Relevant bibliographies by topics / Apollo

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Apollo'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Apollo"

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Fulkerson, Laurel. "Apollo, paenitentia, and Ovid's Metamorphoses." Mnemosyne 59, no. 3 (2006): 388–402. http://dx.doi.org/10.1163/156852506778132356.

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AbstractThrough a comparison of several examples of divine repentance in Ovid's Metamorphoses to their closest human analogue (Apollo/Phaethon and Apollo/Coronis, each in book 2, Apollo/Hyacinthus and Cyparissus, each in book 10) this study attempts both to illustrate the characterization of Apollo in the poem and to raise questions about why Apollo is the god so portrayed. I will suggest that Apollo's paenitentia highlights a key difference between gods and mortals, and also that Ovid may be using the figure of Apollo to remark upon that of Augustus.
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Maurizio, L. "Anthropology and spirit possession: A reconsideration of the Pythia's role at Delphi." Journal of Hellenic Studies 115 (November 1995): 69–86. http://dx.doi.org/10.2307/631644.

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During a consultation at Delphi, one of Apollo's servants imagined, heard, intuited, or feigned Apollo's presence and then uttered Apollo's divine response to the human client who made inquiry of the god. Such inspired mimicry appears incomprehensible to the non-believing distant observer to whom Apollo no longer speaks. Scholars hear nothing at Delphi and, steadfast in their faith in positivism, claim Apollo said nothing. In a similar fashion, scholars have pronounced that the Pythia, like Apollo, did not speak at Delphi, or that her attendant prophets reformulated her utterances and converted them into comprehensible prose or verse. Such a reconstruction of the divinatory consultation at Delphi, however, finds no support in the ancient evidence. Not one ancient source suggests that anyone other than the Pythia issued oracular responses.
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Keleş, Vedat, and Ersin Çelikbaş. "A Terracotta Appliqué Relief Mould From Parion." Höyük, no. 10 (November 29, 2022): 19–36. http://dx.doi.org/10.37879/hoyuk.2022.2.019.

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The ancient city of Parion lies on the coast of the Dardanelles in Turkey and is blessed with two natural harbours; it thus sits in an extremely important geopolitical location. The city experienced a golden age in the imperial Roman period as a religious and cultural centre. In 2006 a terracotta figure mould was found on the surface in the vicinity of Taşkule. The mould produces an Apollo figure. . According to Strabo and Apollon Aktaios legend seen on the local coins dated to 165-160 BC, the existence of an Apollo cult at Parion is known. In addition to its important association with the cult of Apollo at Parion, the mould also offers some information about ceramic production in the city. No other evidence related to the production of ceramic or terracotta figures has been discovered since excavations commenced in 2005. The mould is also stylistically important. The stylistic features indicate a date in the late Classical period. On the basis of its iconography and stylistic features, the figure may represent Apollo Patroos.
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Vachninas, Benediktas. "Politics and Theology in the Homeric Hymn to Hermes." Literatūra 64, no. 3 (December 14, 2022): 8–19. http://dx.doi.org/10.15388/litera.2022.64.3.1.

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The Homeric Hymn to Hermes depicts integration of newborn Hermes to Olympus and is devoted to his worship. However the glorifying character of the hymn conflicts with shameful acts of Hermes – the theft of Apollo’s cattles and the deception of Apollo and Zeus. That implies complexity of hymn’s glorified object. The article suggests to analyse the figure of Hermes in Hymn to Hermes by asking how it unrolls and what relation establishes with Apollo. This angle will not only locate connection between Hymn to Hermes and Hesiod’s Theogony, but also it will let unfold interaction amid Apollo and Hermes as relation of politics and theology in the order of Zeus.
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Beekes, Robert. "The Origin of Apollo." Journal of Ancient Near Eastern Religions 3, no. 1 (2003): 1–21. http://dx.doi.org/10.1163/1569212031960384.

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AbstractWe shall argue that Burkert's etymology deriving the name Apollo from a Dorian word for 'assembly', απελλα, is linguistically and historically impossible. This means that the possibility of Anatolian origin is open again. It is argued that Apollo is a Pre-Greek-Anatolian name. The expected proto-form of this name is found in the name Appaliunas, a god of Wilusa/Ilios mentioned in a Hittite letter. This strongly suggests Anatolian origin of the name. This is confirmed by the Homeric epithet αυκηγενηζ, which has long been recognised as an archaic formation meaning 'born in Lycia'. This fits well with the strong Anatolian connections of Apollo as well as his mother Leto and his sister Artemis. L'étymologie proposée par Burkert du mot Apollon comme dérivé du mot apella, 'assemblée', est impossible, pour des raisons linguistiques et historiques. Il est donc possible que le mot, et le dieu, est d'origine anatolienne. Le nom est pré-grecanatolien. La proto-forme expectée est trouveé dans le nom Appaliunas, dieu de Wilusa / Ilios mentionné dans une lettre hittite, ce qui est une belle confirmation d'une origine anatolienne. Ceci est confirmé par l'épithéte homérique Lukégenés, 'né en Lycie'. Une origine anatolienne est en accord avec les liens d'Apollon lui meme, sa mére Leto et sa soeur Artemis avec l'Anatolie.
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Jung, Jinho, Hong Hu, Joy Arulraj, Taesoo Kim, and Woonhak Kang. "APOLLO." Proceedings of the VLDB Endowment 13, no. 1 (September 15, 2019): 57–70. http://dx.doi.org/10.14778/3357377.3357382.

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Pontius, Elizabeth. "Apollo." Annals of Emergency Medicine 72, no. 5 (November 2018): 616. http://dx.doi.org/10.1016/j.annemergmed.2018.06.016.

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San Vicente González de Aspuru, Jose Ignacio. "Antonio-Dioniso versus Octaviano-Apolo: propaganda y contrapropaganda en torno a los ritos dionisíacos." ARYS: Antigüedad, Religiones y Sociedades, no. 13 (October 5, 2017): 77. http://dx.doi.org/10.20318/arys.2017.2698.

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Resumen: El artículo analiza, por un lado, la relación establecida entre Antonio y Dioniso y entre Octaviano y Apolo. Ambos triunviros buscaron reforzar su poder utilizando la religión. Se presta especial atención a la identificación de Marco Antonio como “Neo Dioniso” en la zona oriental, después de la batalla de Filipos. Se sostiene que una de las consecuencias de este acto propagandístico fue la vinculación de Octaviano con Apolo y la de Sexto Pompeyo con Neptuno.De manera paralela, se examinan las acusaciones que los escritores de ambos bandos elaboraron con fines propagandísticos y con el objetivo último de denigrar al líder oponente. La identificación de Antonio con Dioniso y el vino terminó por perjudicar la figura del derrotado triunviro, que ha pasado a la historia como un dipsómano.Abstract: The article analyzes, on the one hand, the relationship between Antony and Dionysus and, on the other hand, Octavian and Apollo. Both triumvirs sought to reinforce their power by using religion. Special attention to the identification of Antony as Neo Dionysus in the east after the battle of Philippi is given. It is argued that one consequence of this propaganda act was to link Apollo to Octavian and Sextus Pompey to Neptune.In parallel, the accusations that writers on both sides prepared for propaganda purposes, with the ultimate goal to denigrate the opponent leader are discussed. Antonio link whit Dionysus and the wine ended up hurting the figure of the defeated triumvir, which has transcended in history as a dipsomaniac.Palabras clave: Accio, Apolo, Cicerón, Cleopatra, Dioniso, Marco Antonio, OctavianoKey words: Actium, Apollo, Cicero, Cleopatra, Dionysos, Mark Antony, Octavian
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Siregar, Suryadi. "Ecliptical Orthogonal Motion and Perihelion Distribution of the AAA Asteroids." Publications of the Astronomical Society of Australia 9, no. 2 (1991): 315–16. http://dx.doi.org/10.1017/s1323358000024322.

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AbstractThis paper briefly discusses the Aten, Apollo and Amor asteroid types (collectively referred to as AAAs), their perihelion distribution and orthogonal motion. There are 90 objects in these classes: 6 Atens, 46 Amors and 38 Apollos. The maximum distance to the ecliptic plane of each class follows an exponential function.
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Griffin, A. H. F. "Hyginus, Fabula 89 (Laomedon)." Classical Quarterly 36, no. 2 (December 1986): 541. http://dx.doi.org/10.1017/s0009838800012325.

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Neptunus et Apollo dicuntur Troiam muro cinxisse; his rex Laomedon uouit quod regno suo pecoris eo anno natum esset immolaturum. id uotum auaritia fefellit. alii dicunt †parum eum promisisse.The story that Neptune and Apollo together built the walls of Troy for Laomedon is well known from Homer. At the end of their year's service the perfidious king refused to pay the agreed wages. Ovid tells the familiar story in one of his transitional sections in the Metamorphoses. Hyginus' account poses the textual problem indicated above. H. I. Rose comments on ‘parum’ as follows: ‘procul dubio corruptum hoc neque arridet Schmidtii coniectura promsisse. fuitne partum equarum? hoc enim plerumque narratur, equos quos a Ioue accepisset promisisse Laomedontem mercedis nomine…sed Herculi; quod facile ad deos mercennarios transferri potuit; atque non equos sed equas fuisse tradit Apollod. II, 104’. Rose rightly rejects Schmidt's emendation ‘promsisse’. ‘Promisisse’ has every sign of soundness and the difficulty lies, as Rose sees, with ‘parum’. Rose's own conjecture ‘partum equarum’, however, will not do. Apart from the oddity of the expression, one would need a good deal more persuasion than Rose offers to accept that the well-known promise of Zeus' horses which Laomedon made to Hercules (Hom. Il. 5.648–51, Ov. Met. 11.213–15) was transferred from Hercules to Neptune and Apollo. There is no suggestion anywhere in the sources that Laomedon promised to give Neptune and Apollo the famous horses as payment for building the walls.
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Dissertations / Theses on the topic "Apollo"

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Linnemyr, Cathrin, and Charlotte Selander. "Socialt ansvar - Apollo och Ving." Thesis, Linnéuniversitetet, Ekonomihögskolan, ELNU, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-17662.

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Allt fler företag arbetar med socialt ansvar, Corporate Social Responsibility, vilket innefattar ett ekonomiskt, miljömässigt och socialt ansvarstagande. Intresset för detta och insikten om dess betydelse har ökat. Vi har upptäckt att researrangörer lägger stor vikt vid detta arbete. Då turismen är en resursintensiv bransch fann vi det viktigt att granska dessa i förhållande till detta arbete. Vi valde ut två av de största researrangörerna i Sverige för granskning eftersom de med tanke på sin omfattning bär ett stort ansvar. Syftet med denna studie var att redogöra för Apollos och Vings arbete med socialt ansvar, vad de gör och vad arbetet innebär för dem. Vi kom fram till att det de gör inom socialt ansvar är bra, för det mesta relevant för deras verksamhet och överensstämmer med teorin även om det finns mer de kan göra. Apollos arbete upplevs vara omfattande men dessvärre aningen ostrukturerat och det uttalas dessutom inte utgå ifrån någon slags värdegrund i eller helhet av företaget. Det gör att kommunikationen av deras arbete med socialt ansvar ibland brister och i alla fall inte upplevs trovärdigt, förankrat och genomgående. Apollos arbete med socialt ansvar har sin grund i ett starkt hållbarhetstänk som dock är välförankrat och utgår ifrån moderföretaget Kuoni vilket däremot har mycket tydliga riktlinjer och principer som rör socialt ansvar. Ving däremot poängterade arbetet med socialt ansvar i relation till företagets värderingar och den interna aspekten och precis som på Apollo förklarades hållbarhetsaspekten som viktig. Dock poängterades denna mer hos Apollo. Arbetet med socialt ansvar var naturligt för Ving i relation till deras varumärke då det kopplas till deras värdegrund och det faktum att de vill bli sedda som ett schysst företag. Vi kom fram till att det finns en genuin hållbarhetsaspekt inom arbetet med socialt ansvar hos de båda företagen, dels för företagens egen hållbarhet men även hållbarheten av vår miljö. För att komma fram till detta resultat utförde vi kvalitativa intervjuer i form av en mailintervju och en telefonintervju vilka gav oss djupare förståelse. Denna information kompletterades även med information från Ving och Apollos hemsidor och sattes sedan i relation till teorin i ämnet.
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Mikuška, Tomáš. "Hotel Apollo v Tatranské Lomnici." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2015. http://www.nusl.cz/ntk/nusl-227538.

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The diploma thesis deals with project design documentation of a hotel situated in Tatranská Lomnica. The object is designed as a four-story detached building. Object´s ground plan is T-shaped. First floor contains a lobby, a restaurant, a kitchen and a hotel administration part. The other three floors are meant for accommodation. A construction system is based on iron-concrete body shell. Coping consists of a double sloping roof made out of wooden roof trusses.
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Montagner, Emanuele. "Il culto di Apollo Carneo." Doctoral thesis, Università degli studi di Trieste, 2010. http://hdl.handle.net/10077/3496.

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2008/2009
L'importanza e l'interesse dell’argomento di questa tesi di dottorato discendono dalla centralità che il culto di Apollo Carneo aveva nell'ambito della religione e della società spartana, esemplificata dal modo in cui la festività ad esso connessa poteva incidere sull’andamento di alcuni eventi bellici fondamentali nella storia greca. Il culto di Apollo Carneo, infatti, era diffuso nella maggior parte delle poleis greche doriche ed era particolarmente sentito a Sparta. Esso comportava l’astenersi dalle guerre per tutta la durata della festa. Si possono individuare le conseguenze di tale divieto in alcuni passi di Erodoto e di Tucidide: gli Spartani non giunsero in aiuto degli Ateniesi nella battaglia di Maratona perché dovevano attendere la fine delle celebrazioni delle Carnee prima di partire (Hdt. VI 106,3); gli Spartani inviarono alle Termopili un piccolo contingente agli ordini di Leonida proprio perché in quel periodo si svolgevano le Carnee e non poteva essere inviato tutto l’esercito (Hdt. VII 206); nel corso della guerra del Peloponneso gli Spartani interrompevano l’attività bellica durante la celebrazione delle Carnee, mentre gli Argivi cercarono, con un artificio nel computo dei giorni, di rimandare l’inizio del mese Carneo, mese sacro ai Dori secondo Tucidide, per poter concludere un’incursione nel territorio di Epidauro (Thuc. V 54; V 75; V 76,1). Da questi esempi si evince chiaramente come lo studio del culto di Apollo Carneo non possa essere considerato come un mero studio di erudizione sulle peculiarità della religione greca, ma investa invece gli aspetti fondamentali della società spartana (oltre che della colonia di Thera, della sub-colonia di Cirene e delle altre città interessate dal culto), al punto che numerosi studiosi si sono cimentati nell’interpretazione del significato delle Carnee. Adler, però, conclude la voce Karneios della Real Encyclopedie der Classischen Altertumswissenschaft in modo piuttosto sconsolato: “Jedenfalls liegt die Ausbreitungsgeschichte des Kultes nach dem Erscheinen des neuen Materials mehr im Dunkel als vorher”. In seguito sono stati pubblicati numerosi studi importanti ed illuminanti, ma il quadro complessivo della festa rimane ancora incerto e contraddittorio. Il presente progetto di ricerca, pertanto, intende sì offrire una raccolta completa delle testimonianze sul culto di Apollo Carneo, comprese le più recenti acquisizioni epigrafiche, numismatiche ed archeologiche, ma intende soprattutto trattare l’argomento da un punto di vista diverso. L’impostazione sottesa alla tesi, infatti, non prevede l’utilizzo indistinto di tutte le testimonianze, di qualsiasi periodo, per tracciare un quadro generale ed onnicomprensivo del culto, valido per tutte le epoche, bensì contempla un approccio diacronico che consenta di riconoscere gli influssi e i cambiamenti che di volta in volta il contesto politico, sociale e culturale ha imposto. Il tentativo, insomma, è di tracciare un quadro dell’evoluzione storica di questa festività, adottando, ove possibile, un criterio ‘stratigrafico’ nell’analisi dei testi sulle Carnee. Il primo capitolo comprende una rassegna delle numerose interpretazioni del culto: esse considerano Apollo Carneo un’originaria divinità della vendemmia oppure un dio-ariete, legato ad una festa di pastori; pongono un più marcato accento sui riti di purificazione ed espiazione e sul collegamento con la caccia e con la preparazione per la guerra o sottolineano la prevalenza del carattere iniziatico della festa. Per la maggior parte degli studiosi nella festa si può individuare uno strato più antico, che riguarda il culto della natura per pastori e contadini, e uno strato più recente, in cui prevale l’aspetto militare, introdotto dai Dori. Le posizioni emerse negli ultimi anni tendono a valorizzare maggiormente l’aspetto militare del culto, il legame con la migrazione e la conquista dorica. Nel secondo capitolo le tradizioni sulle origini delle Carnee sono catalogate secondo due criteri: quello cronologico e quello tematico. Nella prima parte sono analizzate in ordine cronologico tutte le fonti letterarie che si riferiscono al mito eziologico delle Carnee. La testimonianza più antica risale al VII secolo a.C., ad Alcmane, a cui lo scolio 83a all’Idillio V di Teocrito attribuisce un frammento in cui viene citato Karnos, mentre gli autori più tardi sono Nonno ed Esichio. Il dato più significativo è costituito proprio dall’ampio arco cronologico (si va dal VII secolo a.C. al V-VI d.C.) e dall’estrema varietà delle informazioni desumibili dalle fonti: in taluni casi risulta difficile combinare in un unico contesto festivo e cultuale tutti i dati a nostra disposizione. Si è deciso, perciò, di adottare nella prima parte del secondo capitolo un criterio ‘stratigrafico’, ovvero un approccio diacronico che consenta di riconoscere gli influssi del contesto politico, sociale e culturale sull’evoluzione storica di questa festività. Tale modo di accostarsi al problema delle fonti, inoltre, ben si accorda con l’immagine, ormai unanimemente accettata negli studi specialistici, di una Sparta che muta nel corso del tempo e non rimane sempre uguale a se stessa. La seconda parte del capitolo, invece, prende in considerazione le medesime fonti seguendo un criterio tematico, in modo da definire chiaramente i tre nuclei tematici intorno ai quali raggruppare le testimonianze. Il primo spiega l’origine del culto di Apollo Carneo richiamandosi all’ambito della spedizione di Troia (Alcmane, Demetrio di Scepsi, Pausania e lo scolio a Teocrito V 83 d); il secondo si rifà al cosiddetto ritorno degli Eraclidi (Teopompo, Conone, Pseudo-Apollodoro, Pausania, scoli a Teocrito V 83c-d e scoli a Callimaco, Inno ad Apollo 71); il terzo fa discendere Karnos da Zeus ed Europa (Prassilla, Pausania ed Esichio). Il terzo capitolo, sulle manifestazioni locali del culto, costituisce il nucleo centrale della tesi. Nella prima sezione vengono trattati gli aspetti del culto per i quali non si può individuare una provenienza locale ben definita: l’iconografia e la collocazione della festa nel calendario. Nel paragrafo sull’iconografia viene evidenziato il legame con il culto del Carneo di alcune erme laconiche che raffigurano un ariete e di una stele alla cui sommità è scolpito in bassorilievo un paio di corna di ariete. Allo stesso tempo, però, viene messa in dubbio la possibilità che il tipo monetale che ritrae una testa giovanile con corna e, talvolta, orecchie di ariete rappresenti Apollo Carneo. Tali monete provengono da numerosi centri della madrepatria e delle colonie greche, tra i quali – ciò che più conta ai fini dell’interpretazione – molte località non doriche (ad esempio Metaponto, Tenos, Aphytis, ecc.). Tra le altre identificazioni proposte dagli studiosi, la più plausibile sembra essere quella con Zeus Ammone. La parte più ponderosa del terzo capitolo riguarda l’analisi delle manifestazioni del culto a Sparta, Tera, Cirene e Cnido, da cui proviene una quantità di dati sufficiente ad analizzare con una certa sistematicità le testimonianze relative al Carneo. In ogni capitolo vengono esaminati l’eventuale localizzazione topografica dei santuari di Apollo Carneo, le attestazioni di agoni (musicali e/o atletici) all’interno delle Carnee, i riti connessi al culto, l’esistenza di sacerdozi del Carneo. Per molti aspetti la scarsità e la natura eterogenea della documentazione, sia tra una città e l’altra sia all’interno di una stessa città, rendono difficile proporre un’interpretazione complessiva del culto. L’esempio di Cirene è emblematico: le fonti letterarie attestano con certezza l’esistenza e l’importanza del culto di Apollo Carneo, soprattutto in relazione alla fondazione della città, mentre la documentazione archeologica, che pure è singolarmente abbondante per Cirene, non ci consente di localizzare gli eventuali santuari del dio all’interno della città. Il quarto capitolo raccoglie le altre testimonianze del culto che ne attestano la diffusione in ambito dorico. Le località per le quali possediamo una documentazione sufficientemente consistente sono Cos, Lindo e Camiro, Messene e Andania. In conclusione, se sembra difficile proporre un’interpretazione totalizzante, che colleghi tutti gli elementi del culto in un sistema “où tout se tient”, si possono, però, individuare alcuni caratteri comuni alle diverse manifestazioni del culto. Innanzitutto le associazioni del Carneo con determinate divinità (Era, Ilizia, Artemide, i Dioscuri) connesse all’educazione dei giovani e il rito della staphylodromia fanno intravedere un ruolo del dio nella formazione e nell’inserimento dei giovani tra i cittadini a pieno titolo, ma non, a mio parere, un inquadramento strutturale del culto nel sistema iniziatico spartano. In secondo luogo il culto e la festa avevano una forte caratterizzazione ‘politica’, in cui tutti gli elementi costitutivi dell’identità e dell’ideologia del gruppo – soprattutto, da un certo momento in poi, l’elemento dorico – erano enfatizzati.
XXII Ciclo
1971
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Nenci, Nicola. "Taking Apollo by the horns : reconsidering the cult(s) of Apollo Karneios in the Mediterranean." Thesis, University of Edinburgh, 2016. http://hdl.handle.net/1842/25966.

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This dissertation examines Apollo Karneios’ cult(s) in its religious, festive, and political aspects, and investigates the deity’s role in civic and ethnic identities: one of the most striking features of the cult of this deity is the evidence for its presence in many Dorian communities throughout the Mediterranean, particularly in Sparta, where Apollo Karneios’ cult was of central significance. My research endeavours to clarify the cult’s use in political relations between ancient Sparta and its colonies, and interrogates the evidence to determine where and when the cult originated; how we can recognise the deity in visual material; if Karneios was a Spartan god, or if he ‘belonged’ to all Dorians; and the role of his cult in the foundation of Spartan colonies, such as Thera and Cyrene. This work begins with a review of how previous scholarship addressed those issues raised above, and continues with an analysis of the iconography of the deity, combining literary sources with autopsy of the material evidence, which includes sculpted stelai, archaeological sites and monuments, and most numerous of all, inscriptions. Organising the evidence according to geographical areas, my work progresses comparing and contrasting the manifestation and character of the cult in various locations. In addition, my new readings of literary and epigraphical sources, combined with first-hand study of archaeological evidence, result in new reconstructions of monuments related to Karneios’ cult, and offers a new interpretation of Spartan civic and religious topography. As a last step, my research argues that although the cult displays regional variations to reflect local identities, the many similarities established a Dorian network around the Mediterranean, which changed over time. This study contributes to the ongoing discussion on the formation and modifications of local identities and political relations among the Dorian poleis of the Mediterranean, highlighting the role of religion, and, in particular of Apollo Karneios in this complex historical process.
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Konik, Adrian. "Apollo, Dionysus, dialectical reason and critical cinema." Thesis, University of Port Elizabeth, 2003. http://hdl.handle.net/10948/295.

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The contemporary era is dominated by an Apollonian visual language, i.e. the visual language of mainstream cinema and the mass media, and this study concerns the role that critical cinema, as Dionysian subverter, plays under such conditions. I argue that critical cinema should not be viewed as something completely ‘new’ but rather as a new, or at least the latest, manifestation of an older subversive ‘Dionysian’ voice that has made its presence felt since the dawn of the hegemony of an Apollonian disposition in Homeric epic. (I maintain that the history of western culture can be understood in terms of the persistent tension between Apollonian and Dionysian dispositions, and I use the distinction Derrida makes in Différance, between restricted and general economies, to distinguish between them, respectively.) I begin by considering the Dionysian echoes within Homer’s Iliad and then consider the way in which they became a ‘roar’ in the tragedies of Aeschylus. After Aeschylus a predominantly Apollonian voice asserted itself once again (to various degrees) through the work of Sophocles and Euripides. This was in keeping with the trend towards a more (Apollonian) restricted economy that is reflected in the writings of Homer’s literary successors, and which reached a crucial stage in Plato’s valorisation of ‘dialectics’, or what I term ‘dialecticis m’, which saw the birth of ‘dialectical language’. Through Plato dialecticism, or dialectical language, became instantiated as the ‘language’ of western philosophy and this predisposed western culture to develop along predominantly Apollonian lines. This continued from Plato, through the Middle Ages, until in the 17th century this Apollonian trend became manifest in the concept of the stable, integral, autonomous and self -transparent Cartesian ego, which is inextricably linked to dialectical language that promises certainty of ‘truth’ and maintains the possibility of representing the world in its entirety (as a system). In the contemporary ‘age of a world picture’, the hegemonic (Apollonian) visual language of mainstream cinema and the mass media propagates and perpetuates the belief in the possibility of representing the world in its entirety through the image, and insofar as it caters to audiences’ needs for stability and certainty (of ‘truth’) through providing such ‘complete’ representations, shapes their subjectivity along the lines of the Cartesian ego. According to Baudrillard, in contemporary society and culture the hyperreal realm of visual language has become far more significant for individuals than their immediate, empirical experiences, and that, as a result, they are far less predisposed to discussion and reflection and far more prone to passive ‘watching’. Also, Adorno maintains that it is impossible to have a form of critical cinema because of the way in which features inherent to cinema predispose it towards being an ideological apparatus. However, if both Baudrillard and Adorno are correct then the future appears increasingly bleak as it involves nothing other than the continuation and propagation of the hegemony of the visual language of mainstream cinema and the mass media, with no possibility for critical resistance. I argue instead that critical cinema is possible because the move towards a more restricted economy, motivated by an Apollonian disposition, did not develop from Homer to the contemporary era without meeting Dionysian resistance. I trace the presence of a subversive Dionysian voice through Homer’s Iliad, through Aeschylus’ Prometheus Bound, and through Plato’s Dialogues, where it echoes in the sentiments of some of Plato’s interlocutors, such as Callicles. In addition, I maintain that a ‘Dionysian’ voice resonates through both Nietzsche’s and Heidegger’s respective criticisms of ‘dialectical language’ and the ‘validity’ of the Cartesian ego. I argue that critical cinema, particularly Aronofsky’s postmodern critical cinema, parallels their similar epistemological and ontological perspectives in the way in which it engages with the (Apollonian) visual language of mainstream cinema and the mass media, and thereby, potentially, facilitates a more porous and protean subjectivity.
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Rainart, Gérard. "La langue de l'Apollon de Delphes : analyse linguistique, poétique et systématique des recueils d'oracles." Thesis, Nice, 2014. http://www.theses.fr/2014NICE2043/document.

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La présente thèse tend à démontrer l’existence d’une langue oraculaire, spécifique au sanctuaire apollinien de Delphes ; elle s’appuie sur un corpus de deux cent vingt et un oracles conçus dans l’esprit de la divination chresmologique delphique. Ces textes recueillis par les inscriptions, et surtout par la littérature qui les cite abondamment, servent de supports d’analyse pour dégager les traits caractéristiques de la formulation oraculaire, linguistiques, stylistiques et poétiques au sens large du terme. L’étude part des recueils d’oracles qui se sont constitués dès l’époque classique, avec des buts divers, et ont perduré jusqu’à l’époque impériale romaine. La première partie, qui analyse la présence de la chresmologie dans les textes, vise à y retrouver des traces de la divination delphique et à établir toutes les étapes de la production et de la réception oraculaire. Une fois ces données présentées, la deuxième partie fait une étude systématique des recueils d’oracles delphiques, de l’Antiquité à nos jours ; elle envisage aussi les oracles cités. La troisième partie a pour but de travailler les seuls textes dans le seul contexte de leur production et de révéler ce qui fait à la fois l’unité et la diversité du corpus : en relevant des procédés de langue et de style, l’étude définit une langue spécifique à l’Apollon de Delphes : la langue d’Apollon
The study of 221 oracles from the Delphic sanctuary shows how a language has been created, specific to the sanctuary of Delphi : it is the voice of the god Apollo and his own language. The oracular texts, conceived in the spirit of the Delphic chresmologic divination, collected by inscriptions and especially by the literature which quotes them abundantly, are used as supports to analyse the linguistic, stylistic and poetic aspects and processes of the Delphic oracular language. The first part, which analyses the presence of the Delphic divination in the texts, shows that linguistically the oracles are exchanges between an enquirer and the god ; it is possible to find all the stages of their production and reception. The second part analyses the setting up of the Delphic collections, from Antiquity to our times. The third part shows a strong propensity for establishing linguistical codes, when it offers examples of meticulous, argumentative constructions. It also underlines the importance of the images (metaphors), puns, plays on syntactic or lexical antitheses, frequent riddles which the god subjects to the clearsightedness of the enquirers. The Delphic oracles are considered to be quoted texts which vary less in their enunciation than in their functions. We can tell that an oracular genre really exists, but the particular genre cannot exist without the others genres and depends on them. A Delphic oracular genre really exists, because the Delphic shrine was very powerful and very well known in the ancient Greek civilization as a cultural center, because we find in the Greek literature imitations of the oracles (pastiche and parody). Even if the texts do not belong to a specific and independent work, they present many linguistic and stylistic common marks : La langue d’Apollon (Apollo’s language)
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TODISCO, VALENTINA. "Filogeografia in Parnassius apollo, Linnaeus, 1758 (Lepidoptera, Papilionidae)." Doctoral thesis, Università degli Studi di Roma "Tor Vergata", 2008. http://hdl.handle.net/2108/619.

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Parnassius apollo è una specie paleartica distribuita sui principali massicci montuosi dalla Sierra Nevada alle Alpi e ai Carpazi, dal Caucaso fino all’Altai. P.apollo è rappresentata per lo più da piccole popolazioni localizzate a causa delle sue esigenze ecologiche molto peculiari; ciò in passato ha portato ad estinzioni locali e ad una riduzione dell’area di distribuzione della specie. Per comprendere i processi storici che sono alla base dell’attuale distribuzione di P. apollo sono state sequenziate 869bp del gene mitocondriale citocromo ossidasi I (COI) di 80 popolazioni (N=201) provenienti da diverse porzioni dell’areale. Le analisi hanno messo in evidenza la presenza di 71 aplotipi differenziati geneticamente in due aplogruppi: uno comprendente tutte le popolazioni della Grecia continentale, Anatolia ed Europa centro-settentrionale e l’altro costituito da diversi sottogruppi di popolazioni (penisola iberica, Pirenei, Sicilia, Alpi-Appennini, Appennino centrale, Peloponneso, Caucaso, Asia centrale), ognuno confinato in un’area geografica più o meno isolata, probabile risultato di una passata frammentazione dell’areale. La stima dei tempi evolutivi ha inoltre evidenziato che P.apollo ha subito espansioni piuttosto recenti, ed in particolare i cambiamenti climatici durante il tardo Pleistocene hanno avuto un ruolo importante nel determinare il pattern filogeografico di questa specie. Infine confrontando i dati ottenuti in questo lavoro con quelli per P.mnemosyne di Gratton et al. (subm.), che presenta un areale simile a P.apollo, si osserva che i periodi di espansione demografica sono discordanti, ciò probabilmente è dovuto alle loro diverse esigenze ecologiche.
Parnassius apollo is a widely distributed Eurasian butterfly species usually represented by small local populations. It’s distributed on the main mountain ranges from the Sierra Nevada to Alps, Carpathians, Caucasus to the Altai. Being narrow in its ecological requirement this butterfly is very sensitive to habitat and climatic changes, and in most of its range it is experiencing range contraction and sometimes population extinction. We have sequenced 869 bp of the mithocondrial DNA cytochrome oxidase I (COI) for 80 populations (N=201) from several portions of the range. Analysis revealed 71 haplotypes genetically structured in two haplogroups: one with the populations from Continental Greece, Anatolia and Central/Northern Europe and the other different groups of populations (Spain, Pyrenees, Sicily, Alps-Appenines, Central Appennine, Peloponnesus, Caucasus, Central Asia), each confined to a geographical area likely result of a past fragmentation. Estimating evolutionary time indicate that populations of P.apollo experienced different waves of range expansion end fragmentation in the recent past and in particular they suggest that Upper Pleistocene climatic changes played a major role in shaping the phylogeographic pattern of this butterfly. Compared to Parnassius mnemosyne, which shares a similar range with P. apollo, the results suggest a discordant dating in the periods of demographic range expansion of these two species, reflecting their different ecological requirement.
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Peake, Jacqueline. "Tragic apollo in fifth-century Athens : Text and contexts." Thesis, Open University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.533136.

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This thesis investigates the presentation of Apollo in Greek tragedy. Apollo is chosen as a particularly important tragic god because of his uniquely high profile in extant plays, and because of the continuing critical debate over his characterisation. Existing approaches to studying the god figure will be challenged. Traditionally these often found a `negative' god but gave limited consideration to the fifth-century context and were often judgemental in terms of twentieth-century morality. Recent studies have been more nuanced and against a wider contextual base but have generally been limited to studying Apollo in a single play. There will be new emphases in the questions asked, focusing on how the Apollo figures are created in the texts, how these figures are experienced by an Athenian audience, and how and why Apollo's presentation changes through the fifth century. The methodology is new in examining Apollo across all extant tragedies in which he has significant textual presence; also in showing how we can relate Apollo's tragic presentation to a wide range of aspects of the socio-cultural and religious contexts. The figure of Apollo is thus seen as being constructed within both the dynamics of tragedy and the social and religious contexts of Athens, bringing internal and external together in the experience of the spectators. Apollo is found to have potential for certain kinds of problematic tragic treatment. His morality and effectiveness are questioned in the earliest extant plays, but representations of the god in tragedy continue to shift and develop through the fifth century, in the distinctive approaches of new tragedians, and in engagement with new aspects of the Athenian context. The approach in this thesis aims to add to our understanding of how Apollo, and religion, function in tragedy for the fifth-century Athenians for whom the plays were produced
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Baumann, Matthew J. "An investigation into the date of the Piraeus Apollo." Thesis, The University of Arizona, 2003. http://hdl.handle.net/10150/292062.

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The purpose of this thesis is to study the bronze sculpture known as the Piraeus Apollo and to establish its date of manufacture. It may be the first known monumental bronze sculpture in Greece, dating to the late sixth or early fifth century, or it could be a second century Archaistic bronze. For this investigation several different methods are employed. First, the archaeological context is discussed by reexamining the excavation history. Then Apollo's place in the canon of Greek sculpture is established using an art historical approach with a focus on connoisseurship to find Apollo's place in the canon of Greek sculpture through comparisons with other Greek sculpture. Previous scholarship is key to this section of the thesis. It is then placed chronologically using the current understanding of ancient bronze casting technologies and scientific analysis. Through this analysis, the Piraeus Apollo arises as an example of the Lingering Archaic style from the beginning of the fifth century.
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Ye, Ying. "The role of Apollo (DCLRE1B) in telomere protection during replication." Lyon, École normale supérieure (sciences), 2009. http://www.theses.fr/2009ENSL0512.

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Telomeres are specialized nucleoprotein structures at the ends of linear chromosomes to maintain the integrity of chromosome ends. In human cells, telomeres are protected by a complex of six proteins bound to telomeric DNA, named shelterin. As a crucial component of shelterin, the human telomeric capping protein TRF2 is required for telomere stabilization and function. Recently, TRF2 was shown to form a complex with Apollo, a 5' -exonuclease of the metallo-beta-lactamase family. In this thesis, biochjemical, genetic, and cellular approaches were combined to understand the mechanism of 5' -exonuclease of Apollo in the telomere protection. First, in vitro evidence shows that TRF2 plays a dual role in controlling Apollo nuclease activity. TRF2 stimulates the nuclease activity of Apollo on TRF2-free DNA ends and inhibits it when it is bound proximately to the 5' end. This stimulatory effect of Apollo nuclease depends on the basic domain of TRF2. Second, the specific coupling between the Apollo nuclease activity and the dynamics of TRF2 DNA binding shows in vivo that TRF2 and Apollo are not only involved in the protection of the very-terminal structure of telomeres but also of the inner part of telomere repeat tracts, which is required for telomere integrity during S-phase. Moreover TRF2 and Apollo protect from DNA damage telomere repeat tracts inserted far away from chromosome ends, furthze indicating that TRF2 couples the exonuclease activity of Apollo to protect telomere during fork progression. Third, exonuclease activity of Apollo, which is required for the telomere protection, is directly regulated by TRF2. These data are consistent with a new model of telomere protection in with TRF2 couples the exonuclease activity of Apollo to replication in order to eliminate clastogenic and recombinogenic structures. The work in my thesis suggest that replicative senescence in human cells may not only be caused by loss of the terminal cap integrity but also by replication-linked DNA breakages and recombinations within the inner part of telomeres.
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Books on the topic "Apollo"

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Gagne, Tammy. Apollo. Hockessin, Delaware: Mitchell Lane Publishers, 2016.

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Orloff, Richard W., and David M. Harland. Apollo. New York, NY: Springer New York, 2006. http://dx.doi.org/10.1007/0-387-37624-0.

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ill, Ferrari Antongionata 1960, ed. Apollo. New York: Skyview Books, 2010.

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Wodtke, Erik Von. Apollo. Barnet, Hertfordshire: Markosia Enterprises Ltd, 2013.

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Orr, Tamra. Apollo. Hockessin, Del: Mitchell Lane Publishers, 2009.

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Benderson, Bruce. Apollo. Berlin: Maas, 1996.

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Castellón, Gonzalo. Apollo. San José, Costa Rica: Editorial Germinal, 2017.

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Stephanides, Menelaos. Apollo and his lyre: Apollo - Hermes. 4th ed. Athens: Sigma Publications, 1989.

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Craven, Sara. Dark Apollo. Richmond: Mills & Boon, 1994.

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Logsdon, John M. After Apollo? New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137438546.

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Book chapters on the topic "Apollo"

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Orloff, Richard W., and David M. Harland. "Introduction." In Apollo, 1–61. New York, NY: Springer New York, 2006. http://dx.doi.org/10.1007/0-387-37624-0_1.

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Orloff, Richard W., and David M. Harland. "Apollo 7: The first manned mission: testing the CSM in Earth orbit 11–22 October 1968." In Apollo, 171–94. New York, NY: Springer New York, 2006. http://dx.doi.org/10.1007/0-387-37624-0_10.

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Orloff, Richard W., and David M. Harland. "Apollo 8: The second manned mission: testing the CSM in lunar orbit 21–27 December 1968." In Apollo, 195–222. New York, NY: Springer New York, 2006. http://dx.doi.org/10.1007/0-387-37624-0_11.

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Orloff, Richard W., and David M. Harland. "Apollo 9: The third manned mission: testing the LM in Earth orbit 3–13 March 1969." In Apollo, 223–53. New York, NY: Springer New York, 2006. http://dx.doi.org/10.1007/0-387-37624-0_12.

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Orloff, Richard W., and David M. Harland. "Apollo 10: The fourth manned mission: testing the LM in lunar orbit 18–26 May 1969." In Apollo, 255–78. New York, NY: Springer New York, 2006. http://dx.doi.org/10.1007/0-387-37624-0_13.

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Orloff, Richard W., and David M. Harland. "Apollo 11: The fifth manned mission: the first lunar landing 16–24 July 1969." In Apollo, 279–325. New York, NY: Springer New York, 2006. http://dx.doi.org/10.1007/0-387-37624-0_14.

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Orloff, Richard W., and David M. Harland. "Apollo 12: The sixth manned mission: the second lunar landing 14–24 November 1969." In Apollo, 327–60. New York, NY: Springer New York, 2006. http://dx.doi.org/10.1007/0-387-37624-0_15.

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Orloff, Richard W., and David M. Harland. "Apollo 13: The seventh manned mission: in-flight abort 11–17 April 1970." In Apollo, 361–92. New York, NY: Springer New York, 2006. http://dx.doi.org/10.1007/0-387-37624-0_16.

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Orloff, Richard W., and David M. Harland. "Apollo 14: The eighth manned mission: the third lunar landing 31 January–9 February 1971." In Apollo, 393–423. New York, NY: Springer New York, 2006. http://dx.doi.org/10.1007/0-387-37624-0_17.

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Orloff, Richard W., and David M. Harland. "Apollo 15: The ninth manned mission: the fourth lunar landing 26 July–7 August 1971." In Apollo, 425–69. New York, NY: Springer New York, 2006. http://dx.doi.org/10.1007/0-387-37624-0_18.

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Conference papers on the topic "Apollo"

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Bakogiannis, Tasos, Ioannis Giannakopoulos, Dimitrios Tsoumakos, and Nectarios Koziris. "Apollo." In SIGMOD/PODS '19: International Conference on Management of Data. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3299869.3320220.

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Rajesh, Neeraj, Hariharan Devarajan, Jaime Cernuda Garcia, Keith Bateman, Luke Logan, Jie Ye, Anthony Kougkas, and Xian-He Sun. "Apollo:." In HPDC '21: The 30th International Symposium on High-Performance Parallel and Distributed Computing. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3431379.3460640.

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Smirnov, Fedor, Behnaz Pourmohseni, and Thomas Fahringer. "Apollo." In HPDC '21: The 30th International Symposium on High-Performance Parallel and Distributed Computing. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3452413.3464793.

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Korala, Harindu, Prem Prakash Jayaraman, Ali Yavari, and Dimitrios Georgakopoulos. "APOLLO." In MoMM '20: The 18th International Conference on Advances in Mobile Computing and Multimedia. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3428690.3429176.

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Shen, Wei, Jianyong Wang, Ping Luo, and Min Wang. "APOLLO." In the 21st international conference companion. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2187980.2188144.

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Smirnov, Fedor, Chris Engelhardt, Jakob Mittelberger, Behnaz Pourmohseni, and Thomas Fahringer. "Apollo." In UCC '21: 2021 IEEE/ACM 14th International Conference on Utility and Cloud Computing. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3468737.3494103.

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Marquez, Jessica. "Apollo Lunar Surface Operations Evaluation: Apollo 14." In AIAA SPACE 2009 Conference & Exposition. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2009. http://dx.doi.org/10.2514/6.2009-6749.

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Tavares, João E. da R., Tefferson D. da R. Guterres, and Jorge L. V. Barbosa. "Apollo APA." In WebMedia '19: Brazilian Symposium on Multimedia and the Web. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3323503.3360295.

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ANTONISON, M., W. SMITH, and L. MYRABO. "The Apollo Lightcraft Project." In Aircraft Design, Systems and Operations Conference. Reston, Virigina: American Institute of Aeronautics and Astronautics, 1988. http://dx.doi.org/10.2514/6.1988-4486.

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Oard, Douglas W., and Joseph Malionek. "The apollo archive explorer." In the 13th ACM/IEEE-CS joint conference. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2467696.2467794.

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Reports on the topic "Apollo"

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Couture, Aaron Joseph. Studying Neutron Capture with Apollo. Office of Scientific and Technical Information (OSTI), October 2015. http://dx.doi.org/10.2172/1223773.

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Jones, E. M. The Apollo 17 Lunar Surface Journal. Office of Scientific and Technical Information (OSTI), August 1995. http://dx.doi.org/10.2172/100030.

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Ulrich, Andri, and Denver Lee Smith. Apollo-19 Ventilator Project Comparisons, Grading and Alternatives. Office of Scientific and Technical Information (OSTI), April 2020. http://dx.doi.org/10.2172/1617334.

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Luccio A. U. CPLOT: AN APOLLO PLOTTING PROGRAM USING CALCOMP AND GPR. Office of Scientific and Technical Information (OSTI), January 1990. http://dx.doi.org/10.2172/1150534.

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Cunningham, D. W. Apollo(R) Thin Film Process Development: Final Technical Report, April 1998 - April 2002. Office of Scientific and Technical Information (OSTI), October 2002. http://dx.doi.org/10.2172/15002212.

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Khan, Shifa. Validity of Manual Architecture-based Threat Modeling -- the Case of Apollo Auto Software. Ames (Iowa): Iowa State University, January 2019. http://dx.doi.org/10.31274/cc-20240624-1579.

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Cunningham, D. W., and D. E. Skinner. Apollo(R) Thin Film Process Development; Phase 2 Technical Report; May 1999--April 2000. Office of Scientific and Technical Information (OSTI), September 2000. http://dx.doi.org/10.2172/765084.

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Meuleman, Erik, and Nathan Fine. ION Validation of Transformational CO2 Capture Solvent Technology with Revolutionary Stability: “Project Apollo”. Office of Scientific and Technical Information (OSTI), August 2023. http://dx.doi.org/10.2172/1997451.

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Nguyen, H. D. APOLLO: A computer program for the calculation of chemical equilibrium and reaction kinetics of chemical systems. Office of Scientific and Technical Information (OSTI), November 1991. http://dx.doi.org/10.2172/7205530.

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Nguyen, H. D. APOLLO: A computer program for the calculation of chemical equilibrium and reaction kinetics of chemical systems. Office of Scientific and Technical Information (OSTI), November 1991. http://dx.doi.org/10.2172/10162037.

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