Relevant bibliographies by topics / Antonio Soler

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Antonio Soler'

Author: Grafiati
Published: 4 June 2021
Last updated: 14 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Antonio Soler.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Antonio Soler"

1

IBANESCU, Daniela-Corina. "Double Concert in F Major by Antonio Soler." BULLETIN OF THE TRANSYLVANIA UNIVERSITY OF BRASOV SERIES VIII - PERFORMING ARTS 13 (62), SI (2021): 103–12. http://dx.doi.org/10.31926/but.pa.2020.13.62.3.11.

Full text
Abstract:
: In his vast creation, Soler mirrors a complex and visionary thinking. The work we are analyzing is the 4th Solerian concert, which imagines a majestic picture. It is one of the six concerts for two bound organs destined for the infant of Spain, their festive character not being accidental. From the very beginning, Soler guides in finding the right tempo to create the royal atmosphere. It should be noted that this concert is the only one of the six with an anacrusis profile. In part 2, Soler greets us with Minué, the refinement and gallant style of the beloved dance developing during 4 variations. As a whole, this concert is a real jewel of instrumental complexity in a balanced construction of expressive richness. Noble, singable and virtuoso, Soler's complex language capitalizes on the three facets of the artist who brings them on stage: the expressive performer, the virtuoso instrumentalist and the inquisitive musician.
APA, Harvard, Vancouver, ISO, and other styles
2

Truett Mollis, George. "«El diablo vestido de fraile»: correspondencia entre el padre Antonio Soler y un noble español (1761-1773)." Anuario Musical, no. 54 (January 24, 2019): 155. http://dx.doi.org/10.3989/anuariomusical.1999.i54.258.

Full text
Abstract:
El 16 de marzo de 1761, el Padre Antonio Soler escribió una carta al Duque de Medina Sidonia, pidiendo con cortesía, la vuelta de un regalo del «Libro de Clavicordio». Así comenzó una correspondencia de doce años entre Soler (22 cartas) y el duque. El centro de la correspondencia era el joven clavicordista de Cataluña, Pedro Santamant (n. 1752), el cual en 1765 estaba al servicio del duque («lo he visto ejecutar maravillas en al clabe»). A solicitud del duque. Soler consintió enseñar composición a Santamant en El Escorial. La correspondencia terminó con cólera por parte de Soler demandando la vuelta de algunas sonatas de un «Lib" de 40 Sonatas». La correspondencia «nos permite vislumbrar el carácter personal y musical» de Soler. Además, ofrece nueva información para la biografía de Soler. Revela el carácter didáctico de algunas sonatas de Soler, así como más información sobre el clavicordio español del siglo XVIII. Quizás nos permitirá también comprender mejor la música de Soler.
APA, Harvard, Vancouver, ISO, and other styles
3

Berná Pérez, Juan. "manuscrito autógrafo del Padre Soler en Orihuela con el final de Didone abbandonata y otras composiciones inéditas." Imafronte, no. 27 (December 17, 2020): 1–37. http://dx.doi.org/10.6018/imafronte.460341.

Full text
Abstract:
Las catalogaciones realizadas en 1909 y 1986 del Archivo de Música de la Catedral de Orihuela (ACO), asignaron al Padre Antonio Soler tres títulos sin advertir que el manuscrito con signatura 52/4, después del villancico A velar, pastores de Belén, tenía anotadas otras seis composiciones de la misma mano, fechadas entre 1763 y 1779. Este artículo tiene como objetivos catalogar y describir los siete títulos del manuscrito ACO 52/4, contextualizar su contenido y establecer los factores que permiten identificar al Padre Soler (1729-1783) como su autor y redactor. Se trata de un hallazgo doblemente importante porque incorpora seis títulos al catálogo de uno de los compositores españoles más importantes y, además, ofrece una faceta desconocida de su actividad creativa, pues uno de ellos pone música a la escena final de Didone abbandonata de Pietro Metastasio. The 1909 and 1986 catalogues of the Musical Archive in Orihuela Cathedral (ACO) assigned Father Antonio Soler three titles, without noticing that the manuscript 52/4 had, after the villancico A velar, pastores de Belén, another six compositions in hisown handwriting, dated between 1763 and 1779. The purpose of this article is to catalogue and describe the seven titles of the manuscript ACO 52/4, to contextualize its contents and to establish the factors that allow us to identify Father Antonio Soler (1729- 1738) as its author. This is a doubly important find as it adds six titles to the catalogue of one of the most importantSpanish composers, moreover, it offers an unknown facet of his creative activity, as one of them is the final scene of Pietro Metastasio’s Didone abbandonata.
APA, Harvard, Vancouver, ISO, and other styles
4

Bourligueux. "UN HERMANO DEL PADRE ANTONIO SOLER, FAGOTISTA DE LA REAL CAPILLA MADRILEÑA." Revista de Musicología 8, no. 1 (1985): 83. http://dx.doi.org/10.2307/20794971.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Capdepón Verdú, Paulino. "Música de tecla en la España del siglo XVIII: Domenico Scarlatti y el padre Antonio Soler." Cuadernos de Estudios del Siglo XVIII, no. 21 (October 5, 2017): 7–34. http://dx.doi.org/10.17811/cesxviii.21.2011.7-34.

Full text
Abstract:
El presente artículo se centra en la música española del siglo XVIII,que vive una de las etapas más brillantes de su historia. A ello contribuyó sin duda el esplendor logrado por la música de teclado, que alcanzó un extraordinario grado de desarrollo desde la llegada a España del compositor napolitano Domenico Scarlatti (1685-1757), maestro de clave de la reina de España Bárbara de Braganza. Scarlatti ejerció una influencia decisiva en la implantación del género sonata monotemática en un solo tiempo y en la introducción del estilo galante. Precisamente fue uno de los alumnos predilectos de Scarlatti, el padre Antonio Soler (1729-1783), el continuador de la obra scarlattiana en el ámbito de la sonata de tecla. Maestro de clave del infante don Gabriel y maestro de capillaorganistadel monasterio real de El Escorial, su proximidad a la corte permitió almonje catalán conocer las principales novedades musicales propiciadas por la estancia en España de compositores italianos como el propio Scarlatti o Boccherini. Sin embargo, Soler supo evolucionar y otorgar su propio estilo a su producción para teclado: en la última etapa de su producción artística incorporó varios movimientos a sus sonatas, lo que sitúa al compositor español en la órbita de Haydn y Mozart. En este artículo, después de una introducción sobre la música española del siglo XVIII en general y de la música de teclado en particular, se estudian las trayectorias vitales de ambos compositores, así como sus respectivas aportacionesal ámbito de la sonata de tecla, que constituyen una de las cimas artísticas de la música española del siglo XVIII.PALABRAS CLAVE: Siglo XVIII. Tecla. Estilo galante. Sonata. Scarlatti. Soler. Corte de Madrid. Monasterio de El Escorial.
APA, Harvard, Vancouver, ISO, and other styles
6

Querol, Miguel. "Reflexiones Sobre La Biografia y Produccion Musical del Padre Antonio Soler (1729-1783)." Latin American Music Review / Revista de Música Latinoamericana 7, no. 2 (1986): 162. http://dx.doi.org/10.2307/780214.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Sierra. "LA MÚSICA ESCÉNICA EN EL ESCORIAL. EL P. ANTONIO SOLER Y LA TRADICIÓN CALDERONIANA." Revista de Musicología 10, no. 2 (1987): 563. http://dx.doi.org/10.2307/20795155.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Yáñez Navarro, Celestino. "Obras de Domenico Scarlatti, Antonio Soler y Manuel Blasco [¿de Nebra?] en un manuscrito misceláneo de tecla del Archivo de Música de las Catedrales de Zaragoza." Anuario Musical, no. 67 (December 30, 2012): 45. http://dx.doi.org/10.3989/anuariomusical.2012.67.137.

Full text
Abstract:
El Archivo de Música de las Catedrales de Zaragoza custodia una relevante colección de manuscritos de música de tecla del siglo XVIII. El presente artículo trata por vez primera una de dichas fuentes, miscelánea (E-Zac, A-1 Ms.1), en la que aparecen, junto a numerosas obras anónimas y copias de composiciones de autores destacados del ámbito local e internacional, obras de compositores activos en la corte de Madrid durante los dos últimos tercios del siglo XVIII, tales como Domenico Scarlatti, el padre Antonio Soler, Manuel Blasco [¿de Nebra?], acaso José de Nebra, fray Joaquín Asiaín, [¿Juan de? ] Sesé y José Moreno y Polo. El manuscrito es especialmente interesante no sólo porque compila tres adagios inéditos de Manuel Blasco que hoy se editan, sino por incorporar algunas sonatas de Scarlatti y Soler con llamativas variantes con respecto a las versiones consideradas autorizadas o de referencia, lo cual otorga un valor añadido a este tipo de recopilaciones –sólo hasta ahora “secundarias”–, sin duda destinadas al uso por parte de los organistas activos en el ámbito eclesiástico.
APA, Harvard, Vancouver, ISO, and other styles
9

Pérez and Castellary. "La música escénica de Antonio Soler en el marco del Monasterio de San Lorenzo del Escorial." Revista de Musicología 29, no. 1 (2006): 342. http://dx.doi.org/10.2307/20798175.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Llorens. "REPERCUSIÓN DE LAS OBRAS DE JOSÉ ELÍAS EN LA FORMACIÓN MUSICAL ORGANÍSTICA DEL PADRE ANTONIO SOLER (1729-1783)." Revista de Musicología 8, no. 1 (1985): 23. http://dx.doi.org/10.2307/20794964.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "Antonio Soler"

1

Capdepón, Paulino. "Die Villancicos des Padre Antonio Soler (1729-1783) /." Frankfurt am Main ; Bern ; Paris : P. Lang, 1994. http://catalogue.bnf.fr/ark:/12148/cb356801826.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Vera, Fernand Toribio Soler Antonio Soler Antonio. "Selected harpsichord sonatas by Antonio Soler analysis and transcription for classical guitar duo /." connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-9727.

Full text
Abstract:
Sonata transposed to D minor. System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Apr. 25, 2005, Sept. 26, 2005, Nov. 27, 2006, and Oct. 13, 2008. Includes bibliographical references (p. 54-55).
APA, Harvard, Vancouver, ISO, and other styles
3

Arsenyan, Hayk Lecuona Réne. "Performance guide to three keyboard sonatas of Antonio Soler." Iowa City : University of Iowa, 2009. http://ir.uiowa.edu/etd/332.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Arsenyan, Hayk. "Performance guide to three keyboard sonatas of Antonio Soler." Diss., University of Iowa, 2009. https://ir.uiowa.edu/etd/332.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Suz, Ruiz María Ángeles Paulino Ayuso José. "La narrativa de Antonio Robles Soler (publicada en España hasta 1939) /." Madrid : Fund. Univ. Española, 2003. http://www.gbv.de/dms/sub-hamburg/472462504.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Daniel, Andrew. "Two Harpsichord Sonatas by Antonio Soler: Analysis and Transcription for Solo Guitar." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc862826/.

Full text
Abstract:
There is a puacity of original works from the Baroque Era for the guitar. Transcriptions, especially music originally for harpsichord, complement the guitarist's repertoire. Dominating the priviledged space in the guitar canon, represented by Baroque transcriptions, are the composers Johann Sebastian Bach, George Frideric Handel and Domenico Scarlatti. Underrepresented in the Baroque guitar canon is the music of Spanish composers, most noteworthy, the harpsichordist Padre Antonio Soler, who composed more than 120 sonatas for his instrument. Music is culturally defined and it is clear, through an analysis of the keyboard works of Soler, that his music was imbued with the salient features of his place and time. There is an implicit connection between the guitar and the non-guitar music produced in Spain as guitar gestures are part of the national emblem; this study makes an explicit connection between the harpsichord music of Soler and the modern guitar. The Spanish Baroque style, epitomized by the works of Soler, provide a clear objective for transcription. The current study produces a transcription of Padre Antonio Soler's Sonata No. R.27 and Sonata No. R.100, as well as an analysis of the sonatas to facilitate interpretation for performance and an explanation of the transcription process. The lacunae of Spanish Baroque guitar transcriptions that exists in the repertoire will be partially filled by adding Soler to the distinguished list of composers that currently inhabit the guitarists's library.
APA, Harvard, Vancouver, ISO, and other styles
7

Lee, Ji-Eun. "A comparison of the keyboard sonatas of Domenico Scarlatti and Antonio Soler." Master's thesis, University of Cape Town, 2000. http://hdl.handle.net/11427/7844.

Full text
Abstract:
Bibliography: leaves 56-57.<br>The main objective of this study is to investigate the relationship between Domenico Scarlatti and Antonio Soler through a comparison of their backgrounds, a discussion of various influences on their works, and their placement within the historical context of the development of the keyboard sonata, Among their most prominent similarities are their inspirations found in the use of national Spanish elements in their compositions and also their modification of and experimentation with formal structure. Both composers' sonatas were composed using structural practices already in place. However, it was through experimentation and modifications, which resulted in increased virtuosity in others, that they bridged the gap between the Baroque and the Classical periods, and contributed profoundly to the development of the keyboard sonata.
APA, Harvard, Vancouver, ISO, and other styles
8

Vera, Fernand Toribio. "Selected Harpsichord Sonatas by Antonio Soler: Analysis and Transcription for Classical Guitar Duo." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc9727/.

Full text
Abstract:
Due to the limited repertoire for the guitar from the Baroque period, classical guitarists who wish to perform music from this era have to work primarily with transcriptions. Guitarists draw from various sources from this period such as vocal and instrumental music for the five-course guitar, lute and the harpsichord. Of these sources, the repertoire for the harpsichord is perhaps the most frequently arranged for various guitar formations because its textures are greatly similar to those of the guitar repertoire. As a result, harpsichord music tends to transfer well to the guitar. Baroque harpsichord composers such as Domenico Scarlatti, Johann Sebastian Bach, François Couperin, and Jean-Philippe Rameau-to name a few-have a permanent home in the classical guitar canon and represent the musical tastes and styles of Italy, Germany, and France. These composers exemplify the various stylistic differences between the above-mentioned countries; yet, the harpsichord music of Spain is largely underrepresented in guitar collections. One of the most noteworthy Spanish harpsichordists was Padre Antonio Soler (1729-1783), who composed 120 sonatas for the instrument. When considering the ease with which some of his works transfer to the guitar, and specifically guitar duo, much can be gained by expanding the repertoire and exploring the Spanish Baroque style. The purpose of this study is three-fold: first, to present transcriptions of Antonio Soler's Sonata No. 85 and Fandango for guitar duo; second, to provide analysis of Sonata No. 85 with an emphasis on the intervallic features of the motives; third, to give an overview of the transcription process of Fandango for guitar duo while including a study of Spanish Baroque guitar and the appropriate stylistic effects drawn from its repertoire that can be incorporated in the arrangement.
APA, Harvard, Vancouver, ISO, and other styles
9

Barragan-Yani, Daniel Antonio [Verfasser], Karsten [Akademischer Betreuer] Albe, Andreas [Akademischer Betreuer] Klein, Roland [Akademischer Betreuer] Scheer, and Ralph [Akademischer Betreuer] Krupke. "First-principles study of dislocations in Cu(In,Ga)Se2 solar cell absorbers / Daniel Antonio Barragan-Yani ; Karsten Albe, Andreas Klein, Roland Scheer, Ralph Krupke." Darmstadt : Universitäts- und Landesbibliothek Darmstadt, 2018. http://d-nb.info/1171988184/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Romagnan, David. "Le dieu Sol dans l’empire romain des antonins à Julien l’Apostat. Conventions iconographiques, lecture symbolique et portée politique." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040009/document.

Full text
Abstract:
Le dieu Sol, personnification de l’astre du jour, est documenté à Rome et en Italie bien avant l’avènement de l’empire. Dieu longtemps secondaire, ce n’est que durant l’Antiquité tardive qu’il gagne en importance, mais jamais au point de supplanter Jupiter et de devenir la divinité suprême. Cette étude a pour but d’offrir une approche renouvelée de l’interprétation de son image, en mettant en valeur la constance de son iconographie, l’uniformité des messages qui lui sont associés, son importance croissante dans l’idéologie politique impériale, et ensuite de les expliquer et de les réintégrer dans une perspective plus globale du IIe au IVe siècle. Cette présente thèse a ainsi pour but d’étudier les représentations du dieu Sol, à la fois personne divine et personnification de l’astre diurne, puis d’en déduire la nature du pouvoir cosmique du dieu, notamment par l’étude des documents dans lesquels il est mis en relation directe ou indirecte avec d’autres divinités, et de mettre en relief la spécificité de l’utilisation de l’image du dieu Sol dans un contexte impérial<br>The Sun deity was documented in Rome and in Italy well before the advent of the Empire. Considered secondary for a long time, this god’s importance grows only during the late Antiquity.This study aims at offering a renewed approach of its image by emphasizing the constancy of its iconography, the uniformity of the messages associated to it, and its increasing importance in the imperial political ideology which we are to explain and place in a more global perspective from the 2nd to the 4th century.Within this thesis we will study the representations of the Sun deity, as a god and as the personification of the sun. From the analysis of its documented relationship to other divinities we will establish its cosmic power and the particular use of its image in an imperial context
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Antonio Soler"

1

Die Villancicos des Padre Antonio Soler (1729-1783). P. Lang, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

El Padre Antonio Soler (1729-1783) y el cultivo del villancico en El Escorial. Ediciones Escurialenses, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Moore, Thomas Edward. The Sis quintets per a instruments d'arc i orgue Clave Obligat by Antonio Soler: A stylistic analysis with critical commentary. UMI, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Marco, Sixto. Sixto Marco. Antonia Soler. Sala Parpalló, Centre Cultural La Beneficéncia, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Tugores, Antoni. El batle Antoni Amer "Garanya" (1882-1936): La historia robada. Edicions Documenta Balear, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

International Brazing and Soldering Conference (3rd 2006 San Antonio, Tex.). Brazing and soldering: Proceedings of the 3rd International Brazing and Soldering Conference : April 24-26, 2006, Crowne Plaza Riverwalk Hotel, San Antonio, Texas, USA. ASM International, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

1950-, Davidson Jane Holloway, Chavez James M, American Society of Mechanical Engineers. Solar Energy Division., and ASME International Solar Energy Conference (1996 : San Antonio, Tex.), eds. Solar engineering 1996: Presented at the 1996 International Solar Energy Conference, San Antonio, Texas, March 31-April 3, 1996. American Society of Mechanical Engineers, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Antonio Briceño Linares: General de dos soles para honra de la institución armada. Ediciones Centauro, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Víllora, Xavier Aliaga. Les quatre vides de l'oncle Antoine: XXVII Premi Ciutat de Tarragona de novel·la Pin i Soler. Angle Editorial, 2017.

Find full text
APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "Antonio Soler"

1

Oliva Meyer, Justo, and Juan Calduch Cervera. "The Constructive Drawings of the Architect Juan Antonio García Solera." In Graphic Imprints. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-93749-6_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

"Contemporary Perspectives On The Multi-Part Sonata R. 64 By Antonio Soler." In Art and Research – Contemporary Challenges. Sciendo, 2020. http://dx.doi.org/10.2478/9788366675193-018.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

"Capítulo II. La Memoria Fotográfica: El Nombre Que Ahora Digo De Antonio Soler." In La guerra civil española en la novela actual. Vervuert Verlagsgesellschaft, 2010. http://dx.doi.org/10.31819/9783964561732-004.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Pla Alberola, Primitivo J. "La Sarga, solar de los Descals." In Libro Jubilar en Homenaje al Profesor Antonio Gil Olcina. Edición ampliada. Servicio de Publicaciones de la Universidad de Alicante, 2016. http://dx.doi.org/10.14198/librohomenajeantoniogilolcina2016-48.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Martínez Sánchez, Mauri, Antonio Rodríguez Martínez, and José Antonio García-Moya Zapata. "«NowcRadiation» — Software de nowcasting para la predicción de la radiación solar." In Sexto Simposio Nacional de Predicción "Memorial Antonio Mestre". Agencia Estatal de Meteorología, 2019. http://dx.doi.org/10.31978/639-19-010-0.061.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Casado Rubio, José Luis, Cristina Robles González, María Aránzazu Revuelta Menéndez, and Isabel Martínez Marco. "Verificación y postproceso de predicciones de radiación solar directa para su uso en centrales termosolares." In Sexto Simposio Nacional de Predicción "Memorial Antonio Mestre". Agencia Estatal de Meteorología, 2019. http://dx.doi.org/10.31978/639-19-010-0.173.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Scerri, Eric. "Quantitative Relationships among the Elements and the Origins of the Periodic Table." In The Periodic Table. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190914363.003.0007.

Full text
Abstract:
Elements within a vertical group on the periodic table share certain chemical similarities, but the modern periodic system is not derived purely from descriptive characteristics. If chemical similarities were the sole basis for their classification, there would be many cases where the order and placement of the elements would be ambiguous. The development of the modern periodic system began when it was recognized that there are precise numerical relationships among the elements. Its subsequent evolution has also involved contributions from physics, as described in subsequent chapters. But whereas the latter contributions drew on fundamental physical theories, the ones that are examined in this chapter do not share this aspect. Instead, they involved looking for patterns among the numerical properties, such as equivalent weight or atomic weight, associated with each element. Throughout its history, the development of the periodic table has required a delicate interplay between two contrasting approaches: discerning quantitative physical data, on one hand, and observing qualitative similarities among the elements as a form of natural history, on the other. Both approaches are essential, and the balance that has been struck between them has been of crucial importance at various stages in our story. Whereas attention to qualitative aspects has always been an essential part of chemistry, the use of quantitative data has been a relatively new addition. The time when chemists began to pay attention to quantitative aspects of chemical reactions and chemical substances has been the source of much debate among historians. The traditional view has been that this step was taken by Antoine Lavoisier , who is regarded as the founder of modern chemistry. The more recent historical account is that Lavoisier made few original contributions and that much of his fame lay in his abilities as an organizer and presenter of chemical knowledge. Nevertheless, Lavoisier was able to dispel some of the vagueness and confusion that dogged the field of chemistry as he found it.
APA, Harvard, Vancouver, ISO, and other styles
8

Fant, Clyde E., and Mitchell G. Reddish. "Antioch on the Orontes." In A Guide to Biblical Sites in Greece and Turkey. Oxford University Press, 2003. http://dx.doi.org/10.1093/oso/9780195139174.003.0026.

Full text
Abstract:
At one time Antioch on the Orontes was one of the three largest and most important cities of the Greco-Roman world, along with Rome and Alexandria (Egypt). Although Antioch faded from prominence centuries ago, the present city, with its population of approximately 150,000, is still a rewarding place to visit. The museum of the city, the Hatay Archaeological Museum, contains one of the best collections of ancient mosaics of any museum in the world. In ancient times Antioch on the Orontes was a part of Syria and thus is sometimes referred to, especially in biblical studies, as Antioch of Syria. (Fifteen other cities in the ancient world were named Antioch as well.) Today the city, now known as Antakya, is just north of the Syrian border, in the Hatay province of southern Turkey. The Orontes River (today called the Asi) connected the city to the Mediterranean Sea. Seleucus I Nicator, one of the generals of Alexander the Great, founded the city. At first Antigonus, another general, controlled Syria, but he was defeated in 301 by Seleucus and other leaders. Seleucus then gained control of Syria and established his own cities, including Antioch and its port city of Seleucia Pieria. Seleucus named the city, which soon became the capital of the Seleucid kingdom, after his father, Antiochus. Subsequent Seleucid rulers, including Antiochus I Soter (r. 281–261 B.C.E.), Seleucus II Callinicus (r. 246–225 B.C.E.), and Antiochus IV Epiphanes (r. 175– 164 B.C.E.), enlarged and enhanced the city. Tigranes of Armenia captured the city in 83 B.C.E., but in 66 B.C.E. he was defeated by the Roman general Pompey, who made Antioch the capital of the Roman province of Syria. Both Julius Caesar and Augustus visited the city, and both erected various buildings there. (The wedding of Mark Antony to Cleopatra likely took place in Antioch. Ancient sources indicate it occurred in Syria but do not specify the city. As the capital, Antioch was the likely location.) During the Roman period, Antioch was a large, cosmopolitan city, the third largest city in the Roman world after Rome and Alexandria.
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Antonio Soler"

1

Kheyfets, Vitaly O., and Ender A. Finol. "SBC2012 CFD Challange: Computational Hemodynamics of Intracranial Aneurysm Using the Finite Volume Solver Ansys Fluent." In ASME 2012 Summer Bioengineering Conference. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/sbc2012-80341.

Full text
Abstract:
The Vascular Biomechanics and Biofluids Laboratory is located in the Department of Biomedical Engineering at the University of Texas at San Antonio. The laboratory operates under the direction of Prof. Ender A. Finol, who has been working in computational hemodynamics for nearly a decade. For this challenge, the CFD simulations were performed by post-doctoral fellow Vitaly O. Kheyfets using the CFD solver Ansys Fluent v13 (Canonsburg, PA).
APA, Harvard, Vancouver, ISO, and other styles
2

Marion, John, Brian Lariviere, Aaron McClung, Jason Mortzheim, and Robin Ames. "The STEP 10 MWe sCO2 Pilot Demonstration Status Update." In ASME Turbo Expo 2020: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/gt2020-14334.

Full text
Abstract:
Abstract A team led by Gas Technology Institute (GTI®), Southwest Research Institute® (SwRI®) and General Electric Global Research (GE-GR), along with the University of Wisconsin and Natural Resources Canada (NRCan), is actively executing a project called “STEP” [Supercritical Transformational Electric Power project], to design, construct, commission, and operate an integrated and reconfigurable 10 MWe sCO2 [supercritical CO2] Pilot Plant Test Facility. The $122* million project is funded $84 million by the US DOE’s National Energy Technology Laboratory (NETL Award Number DE-FE0028979) and $38* million by the team members, component suppliers and others interested in sCO2 technology. The facility is currently under construction and is located at SwRI’s San Antonio, Texas, USA campus. This project is a significant step toward sCO2 cycle based power generation commercialization and is informing the performance, operability, and scale-up to commercial plants. Significant progress has been made. The design phase is complete (Phase 1) and included procurements of long-lead time deliver components. Now well into Phase 2, most major equipment is in fabrication and several completed and delivered. These efforts have already provided valuable project learnings for technology commercialization. A ground-breaking was held in October of 2018 and now civil work and the construction of a dedicated 25,000 ft2 building has progressed and is largely completed at the San Antonio, TX, USA project site. Supercritical CO2 (sCO2) power cycles are Brayton cycles that utilize supercritical CO2 working fluid to convert heat to power. They offer the potential for higher system efficiencies than other energy conversion technologies such as steam Rankine or Organic Rankine cycles this especially when operating at elevated temperatures. sCO2 power cycles are being considered for a wide range of applications including fossil-fired systems, waste heat recovery, concentrated solar power, and nuclear power generation. By the end of this 6-year STEP pilot demo project, the operability of the sCO2 power cycle will be demonstrated and documented starting with facility commissioning as a simple closed recuperated cycle configuration initially operating at a 500°C (932°F) turbine inlet temperature and progressing to a recompression closed Brayton cycle technology (RCBC) configuration operating at 715°C (1319 °F).
APA, Harvard, Vancouver, ISO, and other styles
3

Jerusalem, Guy, Subrina Farah, Jacquie Chirgwin, et al. "Abstract P5-12-01: SOLE (study of letrozole extension), a phase 3 randomized clinical trial of continuous vs intermittent letrozole in postmenopausal women who have received 4-6 years of adjuvant endocrine therapy for lymph node-positive, early breast cancer (BC): Final analysis and sole estrogen substudy (SOLE-EST)." In Abstracts: 2019 San Antonio Breast Cancer Symposium; December 10-14, 2019; San Antonio, Texas. American Association for Cancer Research, 2020. http://dx.doi.org/10.1158/1538-7445.sabcs19-p5-12-01.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Juric, D., E. Ciruelos, G. Rubovszky, et al. "Abstract GS3-08: Alpelisib + fulvestrant for advanced breast cancer: Subgroup analyses from the phase III SOLAR-1 trial." In Abstracts: 2018 San Antonio Breast Cancer Symposium; December 4-8, 2018; San Antonio, Texas. American Association for Cancer Research, 2019. http://dx.doi.org/10.1158/1538-7445.sabcs18-gs3-08.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Mayer, Ingrid, Azeez Farooki, Hope S. Rugo, et al. "Abstract PS10-35: Early intervention for and management of alpelisib (ALP)-induced hyperglycemia: Case studies from the phase III SOLAR-1 trial." In Abstracts: 2020 San Antonio Breast Cancer Virtual Symposium; December 8-11, 2020; San Antonio, Texas. American Association for Cancer Research, 2021. http://dx.doi.org/10.1158/1538-7445.sabcs20-ps10-35.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Balakrishnan, A., and D. Ravichandran. "Abstract P6-14-12: Early Breast Cancer in Elderly Women Treated with an Aromatase Inhibitor (Letrozole) as Sole Therapy." In Abstracts: Thirty-Third Annual CTRC‐AACR San Antonio Breast Cancer Symposium‐‐ Dec 8‐12, 2010; San Antonio, TX. American Association for Cancer Research, 2010. http://dx.doi.org/10.1158/0008-5472.sabcs10-p6-14-12.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Marion, John, Mike Kutin, Aaron McClung, Jason Mortzheim, and Robin Ames. "The STEP 10 MWe sCO2 Pilot Plant Demonstration." In ASME Turbo Expo 2019: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/gt2019-91917.

Full text
Abstract:
Abstract A team led by Gas Technology Institute (GTI), Southwest Research Institute® (SwRI®) and General Electric Global Research (GE-GR), along with the University of Wisconsin and Natural Resources Canada (NRCan), is actively executing a project called “STEP” [Supercritical Transformational Electric Power project], to design, construct, commission, and operate an integrated and reconfigurable 10 MWe sCO2 [supercritical CO2] Pilot Plant Test Facility located at SwRI’s San Antonio, Texas campus. The $119 million project is funded $84 million by the US DOE’s National Energy Technology Laboratory (NETL Award Number DE-FE0028979) and $35 million cost share by the team, component suppliers and others interested in sCO2 technology. This project is a significant step toward sCO2 cycle based power generation commercialization and will inform the performance, operability, and scale-up to commercial facilities. Supercritical CO2 (sCO2) power cycles are Brayton cycles that utilize supercritical CO2 working fluid to convert heat into power. They offer the potential for higher system efficiencies than other energy conversion technologies such as steam Rankine or organic Rankine cycles, especially when operating at elevated temperatures. sCO2 power cycles are being considered for a wide range of applications including fossil-fired systems, waste heat recovery, concentrated solar power, and nuclear. The pilot plant design, procurement, fabrication, and construction are ongoing at the time of this publication. By the end of this 6-year project, the operability of the sCO2 power cycle will be demonstrated and documented starting with facility commissioning as a simple closed recuperated cycle configuration initially operating at a 500°C (932°F) turbine inlet temperature and progressing to a recompression closed Brayton cycle technology (RCBC) configuration operating at 715°C (1319 °F).
APA, Harvard, Vancouver, ISO, and other styles
8

Ribi, K., W. Luo, M. Colleoni, et al. "Abstract P5-18-01: Extended continuous vs intermittent adjuvant letrozole in postmenopausal women with lymph node-positive, early breast cancer (IBCSG 37-05/BIG 1-07 SOLE): Impact on patient-reported symptoms and quality of life." In Abstracts: 2017 San Antonio Breast Cancer Symposium; December 5-9, 2017; San Antonio, Texas. American Association for Cancer Research, 2018. http://dx.doi.org/10.1158/1538-7445.sabcs17-p5-18-01.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Juric, Dejan, Fabrice Andre, Christian F. Singer, et al. "Abstract P4-10-04: Clinical outcomes of alpelisib in hormone receptor-positive, human epidermal growth factor receptor-2-negative advanced breast cancer by next-generation sequencing-detected PIK3CA alteration status and phosphatase and tensin homolog loss: Biomarker analysis from the SOLAR-1 study." In Abstracts: 2019 San Antonio Breast Cancer Symposium; December 10-14, 2019; San Antonio, Texas. American Association for Cancer Research, 2020. http://dx.doi.org/10.1158/1538-7445.sabcs19-p4-10-04.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Andre, F., B. Kaufman, D. Juric, et al. "Abstract OT2-01-04: SOLAR-1: A phase III study of alpelisib and fulvestrant in men and postmenopausal women with hormone receptor-positive (HR+), human epidermal growth factor receptor 2-negative (HER2–) advanced breast cancer (BC) progressing on or after aromatase inhibitor (AI) therapy." In Abstracts: 2016 San Antonio Breast Cancer Symposium; December 6-10, 2016; San Antonio, Texas. American Association for Cancer Research, 2017. http://dx.doi.org/10.1158/1538-7445.sabcs16-ot2-01-04.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Antonio Soler"

1

Jones, Nic, Ben Norris, and Lisa Meyer. The Value of Distributed Solar Electric Generation to San Antonio. Office of Scientific and Technical Information (OSTI), 2013. http://dx.doi.org/10.2172/1079489.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Zebrowski, Kris, and Scott Kertesz. Building a Solar Powered Home in a Historic Neighborhood. A Case Study with CVF Homes, the City of San Antonio Office of Historic Preservation and the Lavaca Neighborhood Association. Office of Scientific and Technical Information (OSTI), 2013. http://dx.doi.org/10.2172/1079440.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

San Antonio, Texas: Solar in Action (Brochure). Office of Scientific and Technical Information (OSTI), 2011. http://dx.doi.org/10.2172/1031979.

Full text
APA, Harvard, Vancouver, ISO, and other styles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography