263.

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14

Ackerman, James. "The Architectural Drawings of Antonio da Sangallo the Younger and His Circle, Vol. II, Churches, Villas, the Pantheon, Tombs and Ancient Inscriptions Christoph L. Frommel Nicholas Adams." Journal of the Society of Architectural Historians 60, no. 3 (2001): 348–50. http://dx.doi.org/10.2307/991762.

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15

Licht, Meg. ""I Ragionamenti"-Visualizing St. Peter's." Journal of the Society of Architectural Historians 44, no. 2 (1985): 111–28. http://dx.doi.org/10.2307/990024.

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Thirteen architectural drawings by four architects-Bramante, Baldassare Peruzzi, Giuliano da Sangallo, and Antonio da Sangallo the Younger-all dating from the period between early 1505 to 18 April 1506, all except one in the Gabinetto dei Disegni e Stampe of the Uffizi, and all connected with the earliest proposals for the new St. Peter's, are examined to establish their authorship and date and the exact sequence in which they were executed. Beyond that, the chronological alignment of the drawings enables us to follow the process of visualizing and creating a building of an unprecedented type
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16

Gill, Meredith J. "Nicholas Adams, ed. The Architectural Drawings of Antonio da Sangallo the Younger and his Circle. Vol. 1, Fortifications, Machines, and Festival Architecture. Cambridge, MA and London: The MIT Press for the Architectural History Foundation, 1994-2000. x + 522 pp. index, illus. bibl. $95. ISBN: 0-262-06155-4. - Nicholas Adams, ed. The Architectural Drawings of Antonio da Sangallo the Younger and his Circle. Vol. 2, Churches, Villas, the Pantheon, Tombs, and Ancient Inscriptions. Cambridge, MA and London: The MIT Press for the Architectural History Foundation, 1994-2000. viii + 504 pp. index, illus. bibl. $95. ISBN: 0-262-06210-0." Renaissance Quarterly 56, no. 1 (2003): 175–77. http://dx.doi.org/10.2307/1262273.

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17

"The architectural drawings of Antonio da Sangallo the Younger and his circle: v.1: Fortifications, machines, and festival architecture." Choice Reviews Online 31, no. 11 (1994): 31–5815. http://dx.doi.org/10.5860/choice.31-5815.

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