Relevant bibliographies by topics / Appropriation

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Appropriation'

Author: Grafiati
Published: 4 June 2021
Last updated: 19 April 2025

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Journal articles on the topic "Appropriation"

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Wright, Matthew. "Re-Appropriating Appropriation." Religion & Theology 22, no. 1-2 (2015): 23–45. http://dx.doi.org/10.1163/15743012-02201009.

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The paper assesses the role of our hermeneutical orientations in the task of exegesis by focusing specifically on the Tri-Polar exegetical framework developed by Jonathan Draper. In conjunction with the Critical Theory of the Frankfurt School and other Marxist-influenced theory, the paper then tries to articulate more coherently what the stage of appropriation constitutes and what impact this potentially has socially. In light of the volatile political climate existing presently in South Africa, as well as rising globalisation and consumerism, the paper poses the question of whether the bible can contribute substantially to the formation of a critical social fabric within society.
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Barrett, Ashley Katherine. "Technological appropriations as workarounds." Information Technology & People 31, no. 2 (April 3, 2018): 368–87. http://dx.doi.org/10.1108/itp-01-2016-0023.

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Purpose The purpose of this paper is to further adaptive structuration theory (AST) by associating technological appropriations with health information technology workarounds. The author argues that appropriating electronic health record (EHR) technology ironically – in a way other than it is designed to be used – and divergently across an organization results in enhanced perceptions of EHR technology and its implementation. Design/methodology/approach Data were collected from 345 healthcare employees in a single healthcare organization that was switching to EHRs from paper records. Two major constructs of AST – unfaithfulness and dissension in appropriation – were operationalized and analyzed using multivariate regressions to test the relationship between the type of appropriation and perceptions of EHR technology’s relative advantage and implementation success. Findings Results reveal that both ironic (unfaithful) technological appropriation and dissension in technological appropriation across the organization predicted employees’ perceptions of EHR’s relative advantage and perceptions of EHR implementation success. Furthermore, physicians are the least likely to perceive EHR’s relative advantage or EHR implementation success. These results exemplify that EHR workarounds are taking place and reaffirm AST’s principle that employees evolve technology to better suit their working environments and preferences. Originality/value The survey and scales used in this study further demonstrate that there are meaningful statistical measures to accompany the qualitative methods frequently used in the AST literature. In addition, this paper expands AST research by exploring the positive outcomes that follow ironic and divergent technology appropriations.
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Lenard, Patti Tamara, and Peter Balint. "What is (the wrong of) cultural appropriation?" Ethnicities 20, no. 2 (August 9, 2019): 331–52. http://dx.doi.org/10.1177/1468796819866498.

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Social media is full of accusations and counter-accusations of a wrong called ‘cultural appropriation’. Our goal in this article is to sift through these deliberations and identify what cultural appropriation is, what it is not, and what, if anything might be wrong with it. We begin by explaining why public discourse about cultural appropriation should matter to political theorists of multiculturalism, especially in the anti-immigrant mood that has engulfed many immigrant-receiving countries. We then place cultural appropriation under the umbrella of cultural engagement, before identifying two forms of problematic cultural engagement – cultural offence and cultural misrepresentation – that are often conflated with cultural appropriation. In the next section, we define cultural appropriation as the appropriation of something of cultural value, usually a symbol or a practice, to others. We go on to explain that two additional conditions must be present to define an act of cultural appropriation: the presence of significant contestation around the act of appropriation, and the presence of knowledge (or negligent culpability) in the act of appropriation. Although this account of cultural appropriation is normative, cultural appropriation is often wrong only in a trivial sense. One of the ways it can become more serious is through the presence of what we term ‘amplifiers’. The contextual conditions that can render acts of cultural appropriation more egregious include: the existence of a power imbalance between the cultural appropriator and those from whom the practice or symbol is appropriated; the absence of consent; and the presence of profit that accrues to the appropriator. Ultimately, we find that there are very few instances of seriously wrongful cultural appropriation, and that many of the actions decried as cultural appropriation may be wrongful, but not because they appropriate.
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Piercey, Robert. "How to Appropriate a Text." Idealistic Studies 51, no. 3 (2021): 169–88. http://dx.doi.org/10.5840/idstudies20211027135.

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One of the core principles of Paul Ricoeur’s hermeneutics is that interpretation culminates in application, or appropriation. But what exactly is an appropriation, and what makes some appropriations better than others? I try to shed light on these difficult matters by examining Ricoeur’s own appropriation of Alasdair MacIntyre’s notion of the narrative unity of a life, and by contrasting it with Richard Rorty’s appropriation of the same notion. I argue that Ricoeur’s appropriation is more successful than Rorty’s, and that the best explanation of its success is that it respects a distinctive norm that governs the activity of appropriation. I conclude by describing this norm, which I call the principle of ultimate compatibility.
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Tuvel, Rebecca. "Putting the Appropriator Back in Cultural Appropriation." British Journal of Aesthetics 61, no. 3 (July 1, 2021): 353–72. http://dx.doi.org/10.1093/aesthj/ayab010.

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Abstract This paper seeks to clear up the confusion surrounding debates over cultural appropriation. To do so, I argue for an agent-centred approach—a focus on appropriators more than appropriation. In my view, cultural misappropriation involves agents who exhibit disregard toward a relevant culture and its members. I argue further that this approach improves upon recent alternative philosophical approaches to cultural appropriation, which I divide into two camps: toleration-based and power-based.
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Tarjono, Siti nuuriyah, and Kuwat. "APROPRIASI MUSIK KELOMPOK REBANA KASUKA NADA." Sorai: Jurnal Pengkajian dan Penciptaan Musik 17, no. 1 (October 18, 2024): 55–65. http://dx.doi.org/10.33153/sorai.v17i1.5293.

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This research discusses the reasons related to the thoughts of the Kasuka Nada tambourine group in choosing musical appropriation in their performances. Tambourines are mostly dominated by percussion instruments such as flying, but now tambourine music has experienced developments in innovation in terms of music media and song repertoire using adaptations of songs popularized by other singers, and adapting other people's works. This form of tambourine music innovation is called appropriation. The purpose of this study is to describe the process of appropriating music in the Kasuka Nada tambourine group, to describe the factors that influence the Kasuka Nada tambourine group in appropriating, to analyze the musical results of the Kasuka Nada tambourine group's musical appropriation, and to describe how the Kasuka Nada tambourine group performs. . This research was conducted using a qualitative descriptive analysis method, by way of describing the existing facts and then proceed with the analysis. The method used in this study is divided into four stages, namely data collection, data processing, data analysis, and drawing conclusions. The theoretical basis used to dissect this research is the theory of appropriation and performance theory. Based on the data analysis conducted, it was concluded that the purpose of the tambourine group appropriating is to preserve and maintain the continuity of tambourine music. Presenting trending songs and those that are liked by the public and then changing the lyrics to the theme of goodness and commendable teachings which are inserted with prayers are the hallmarks of the Kasuka Nada tambourine group, and there are internal and external factors that influence the Kasuka Nada tambourine group in appropriation of music.
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Carlin, Ellen P., and Jeff Schlegelmilch. "Trends in the use of US federal emergency supplemental appropriations for disasters." Journal of Emergency Management 22, no. 5 (October 15, 2024): 519–34. https://doi.org/10.5055/jem.0873.

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Federal appropriation for disaster prevention through recovery occurs across a complex landscape of funding mechanisms. Emergency supplemental appropriations are one such mechanism and increasingly a way that Congress funds disasters. These bills also often include nondisaster-related spending. To better identify congressional tendencies in the use of emergency appropriations for disasters, including the frequency and dollar value of such spending, we analyzed publicly available data on emergency appropriations over the first two decades of the 21st century. Using legislative appropriations data from the Congressional Budget Office for all supplemental appropriations enacted for fiscal years 2000 through 2020, we calculated that nondefense spending for disasters via supplemental appropriation represented USD 1.024 trillion in budget authority across 40 bills over this period. Natural disaster emergencies accounted for 58 percent of the federal government’s emergency supplemental spending, with the rest generally related to Global War on Terror and other military activities. Among the spending prompted by presidential request, the difference between how much funding the president had requested for that emergency (if any) and a congressional appropriation of emergency funding reveals no apparent trend over the time period studied, although confirmatory analysis is obscured by a dearth of data points. As the risk of disasters and, particularly, the rate and size of billion-dollar disasters increases, characterizing the congressional approach to the funding of disasters may allow improved understanding of whether this approach is optimized to meet the needs of disasters in the 21st century and whether response spending should be mitigated through proactive and routine appropriations toward resilience targets.
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Schiller, Shu Z., and Munir Mandviwalla. "Virtual Team Research." Small Group Research 38, no. 1 (February 2007): 12–59. http://dx.doi.org/10.1177/1046496406297035.

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Recent information systems research has studied various aspects of virtual teams. However, the foundations and theoretical development of virtual team research remain unclear. We propose that an important way to move forward is to accelerate the process of theorizing and theory appropriation. This article presents an in-depth analysis of the current state of the art of theory application and development in virtual team research. We identify the frequency, pattern of use, and ontological basis of 25 virtual team-relevant theories. A researcher’s tool kit is presented to promote future theory application and appropriation. The tool kit consists of a descriptive and analytical database of theories relevant for virtual team research. We also present a framework for appropriating virtual team theories based on seven criteria. A detailed example demonstrates the application of the theory appropriation framework. The article contributes to the literature by presenting the state of the art of theory use in virtual team research and by providing a framework for appropriating reference-discipline theories.
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Bartlett, Bridget. "Macbeth’s Idiot and Faulkner’s Compsons." Borrowers and Lenders The Journal of Shakespeare Appropriations 14, no. 2 (April 28, 2023): 139–42. http://dx.doi.org/10.18274/bl.v14i2.319.

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William Faulkner’s use of a line from Macbeth for the title of The Sound and The Fury is a well-known instance of Shakespearean appropriation, but in this note I uncover the unrecognized appropriation of that line as it signifies when historicized. Specifically, I highlight the class dimensions that appear prominent in the Macbeth line when we understand the word “idiot” as the play’s first audiences did, and I demonstrate how Faulkner’s appropriation of the line as it signified in Jacobean English informs and reflects the central themes of The Sound and The Fury. Because early modern understandings of class as a largely hereditary category overlapped significantly with contemporary lineal constructions of race, Faulkner’s appropriation of the historicized line with its emphasis on class is especially significant for the interactions of race and class that animate Faulkner’s fiction as well as studies of appropriative uses of Shakespeare.
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Symko, Riva. "Riffing the Canon: The Pictures Generation and Racial Bias." Journal of Curatorial Studies 8, no. 2 (October 1, 2019): 206–30. http://dx.doi.org/10.1386/jcs_00004_1.

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Abstract This article considers exhibitions as archival documents, and conceives of the restaging of exhibitions as an act of appropriating the archive. It examines The Pictures Generation 1974‐1984 (2009), curated by Douglas Eklund as a restaged 'riff' on Pictures (1977), curated by Douglas Crimp. Pictures was a focused meditation on the historical significance of a particular aesthetic strategy. The Pictures Generation historicized Pictures as the foundational moment of appropriation. Eklund's form of restaging, however, reinforced the racially segregated realities that have marginalized the history of appropriative practices by artists of colour. Drawing on a post+colonial framework, I consider how exhibition restagings may be leveraged as a curatorial strategy of historical rupture.
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Dissertations / Theses on the topic "Appropriation"

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Schneider, Ulrich Johannes. "Intellectual appropriation." Universitätsbibliothek Leipzig, 2015. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-173352.

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Intellectual activities seek understanding the way pirates capture booty. It is all about pulling up alongside, finding and holding the rhythm of the other vessel, fixing the grappling hooks in order to board and to appropriate. This is not the way understanding is usually depicted, even if appropriation is its intended aim. Philisophers in particular characterise understanding more gently, as a kind of welcoming of distant truth, held out to the foreign past. However, gentleness is an illusion in hermeneutic thought, philosophical or ethnological, as I wish to show in reflection on \"dialogue\" and \"story\" as two major intellectial grappling hooks.
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Heger, Katrina. "Hope for Appropriation." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/497.

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This thesis presents the shortcomings of the Fair Use exemption within the Copyright Act through an in depth analysis of the recent Shepard Fairey v. Associated Press surrounding the well-regarded Hope Poster. The thesis critiques the unpredictability of the law, the copyright holder’s growing sense of monopolized ownership over her or his work, the complex facets of art that are overlooked in the court’s legal analysis, and finally, the social justice implications of the Copyright Act. The thesis argues that Fair Use should make room for appropriation art, otherwise successful and progressive artists, such as Shepard Fairey, will be discouraged from creating.
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Schneider, Ulrich Johannes. "Intellectual appropriation: no piracy." Hong Kong Univ. Press, 2001. https://ul.qucosa.de/id/qucosa%3A13394.

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Intellectual activities seek understanding the way pirates capture booty. It is all about pulling up alongside, finding and holding the rhythm of the other vessel, fixing the grappling hooks in order to board and to appropriate. This is not the way understanding is usually depicted, even if appropriation is its intended aim. Philisophers in particular characterise understanding more gently, as a kind of welcoming of distant truth, held out to the foreign past. However, gentleness is an illusion in hermeneutic thought, philosophical or ethnological, as I wish to show in reflection on \"dialogue\" and \"story\" as two major intellectial grappling hooks.
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St-Arnaud, Guy-Robert. "Trinite, appropriation, et translitteration." Strasbourg 2, 1995. http://www.theses.fr/1995STR20039.

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Associe a la conscience ou formule en terme plus relatif, le concept de personne conduit le discours trinitaire a une double impasse, soit trois divinites ou trois modalites de l'un. Cette these dresse un parcours fonde sur une analyse des processus discursifs qui met a jour une structure commune entre les discours psychanalytique et trinitaire. Cette perspective revele les apories de la nomination de l'esprit et developpe une ecriture coherente de la question du particulier et du commun
Associated to conscience of formulated more relatively, the person concept leads the trinitarian discourse into a twofold deadloch, either three deities or three modalities of the one. This thesis opens a course based on an analysis of the discursive processes which brings to light a common structure netween the psychanalytic and trinitarian discourses. Such a perspective unnasks the aporias of the nomination of the spirit, and fosters a coherent formulation of the issue of the particular and of the common
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Grant, Benjamin John. "Burton / empire : strategies of appropriation." Thesis, University of Kent, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.429786.

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Rodriguez, Liliana. "Technology appropriation awareness and identification." Thesis, Loughborough University, 2017. https://dspace.lboro.ac.uk/2134/27543.

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This thesis presents the results of a research that examines technology appropriation (TA) awareness and identification in digital services start-up companies. Technology appropriation refers to the unexpected ways in which people adopt and adapt technology to make it serve their personal needs and motives. The research questions(Chapter 1) are: (1) How to identify TA within the development of digital services in the context of start-ups? (2) How aware are service providers of the phenomenon of TA? (3)What are the enablers for the appropriation of services by users? To address these questions, the thesis presents in chapter 2 a literature review that illustrates the context of the research, and explains its key concepts: digital services, user involvement in the development of digital services, technology appropriation, and levels of user engagement. Specific research methodological choices as well as specially designed research data collection and analysis tools are subsequently explained in chapter 3. An exploratory study is then introduced in chapter 4 to demonstrate how users can be involved in the development of digital services, evidencing the need for further research in TA. This initial work is concluded in chapter 5 by the introduction of a theoretical framework for TA (TF TA). Chapter 6 outlines the design and planning of the main study consisting of five case studies which provide empirical data for the core findings of this research. A first set of findings deriving from a comparison of TA examples found in the case studies based on the TA three levels proposed framework (TF TA) is presented in chapter 7. A second set of findings presented in chapter 8 helps to respond to the questions: (1) how aware are service providers of the phenomenon of TA, and (2) what are the enablers for the appropriation of services by users? These findings establish the level of TA awareness of each case study, outline the taxonomy of TA service types, and introduce emerging themes resulting from a thematic analysis, which also serves to propose enablers for TA within digital start-ups. Chapter 9 and 10 identifies and presents a third set of findings and contributions to knowledge. Main contributions are: a new tested and revised TA Level Framework created by examining the empirical findings against the TA Theoretical Framework (TA TF). And a new TA Identification Method within the development of digital services in the context of start-ups, underpinned by the tools previously developed in the research. Minor contributions explained in chapter 10 are: A taxonomy of TA services (pro-active/re-active/inactive), an account of the Key Aspects of TA Awareness, a Typology of TA Outcomes (Soft TA, Hard TA, and Hard & Soft), and a revised classification of TA Impact and TA levels. It also comprises an explanation of the relationship of TA Levels & TA Impact, a revised model of the user involvement approach, a new categorisation of TA User Actions (Expected/Engage/TA savvy), and an identification of TA Enablers (User Lead & Service Control). This research has found that the Key Aspects of TA Awareness are TA Concept, Systematic Programme of User Involvement, Mode of User Involvement, Identifying TA Actions, and the TA Enablers (User Lead & Service Control). The research has also found that the users actions and outcomes related to the adoption and adaption the technology, can be classified in High (when the users lead parts of the service), Medium (when the users customised and personalised the service) and Low levels (when the users used the service as intended, but give feedback to the service providers about its used). Additionally, this work has determined that the services and service providers TA Level Awareness is determined by how much they understand and know about TA. This awareness can be classified as proactive (when the service provider understands, identifies, and knowingly foster TA within the service), reactive (when the service provider understands TA in other services but cannot identify TA and reacts to users feedback and TA) and inactive (when the service provider does not recognised and cannot identify TA within the service). This investigation also has established that the aspects of the TA Level Framework can be integrated and employed as a method for TA identification within the services. This study has recognised that TA impact, the extent to which services are employed in the process of appropriation, can be classified as high, medium and low depending on how the service providers change and further develop their service because of their understanding and identification of TA. The enquiry also found that the level of TA impact is different from the TA Level, that the knowledge and awareness of TA impact are underpinned by the user actions and outcomes, as well as by their change and development. Another finding of this research is that the users TA outcomes (this is the tangible consequence of the user adoption and adaptation of technology) can be classified as Soft TA, Hard TA and Soft & Hard TA. Soft TA corresponds to the changes made by users related to the social practices evolution of the service, Hard TA refers to the changes made by the users in the API of the service. Soft & Hard TA relates to the combination of user changes in social aspects and the manipulation of the service s API. The study found that the service providers main approaches to user involvement are: listening to and collaborating, testing and experimenting and active observation. Last, this investigation determined that users actions concerning TA can be expected (users do nothing else other than the expected use of the service), engaged (where users are involved in the development of the service for personal motives) and TA savvy (where users are involved in in the development of the service for personal motives, but they have software and programming skills). The conclusions section summarises the research and explains its limitations. It also presents a personal reflection and indicates avenues for future research.
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DE, SANTIS FEDERICA. "APPROPRIATION ART E DIRITTO D'AUTORE." Doctoral thesis, Università degli Studi di Milano, 2015. http://hdl.handle.net/2434/253310.

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Appropriation Art is generally defined as a form of contemporary art which borrows images from popular culture, advertising, the mass media, other artists and elsewhere, and incorporates them into new works of art. By taking these items out of their contexts and presenting them in new forms, combinations, or contexts, artists transform their meaning and force the viewer to reconsider his or her former understandings about a certain image. Appropriation art traces its origins back to Conceptual Art and, before, to the “readymades” of Marcel Duchamp, works (objet tout fait) consisting entirely of everyday objects presented largely unchanged as “art.” The originality and artistic value of these kinds of works lies in the new meaning associated with the work and in the artistic gesture, and not in its external aspect or form. Under a legal perpective, the main question arising out of Appropriation Art is whether the second work is a copy (thus, a counterfeit), a derivative work (requiring the copyright owner’s consent to exploit the work of art) or, instead, a totally new and original work. To answer this question, this dissertation examines whether the appropriation artwork can be considered original under a copyright law standpoint, and analyzes the relationship between the appropriated work and the second work. Sometimes the works of Appropriation Art can be considered lawful as parody, insofar as they transform the meaning of a previous work for comic effect, creating a new artwork. This dissertation also analyzes the transformativeness relevant under the fair use analysis within US copyright system as well as the key fair use Appropriation Art cases handed down by US courts. In particular, the analysis focuses on the Jeff Koons and on the Mattel cases, and addresses the Cariou v. Prince case, relating to the alleged copy by renowned appropriation artist Richard Prince of Cariou’s portraits of Jamaican Rastafarians for use in a series of paintings by Prince titled “Canal Zone”. In this case, the court held that the message behind the use of Cariou’s photos in “Canal Zone” was so different from Cariou’s message in the original portraits that Prince had transformed their meaning and therefore created new art. Italian courts addressed Appropriation Art only in one case, concerning the use by appropriation artist John Baldessari of certain works made by Alberto Giacometti. Finally, it is necessary to analyze Appropriation Art also under a trademark law standpoint, to assess whether appropriation of a mark can be considered trademark infringement.
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Nyman, Metcalf Katrin. "Activities in space - appropriation or use? /." Uppsala : Iustus Förl, 1999. http://www.gbv.de/dms/spk/sbb/recht/toc/329933493.pdf.

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Anderson, James Scott. "Monotheism and Yahweh's Appropriation of Baal." Thesis, University of Sheffield, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.540541.

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Clinch, Sarah. "Supporting user appropriation of public displays." Thesis, Lancaster University, 2013. http://eprints.lancs.ac.uk/70431/.

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Despite their prevalence, public engagement with pervasive public displays is typically very low. One method for increasing the relevance of displayed content (and therefore hopefully improving engagement) is to allow the viewer themselves to affect the content shown on displays they encounter – for example, personalising an existing news feed or invoking a specific application on a display of their choosing. We describe this process as viewer appropriation of public displays. This thesis aims to provide the foundations for appropriation support in future ‘open’ pervasive display networks. Our architecture combines three components: Yarely, a scheduler and media player; Tacita, a system for allowing users to make privacy-preserving appropriation requests, and Mercury, an application store for distributing content. Interface points between components support integration with thirdparty systems; a prime example is the provision of Content Descriptor Sets (CDSs) to describe the media items and constraints that determine what is played at each display. Our evaluation of the architecture is both quantitive and qualitative and includes a mixture of user studies, surveys, focus groups, performance measurements and reflections. Overall we show that it is feasible to construct a robust open pervasive display network that supports viewer appropriation. In particular, we show that Yarely’s thick-client approach enables the development of a signage system that provides continuous operation even in periods of network disconnection yet is able to respond to viewer appropriation requests. Furthermore, we show that CDSs can be used as an effective means of information exchange in an open architecture. Performance measures indicate that demanding personalisation scenarios can be satisfied, and our qualitative work indicates that both display owners and viewers are positive about the introduction of appropriation into future pervasive display systems.
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Books on the topic "Appropriation"

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David, Evans, ed. Appropriation. Cambridge, MA: MIT Press, 2009.

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Baudoin, Tanja, and VivianVivian Ziherl. Rereading appropriation. Amsterdam: If I can't dance, I don't want to be part of your revolution, 2015.

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(Austria), Fotogalerie Wien, ed. Aneignung, Appropriation. Wien: Fotogalerie Wien, 2012.

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Office, National Audit. Appropriation accounts. London: H.M.S.O., 1988.

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Parliament, Great Britain. Appropriation Bill. London: Stationery Office, 2005.

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Barua, Meehika. Cultural Appropriation. 2455 Teller Road, Thousand Oaks California 91320 United States: CQ Press, 2022. http://dx.doi.org/10.4135/cqresrre20220211.

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Schneider, Arnd. Appropriation as Practice. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9781403983176.

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Lawrence, Amanda Reeser, and Ana Miljački, eds. Terms of Appropriation. New York : Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315674506.

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1954-, Desmet Christy, and Sawyer Robert 1953-, eds. Shakespeare and appropriation. London: Routledge, 1999.

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Haase, Albert E. The advertising appropriation. New York: Garland Pub., 1985.

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Book chapters on the topic "Appropriation"

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Esteban-Guitart, Moises. "Appropriation." In Encyclopedia of Critical Psychology, 128–32. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4614-5583-7_616.

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De Man, Philip. "Appropriation." In Exclusive Use in an Inclusive Environment, 287–411. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-38752-9_5.

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Taplin, Walter. "Appropriation." In Routledge Library Editions: Advertising, Vol5:137—Vol5:158. London: Routledge, 2021. http://dx.doi.org/10.4324/9780203079157-56.

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Gallant, Christine. "Appropriation." In Tabooed Jung, 31–56. London: Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1057/9780230373761_3.

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Ajil, Ahmed. "Appropriation." In Politico-ideological Mobilisation and Violence in the Arab World, 157–71. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003281665-14.

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El Hassan, Azza. "Appropriation." In Palgrave Studies in Arab Cinema, 135–59. Cham: Springer Nature Switzerland, 2024. https://doi.org/10.1007/978-3-031-66951-4_10.

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Bardon, Aurélia, and Jennifer M. Page. "Introduction." In Cultural Appropriation, 1–12. London: Routledge, 2025. https://doi.org/10.4324/9781003018698-1.

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Bardon, Aurélia, and Jennifer M. Page. "How Should the State Respond to Cultural Appropriation?" In Cultural Appropriation, 65–81. London: Routledge, 2025. https://doi.org/10.4324/9781003018698-5.

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Bardon, Aurélia, and Jennifer M. Page. "How Should Individuals Respond to Cultural Appropriation?" In Cultural Appropriation, 82–96. London: Routledge, 2025. https://doi.org/10.4324/9781003018698-6.

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Bardon, Aurélia, and Jennifer M. Page. "The Theft Argument." In Cultural Appropriation, 13–31. London: Routledge, 2025. https://doi.org/10.4324/9781003018698-2.

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Conference papers on the topic "Appropriation"

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He, Xu, Xiao-Wei Song, and You-Fang Chen. "Generation Z Consumers’ Attitudes Toward Cultural Appropriation by High-end Clothing Brands." In 17th Textile Bioengineering and Informatics Symposium, 140–47. Hung Hom, Hong Kong: Textile Bioengineering and Informatics Society Limited (TBIS), 2024. https://doi.org/10.52202/076989-0018.

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Lindtner, Silvia, Ken Anderson, and Paul Dourish. "Cultural appropriation." In the ACM 2012 conference. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2145204.2145220.

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Dix, Alan. "Designing for Appropriation." In Proceedings of HCI 2007 The 21st British HCI Group Annual Conference University of Lancaster, UK. BCS Learning & Development, 2007. http://dx.doi.org/10.14236/ewic/hci2007.53.

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Mitsutani, Margaret. "SURVIVAL, APPROPRIATION, INTERACTION." In Proceedings of the Nobel Symposium 110. WORLD SCIENTIFIC, 1999. http://dx.doi.org/10.1142/9789812815170_0018.

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Vasalou, Asimina, Rilla Khaled, Daniel Gooch, and Laura Benton. "Problematizing cultural appropriation." In CHI PLAY '14: The annual symposium on Computer-Human Interaction in Play. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2658537.2658689.

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Bossen, Claus, and Peter Dalsgaard. "Conceptualization and appropriation." In the 4th decennial conference. New York, New York, USA: ACM Press, 2005. http://dx.doi.org/10.1145/1094562.1094574.

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You, Sangseok, Lionel P. Robert, and Soo Young Rieh. "The Appropriation Paradox." In CHI '15: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2702613.2732919.

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Ahde, Petra. "Appropriation by adornments." In the 2007 conference. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1314161.1314174.

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Quinones, Pablo-Alejandro, Stephanie D. Teasley, and Steven Lonn. "Appropriation by unanticipated users." In the 2013 conference. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2441776.2441949.

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Salovaara, Antti, Kristina Höök, Keith Cheverst, Michael Twidale, Matthew Chalmers, and Corina Sas. "Appropriation and creative use." In the 2011 annual conference extended abstracts. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/1979742.1979585.

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Reports on the topic "Appropriation"

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Mahapatra, Smruti, and Van Dyk Lewis. Politics of Appropriation in Dress. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1787.

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Grossman, Herschel, and Murat Iyigun. Population Increase, Extralegal Appropriation, and the End of Colonialism. Cambridge, MA: National Bureau of Economic Research, October 1993. http://dx.doi.org/10.3386/w4488.

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Jackson, Michael H. Separate Authorization and Appropriation Processes: Are We Beyond Their Usefulness? Fort Belvoir, VA: Defense Technical Information Center, March 1992. http://dx.doi.org/10.21236/ada249532.

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Rebecca S. Eisenberg. Private Appropriation, Public Dissemination and Commercial Product Development in Genomics (DOE). Office of Scientific and Technical Information (OSTI), March 2003. http://dx.doi.org/10.2172/808997.

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Hart, Heidi. Everybody Wants to Be ‘Origines’: Nativism, Neo-pagan Appropriation, and Ecofascism. European Center for Populism Studies (ECPS), March 2021. http://dx.doi.org/10.55271/pp0005x.

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This paper explores the tensions that emerge in neo-pagan media and practices, when they appeal not only to far-right enthusiasts but also to those with a left-leaning, environmentalist bent. New Age appropriation of Indigenous cultures and the anti-human temptations of ecofascism further complicate the picture. Ultimately, any group that follows a purity mentality, seeking deep, unadulterated roots in nature, risks nativist thinking and exclusion of those without the privilege of imagining themselves doing heroic deeds in equally imaginary, old-growth woods.
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Anzillotti Zamorano, Marta. ECMI Minorities Blog. The Cultural Appropriation of Flamenco: Views of Gitanos from Jerez de la Frontera. European Centre for Minority Issues, May 2023. http://dx.doi.org/10.53779/aapl9656.

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With discussions surrounding cultural appropriation ongoing in numerous spheres including music, fashion, and language, this blogpost explores the ever-changing nature of culture through the first-hand accounts of Gitanos from Jerez de la Frontera. The presence of the Gitano minority in Jerez has historically had – and continues to have – a significant impact on the city. This is especially true regarding flamenco, an artform encompassing centuries of history and culture. In this blogpost, the author uses interviews and a survey conducted for her MA thesis, as well as two case studies (namely that of Lola Flores and Rosalía), to explore the various ways of approaching and contextualizing theoretical understandings of cultural appropriation.
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Divita, Lorynn. "I Just Thought It Looked Cool": Cultural Appropriation by Music Festival Attendees. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1481.

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Philipson, Tomas, and Anupam Jena. Surplus Appropriation from R&D and Health Care Technology Assessment Procedures. Cambridge, MA: National Bureau of Economic Research, February 2006. http://dx.doi.org/10.3386/w12016.

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de Assis Costa, Francisco, Carlos Larrea, Roberto Araújo, José Heder Benatti, Vanesa Giraldo, Susanna Hecht, Maria Rosa Murmis, et al. LAND MARKET AND ILLEGALITIES: THE DEEP ROOTS OF DEFORESTATION IN THE AMAZON. Sustainable Development Solutions Network (SDSN), December 2023. http://dx.doi.org/10.55161/slbq1069.

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In a context of weak state presence and deteriorating democracy, illegal land appropriation advanced in Brazil, Colombia, Bolivia and Perú, while drug trafficking, illegal gold extraction and other illicit activities also proliferated, notably in Bolivia, Colombia, Ecuador, Peru, and Venezuela.
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DEPARTMENT OF THE AIR FORCE WASHINGTON DC. Department of the Air Force. Fiscal Year 2001 Budget Estimates, Military Personnel Appropriation. Fort Belvoir, VA: Defense Technical Information Center, February 2000. http://dx.doi.org/10.21236/ada374471.

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