Relevant bibliographies by topics / Apollinare in Classe (Ravenna)

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Apollinare in Classe (Ravenna)'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Apollinare in Classe (Ravenna).'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Apollinare in Classe (Ravenna)"

1

Maayan-Fanar, Emma. "The transfiguration at Shivta. Retracing early Byzantine iconography." Zograf, no. 41 (2017): 1–18. http://dx.doi.org/10.2298/zog1741001m.

Full text
Abstract:
The Transfiguration constitutes one of the most important events in the New Testament. Yet, only few pre-iconoclastic examples of the Transfiguration scene have survived: S. Apollinaire in Classe, Ravenna, St. Catherine Monastery, Sinai and Porec in Istria, each has its unique iconography. Therefore, scholars have concluded that the Transfiguration scene became widespread only after the iconoclastic controversy. We aim to show, that Transfiguration scene in Shivta, an early Byzantine settlement in the Negev desert, allows a glimpse into the early Christian iconography of the well-known scene, providing a missing link to its development in the post-iconoclastic period.
APA, Harvard, Vancouver, ISO, and other styles
2

Ward-Perkins, Bryan. "WHERE IS THE ARCHAEOLOGY AND ICONOGRAPHY OF GERMANIC ARIANISM?" Late Antique Archaeology 6, no. 1 (2010): 265–89. http://dx.doi.org/10.1163/22134522-90000137.

Full text
Abstract:
This article examines the evidence for Germanic ‘Arianism’ in the exceptionally well preserved buildings and mosaics of Ravenna. Despite theological differences, Arian iconography appears to be almost identical to that of the ‘Catholics’ (e.g. in depictions of Christ in S. Apollinare Nuovo and the Arian Baptistery). Different attitudes to God the Son are only really apparent when supported by texts. However, there are clear material traces of Catholic triumphalism after the defeat of the Arian Goths; and we should not assume that there were no strongly held differences of view, just because the iconography of the two sects is so similar.
APA, Harvard, Vancouver, ISO, and other styles
3

CHRISTIE, NEIL. "La basilica di S. Apollinare Nuovo di Ravenna attraverso i secoli by E. Penni Iacco." Early Medieval Europe 15, no. 1 (January 18, 2007): 118–20. http://dx.doi.org/10.1111/j.1468-0254.2007.200_7.x.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Boschi, Federica. "Magnetic Prospecting for the Archaeology of Classe (Ravenna)." Archaeological Prospection 19, no. 3 (July 2012): 219–27. http://dx.doi.org/10.1002/arp.1430.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

ABRAMOWSKI, LUISE. "Die Mosaiken von S. Vitale und S. Apollinare in Classe und die Kirchenpolitik Kaiser Justinians." Zeitschrift für Antikes Christentum 5, no. 2 (January 1, 2001): 289–341. http://dx.doi.org/10.1515/zach.2001.005.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

SCHEID, John. "The Necropolis of the Roman Fleet at Ravenna. Recent Excavations at Classe." La lettre du Collège de France, no. 7 (October 29, 2015): 40. http://dx.doi.org/10.4000/lettre-cdf.2686.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Алексеев, Анатолий Алексеевич. "Transfiguration: Theology and Iconography." Библия и христианская древность, no. 2(6) (June 17, 2020): 132–54. http://dx.doi.org/10.31802/2658-4476-2020-2-6-132-154.

Full text
Abstract:
В статье рассматривается богословие Преображения. Отмечается богословская взаимосвязанность со сценами Крещения и Гефсиманского борения, тождественность сцены Преображения у синоптиков с Прославлением в Евангелии от Иоанна. Если первое художественное изображение сцены в базилике св. Аполлинария (Равенна, Классе, ок. 549 г.) использует её для обобщённого богословского образа Иисуса средствами художественной аллегории, то следующее - в базилике монастыря св. Екатерины на Синае (ок. 565 г.) - стремится преодолеть символизм и аллегоризм средствами и приёмами иконописи. The paper deals with a theology of Transfiguration. It points out its mutual theological affinity with the Baptism and Gethsemane Agony scenes within Synoptic Gospels as well as with Glorification in John 12. The first artistic image of Transfiguration in the Basilica di Sant’ Apollinare in Classe, about 550, presents a theologically generalized image of Jesus by means of allegory, whereas the next attempt in St Katharina of Sinai, about 565, tends to overcome symbolism and allegory by means of iconography.
APA, Harvard, Vancouver, ISO, and other styles
8

Алексеев, Анатолий Алексеевич. "Transfiguration: Theology and Iconography." Библия и христианская древность, no. 2(6) (June 17, 2020): 132–54. http://dx.doi.org/10.31802/2658-4476-2020-2-6-132-154.

Full text
Abstract:
В статье рассматривается богословие Преображения. Отмечается богословская взаимосвязанность со сценами Крещения и Гефсиманского борения, тождественность сцены Преображения у синоптиков с Прославлением в Евангелии от Иоанна. Если первое художественное изображение сцены в базилике св. Аполлинария (Равенна, Классе, ок. 549 г.) использует её для обобщённого богословского образа Иисуса средствами художественной аллегории, то следующее - в базилике монастыря св. Екатерины на Синае (ок. 565 г.) - стремится преодолеть символизм и аллегоризм средствами и приёмами иконописи. The paper deals with a theology of Transfiguration. It points out its mutual theological affinity with the Baptism and Gethsemane Agony scenes within Synoptic Gospels as well as with Glorification in John 12. The first artistic image of Transfiguration in the Basilica di Sant’ Apollinare in Classe, about 550, presents a theologically generalized image of Jesus by means of allegory, whereas the next attempt in St Katharina of Sinai, about 565, tends to overcome symbolism and allegory by means of iconography.
APA, Harvard, Vancouver, ISO, and other styles
9

Schoolman, Edward McCormick. "The monastic conversion of Romuald of Ravenna and the church of Sant’Apollinare in Classe." Journal of Medieval History 43, no. 3 (May 5, 2017): 285–97. http://dx.doi.org/10.1080/03044181.2017.1318413.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Korten, Christopher. "Whose Restoration Is It? Acrimony and Division in the Fight for Sant'Apollinare in Classe, Ravenna (1814–30)." Catholic Historical Review 106, no. 3 (2020): 371–98. http://dx.doi.org/10.1353/cat.2020.0046.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Apollinare in Classe (Ravenna)"

1

Tomasztczuk, Daria Olana. "Theodoric the Great's palace church of Christ the Redeemer at Ravenna, the later Sant' Apollinare Nuovo." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98588.

Full text
Abstract:
This thesis is an overview of the historical context in which the church of Christ the Redeemer (Sant'Apollinare Nuovo) in Ravenna, Italy, was erected. It explores the forces responsible for shaping the church at the time of its construction and decoration in the sixth century. The basilica had gained popularity of usage as a model for the Christian Church in the West by this time. This thesis further explores the conclusions put forth by scholars that the basilica was the forum in which the transition of architectural imperial symbolism from the pagan empire to the new Christian Church took place, that the Church adopted the court ceremony of the emperor for its liturgy, and that the symbolism previously associated with the emperor was transferred to Christ resulting in the identification of the basilica as the throne hall of Christ. A study of the mosaics adorning the nave walls describes the significance of their origins and meaning.
APA, Harvard, Vancouver, ISO, and other styles
2

Michael, Angelika. "Das Apsismosaik von S. Apollinare in Classe : seine Deutung im Kontext der Liturgie /." Frankfurt am Main : P. Lang, 2005. http://catalogue.bnf.fr/ark:/12148/cb41120552t.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Fabi, Marco, Andrea Lucchi, and Chiara Monterumisi. "Area archeologica di Classe : memoria e identità di un luogo sepolto." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2011. http://amslaurea.unibo.it/2220/.

Full text
Abstract:
Il progetto è incentrato sulla riqualificazione dell’area occupata dai vecchi stabilimenti dell’Eridania a Forlì risalenti al 1900, ora di proprietà della Cooperativa Muratori di Verucchio. L’area è situata in una zona a Nord del centro storico, adiacente alla linea ferroviaria. Attualmente verte in stato di forte abbandono dal 1973, anno della chiusura dello stabilimento: è la più vasta area dismessa in prossimità del centro storico, una ferita aperta nel cuore della città. Le dimensioni e la vicinanza al centro cittadino costituiscono il maggiore potenziale dell’area che si presta per questo all’introduzione di funzioni di pubblico interesse, spazi per la cultura e lo svago, edifici residenziali e commerciali; inoltre, essendo caratterizzata da una prevalenza di spazi verdi, nasce spontanea l’ipotesi di un nuovo grande parco urbano al servizio della comunità. Oltre al valore dell’area è da sottolineare il pregio architettonico di alcuni degli edifici che possiamo considerare come grandiosi esempi di archeologia industriale. Gli edifici, attualmente, versano in un notevole stato di degrado dovuto all’abbandono dello stabilimento e al grave incendio che nel 1989 ha distrutto i capannoni di deposito, risparmiando però il corpo principale dell’intervento. Nonostante ciò, gli edifici hanno conservato pressoché intatta la loro struttura e, di conseguenza, l’immagine originaria nel suo complesso. È quindi possibile ipotizzarne il mantenimento, una volta effettuati i necessari interventi di consolidamento strutturale e ristrutturazione architettonica. Il progetto di recupero dell’area nasce quindi da un’esigenza concreta e fortemente sentita dalla cittadinanza. Si deve inoltre considerare che, senza un intervento tempestivo, si va incontro all’aggravamento dello stato delle strutture superstiti, fino ad un possibile collasso, rischiando così di perdere definitivamente un prezioso bene del patrimonio architettonico della città. Il dibattito sull’ex Eridania e le sue possibilità di trasformazione si è riacceso negli ultimi anni, soprattutto in seguito all’incendio dell’89. In particolare, il PRG di Forlì del 2003, successivamente adeguato alla legge regionale 20/2000 nel 2007, definisce un nuovo piano di riqualificazione per le aree dismesse e le aree ferroviarie, con nuovi contenuti e procedure d’intervento. Nel 2008 la Cooperativa Muratori di Verucchio, proprietaria dell’area e degli stabilimenti, ha proposto un accordo di programma che prevedeva per il corpo centrale dello zuccherificio la destinazione a caserma delle forze dell’ordine, e per gli spazi circostanti la costruzione di case popolari, di un centro sportivo, di residenze private, edifici per uffici e negozi, oltre al mantenimento di ampie aree verdi. Il progetto non è stato finora realizzato a causa degli alti costi d’intervento per la messa in sicurezza degli edifici preesistenti. Nello steso anno l’associazione Italia Nostra ha proposto l’organizzazione di un concorso di idee per il recupero dell’area, ipotizzando per lo stabilimento principale la trasformazione in un ampio spazio coperto, aperto a diverse e numerose possibilità di destinazione rivolte alla collettività. Gli alti costi di recupero, insieme all’immobilismo amministrativo e ai limiti legati a una burocrazia complessa, e spesso inefficace, hanno finora invalidato qualsiasi tipo d’intervento e, ad oggi, la questione del riutilizzo dello zuccherificio rimane una domanda aperta ancora senza risposta. E’ quindi importante continuare ad interrogarsi sul futuro dell’area progredendo, se non con fatti concreti, con nuove idee e proposte, in attesa che si creino le condizioni necessarie ad intervenire e ridare alla città una parte di sé, arricchita di nuovo valore.
APA, Harvard, Vancouver, ISO, and other styles
4

Baldi, Elena <1965&gt. "La documentazione monetale come fonte per la storia di Classe (Ravenna) Gli scavi condotti nell’area portuale (anni 2001-2005) e nell’area della basilica di San Severo (anni 2006-2010)." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2013. http://amsdottorato.unibo.it/6069/.

Full text
Abstract:
Gli scavi effettuati a Classe, a sud di Ravenna, presso i siti archeologici dell'area portuale e della Basilica di San Severo, hanno portato alla luce un numero abbondante di moneta, 2564 dall'area portuale e 224 dalla basilica, un totale di 2788 reperti monetali, di cui solo 863 sono leggibili e databili. La datazione dei materiali dell’area portuale, fondata agli inizi del V secolo, parte dal II secolo a.C. fino all’VIII secolo d.C.. La maggior parte dei reperti è relativa al periodo tra il IV e il VII secolo, il momento di massima importanza del porto commerciale, con testimonianza di scambi con altri porti del bacino mediterraneo, in particolare con l’Africa del Nord e il Vicino Oriente. La documentazione proveniente dalla Basilica di San Severo, fondata alla fine del VI secolo per la custodia delle reliquie del santo, mostra un trend diverso dal precedente, con monetazione che copre un arco cronologico dal I secolo a.C. fino al XIV secolo d.C.. La continuità dell’insediamento è dimostrato dall’evidenza numismatica, seppur scarsa, fino alla costruzione del monastero a sud della basilica, l’area dalla quale provengono la maggior parte delle monete. I quantitativi importanti di monetazione tardoantica, ostrogota e bizantina, in particolare di tipi specifici come il Felix Ravenna, ipoteticamente coniato a Roma, oppure il ½ e il 1/4 di follis di produzione saloniana emesso da Giustiniano I, hanno concesso uno studio dettagliato per quello che riguarda il peso, le dimensioni e lo stile di produzione di queste emissioni. Questi dati e la loro distribuizione sul territorio ha suggerito nuove ipotesi per quello che riguarda la produzione di questi due tipi presso la zecca di Ravenna. Un altro dato importante è il rinvenimento di emissioni di Costantino VIII, alcune rare e altre sconosciute, rinvenute solo nel territorio limitrofo a Classe e Ravenna.
The excavations carried out in Classe, South of Ravenna, at the sites of the harbour area and the nearby Basilica of S. Severo, have brought to light a large amount of coins, 2564 from the commercial harbour and 224 from the Basilica, a total of 2788 specimens of which only 863 are legible and can be dated, however still providing some important information. The dating of the numismatic evidence from the harbour area, that was founded in the early 5th century, ranges from 2nd century BC to late 8th century AD. Most of the finds date from the 4th to the 7th century AD, the most important period for the harbour, with evidence of trade with other areas of the Mediterranean basin, particularly with North Africa and the Near East. The evidence of the Basilica of San Severo, founded in the late 6th century for the safekeeping of the saint relics, shows a quite different pattern, with a chronological span that ranges from the 1st century BC to the 14th century AD. The occupation of the site is continuous but the numismatic evidence is scarce, until the building of the monastery South of the Basilica, the area from which most of the coins were retrieved. The large amounts of late antique, Ostrogothic and Byzantine coinage, particularly certain specific types, like the Felix Ravenna, hypothetically minted in Rome, or ½ and ¼ follis Salona emissions of Justinian I, have allowed some in-depth analysis, specifically related to weight, size and style. This type of data, as well as the pattern of distribution, have allowed to suggest new hypothesis about their production at the mint of Ravenna. Also important is the finding of coinage of Constantine VIII, rare and unknown emissions found only in the neighbourhood of Classe and Ravenna.
APA, Harvard, Vancouver, ISO, and other styles
5

Higham, Matthew K. "Tessellated Pictures and Traditional Piety." BYU ScholarsArchive, 2021. https://scholarsarchive.byu.edu/etd/8985.

Full text
Abstract:
Nearly 300 years before the rise of a ‘Christianized,’ Eastern Roman Empire, generations of inhabitants in the Eastern Mediterranean and Near East had witnessed a considerable variety and evolution of religious thought. As a result of the expansion of Christian sects throughout the Near East and Mediterranean, in 325 CE, Emperor Constantine I convened a theological council to unite his vast kingdom in the East under a single religious creed. While revisions to the text of the first ‘Nicene Creed’ and subsequent councils would be organized, many dissenting factions refused to relinquish their long-held beliefs and traditions. Some of these ‘heterodox’ sects resisted the religious arm of the Empire and concealed their practices while continuing to worship in secrecy. Clues to the subversion of ‘orthodox’ ecclesiastical mandate may still persist in the mosaic programs of extant churches in the Mediterranean and Transjordan. In particular, the general design of mosaics in the Transjordan (e.g., the Petra Church, Petra; the Church of SS. Lot and Procopius, Khirbet al-Mukhayyat; and the Church of SS. Cosmas and Damian, Jerash) are somewhat similar, yet divergent from designs found within churches from the Italian Peninsula (e.g., the Theodorean Basilical Complex, Aquileia; the Church of San Vitale, Ravenna; and the Church of Sant’Apollinare in Classe, Classe). The purpose of this thesis is to use the principles of semiotic theory to re-evaluate the use of symbols and icons within sacred mosaic programs, juxtaposed against the historical and ecclesiastical context surrounding their creation.
APA, Harvard, Vancouver, ISO, and other styles
6

Tůmová, Helena. "Obchod s mramorem v pozdně antické Ravenně: archeologický materiál z komplexu San Severo." Doctoral thesis, 2013. http://www.nusl.cz/ntk/nusl-327195.

Full text
Abstract:
This thesis aims to study the commercial mechanism of Ravenna in the Late Antiquity from the point of view of the amount, type and provenance of the imported stone artefacts (fragments of architectural decoration, revetments slabs, opus sectile, sarcophagi), based on the study of archaeological material from the site of the basilica and the monastery of San Severo in Classe (Ravenna). Ravenna represented an important administrative and cultural center in the 5th and 6th century, connecting western and eastern artistic influences and focusing herself on trade and production. Determination of the stone artefacts from the San Severo locality was principally based on the archaeometric methods and on the combination of archaeologic and geologic approach as well. Specific archaeometric methods (macroscopic, geochemical and mineralogical-petrographic analyses) together with a quantitative evaluation were applied. Many scientific works, dedicated till this time to the art history of late antique Ravenna and dealing also the argument of ravennate "marbles" presumed the prevailing provenance from Proconnesos and usual commercial relations between Ravenna and Constantinople as well. Constantinople played a role of a mediator of oriental localities and Ravenna. The hypothesis concerning the provenance of the...
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Apollinare in Classe (Ravenna)"

1

Ermanno, Carbonara, and Agostinelli Emilio R, eds. Il leone di Bisanzio a S. Apollinare in Classe: Una nuova pagina d'arte bizantina dai mosaici dell'arco trionfale. Ravenna: Edizioni del Girasole, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Riffaud, Alain. Lecture de Ravenne: Décor et discours. Le Mans: Création de recherche, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Riffaud, Alain. Lecture de Ravenne: Décor et discours. Le Mans: Création et recherche, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Università di Bologna. Dipartimento di archeologia., ed. La Basilica di S. Apollinare Nuovo di Ravenna attraverso i secoli. Bologna: Ante quem, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

The basilica of St. Apollinare in Classe: Illustrated art guide. Milano: Kina Italia, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Roncuzzi, Isotta Fiorentini. S. Apollinare nuovo: I mosaici di Teodorico. Faenza: Edit Faenza, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Novara, Paola. Ubi multi peccatores occurrunt--: Storia e archeologia della chiesa di S. Apollinare Nuovo, del monastero benedettino, poi convento dei Frati minori osservanti, e del quartiere ritenuto l'area palaziale della Ravenna tardoantica. Ravenna: D. Montanari, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Novara, Paola. Storia delle scoperte archeologiche di Ravenna e Classe: I secoli XV-XIX. [Ravenna]: D. Montanari, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Maioli, Maria Grazia. Classe e Ravenna tra terra e mare: Città, necropoli, monumenti : un'avventura della archeologia, gli scavi nella zona archeologica di Classe. Revenna: Sirri, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Morelli, Gianni. Memorie d'eterno: I mosaici teodericiani in S. Apollinare nuovo e il Codice purpureo di Rossano. Ravenna: D. Montanari, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Apollinare in Classe (Ravenna)"

1

Boschi, F. "Nuove indagini integrate a Classe (Ravenna)." In Urban Landscape Survey in Italy and the Mediterranean, 138–48. Oxbow Books, 2012. http://dx.doi.org/10.2307/j.ctvh1dk2b.18.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

"V. Sant' Apollinare in Classe and Dante's Poetics of Martyrdom." In The Transfiguration of History at the Center of Dante's Paradise, 170–238. Princeton University Press, 1986. http://dx.doi.org/10.1515/9781400854134.170.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

"9 Ravenna, Classe and its Surroundings: Pottery as a Mirror of Everyday Life." In Ravenna and the Traditions of Late Antique and Early Byzantine Craftsmanship, 259–92. De Gruyter, 2020. http://dx.doi.org/10.1515/9783110684346-010.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Apollinare in Classe (Ravenna)' for particular source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography