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BERKOWITZ, GARY CHARLES. "NARRATIVE PROBLEMS IN APOLLONIUS' ARGONAUTICA." University of Cincinnati / OhioLINK, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1025633098.
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Rengakos, Antonios. "Apollonios Rhodios und die antike Homererklärung." München : C.H. Beck, 1994. http://books.google.com/books?id=XC1gAAAAMAAJ.
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DeForest, Mary. "Apollonius' "Argonautica" : a Callimachean epic /." Leiden : E. J. Brill, 1994. http://catalogue.bnf.fr/ark:/12148/cb36680528n.
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Barnes, Elizabeth. "Emotions in the Argonautica of Apollonius." University of Cincinnati / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1439295357.
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Berkowitz, Gary. "Semi-public narration in Apollonius' Argonautica /." Leuven ; Paris ; Dudley (Mass.) : Peeters, 2004. http://catalogue.bnf.fr/ark:/12148/cb39233620k.
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Seo, Joanne Mira. "Allusive characterization from Apollonius to Statius." [S.l. : s.n.], 2004. http://catalog.hathitrust.org/api/volumes/oclc/174205418.html.
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Nelis, Damien P. "The Aeneid and the Argonautica of Apollonius Rhodius." Thesis, Queen's University Belfast, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.297280.
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Taurian, Michael Anthony. "Bacchic Echoes: Dionysus as Metaphor in Apollonius' Argonautica." Thesis, Department of Classics and Ancient History, 2020. https://hdl.handle.net/2123/26003.
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This thesis argues that an interpretation of Apollonius’ Argonautica must take account of a Dionysiac schema mobilising the epic’s meanings: this schema operates as an organising principle for understanding the epic’s initial reception not only because Hellenistic literary production is steeped in Dionysiac forms that gave prominence to Attic tragedy and theatrical performance, but also because Dionysiac cult played a critical role in Ptolemaic royal ideology both ritually and politically. As Hellenistic epic proclaimed and bolstered Ptolemaic regional and political hegemonic claims, the Argonautica ought to be expected to contain a reflex of this Ptolemaic focus on Dionysus. (1) Euripides’ Bacchae provides the main frame and a patterning (the ‘hospitality plot’) within which Argonautic action can be invested with Bacchic significance: resistance to foreign strangers, inversions of identity and power, Dionysiac social cohesion, intimacy with natural environments, the Argonauts as a chorus with Jason as 'exarchos' and Orpheus as 'choregos'/'koryphaios', etc. Bacchic intertextuality animates meaning in the Argonautica. (2) The women of the Argonautica are demonstrably Maenadic. Jason’s relationship with Medea is mapped onto the model of the ‘tragic marriage’ which opposes the endogamy of über-elite households with a civic cohesion resulting from the mixing of citizen households. This triggers a destructive necessity to admit the foreigner into the 'oikos'/'polis' which, as R. Seaford argues, was so allergic to tyrants and royal houses in tragedy and, of these, the Bacchae most programmatically. The maenadic submission of local women to Dionysus in tragedy offers a way of reframing the meanings of Medea’s seduction by and escape with Jason. (3) Jason is assimilated figurally to the god Dionysus and emerges as an epic hero caught between twin pairs of Dionysian imperative: the literary and the cultural-political on the one hand, and between the Euripidean martial Dionysus and the ‘Philadelphian’ cosmopolitan wine-god on the other. In the end, Apollonius’ innovation in the Argonautica is the elaboration of a Dionysian epic hero apt for the third century Alexandrian tastes of the court of Philadelphus.
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Plantinga, Mirjam Greteke. "Hospitality in Apollonius Rhodius' Argonautica Books I and II." Thesis, University of St Andrews, 1999. http://hdl.handle.net/10023/15447.
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In this thesis, Hospitality in Apollonius Rhodius' Argonautica Books One and Two, I offer a detailed and systematic analysis of the epic motifs used by Apollonius Rhodius. Careful comparison with its principal models, the Homeric epics, shows the poet's sophisticated manipulation of the Iliad and Odyssey, and reveals much of his narrative technique. Read in the context of its sources, it is possible to focus with more precision on Apollonius' innovations. For this study, I have selected the major hospitality scenes of the first two books, which are concerned with the outward journey to Colchis. Reference is, however, made throughout to the hospitality scenes in Books Three and Four. The hospitality theme is one of the most important in an epic concerning the voyage heroes make in order to retrieve the Golden Fleece. Hospitality scenes are characterised by a certain repetition of motifs: e.g. arrival, reception, meal, storytelling and exchange of gifts. These elements are always adapted according to the particular poetic context and purpose of a scene. With their elaborate structure hospitality scenes provide fascinating material for the study of the reworking of the Homeric epics, crucial for the understanding of Apollonius' work.
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Marshall, Laura Ann. "Uncharted Territory: Receptions of Philosophy in Apollonius Rhodius’ Argonautica." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu150330016014072.
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McKinney, Colin Bryan Powell. "Conjugate diameters: Apollonius of Perga and Eutocius of Ascalon." Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/711.
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The Conics of Apollonius remains a central work of Greek mathematics to this day. Despite this, much recent scholarship has neglected the Conics in favor of works of Archimedes. While these are no less important in their own right, a full understanding of the Greek mathematical corpus cannot be bereft of systematic studies of the Conics. However, recent scholarship on Archimedes has revealed that the role of secondary commentaries is also important. In this thesis, I provide a translation of Eutocius' commentary on the Conics, demonstrating the interplay between the two works and their authors as what I call conjugate. I also give a treatment on the duplication problem and on compound ratios, topics which are tightly linked to the Conics and the rest of the Greek mathematical corpus. My discussion of the duplication problem also includes two computer programs useful for visualizing Archytas' and Eratosthenes' solutions.
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Cassidy, Sarah. "Navigating the universe : cosmology and narrative in Apollonius Rhodius' Argonautica." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/25948.
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This thesis is a study of the influence of cosmology on Apollonius Rhodius’ Argonautica, an epic hexameter poem written in Alexandria in the 3rd century BC. I examine ancient Greek ideas of cosmogony and cosmology, which range from the earliest extant Greek texts (Homer and Hesiod) to contemporaries of Apollonius (Aratus). My argument is that cosmology is deeply embedded in the text, and that Apollonius creates a nexus of cosmic intertexts which provides a scientific and intellectual backdrop against which the events of the narrative take place. The narrative’s events all occur within a cosmos, which is alluded to throughout the epic; the reader sees snap-shots of the development of this cosmos alongside the development of the Argo’s journey, which creates an analogous progression between the two. Particularly salient for this thesis is the connection to Empedoclean ideas of love and strife as cosmic forces, as these comprise two of the major themes of the narrative. Accordingly, a key point of contact between narrative and cosmology lies in these forces, as the narrator consciously recalls them and the cosmos they control in the process of weaving his narrative. The three passages I examine all focus on this cosmic system, as the cosmic backdrop evolves and changes alongside the narrative itself. The cosmic analogy, therefore, is not static but changes in line with the narrative. This study will form the only extended analysis of cosmology in the Argonautica. The influence of cosmological material on the text (within the wider issue of philosophical influence) has attracted marginal attention, scholars often noting some of the more overt connections without a great deal of analysis. Works that acknowledge the presence of cosmological material at sporadic points include: Fränkel (1968); Hunter (1989 and 1993), Clauss (1993 and 2000); Levin (1970 and 1971). More detailed studies of aspects of cosmological material in the Argonautica include: Bogue (1979); Nelis (1992); Kyriakou (1994); Pendergraft (1995); Murray (2014); Santamaría Álvarez (2014). These studies all confirm the importance of cosmological ideas on the text, but focus on a particular manifestation of these ideas. This thesis will build on these ideas in an attempt to create a cohesive study of cosmology throughout the narrative and consider how this material affects our reading of the narrative itself and its poetic agenda, along with how this use feeds into Apollonius’ poetic values and contemporary poetic trends in general. The thesis is divided into three main chapters, in which I examine three key passages of the Argonautica to make my argument. In Chapter One I examine Orpheus’ song (1.496-511), in which the cultic bard Orpheus calms a fight between two Argonauts by singing a cosmogony. The song establishes cosmic forces that run analogous to the forces at work in the narrative and demonstrates how the growing influence of love in the cosmos parallels the increased reliance on love for the success of the Argonauts’ mission. In Chapter Two I examine Jason’s cloak (1.721-767), a passage that comprises the only extended ecphrasis in the Argonautica. The images woven into his cloak continue the cosmic theme begun in the song of Orpheus, since they demonstrate the world in a later stage of development, as human and divine events unfold and time progresses towards the Argonauts’ contemporary world. In Chapter Three I examine Eros’ sphere (3.129-141), an intricate toy offered to him by Aphrodite in exchange for his shooting Medea with an arrow to make her fall in love with Jason. The ball’s shape and its details both suggest that what Eros holds in his hand is some sort of divine three-dimensional model of the universe. I have chosen these three passages because a cosmological mode of reading is particularly strong in them; they bring to the forefront the cosmological undertone which underlies the wider narrative. My conclusion is that the three passages are all connected throughout the narrative by their cosmic material, material which underscores the Argonauts’ narrative and facilitates them anchoring their time to the grand timeframe of the cosmos. Both cosmic and narrative events run concurrently, as the evolution of the cosmos from its origins to the Argonauts’ present day runs alongside the evolution of the narrative. This duality shows how the Argonautic poet employs cosmology and in doing so creates a continuous parallel narrative that runs throughout the text. Since he uses three connected parallel narratives (song, garment, and toy), the reflective capacity of the passages is not merely a one-off, but consecutive, as all three comprise different moments in the same cosmic scheme. The boundaries between parallel narrative and main narrative are thus broken down in the passages as the narrator establishes the idea that cosmology does not only run parallel to the events of the narrative, but prefigures them and enriches the reader’s understanding of the narrative world. In sum, the cosmic readings of the passages demonstrate that what the narrator is drawing the reader towards is a cosmic subtext that is unfixed and undergoes change.
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Schmakeit, Iris Astrid. "Apollonios Rhodios und die attische Tragödie gattungsüberschreitende Intertextualität in der alexandrinischen Epik /." Groningen : [s.n.], 2003. http://catalog.hathitrust.org/api/volumes/oclc/62136010.html.
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Knight, Virginia Helen. "Prosthen eti kleiousin aoidoi : responses to Homer in the Argonautica of Apollonius." Thesis, University of Cambridge, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.358355.
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Livingston, James Graham. "Imagery of psychological motivation in Apollonius Rhodius' Argonautica and early Greek poetry." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/25894.
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This thesis adopts a cognitive-phenomenological approach to Apollonius’ presentation of psychological imagery, thus eschewing the cultural-determinist assumptions that have tended to dominate Classical scholarship. To achieve this, I analyse relevant theories and results from the cognitive sciences (Theory of Mind, agency, gesture, conceptual metaphor), as well as perceived socio-literary influences from the post-Homeric tradition and the various advances (for example, medical) from contemporary Alexandria. This interdisciplinary methodology is then applied to the Argonautica in three large case studies: Medea and the simile of the sunbeam (3.755-60), Heracles and the simile of the gadfly (1.1286-72), and, finally, the poem’s overall psychological portrayal of Jason. In so doing, I show that Apollonius conforms to cognitive universal patterns of psychological expression, while also deploying and deepening his specific culture’s poetic, folk, and scientific models.
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Hulse, Peter. "A commentary on the Argonautica of Apollonius Rhodius, Book 4, 1–481." Thesis, University of Nottingham, 2015. http://eprints.nottingham.ac.uk/30589/.
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Before the publication of Professor Richard Hunter’s Cambridge Classics edition in August 2015, the last large-scale commentary on Apollonius Rhodius’ Argonautica Book 4 was that of Enrico Livrea in Italian in 1973, though mention should be made of the Budé volumes edited by Vian (1974–81). During this period the literary study of the poem has undergone a virtual revolution. The present thesis is an attempt to update and advance the work of the poem’s previous editors. It is intended as a prolegomenon to a commentary on the whole Book. Apollonius’ epic is an outstanding example of Hellenistic poetic practice, embodying all of its allusive qualities. It draws on the entire tradition of previous Greek literature, while maintaining an innovative point-of-view. This commentary tries to elucidate Apollonius’ experiments with respect to all aspects of style and narration, viewing him both as an important literary critic, closely involved in maintaining the inheritance of Classical Greece, and as a creative artist intent on developing an individual voice. The section chosen for commentary exhibits many aspects of Apollonius’ artistry: passages of atmospheric description, action sequences which speed the narrative, speeches, in some of which irony predominates while in others rhetoric prevails, similes which often contain fine images and a macabre climax of chilling power which achieves its effects through a number of striking and original details. There are, therefore, many reasons why the poem as a whole was enormously influential on Latin epic, especially on Virgil’s Aeneid, and why the story and Apollonius’ methods of retelling it enjoyed such an important reception in the European tradition.
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Knight, Virginia H. "The renewal of epic : responses to Homer in the "Argonautica" of Apollonius /." Leiden ; New York ; Köln : E. J. Brill, 1995. http://catalogue.bnf.fr/ark:/12148/cb37019304x.
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Texte remanié de: Diss.--Cambridge, 1990. Titre de soutenance : Prósthen ̉éti kleíousin áoidoí : responses to Homer in the Argonautica of Apollonius.Titre de la thèse translittéré selon la norme ISO 843 (1997). Bibliogr. p. 306-317. Index. Glossaire.
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Kortus, Michael. "Briefe des Apollonius-Archives aus der Sammlung Papyri Gissenses Edition, Uebersetzung und Kommentar." Giessen: Univ.-Bibliothek, 1999. http://geb.uni-giessen.de/geb/volltexte/2004/1770/index.html.
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Barnes, Michael H. "Inscribed kleos : aetiological contexts in Apolonius of Rhodes /." free to MU campus, to others for purchase, 2003. http://wwwlib.umi.com/cr/mo/fullcit?p3091898.
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Achorn, John H. "A study of Apollonius of Tyre, three english adaptations of an ancient Greek romance." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0009/NQ35094.pdf.
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Mickle, Allen R. "The identity of angelos kuriou in the New Testament with respect to Apollonius' corollary." Theological Research Exchange Network (TREN), 2005. http://www.tren.com/search.cfm?p086-0042.
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Kazantzidis, Georgios. "Melancholy in Hellenistic and Latin poetry : medical readings in Menander, Apollonius Rhodius, Lucretius and Horace." Thesis, University of Oxford, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.560519.
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In the first chapter of this thesis, starting from modern scholarship on melancholy, I attempt to combat the widely-held belief that this disease is identified exclusively with madness in antiquity. In order to do this, I locate the origins of this misreading in Cicero and attempt to restore the more inclusive attitude towards melancholy manifested in ps-Aristotle's treatise on melancholic genius, given that this text defines melancholy as consisting in both madness and depression. Chapter 11 argues that Menander is the first poet who shares this double understanding of melancholy; unlike Aristophanes who conceives of melancholy exclusively as a manic condition, the New Comedian describes it also as a depressive one. I therefore analyse the ways in which the word and the notion of melancholic depression are used in his comedies, according to the ps.-Aristotelian paradigm. In Chapter Ill, I suggest thatJason in Apollonius Rhodius' Argonautica is a character that exhibits all the textbook symptoms of melancholic depression and that Apollonius describes him as such through an intertextual play with ps-Aristotle's reading of the Homeric Bellerophon as a depressive melancholic. Moving to Latin poetry, Chapter IV examines the end of De Rerum Natura III and argues that Lucretius' description of restlessness and discontent with life becomes a key-passage which later Latin writers (Horace, Persius and Seneca) identify through their medical readings as a description of melancholic depression. The thesis concludes with a chapter on the second book of Horacc's Epistles in which I argue that Horace engages with the tradition of the melancholic genius by creating an authorial persona who grounds his claims to genius on his alleged suffering from both melancholic madness and depression.
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Kenny, Timothy Michael. "A.R. 1.609-1077 : an intertextual and interpretative commentary." Thesis, University of Manchester, 2016. https://www.research.manchester.ac.uk/portal/en/theses/ar-16091077-an-intertextual-and-interpretative-commentary(f93f7ab0-ba34-4890-abbf-7975cd4af189).html.
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A syntagmatic analysis of the Argonauts’ encounters with the Lemnian women and the Doliones in Apollonius of Rhodius’ Argonautica Book 1. Combining intertextuality with cognitive narratology, I approach the text from the perspective of the reader. Beginning with a study of the poem’s programmatic proem before moving to a study of the Argonauts’ first encounters on their outward journey, I map the reader’s experience on their own voyage through a difficult and elliptical narrative. To tackle the demands of a densely allusive text and the manipulations of a subjective narrator, I employ a plurality of readers: the general reader is accompanied on this exploration by two fictional readers. Charting the varying interpretations of the attentive reader and the experienced reader (Homeric auditor and Homeric scholar respectively) enables me to combine investigation of text and intertexts as moderated by the narrator with analysis of the ways they modify the expectations of the reader as they progress in a linear fashion from episode to episode. By consideration of where interpretations overlap and where they differ according to what the reader brings to the text and of how the narrative conditions its readers on the journey, I demonstrate the value of the reader-orientated approach to tackling the complexities of the narrative and the demands it places on all its readers.
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Clare, Raymond John. "Aspects of space and movement in the Odyssey of Homer and the Argonautica of Apollonius Rhodius." Thesis, University of Cambridge, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.261502.
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Dumarty, Lionel. "Le traité "Des adverbes" d'Apollonius Dyscole : texte, traduction et commentaire." Thesis, Lyon, 2018. http://www.theses.fr/2018LYSE2019.
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Le traité "Des adverbes" est l’un des rares traités qui nous soient parvenus d’Apollonius Dyscole, grammairien grec d’Alexandrie (moitié du IIe siècle de notre ère), dont l’influence fut considérable sur l’ensemble de la tradition grammaticale ultérieure. Le texte de ce traité n’a jamais été réédité dans son ensemble, depuis l’édition de R. Schneider (Grammatici Graeci, 1878), et c’est le seul pour lequel il n’existe encore aucune traduction complète en langue moderne. Il s’agit donc ici de proposer une nouvelle édition critique du traité, ainsi qu’une traduction française originale et un commentaire lemmatique. — Le traité" Des adverbes" s’inscrit dans le vaste projet du grammairien grec, qui consiste à définir les normes de correction dans lesquelles tout phénomène de la langue – conçue comme un système rationnel – trouve son fondement. Établissant clairement la définition de l’adverbe dès le début du traité (l’adverbe est un prédicat du verbe), Apollonius dresse une typologie rigoureuse, en s’efforçant de résoudre, de manière systématique, tous les faits de langue en apparence contradictoiresThe treatise "On adverbs" is one of the few extant texts from Apollonius Dyscolus, a Greek grammarian of Alexandria (mid-second century AD), who considerably influenced the whole of the later grammatical tradition. Since R. Schneider’s "Grammatici Graeci" (1878), no edition of this treatise as a whole has ever been provided, and no complete translation into any modern language has ever been given. This dissertation provides a new critical edition of the treatise, with a first French translation and a lemmatic commentary. "On adverbs" is totally in keeping with the main project of the Greek grammarian, that consists in defining the underlying rules that govern the regularities of language, understood as a rational system. Having clearly defined the adverb, at the beginning of the treatise, as the predicate of the verb, Apollonius establishes a rigorous typology and strives to integrate in this systematic frame every apparent contradicting linguistic phenomenon
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Philbrick, Rachel Severynse. "THE GHOST OF HERACLES: THE LOST HERO’S HAUNTING OF ARGONAUTICA 2." UKnowledge, 2011. http://uknowledge.uky.edu/gradschool_theses/84.
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The abandonment of Heracles at the end of Book 1 in Apollonius Rhodius’ Argonautica marks a turning point for Jason and the rest of the Argonauts. The aid of their mightiest hero, upon whose strength they had relied, is lost to them and they must find a means of accomplishing their nearly impossible mission without him. Allusions to Heracles occur throughout Book 2, in all nine units of action, drawing the reader’s attention to Argonauts’ efforts to carry on in the face of their loss. These allusions can be grouped into four categories: explicit mention, verbal echo, extrapolative allusion, and geographic reference. The poet’s deliberate deployment of these allusions highlights the extent to which Heracles’ strength-based approach to problem solving still influences the Argonauts’ actions in Book 2. This approach contrasts with the role played by divine agents, which increases markedly in the poem’s second half, beginning with Book 3.
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Reimer, Andy Melford. "Miracle-workers and magicians in the Acts of the Apostles and Philostratus' Life of Apollonius of Tyana." Thesis, University of Sheffield, 1999. http://etheses.whiterose.ac.uk/3488/.
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The miracle-workers and magicians we meet in the Greco-Roman world and on the pages of Greco-Roman narratives are among the most difficult characters for modem scholars to understand. While Greco-Roman writers presume their readers will share their socio-cultural script and understand how one distinguishes between a legitimate miracle-worker and an illegitimate magician, this script is lost on modem scholars. Hindered first by absolute definitions for miracle and magic from social anthropology and then by relative definitions from the sociology of knowledge, this thesis calls for a re-engagement of the "historic imagination" with respect to these sorts of characters. In particular, this thesis suggests that a detailed investigation into the operation of characters labelled as performers of miracles or magic can reveal the criteria which distinguished the two in the minds of Greco-Roman Mediterraneans as well as revealing the practical outworking of the criteria themselves. Two narratives are chosen for this task-the canonical Acts of the Apostles, representing a Jewish- Christian angle, and Philostratus' Life of Apollonius of Tyana, representing a pagan angle. Methodologically the study proceeds by converting these narratives into "narrative worlds" and then subjecting the narrative worlds to a social investigation using models suggested by the work of Mary Douglas and Peter Brown. Under the rubric of "gaining power, " "intersecting power, " and "defending power" the two narrative worlds projected by these texts are compared and contrasted with respect to the criteria being used to distinguish miracle-worker from magician. The conclusion reached is that in both texts legitimacy for a mediator of divine power is found especially in demonstrating power without appearing desirous of personal gains. A miracle-worker is successful in this regard; a magician is one who fails in this regard.
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Scandaglia, Giulia. "Les Gesta Apollonii, un jalon du succès de l'Historia Apollonii regis Tyri au Moyen Age. Présentation et traduction française." Thesis, Paris 3, 2019. http://www.theses.fr/2019PA030071.
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Les Gesta Apollonii sont une réélaboration en 792 hexamètres léonins des huit premiers chapitres de l’Historia Apollonii regis Tyri, et ils ont été publiés par E. Dümmler pour les Monumenta Germaniae Historica, dans le deuxième volume de la section Poetae latini aevi Carolini en 1884. Comme l’œuvre dépend de son hypotexte, le premier chapitre de la thèse est dédié à l’Historia Apollonii regis Tyri, aux problèmes que ce roman soulève et aux réponses possibles que la critique leur a apportées. Une analyse du cadre historico-culturel dans lequel les Gesta Apollonii ont été composés et l’histoire du monastère où le manuscrit a été retrouvé ont été abordées dans le deuxième chapitre ; en outre, une partie importante de ce chapitre est consacrée à l’étude des gloses marginales et interlinéaires dont le texte est parsemé. Une partie de ces gloses a été trouvée dans un codex de De Consolatione Philosophiae de Boèce, rédigé vers l’an 1000 par l’abbé Froumund de Tegernsee, qui provient de la Fürstliche Öttingen-Wallersteinische Bibliothek, en Bavière et qui se trouve, aujourd’hui, à Cracovie, dans la Biblioteka Jagiellońska. Dans le troisième chapitre, plus spécifiquement, le texte des Gesta Apollonii est mis en parallèle avec le roman sur lequel il se fonde et avec les nombreuses références au monde classique grec et latin qu’il présente. Un sous-chapitre est de plus dédié à l’historicité possible des personnages mentionnés dans l’histoire.Après l’analyse du texte d’un point de vue thématique, le quatrième chapitre est dédié à l’examen des caractéristiques codicologiques et paléographiques du manuscrit et à la présentation de la langue, du style et de la métrique de l’œuvre. Le cinquième et dernier chapitre propose la traduction française de l’œuvreGesta Apolloni is a re-elaborated version of 792 leonine hexameters of the first 8 chapters of Historia Apollonii regis Tyri, and it was published in 1884 by E. Dümmler in Monumenta Germaniae Historica, in the second volume of the section Poetae latini aevi Carolini. Due to its dependence from its hypotext, the first chapter of the thesis is about Historia Apollonii regis Tyri, the issues that the novel raises, and the possible answers that the critics gave to them. A general analysis of the cultural and historical background where Gesta Apollonii was written and also the story of the monastery where it was found, have been discussed in the second chapter; moreover, an important part of this chapter is dedicated to the study of the marginal and interlinear glosses of which the text is full. Part of these glosses was found in a codex of Boece’s De Consolatione Philophiae, written circa 1000 by abbot Froumund De Tegernsee; originally the codex was in the Fürstliche Öttingen-Wallersteinische Bibliothek in Bavaria, today it can be found in the Biblioteka Jagiellońska, in Cracow.In the third chapter more specifically, Gesta Apollonii text is compared to the novel -which it is based on- and to the several quotes from the Latin and Greek classical world. A paragraph is also dedicated to the possible historical accuracy of the characters mentioned in the story. After the thematic analysis of the text, the fourth chapter concerns the examination of the codicological and paleographic features of the manuscript and the presentation of the language, the style, and the metre of the work. In the fifth and last chapter, there is a French translation of Gesta Apollonii
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Nikolidaki, Eleni. "The contribution of the published papyri of Apollonius Rhodius 'Argonautica' to the text and the nature of the 'Proekdosis'." Thesis, Birkbeck (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.267705.
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Theodorakopoulos, Elena-Maria. "Images of closure : four studies in closure and self-reference; Apollonius' Argonautica, Catullus 64, Virgil's Aeneid, and Ovid's Metamorphoses." Thesis, University of Bristol, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.336890.
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Wolff, Nadège. "Lumière et obscurité dans les Argonautiques d'Apollonios de Rhodes." Thesis, Lyon, 2018. http://www.theses.fr/2018LYSEN072/document.
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Cette thèse propose une synthèse autour des différents rôles de la lumière et de l'obscurité dans les Argonautiques d'Apollonios de Rhodes. Ce sujet comporte une forte composante lexicale, qui fait l'objet d'une étude dans la première partie, où les vocabulaires de la lumière et de l'obscurité chez Apollonios sont comparés aux emplois homériques. Ce thème interroge également les catégories de l'espace et du temps dans la mesure où lumière et obscurité structurent la narration autant qu'elles la déstructurent et proposent un itinéraire placé à la croisée de la barbarie et de la civilisation, état d'entre-deux qui reflète bien les craintes de l'époque alexandrine. La dialectique de la lumière et de l'obscurité permet aussi de mettre en perspective la notion d'héroïsme placée au cœur de l'épopée : la brillance des armes homériques fait alors place à l'éclat de la séduction, arme principale de Jason dont la valeur se mesure surtout dans le domaine érotique. Ce transfert des valeurs traditionnelles de la lumière sur le plan masculin s'accompagne d'une affirmation des pouvoirs féminins en contexte nocturne. Une quatrième partie interroge enfin le statut littéraire des Argonautiques à l'aune de la dialectique entre lumière et obscurité : l'épopée au long cours dénigrée par Callimaque peut en effet être lue comme un recueil poétique de pièces autonomes et une galerie de tableaux correspondant aux canons de l'esthétique hellénistique. Le dieu Apollon, dieu de la lumière et de la poésie placé au centre de l'oeuvre d'Apollonios, se fait le porte-parole privilégié d'un auteur au nom si proche du sien et devient le destinataire d'une sorte d'hymne atomisé qui mêle célébration poétique et réflexions métapoétiquesThrough this thesis, we aim to prove the various roles played by light and darkness in Apollonius Rhodius'Argonautica. In the first part, a lexical study specifically explores the terms expressing the ideas of light and darkness, in comparison to the Homeric references. Our thematic also tackles the issue of the construction of space and time, a notorious one in the Hellenistic period. The epic's structure is indeed based on the light and darkness' duality, but the threat of darkness symbolizing chaos is never far from the Argonauts who constantly struggle with barbarians and on the contrary symbolize Greek enlightment and civilization. The light and darkness'couple also allows us to give a new perspective on heroism, which is a central issue in Apollonius'poem. Whereas Homeric warriors project martial light due to their armour's glistening, Jason appears as love-hero shining with his purple cloak, an Hellenistic artefact replacing Achilles'shield described in the Iliad. At the same time, we can observe a kind of empowerment on the feminine side during the scenes occuring at night. In the fourth and last part, light and darkness endorse a metapoetical value, as they build a new kind of epic, like a collection of brief literary pieces joined together by a common celebration of Apollo, god of both poetry and light. Apollonius'Argonautica can therefore be seen as a prefiguration of Philostratus'Imagines, as it is built around a succession of vivid poetical paintings
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Flinterman, Jacobus Johannes. "Power, paideia and pythagoreanism : Greek identity, conceptions of the relationship between philosophers and monarchs and political ideas in Philostratus "Life of Apollonius /." Amsterdam : J. C. Gieben, 1995. http://catalogue.bnf.fr/ark:/12148/cb35797209g.
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Vieira, Mariana Araújo. "Construções geométricas e os problemas de apolônio." Universidade Federal de Goiás, 2013. http://repositorio.bc.ufg.br/tede/handle/tede/3128.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
This paper aims to present the main problems of Apollonius....
Este trabalho tem como objetivo principal apresentar os dez problemas de Apôlonio....
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Melo, Alysson Espedito de. "Soluções Geométrica e Algébrica do Problema de Apolônio." Universidade Federal da Paraíba, 2015. http://tede.biblioteca.ufpb.br:8080/handle/tede/7519.
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This work, our main objective is to present a geometric and algebraic solution to the problem of Apollonius. The problems are as Apollonius citations in Pappus works as follows: Given three elements, each of which may be points, lines or circumference, construct a circumference passing through the point (s) and is tangent to each of the lines given, but our work will speci cally show the solutions for the case where the three objects are three tangent circumference non-drying, and with di erent radii. We will also present historical elements of the problem of Apollonius, we have developed several important mathematical concepts for understanding the constructions.
Neste trabalho, o nosso objetivo principal é apresentar uma solução geométrica e algébrica para o problema de Apolõnio. Os problemas de Apolõnio encontram-se como citações nos trabalhos de Pappus da seguinte forma: Dados três elementos, cada um dos quais pode ser pontos, retas ou circunferência, construir uma circunfer ência que passa pelo(s) ponto(s) e seja tangente a cada uma das linhas dadas, mas nosso trabalho vai mostrar especi camente as soluções para o caso em que os três objetos são três circunferências não secantes, não tangentes e com raios distintos. Este Trabalho combina elementos históricos do problema de Apolônio e o desenvolvimento de vários conceitos matemáticos importantes para a compreensão deste.
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Macedo, Helder Rodrigues. "Estudo sistemático das parábolas." Universidade Federal da Paraíba, 2015. http://tede.biblioteca.ufpb.br:8080/handle/tede/9431.
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This work presents one proposal that allows High School teachers and students a historical study of the construction of Conics, developed by Apollonius of Perga, the Mathematician and Astronomer that contributed immensely with the definitions we study nowadays in Mathematics. In a second moment, with Conics well defined by Pierre Fermat, the goal of the work is to address the content of Analytical Geometry as taught in the initial school years and Calculus courses. In a third moment, the approach is done through the study of Quadratic Functions, using a review of the content taught in Sophomore year of High School.
Este trabalho apresenta uma proposta de abordagem que permite tanto ao professor quanto ao aluno do ensino médio um estudo histórico da construção das Cônicas desenvolvidas pelo Matemático e Astrónomo Apolônio de Perga que contribuiu imensamente com as definições hoje estudadas na Matemática. No segundo momento, já bem mais definidas as Cônicas por Pierre Fermat o estudo tem como objetivo abordar o conteúdo da Geometria Analítica como é ensinado nas séries básicas e nas disciplinas de Cálculo. No terceiro momento, a abordagem é feita através do estudo das Funções Quadráticas, uma revisão da primeira série do Ensino Médio.
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Fortes, Fabio da Silva 1983. "Sintaxe greco-romana = Prisciano de Cesareia e Apolônio Díscolo na história do pensamento gramatical antigo = Graeco-roman syntax : Priscian of Cesarea and Apollonius Dyscolus in the history of ancient grammatical thought." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270893.
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Orientador: Marcos Aurelio PereiraTese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Resumo: Em nossa tese, examinamos os dois livros finais (XVII e XVIII) das Institutiones grammaticae de Prisciano (séc. VI), intitulados De constructione, a partir de dois eixos fundamentais: (1) a maneira pela qual os temas gramaticais desenvolvidos por Prisciano na constituição de sua "sintaxe" se relacionam com os temas das artes grammaticae dos séculos III, IV e V; 2) as relações textuais e teóricas entre o De constructione e o seu modelo...Observação: O resumo, na íntegra, poderá ser visualizado no texto completo da tese digital
Abstract: In our thesis, we examine the two final books (XVII and XVIII) in Priscian's Institutiones grammaticae (c. VI AD) - De constructione - from two fundamental perspectives: (1) the way grammatical themes developed by Priscian for the constitution of his "syntax" relates to grammatical subjects within the artes grammaticae from c. III, IV and V AD; 2) the textual and theoretical relationship between his De constructione and its model...Note: The complete abstract is available with the full electronic document
Doutorado
Linguistica
Doutor em Linguística
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Daniel-Muller, Bénédicte. "Passion et Esthétique : le pathétique amoureux dans la poésie hellénistique." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040177.
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Il est reconnu que la poésie hellénistique a donné à l’expression du sentiment amoureux une importance inédite, mais la rupture que constitue ce fait littéraire par rapport aux œuvres du passé n’a cependant pas toujours été suffisamment mise en avant. Cette étude propose donc d’examiner les spécificités de cette représentation de l’amour et de montrer qu’elle ressortit principalement au registre pathétique. Ainsi, dans une perspective diachronique, elle s’attache tout d’abord à rappeler les particularités de la représentation de l’amour dans la poésie des époques archaïque et classique, et à montrer notamment le rôle secondaire qu’y tient cette thématique. Puis, après avoir analysé les caractéristiques, complexes mais toujours éminemment négatives, que les poètes hellénistiques attribuent à l’amour, essentiellement réduit pour eux à l’ἔρως, elle examine les modalités précises de son expression pathétique, une innovation importante grâce à laquelle la thématique amoureuse a pu accéder en littérature au rang d’un véritable sentiment. Cette étude permet enfin de montrer que la représentation pathétique du sentiment amoureux est l’une des clefs pour comprendre plusieurs caractéristiques et enjeux fondamentaux de la poésie hellénistique, à propos de laquelle il convient de parler d’une véritable poétique de l’amour. En effet, le pathétique amoureux peut s’y lire comme un paradigme méta-poétique qui ne reflète pas seulement les nouvelles valeurs esthétiques de l’époque hellénistique mais également les conditions, inédites, de création et de réception des œuvres littéraires, en particulier dans leurs rapports, aussi étroits qu’ambigus, aux cours royales et à la traditionHellenistic poetry attributed an importance to love never encountered in poetry before. This literary break with the past has only ever received scant attention. This study sets out to examine the specifics of how love was represented and to show how it essentially emerges from the pathetic register. From a diachronic perspective, the study aims to focus on the particular characteristics of the representation of love in the poetry of the classical and archaic periods, and above all demonstrate the secondary role the theme was accorded. After an analysis of the complex, but always eminently negative, characteristics, attributed to love by Hellenistic poets, which, to them, is essentially reduced to ἔρως, the study examines the precise modalities of its expression through pathos, an important innovation through which the theme of love became recognised as a genuine feeling in literature. This study ultimately enables us to show that the pathetic representation of love is one of the keys to understanding several characteristics and fundamental issues of Hellenistic poetry, through a genuine poetics of love. Romantic pathos can indeed be interpreted here as a meta-poetic paradigm which does not only reflect the new aesthetic values of the Hellenistic age but also the new conditions of creation and reception of literary works, in particular in their close and ambiguous relationships with royal courts and tradition
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Finkmann, Simone. "The female voice in Valerius Flaccus' Argonautica." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:793d6898-da1a-4ccc-a012-2b00e12816e0.
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This thesis adopts a mixed-method approach of quantitative and qualitative analysis to discuss the role of women, especially female speakers and addressees, in Valerius Flaccus’ Argonautica. In addition to the traditional individual mortal and divine speech roles, discourse categories such as the influence of the Muses, the presentation of female personifications, female collectives, frame and inserted speakers, and goddesses in disguise are also taken into consideration. The study shows that, despite the shared subject matter and greatly overlapping ensemble of speakers, Valerius makes significant changes in nearly all categories of female speech representation. Valerius entirely omits some of Apollonius’ female speech acts, reduces speeches from oratio recta to mere speech summaries, replaces Greek goddesses with similar, but not equivalent Roman speakers, assigns new speech roles to previously silent female characters, adds important new episodes with female speakers that do not occur in Apollonius’ epic, changes the speech contexts, the conversational behaviour and the overall characterization of speakers – in isolated individual instances as well as in more complex character portrayals. Valerius even modifies or transfers entire discourse patterns such as conversational deceit in speech and silence, or divine disguise, from one speaker group to another, usually of the opposite sex. Valerius transforms the Apollonian arrangement of a male-dominated, 'epic' first half following the invocation of Apollo and a second female, 'elegiac' half with many female speech acts and epiphanies, after a revision of the narrator’s relationship with the Muses, into a more traditional portrayal of the Muses and a much more balanced occurrence and continued influence of female speakers. The different female voices of the Argonautica, especially Juno, can continuously be heard in the Flavian epic and provide the reader with an alternative perspective on the events. Even the less prominent female speakers are part of a well-balanced and refined structural arrangement and show influences of several pre-texts, which they sometimes self-consciously address and use to their advantage. There can be no doubt that, like Apollonius, Valerius does not merely use female speech acts to characterise the male protagonists, but follows a clear structuring principle. Whereas Apollonius in accordance with his revised invocation of the Muses concentrates the female speech acts in the second half of his epic, especially the final book, Valerius links episodes and individual characterizations through same-sex and opposite-sex speaker doublets and triplets that can be ascribed to and explained by Jupiter’s declaration of the Fata. From Juno’s unofficial opening monologue to Medea’s emotional closing argument, the female voice accompanies and guides the reader through the epic. The female perspective is not the dominant view, but rather one of many perspectives (divine, mortal, female, male, old, young, servant, ruler, et al.) that complement the primary viewpoint of the poet and the male, mortal protagonists and offer an alternative interpretation.
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Кравченко, П. Е. "Криві другого порядку та їх застосування." Thesis, Сумський державний університет, 2018. http://essuir.sumdu.edu.ua/handle/123456789/66909.
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Apollonius, Dyscole Brandenburg Philipp. "Apollonios Dyskolos : über das Pronomen /." München : K. G. Saur, 2005. http://catalogue.bnf.fr/ark:/12148/cb400231764.
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Decorps, Micheline. "Les Coniques d'Apollonios de Pergè." Clermont-Ferrand 2, 1994. http://www.theses.fr/1994CLF20067.
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Le traité des Coniques est l'oeuvre maîtresse du grand géomètre Apollonios de Pergè. L'ouvrage présente en 7 livres (8 à l'origine) la théorie des courbes du second degré. La tradition grecque n'a transmis que les Livres 1-4, considérés par Apollonios comme des livres d'"éléments". Les livres 5-7 ont été transmis par les arabes. La présente étude est consacrée à l'histoire du texte grec jusqu'à l'éditio princeps de l'astronome Halley en 1710. C'est l'objet du volume 1. Les volumes 2 et 3 présentent l'édition critique et la traduction du livre 1 (avec des notes philologiques). Les manuscrits grecs et les manuscrits arabes recensés ne reproduisent pas le texte original des livres 1-4, mais une recension du 6e due au commentateur d'Archimède, Eutocius d'Ascalon. L'étude de la tradition indirecte grecque a permis de mettre en évidence la construction progressive du texte dans les écoles philosophiques de la fin de l'Antiquité. La seconde direction de recherche a été la détermination des processus de diffusion et de transmission du texte dans les communautés scientifiques orientales et occidentales et dans les milieux d'enseignement. La collation de tous les manuscrits grecs connus et l'utilisation des travaux des mathématiciens de la Renaissance ont permis de renouveler entièrement l'édition de Heiberg (1891-3), sans toutefouis remettre en cause la prééminence du Vaticanus GR. 206The conics treatise is the masterpiece of the famous geometer apollonius of perga (3rd 2nd century b. C. ). Its seven book s (the eighth book is lost) constitute a systematic exposition of the theory of conics sections. Only the first four books, which according to apollonius form an elementary introduction, survive in greek; books 5-7 exist in arabic. The present work is devoted to the history of the greek text until the editio princeps of the astronomer halley iin 1710. It constitutes the contents of volume one (fasc. One and two). Volumes two and three consist of the critical edition and the translation of book one 8with philological notes). The greek manuscripts and the arabic manuscripts now registered don't contain the original text of books 1-4, but the recentsion of eutocius of ascalon, the commentator of archimedes's treatises (sixth century a. D. ). The study of the greek indirect tradition makes clear how the text was shaped in philoso phical schols of the late antiquity. Our second aim has been to determine the process of diffusion and transmission of the text among oriental and occidental communities of mathematicians and teachers. The collation of all greek manuscripts now known and the use of the works of renaissance mathematicians have permitted to renew entirely the heiber g's edition (1891-3) and confirm the pre-eminent place of vaticanus gr. 206
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Kwok, Yii-Wenn Sylvie. "Les émulsions Apolloniennes - la coalescence dans des émulsions à haut rapport de phase interne." Thesis, Paris Sciences et Lettres (ComUE), 2019. http://www.theses.fr/2019PSLET028.
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On a étudié des émulsions à haut rapport de phase interne (HIPEs), dont la fraction volumique d’huile dispersée faisait phi=0.95, et la phase continue était une solution aqueuse de tensioactif non-ionique, le monododecyl éther d’hexaéthylène glycol (C12E6). Suivant la concentration du C12E6, on a obtenu 2 types de HIPEs, qualifiés de « solide » ou de « liquide ». Dans les HIPEs formulées à fort taux de C12E6 (> 8% dans la phase continue), les gouttes se déforment en polyèdres séparés par des films minces de la phase continue. Grâce à ces films, ces HIPEs se comportent comme un « solide élastique » sous cisaillement et elles sont rhéofluidifiantes au-delà du seuil d’écoulement. En réduisant le taux de tensioactif à moins de 3%, on a permis à l’HIPE de coalescer, ce qui a engendré une structure non observée auparavant : les gouttes restent sphériques sans déformation et remplissent tout l’espace grâce à une population extrêmement polydisperse dont la distribution des diamètres, n(a), s’exprime comme une loi de puissance : n(a)~a^(-(df+1)). df est la dimension fractale de l’ensemble des gouttes et vaut toujours 2.48-2.50 après une semaine d’évolution dans ces HIPEs « liquides ». Cette valeur est très proche de celle d’un empilement Apollonien des sphères (RAP). En effet, on a confirmé par la diffusion des rayons-X que les gouttes de ces HIPEs pauvres en tensioactif s’empilent comme un RAP. Il s’agit de la première fois depuis 2200 ans qu’on a réussi à fabriquer un empilement Apollonien dans un système réel. Ces émulsions Apolloniennes sans films minces s’écoulent spontanément comme un liquide visqueux Newtonien ; un comportement auparavant inconnu dans des émulsions à phi > 0.6. Les HIPEs Apolloniennes sont exceptionnellement métastables et persistent au-delà d’un an, malgré la croissance des gouttes par la coalescence. L’aire totale des émulsions Apolloniennes augmente avec le temps, ce qui indique un mécanisme évolutif différent de la coalescence des émulsions diluées. Par la simulation numérique, on a trouvé que deux gouttes qui coalescent dans une émulsion Apollonienne engendrent de nombreuses gouttelettes sphériques par la fragmentation, afin de remplir de façon optimale des vides aux alentours, tout en minimisant l’énergie élastique dans le système. On a nommé ce mécanisme « la coalescence-fragmentation ». Elle a lieu parce que les tensioactifs rejetés lors de la coalescence ne peuvent pas être accommodés par le peu de phase continue dans une HIPE, à risque de provoquer une augmentation conséquente du potentiel chimique. Ces tensioactifs en excès peuvent alors se loger sur des interfaces qui viennent d’être créées. La création des gouttelettes sphériques est favorisée par rapport à la déformation mutuelle entre les grosses puisque celle-là est moins couteuse en énergie libre. On a ainsi postulé qu’un empilement Apollonien soit un minimum local thermodynamiqueWe studied oil-in-water high internal-phase-ratio emulsions (HIPEs) at internal volume fraction phi = 0.95, stabilized by non-ionic surfactant, hexaethylene glycol monododecyl ether (C12E6). By varying C12E6 concentration, we obtained two distinct types of HIPEs that we qualified as “solid” or “liquid”. Surfactant-rich HIPEs formulated with >8%C12E6 in the continuous phase are of the “solid” variety: their droplets are distorted into polyhedrons separated by thin films of continuous phase. These films confer an “elastic solid” property on the HIPEs, which display shear-thinning flow beyond their yield stress at high strain rates. By reducing surfactant concentration to below 3%C12E6, we allowed coalescence and obtained a new HIPE structure: oil droplets retaining their spherical shapes, filling space with an extremely polydisperse population. Their diameter distribution, n(a), obeyed a power law: n(a)~a^(-(df+1)). df is the fractal dimension of the set of droplets and was consistently 2.48-2.50 after a week of emulsion evolution, a similar value to that of a Random Apollonian Packing (RAP) of spheres. We confirmed by X-ray Scattering that oil droplets in these surfactant-poor HIPEs are indeed a RAP. This is the first recorded instance of an Apollonian packing fabricated in real physical systems in 2200 years. Apollonian emulsions flow spontaneously like a viscous Newtonian liquid, a behaviour previously unknown in emulsions beyond phi = 0.6. They also have exceptional metastability, remaining emulsified up to a year, even though droplet sizes grow through on-going coalescence. We found that overall surface area increased with time in Apollonian HIPEs, indicating a different evolutionary mechanism from coalescence in dilute emulsions. Through numerical simulation, we determined that two coalescing droplets in an Apollonian emulsion fragment into multiple smaller spherical droplets to optimally fill voids in the vicinity while maintaining minimal elastic energy in the system by avoiding droplet deformation. We named this mechanism “coalescence-fragmentation”, made possible because surfactant molecules evicted during coalescence cannot be evacuated into the very limited amount of continuous phase without causing a steep rise in chemical potential. We found that it is lower in free energy costs to create small spherical droplets than to allow larger droplets to deform one another. Thus, we postulated that an Apollonian packing may be a local thermodynamic minimum
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Harden, Sarah Joanne. "Self-referential poetics : embedded song and the performance of poetry in Greek literature." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:69380265-1014-4965-bc6a-32dbc244721a.
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This thesis is a study of embedded song in ancient Greek narrative poetry. The introduction defines the terminology (embedded song is defined as the depiction of the performance of a poem within a larger poem, such as the songs of Demodocus in Homer’s Odyssey) and sets the study in the context of recent narratological work done by scholars of Classical literature. This section of the thesis also contains a brief discussion of embedded song in the Homeric epics, which will form the background of all later examples of the motif. Chapter 1 deals with embedded song in the Homeric Hymns and Hesiod’s Theogony. It is argued that the occurrence of embedded song across these poems indicates that the motif is a traditional feature of early Greek hexameter poetry, while the possibility of “inter-textual” allusion between these poems is considered, but finally dismissed. Chapter 2 focuses on Pindar, Bacchylides and Corinna, and explores how lyric poets use this motif in the various sub-genres of Greek lyric. In epinician poetry, it is argued that embedded song is used as a strategy of praise and also to boost the authority of the poet-narrator by association with the embedded performers, who can be seen to have in each case a particular source of authority distinct from that of the poet narrator. Chapter 3 considers the Hellenistic poets Apollonius Rhodius and Theocritus, and how their interest in depicting oral poetry meshes with their identity as literate and literary poets. Appendix I gives a list of all the examples of embedded song I have found in Greek poetry. Appendix II gives an account of Pindar’s Hymn to Zeus, a highly fragmentary poem which almost certainly contained an embedded song, analysing this as an example of the difficulties thrown up by lyric fragments for a study of embedded narratives.
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Junior, Fernando Rodrigues. "Aristos Argonauton: o heroísmo nas Argonáuticas de Apolônio de Rodes." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-28012011-093845/.
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Este trabalho pretende discutir de que forma a noção de heroísmo foi abordada nas Argonáuticas de Apolônio de Rodes em oposição ao conceito de herói presente nos poemas homéricos. A análise se baseará na distinção entre as personagens Jasão e Héracles como exemplos de modos de atuação díspares e conflitantes no poema. A tradução dos livros I e n das Argonáuticas complementa o estudo.This work intends to discuss the notion of heroism present in Apollonius Rhodius\' Argonautica in opposition to the concept of hero in Homeric poems. The analysis is based on the distinction between the characters Jason and Heracles as examples of different and conflicting ways of action. The translation of Argonautica books I and n complements the study.
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Sousa, Cristiano Benevides de. "Inversão Geométrica Aplicada à Resolução dos Problemas de Apolônio." Universidade Federal da Paraíba, 2014. http://tede.biblioteca.ufpb.br:8080/handle/tede/7570.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
This work was developed with the aim of presenting a new approach within the Geometry, the Inversion. The Inversive Geometry is a non-Euclidean geometry that has several applications, mainly related to problems of tangency. This new Geometry is presented throughout this work in order to solve the ten problems of Apollonius. All constructions are carried out with the aid of a Dynamic Geometry software, Geogebra. Since the work is directed to teachers and students of basic education, then there is a proposed roadmap for the reader to participate in the construction of the solutions of these problems process, which will enable the development of creativity, logical thinking, reasoning and practice of geometric constructions.
O presente trabalho foi desenvolvido com o objetivo de apresentar uma nova abordagem dentro da Geometria; a Inversão. A Geometria Inversiva é uma Geometria não Euclidiana que possui inúmeras aplicações, principalmente relacionada a problemas de tangência. Essa nova Geometria é apresentada ao longo desse trabalho com o objetivo de solucionar os dez problemas de Apolônio. Todas as construções são realizadas com o auxílio de um software de Geometria Dinâmica; o Geogebra. Como o trabalho é direcionado para professores e alunos do ensino básico, então há uma proposta de roteiro para que o leitor possa participar do processo de construção das soluções dos referidos problemas, o que possibilitará o desenvolvimento da criatividade, do pensamento lógico, da argumentação e da prática em construções geométricas.
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White, David. ""From Apollonian to Dionysiac" /." View thesis, 1996. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030905.145642/index.html.
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Thesis (M.A.)(Hons)--University of Western Sydney, Nepean, 1996."A paper on Nietzsche's division of culture into two principal strains. "The Apollonian and the Dionysiac", and its application to the art of painting.--t.p.
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Pack, Dieter. "Die historische Entwicklung des Apollonia-Kults unter besonderer Berücksichtigung des sog. "kleinen Andachtsbildes"." [S.l. : s.n.], 2003. http://deposit.ddb.de/cgi-bin/dokserv?idn=96926738X.
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Natzel, Stephanie A. "Klea Gunaikōn : Frauen in den "Argonautika" des Apollonios Rhodios /." Trier : WVT Wissenschaftlicher Verl. Trier, 1992. http://catalogue.bnf.fr/ark:/12148/cb374391065.
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Moezzi, Ailin. "Die heilige Apollonia in der Schweiz." Berlin [u.a.] Quintessenz-Verl.-GmbH, 2008. http://d-nb.info/986932132/04.
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Rostellato, Diletta <1990>. "Scrittori triestini nell'archivio di Umbro Apollonio." Master's Degree Thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/5821.
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Studio dei rapporti di Umbro Apollonio con gli scrittori dell'area triestina a partire dai documenti conservati nell'omonimo fondo dell'Asac. Il primo capitolo è dedicato al contributo portato da Apollonio all'affermazione della figura di Italo Svevo nel panorama letterario nazionale con la pubblicazione degli inediti dello scrittore e con il numero speciale da lui curato su Fiera letteraria. Nella seconda parte della tesi, suddivisa in capitoli minori, si studia la corrispondenza di Apollonio con i seguenti autori triestini: Umberto Saba, Anita Pittoni, Giani Stuparich e Quarantotti Gambini.