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Journal articles on the topic 'Apocolocyntosi'

Author: Grafiati

Published: 9 March 2023

Last updated: 31 July 2025

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1

Paschalis, Michael. "The Afterlife of Emperor Claudius in Seneca's Apocolocyntosis." Numen 56, no. 2-3 (2009): 198–216. http://dx.doi.org/10.1163/156852709x404982.

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Seneca's Apocolocyntosis , the earliest extant example of ancient Menippean satire, tells of Emperor Claudius' death and ascent to heaven, where his request for deification is rejected by the council of the gods, and his subsequent descent to the underworld, where he is condemned of mass murder of Roman noblemen. Claudius is not an observer of things in heaven and the underworld or a character involved in a quest for knowledge and truth, but a dead character who undergoes judgment. He is also a dead character who behaves as if he were still alive. Seneca suggests that Claudius' afterlife is a

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2

Raschke, Wendy J., and P. T. Eden. "Seneca: Apocolocyntosis." Classical World 80, no. 5 (1987): 389. http://dx.doi.org/10.2307/4350078.

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3

Esteban Lorente, Juan Francisco. "La Apocolocyntosis por Velázquez." Artigrama, no. 31 (December 9, 2022): 361–71. http://dx.doi.org/10.26754/ojs_artigrama/artigrama.2016318222.

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Velázquez, para la representación del bufón Juan Calabazas, pudo aprovechar los comentarios y reflexiones sobre la sátira de Seneca Apocolocyntosis, uno de los textos más difundidos a principios del siglo XVII.

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4

블러드크리스챤. "Apocolocyntosis: Carnivalesque and Menippean Satire." Journal of Classic and English Renaissance Literature 23, no. 2 (2014): 37–68. http://dx.doi.org/10.17259/jcerl.2014.23.2.37.

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5

Blänsdorf, Jürgen. "Senecas Apocolocyntosis und die Intertextualitätstheorie." Poetica 18, no. 1-2 (1986): 1–26. https://doi.org/10.30965/25890530-0180102002.

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6

Nauta, R. R. "Seneca's Apocolocyntosis as Saturnalian Literature." Mnemosyne 40, no. 1-2 (1987): 69–96. http://dx.doi.org/10.1163/156852587x00076.

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7

Berger, Łukasz. "Seneka, Apocolocyntosis 1–4 „Śmierć Boskiego Klaudiusza”." Symbolae Philologorum Posnaniensium Graecae et Latinae 26, no. 1 (2016): 109. http://dx.doi.org/10.14746/sppgl.2016.xxvi.1.6.

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8

Pozzi, Martín. "Saturación del espacio en Apocolocyntosis de Séneca." Auster, no. 24 (September 5, 2019): e050. http://dx.doi.org/10.24215/23468890e050.

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El objetivo del presente trabajo es analizar y caracterizar las formas y modalidades de una serie de operaciones sobre el espacio tanto físico como simbólico presentado en Apocolocyntosis de Séneca. Dichas operaciones implican tanto el establecimiento de lugares puntuales de Roma cuanto los recorridos, pasajes y mediaciones que estos presuponen para un sujeto que se desplaza en aquellos espacios. Nuestra hipótesis es que este texto se apoya en la sobresaturación de dichas operaciones para concentrar y condensar en la percepción del receptor la ex-centricidad del emperador respecto de la urbs c

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9

Reis, Camila Machado, and Rafael Guimarães Tavares da Silva. "Uma sátira para o tirano já ir dar o fora A Aboborização do Divino Cláudio de Sêneca no Brasil contemporâneo." CODEX -- Revista de Estudos Clássicos 8, no. 1 (2020): 331–56. http://dx.doi.org/10.25187/codex.v8i1.32928.

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Apresentamos aqui uma nova tradução do texto satírico de Sêneca (4 a.C. – 65 d.C.), Apocolocyntosis Diui Claudii, vertida por nós para o português com o título de Aboborização do Divino Cláudio. A título elucidativo, trazemos algumas informações introdutórias sobre a vida do autor e sua obra (em especial acerca do texto aqui traduzido). Esclarecemos também nossos critérios tradutórios e os objetivos almejados por nossa tradução através desses critérios.

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10

Braund, Susanna Morton, and Paula James. "Quasi Homo: Distortion and Contortion in Seneca's Apocolocyntosis." Arethusa 31, no. 3 (1998): 285–311. http://dx.doi.org/10.1353/are.1998.0015.

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11

GREEN, STEVEN J. "UNDEIFYING TIBERIUS: A RECONSIDERATION OF SENECA, APOCOLOCYNTOSIS 1.2." Classical Quarterly 60, no. 1 (2010): 274–76. http://dx.doi.org/10.1017/s0009838809990668.

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12

Astbury, Raymond. "The Apocolocyntosis - Rosario Cortés: Teoría de la sátira. Análisis de Apocolocyntosis de Séneca. Pp. 320. Cáceres: Universidad de Extremadura, 1986. Paper." Classical Review 38, no. 1 (1988): 49–50. http://dx.doi.org/10.1017/s0009840x00113319.

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13

Winter, Kathrin. "Disturbingly (Dis)Similar." Mnemosyne 72, no. 2 (2019): 300–313. http://dx.doi.org/10.1163/1568525x-12342505.

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AbstractIn Apocolocyntosis 13 the figure of Narcissus is not a minor character with a solely ornamental function but part of a complex play of echoes, repetitions, and similarities. Exploiting the fact that this particular freedman of Claudius was named Narcissus, Seneca turns the figure into a mirror image of Claudius and uses it to make subtle intertextual allusions. In this way, he destabilises the identities of Claudius and Narcissus to ridicule Claudius even further and expose him as a weak and cruel princeps who is unable to recognise himself.

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14

Smith, Martin S. "The Apocolocyntosis - P. T. Eden: Seneca: Apocolocyntosis. (Cambridge Greek and Latin Classics.) Pp. xii + 169. Cambridge University Press, 1984. £17.50 (paper, £6.95)." Classical Review 35, no. 2 (1985): 302–3. http://dx.doi.org/10.1017/s0009840x0010890x.

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15

Macías Villalobos, Cristóbal. "El Somnium de Justo Lipsio: la presencia de las fuentes clásicas y su uso." Studia Philologica Valentina, no. 25 (January 31, 2024): 185. http://dx.doi.org/10.7203/sphv.25.26214.

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El Somnium de Justo Lipsio supuso la recuperación del género de la sátira menipea por el humanismo renacentista, siguiendo el modelo de la Apocolocyntosis de Séneca. Una de sus características es el amplio uso que hace de las fuentes clásicas, especialmente latinas, pero también algunas griegas, en forma de citas más o menos literales, un gran número de loci similes y otras referencias de carácter más genérico, que Lipsio emplea con finalidad diversa. En este artículo, después de contextualizar el Somnium de Lipsio en su época y exponer brevemente su tema y estructura, hacemos un recuento de l

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16

Santucci, Robert S. "Putting the "I" into "Ovid": Seneca's Apocolocyntosis as Fan Fiction." Classical World 115, no. 4 (2022): 385–97. http://dx.doi.org/10.1353/clw.2022.0016.

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17

Begass, Christoph. "Zu Marcus Aurelius VI, 30 und Senecas Apocolocyntosis." Hermes 138, no. 3 (2010): 337–51. http://dx.doi.org/10.25162/hermes-2010-0023.

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18

Reiser, Thomas. "Bachtin und Seneca – Zum Grotesken in der „Apocolocyntosis divi Claudii“." Hermes 135, no. 4 (2007): 469–81. http://dx.doi.org/10.25162/hermes-2007-0041.

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19

Rodríguez-Almeida, Emilio. "Il Ludus de morte Claudii (Apocolocyntosis), un rebus storico-letterario." Mélanges de l’École française de Rome. Antiquité 108, no. 1 (1996): 241–62. http://dx.doi.org/10.3406/mefr.1996.1935.

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20

Binder, G. "Schwester Oder Wade Des Augustus? Konservatives Zum Text Der Apocolocyntosis." Mnemosyne 45, no. 3 (1992): 345–57. http://dx.doi.org/10.1163/156852592x00052.

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21

Michalopoulos. "Mocking the (Disabled) Dead: Seneca's Claudius in the Apocolocyntosis." Illinois Classical Studies 43, no. 2 (2018): 459. http://dx.doi.org/10.5406/illiclasstud.43.2.0459.

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22

Nenadic, Roxana, and Martín Pozzi. "Mi ciudad, tu ciudad (una lectura de la Apocolocyntosis de Séneca)." Argos, no. 23 (May 30, 2025): 53–59. https://doi.org/10.14409/argos.1999.23.53-59.

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23

Bernardino, Danilo. "A construção da imagem do princeps por Sêneca." Revista de Estudos Filosóficos e Históricos da Antiguidade 41 (December 13, 2024): e024011. https://doi.org/10.53000/cpa.v41i00.19928.

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Na presente pesquisa, discute-se o amadurecimento de uma nova forma de organização da república romana, após décadas de guerras civis, à luz de dois textos do filósofo estoico, Sêneca. Nesse sentido, apesar de lançaram mão de recursos narrativos distintos, as duas obras foram escritas em um curto espaço de tempo e compartilham o tema do bom governo. Dessa forma, enquanto o Apocolocyntosis elabora uma trama satírica que ridiculariza a deificação de Cláudio, apontando para a sua falta de virtudes, o De Clementia, endereçado ao jovem princeps Nero, constrói a imagem de um bom rei mediante a signi

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24

Reed, Annette Yoshiko. "The Construction and Subversion of Patriarchal Perfection: Abraham and Exemplarity in Philo, Josephus, and the Testament of Abraham." Journal for the Study of Judaism 40, no. 2 (2009): 185–212. http://dx.doi.org/10.1163/157006309x355187.

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AbstractIn dialogue with recent research on the Roman discourse of exemplarity, this article explores representations of Abraham in selected sources from the first and early second centuries C.E. In the first part of the article, references to the patriarch in the writings of Philo and Josephus are considered in light of the transformation of Greek ideas about exempla by Roman authors like Polybius, Livy, and Valerius Maximus. In the second part, the inversion of Abraham's exemplarity in the Testament of Abraham is investigated in relation to the treatment of famous figures in the Apocolocynto

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25

Heise, Pedro Falleiros, Luiz Henrique Milani Queriquelli, and Miguel Ângelo Andriolo Mangini. "“Convolvens stamina fuso”: a tessitura dos fios da vida na "Apocolocyntosis" de Sêneca." CODEX - Revista de Estudos Clássicos 9, no. 2 (2021): 69–86. http://dx.doi.org/10.25187/codex.v9i2.43597.

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Sêneca é geralmente lembrado por sua obra filosófica e trágica. No entanto, paralelamente ao rigor estoico que regia aqueles textos, o escritor latino compôs uma sátira menipeia que ficou conhecida como Apocolocyntosis, cujo tema é a apoteose fracassada do recém-falecido imperador Cláudio. No decorrer deste artigo, procuramos explorar as origens e o significado do título da obra, a imitação do poeta satírico Lucílio presente nela, os aspectos que fazem desse texto uma sátira menipeia e o uso das citações por Sêneca, todos elementos que parecem compor o retrato da mobile caput (“cabeça instável

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26

Rühl, Meike. "Alle Angaben ohne Gewähr: Momente der Unsicherheit und des Übergangs in Senecas Apocolocyntosis." Antike und Abendland 57, no. 1 (2011): 74–93. http://dx.doi.org/10.1515/9783110239171.74.

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27

Robinson, Timothy J. "In the Court of Time: The Reckoning of a Monster in the Apocolocyntosis of Seneca." Arethusa 38, no. 2 (2005): 223–57. http://dx.doi.org/10.1353/are.2005.0011.

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28

Lucarini, Carlo M. "Coniectanea (IV)." Philologia Classica 16, no. 2 (2021): 370–87. http://dx.doi.org/10.21638/spbu20.2021.215.

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The aim of this article is to cast new light on the textual constitution of some passages of Seneca’s De beneficiis, De clementia, Apolocyntosis, Dialogi and on the text of the anonymous comedy Querolus sive Aulularia. A new edition of De beneficiis, De clementia and Apocolocyntosis for the Scriptorum classicorum bibliotheca Oxoniensis will be published by R. Kaster, and the author of the article had the occasion of reading a proof of it. In this work, approximately 70 of Seneca’s passages and 5 of the Querolus are discussed, for the majority of which a new conjecture is proposed (the author’s

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29

Braund, D. C. and S. H. "Seneca, Apocolocyntosis. Ed. P. T. Eden. (Cambridge Greek and Latin classics.) Cambridge, etc.: University Press, 1984. Pp. xii + 169." Journal of Roman Studies 75 (November 1985): 314–15. http://dx.doi.org/10.2307/300715.

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30

SHIN, Myongjoo. "Between Disability and Illness in Ancient Rome - The Case of Emperor Claudius." Korean Journal of Medical History 34, no. 1 (2025): 249–78. https://doi.org/10.13081/kjmh.2025.34.249.

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Claudius, the fourth emperor of Rome, suffered from multiple health issues, including an unsteady gait, persistent tremors in his arms and head, and a speech impediment that caused him to stutter and mispronounce words since childhood. Despite possessing average or even above-average intellectual abilities, he was considered unfit for public office (cursus honorum) due to these physical conditions.</br>Based on remaining historical records, modern scholars have proposed several possible diagnoses, including cerebral palsy, dystonia, transverse myelitis, or Tourette syndrome. While earlie

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31

Peláez, Manuel J. "Donate Salcedo, Miguel, El juicio de los dioses: disquisiciones procesales en torno al “Apocolocyntosis” de Séneca (Ediciones El Almendro, Córdoba, 2008), 23 págs." Revista de estudios histórico-jurídicos, no. 34 (October 2012): 530–31. http://dx.doi.org/10.4067/s0716-54552012000100023.

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32

Astbury, Raymond. "H. K. Riikonen: Menippean Satire as a Literary Genre with Special Reference to Seneca's Apocolocyntosis. (Commentationes Humanarum Litterarum, 83.) Pp. 58. Helsinki: Societas Scientiarum Fennica, 1987. Paper." Classical Review 38, no. 2 (1988): 417. http://dx.doi.org/10.1017/s0009840x00122462.

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33

HESLIN, PETER. "Metaquotation: Homer and the Emperor." Journal of Roman Studies, May 24, 2023, 1–27. http://dx.doi.org/10.1017/s0075435823000321.

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Abstract For the emperor, quoting Homer was both a danger and an opportunity. Suetonius’ Lives shows that anecdotes of quotation circulated widely to characterise the emperor for good or for ill. Subsequently, these moments could themselves become the subject of allusion. If you quote a line of Homer that was famously quoted by the emperor, are you quoting the poet or Caesar? This phenomenon, whereby a poetic cliché could be reborn as charged reference to a prior use of that tag by a well-known figure, might be termed metaquotation. This ambiguity of reference was exploited throughout Seneca's

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34

Omena, Luciane Munhoz de. "A APOCOLOCYNTOSIS DE SÊNECA: UMA ALUSÃO À TROCA DE FAVORES EM ROMA." História Revista 10, no. 2 (2010). http://dx.doi.org/10.5216/hr.v10i2.9172.

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35

"Vorlagen und Nachrichten." Gnomon 83, no. 8 (2011): 748–68. http://dx.doi.org/10.17104/0017-1417_2011_8_748.

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M. Weißenberger: Gunther Martin: Divine Talk. Religious Argumentation in Demosthenes Ch. Schulze: Liliane Bodson, L’interprétation des noms grecs et latins d’animaux illustrée par le cas du zoonyme sêps-seps T. Gazzarri: La Clemenza, Apocolocyntosis, Epigrammi, Frammenti di Lucio Anneo Seneca. A cura di Luciano de Biasi, Anna Maria Fer-rero, Ermanno Malaspina e Dionigi Vottero. T. Döring: Emily Greenwood, Afro-Greeks. Dialogues Between Anglophone Caribbean Literature and Classics in the Twentieth Century M. Heil: Emmanuel Lyasse, Le Principat et son fondateur. L’utilisation de la référence à A

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36

Ferriol, Ezequiel. "Origen y propósito de los nabos hervidos de Rómulo." Anales de Filología Clásica 2, no. 35 (2023). http://dx.doi.org/10.34096/afc.i35.13221.

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Desde la publicación en 1864 del comentario de Franz Bücheler a la Apocolocyntosis de Séneca, la representación de Rómulo devorando nabos hervidos en el cielo ha sido aceptada generalmente como una cita textual de un supuesto fragmento de las Sátiras de Lucilio donde este último (y, por consiguiente, Séneca) se burla ya sea de Rómulo, ya sea de Ennio y de la seriedad de sus Annales. En la presente contribución, argumentaré en contra de este punto de vista. En primer lugar, sostendré que la atribución a Lucilio de la frase [Romulus in caelo] ferventia rapa vorare es insostenible. Luego, q

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