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Dissertations / Theses on the topic 'Apollonius Rhodius'

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Published: 4 June 2021
Last updated: 30 July 2024

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1

Nelis, Damien P. "The Aeneid and the Argonautica of Apollonius Rhodius." Thesis, Queen's University Belfast, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.297280.

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2

Plantinga, Mirjam Greteke. "Hospitality in Apollonius Rhodius' Argonautica Books I and II." Thesis, University of St Andrews, 1999. http://hdl.handle.net/10023/15447.

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In this thesis, Hospitality in Apollonius Rhodius' Argonautica Books One and Two, I offer a detailed and systematic analysis of the epic motifs used by Apollonius Rhodius. Careful comparison with its principal models, the Homeric epics, shows the poet's sophisticated manipulation of the Iliad and Odyssey, and reveals much of his narrative technique. Read in the context of its sources, it is possible to focus with more precision on Apollonius' innovations. For this study, I have selected the major hospitality scenes of the first two books, which are concerned with the outward journey to Colchis
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3

Marshall, Laura Ann. "Uncharted Territory: Receptions of Philosophy in Apollonius Rhodius’ Argonautica." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu150330016014072.

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4

Rengakos, Antonios. "Apollonios Rhodios und die antike Homererklärung." München : C.H. Beck, 1994. http://books.google.com/books?id=XC1gAAAAMAAJ.

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5

Cassidy, Sarah. "Navigating the universe : cosmology and narrative in Apollonius Rhodius' Argonautica." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/25948.

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This thesis is a study of the influence of cosmology on Apollonius Rhodius’ Argonautica, an epic hexameter poem written in Alexandria in the 3rd century BC. I examine ancient Greek ideas of cosmogony and cosmology, which range from the earliest extant Greek texts (Homer and Hesiod) to contemporaries of Apollonius (Aratus). My argument is that cosmology is deeply embedded in the text, and that Apollonius creates a nexus of cosmic intertexts which provides a scientific and intellectual backdrop against which the events of the narrative take place. The narrative’s events all occur within a cosmos
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6

Livingston, James Graham. "Imagery of psychological motivation in Apollonius Rhodius' Argonautica and early Greek poetry." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/25894.

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This thesis adopts a cognitive-phenomenological approach to Apollonius’ presentation of psychological imagery, thus eschewing the cultural-determinist assumptions that have tended to dominate Classical scholarship. To achieve this, I analyse relevant theories and results from the cognitive sciences (Theory of Mind, agency, gesture, conceptual metaphor), as well as perceived socio-literary influences from the post-Homeric tradition and the various advances (for example, medical) from contemporary Alexandria. This interdisciplinary methodology is then applied to the Argonautica in three large ca
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7

Hulse, Peter. "A commentary on the Argonautica of Apollonius Rhodius, Book 4, 1–481." Thesis, University of Nottingham, 2015. http://eprints.nottingham.ac.uk/30589/.

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Before the publication of Professor Richard Hunter’s Cambridge Classics edition in August 2015, the last large-scale commentary on Apollonius Rhodius’ Argonautica Book 4 was that of Enrico Livrea in Italian in 1973, though mention should be made of the Budé volumes edited by Vian (1974–81). During this period the literary study of the poem has undergone a virtual revolution. The present thesis is an attempt to update and advance the work of the poem’s previous editors. It is intended as a prolegomenon to a commentary on the whole Book. Apollonius’ epic is an outstanding example of Hellenistic
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8

Kenny, Timothy Michael. "A.R. 1.609-1077 : an intertextual and interpretative commentary." Thesis, University of Manchester, 2016. https://www.research.manchester.ac.uk/portal/en/theses/ar-16091077-an-intertextual-and-interpretative-commentary(f93f7ab0-ba34-4890-abbf-7975cd4af189).html.

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A syntagmatic analysis of the Argonauts’ encounters with the Lemnian women and the Doliones in Apollonius of Rhodius’ Argonautica Book 1. Combining intertextuality with cognitive narratology, I approach the text from the perspective of the reader. Beginning with a study of the poem’s programmatic proem before moving to a study of the Argonauts’ first encounters on their outward journey, I map the reader’s experience on their own voyage through a difficult and elliptical narrative. To tackle the demands of a densely allusive text and the manipulations of a subjective narrator, I employ a plural
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9

Kazantzidis, Georgios. "Melancholy in Hellenistic and Latin poetry : medical readings in Menander, Apollonius Rhodius, Lucretius and Horace." Thesis, University of Oxford, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.560519.

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In the first chapter of this thesis, starting from modern scholarship on melancholy, I attempt to combat the widely-held belief that this disease is identified exclusively with madness in antiquity. In order to do this, I locate the origins of this misreading in Cicero and attempt to restore the more inclusive attitude towards melancholy manifested in ps-Aristotle's treatise on melancholic genius, given that this text defines melancholy as consisting in both madness and depression. Chapter 11 argues that Menander is the first poet who shares this double understanding of melancholy; unlike Aris
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10

Schmakeit, Iris Astrid. "Apollonios Rhodios und die attische Tragödie gattungsüberschreitende Intertextualität in der alexandrinischen Epik /." Groningen : [s.n.], 2003. http://catalog.hathitrust.org/api/volumes/oclc/62136010.html.

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11

Clare, Raymond John. "Aspects of space and movement in the Odyssey of Homer and the Argonautica of Apollonius Rhodius." Thesis, University of Cambridge, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.261502.

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12

Philbrick, Rachel Severynse. "THE GHOST OF HERACLES: THE LOST HERO’S HAUNTING OF ARGONAUTICA 2." UKnowledge, 2011. http://uknowledge.uky.edu/gradschool_theses/84.

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The abandonment of Heracles at the end of Book 1 in Apollonius Rhodius’ Argonautica marks a turning point for Jason and the rest of the Argonauts. The aid of their mightiest hero, upon whose strength they had relied, is lost to them and they must find a means of accomplishing their nearly impossible mission without him. Allusions to Heracles occur throughout Book 2, in all nine units of action, drawing the reader’s attention to Argonauts’ efforts to carry on in the face of their loss. These allusions can be grouped into four categories: explicit mention, verbal echo, extrapolative allusion, an
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13

Nikolidaki, Eleni. "The contribution of the published papyri of Apollonius Rhodius 'Argonautica' to the text and the nature of the 'Proekdosis'." Thesis, Birkbeck (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.267705.

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14

Wolff, Nadège. "Lumière et obscurité dans les Argonautiques d'Apollonios de Rhodes." Thesis, Lyon, 2018. http://www.theses.fr/2018LYSEN072/document.

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Cette thèse propose une synthèse autour des différents rôles de la lumière et de l'obscurité dans les Argonautiques d'Apollonios de Rhodes. Ce sujet comporte une forte composante lexicale, qui fait l'objet d'une étude dans la première partie, où les vocabulaires de la lumière et de l'obscurité chez Apollonios sont comparés aux emplois homériques. Ce thème interroge également les catégories de l'espace et du temps dans la mesure où lumière et obscurité structurent la narration autant qu'elles la déstructurent et proposent un itinéraire placé à la croisée de la barbarie et de la civilisation, ét
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15

Finkmann, Simone. "The female voice in Valerius Flaccus' Argonautica." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:793d6898-da1a-4ccc-a012-2b00e12816e0.

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This thesis adopts a mixed-method approach of quantitative and qualitative analysis to discuss the role of women, especially female speakers and addressees, in Valerius Flaccus’ Argonautica. In addition to the traditional individual mortal and divine speech roles, discourse categories such as the influence of the Muses, the presentation of female personifications, female collectives, frame and inserted speakers, and goddesses in disguise are also taken into consideration. The study shows that, despite the shared subject matter and greatly overlapping ensemble of speakers, Valerius makes signif
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16

Harden, Sarah Joanne. "Self-referential poetics : embedded song and the performance of poetry in Greek literature." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:69380265-1014-4965-bc6a-32dbc244721a.

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This thesis is a study of embedded song in ancient Greek narrative poetry. The introduction defines the terminology (embedded song is defined as the depiction of the performance of a poem within a larger poem, such as the songs of Demodocus in Homer’s Odyssey) and sets the study in the context of recent narratological work done by scholars of Classical literature. This section of the thesis also contains a brief discussion of embedded song in the Homeric epics, which will form the background of all later examples of the motif. Chapter 1 deals with embedded song in the Homeric Hymns and Hesiod’
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17

Junior, Fernando Rodrigues. "Aristos Argonauton: o heroísmo nas Argonáuticas de Apolônio de Rodes." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-28012011-093845/.

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Este trabalho pretende discutir de que forma a noção de heroísmo foi abordada nas Argonáuticas de Apolônio de Rodes em oposição ao conceito de herói presente nos poemas homéricos. A análise se baseará na distinção entre as personagens Jasão e Héracles como exemplos de modos de atuação díspares e conflitantes no poema. A tradução dos livros I e n das Argonáuticas complementa o estudo.<br>This work intends to discuss the notion of heroism present in Apollonius Rhodius\' Argonautica in opposition to the concept of hero in Homeric poems. The analysis is based on the distinction between the charact
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18

DeForest, Mary. "Apollonius' "Argonautica" : a Callimachean epic /." Leiden : E. J. Brill, 1994. http://catalogue.bnf.fr/ark:/12148/cb36680528n.

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19

Berkowitz, Gary. "Semi-public narration in Apollonius' Argonautica /." Leuven ; Paris ; Dudley (Mass.) : Peeters, 2004. http://catalogue.bnf.fr/ark:/12148/cb39233620k.

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20

Natzel, Stephanie A. "Klea Gunaikōn : Frauen in den "Argonautika" des Apollonios Rhodios /." Trier : WVT Wissenschaftlicher Verl. Trier, 1992. http://catalogue.bnf.fr/ark:/12148/cb374391065.

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21

Scherer, Burkhard. "Mythos, Katalog und Prophezeiung : Studien zu den Argonautika des Apollonios Rhodios /." Stuttgart : F. Steiner, 2006. http://catalogue.bnf.fr/ark:/12148/cb40933968g.

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Texte remanié de: Doktorarbeit--Groningen--Rijksuniversiteit, 2002.<br>Contient le texte grec du livre 1, 23-233 (Argonautenkatalog) et du livre 2, 311-425 (Weissagung des Phineus) des Argonautiques, ainsi que leur traduction allemande. Bibliogr. p. [223]-232.
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22

Thiel, Karsten. "Erzählung und Beschreibung in den Argonautika des Apollonios Rhodios : ein Beitrag zur Poetik des hellenistischen Epos /." Stuttgart : F. Steiner, 1993. http://catalogue.bnf.fr/ark:/12148/cb355867886.

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23

Pietsch, Christian. "Die Argonautika des Apollonios von Rhodos : Untersuchungen zum Problem der einheitlichen Konzeption des Inhalts /." Stuttgart : F. Steiner, 1999. http://catalogue.bnf.fr/ark:/12148/cb370900544.

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24

Knight, Virginia H. "The renewal of epic : responses to Homer in the "Argonautica" of Apollonius /." Leiden ; New York ; Köln : E. J. Brill, 1995. http://catalogue.bnf.fr/ark:/12148/cb37019304x.

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Texte remanié de: Diss.--Cambridge, 1990. Titre de soutenance : Prósthen ̉éti kleíousin áoidoí : responses to Homer in the Argonautica of Apollonius.<br>Titre de la thèse translittéré selon la norme ISO 843 (1997). Bibliogr. p. 306-317. Index. Glossaire.
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25

Barnes, Michael H. "Inscribed kleos : aetiological contexts in Apolonius of Rhodes /." free to MU campus, to others for purchase, 2003. http://wwwlib.umi.com/cr/mo/fullcit?p3091898.

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26

vasilakis, Thomas. "The construction of masculinity in the Argonautika of Apollonis of Rhodes." Thesis, Royal Holloway, University of London, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.537508.

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27

Niedergang-Janon, Florence. "Mythes et représentations dans les Argonautiques d'Apollonios de Rhodes." Paris 10, 2002. http://www.theses.fr/2002PA100185.

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Ce travail consiste à étudier les procédés employés par l'auteur pour le traitement des mythes, et à montrer que l'écriture des mythes ne se limite pas chez lui à un jeu d'érudit, mais qu'elle est au service d'une certaine vision du monde. L'étude du traitement des sources nous permet de mesurer l'attitude de distance de l'auteur à l'égard de la tradition, et d'éclairer sa manière de travailler le matériau légendaire : en opérant des synthèses et en combinant des éléments hétérogènes, il transforme le récit d'une légende en une somme mythologique. Par un travail sur le temps du mythe, il s'eff
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28

Daniel-Muller, Bénédicte. "Passion et Esthétique : le pathétique amoureux dans la poésie hellénistique." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040177.

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Il est reconnu que la poésie hellénistique a donné à l’expression du sentiment amoureux une importance inédite, mais la rupture que constitue ce fait littéraire par rapport aux œuvres du passé n’a cependant pas toujours été suffisamment mise en avant. Cette étude propose donc d’examiner les spécificités de cette représentation de l’amour et de montrer qu’elle ressortit principalement au registre pathétique. Ainsi, dans une perspective diachronique, elle s’attache tout d’abord à rappeler les particularités de la représentation de l’amour dans la poésie des époques archaïque et classique, et à m
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29

Barla, Eleni. "Euripide chez les auteurs grecs de l'époque hellénistique et du Haut-Empire." Paris 4, 2007. http://www.theses.fr/2007PA040291.

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Cette étude s'intéresse à l'autorité acquise par Euripide sur les auteurs grecs - poètes et prosateurs - de l'époque hellénistique et du Haut Empire. Dans la première partie, on examine les emprunts de motifs (expressifs et thématiques) littéraires à Euripide chez trois poètes, Sôsithéos, Théocrite et Apollonios de Rhodes, représentants de trois genres bien distincts : le drame, l'idylle et l'épopée. Dans la deuxième partie, on analyse d'une part le jugement porté sur l'oeuvre d'Euripide par Longin, Dion Chrysostome, Plutarque de Chéronée et Lucien de Samosate ; on traite d'autre part la distr
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30

Richards, Rebecca Anne. "Iliadic and Odyssean heroics : Apollonius' Argonautica and the epic tradition." Thesis, 2014. http://hdl.handle.net/2152/28107.

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This report examines heroism in Apollonius’ Argonautica and argues that a different heroic model predominates in each of the first three books. Unlike Homer’s epics where Achilles with his superhuman might and Odysseus with his unparalleled cunning serve as the unifying forces for their respective poems, there is no single guiding influence in the Argonautica. Rather, each book establishes its own heroic type, distinct from the others. In Book 1, Heracles is the central figure, demonstrating his heroic worth through feats of strength and martial excellence. In Book 2, Polydeuces, the helmsmen,
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31

Clark, Margaret Kathleen. "Intertextual journeys : Xenophon’s Anabasis and Apollonius’ Argonautica on the Black Sea littoral." Thesis, 2014. http://hdl.handle.net/2152/25785.

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This paper addresses intertextual similarities of ethnographical and geographical details in Xenophon’s Anabasis and Apollonius of Rhodes’ Argonautica and argues that these intertextualities establish a narrative timeline of Greek civilization on the Black Sea littoral. In both these works, a band of Greek travellers proceeds along the southern coast of the Black Sea, but in different directions and at vastly different narrative times. I argue that Apollonius’ text, written later than Xenophon’s, takes full advantage of these intertextualities in such a way as to retroject evidence about the
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32

Claros, Yujhan. "(Post-)Classical Coloniality; Identity, Gender (Trouble), and Marginality/subalternity in Hellenized Imperial Dynastic Poetry from Alexandria, with an epilogue on Rome." Thesis, 2021. https://doi.org/10.7916/d8-rtx8-ez62.

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This dissertation is about how dominant identity is constructed through the centering and incorporation of marginal and subaltern subjectivities in Ancient Greek thought, with some preliminary consideration of the Classical Age but chiefly devoted to a study of Hellenistic poetic aesthetics at Ptolemaic Alexandria. The thesis argues ultimately for a specifically Queer and Afrocentric reading of the ArgonautikaI use postcolonial methods, tactics, and strategies to theorize the genealogical intersection(s) of gender and race, and explore the ancient roots of racism. I am indebted in my work to C
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