Academic literature on the topic 'Arab Americans in literature'

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Journal articles on the topic "Arab Americans in literature"

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Wardi, Anissa J., and Katherine Wardi-Zonna. "Memories of Home: Reading the Bedouin In Arab American Literature." Ethnic Studies Review 31, no. 1 (January 1, 2008): 65–79. http://dx.doi.org/10.1525/esr.2008.31.1.65.

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In an urban neighborhood with a large Jewish population near my home, there is an Arabic restaurant. Name, menu and ownership mark its ethnic identification, yet its politics are otherwise obscured. An American flag, permanently placed in the restaurant's window since 9/11, greets American customers with a message of reconciliation. I am one of you, it says: come; eat; you are welcome here. In a climate where “Arabs, Arab-Americans and people with Middle Eastern features, everywhere are struggling to merely survive the United States' aggressive drive to ‘bring democracy to the Middle East'’ (Elia 160) and where the hostility toward Arab Americans is manifest in covert “othering” and aggressive acts of surveillance, detainment and bodily harm, the steady bustle of my neighborhood eatery is of consequence.
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Eltahawy, Nora. "Growing Better, Not Going Faster: World War I, Holy Land Mania, and Transnational Exchange in the Works of Abraham Mitrie Rihbany." MELUS 46, no. 2 (June 1, 2021): 64–86. http://dx.doi.org/10.1093/melus/mlab022.

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Abstract This article analyzes the three works published by Arab American theologian and author Abraham Mitrie Rihbany during and in the aftermath of World War I: Militant America and Jesus Christ (1917), America Save the Near East (1918), and Wise Men from the East and from the West (1922). The political climate in which Rihbany wrote the works saw the American public grappling with two issues of particular relevance to the steadily growing Arab American community. Where the global front was concerned, debates on the merits of abandoning isolationist policies, which focused near exclusively on the situation in Europe, left Americans oblivious to the ongoing conflict between the Ottoman Empire and its Arab subjects. On the domestic front, rising levels of xenophobia and the lasting legacy of The Naturalization Act divided legal and public opinion on Arabs’ eligibility for citizenship. Situating Rihbany’s attempts to address both of these problems against the backdrop of his upbringing in Greater Syria, this article reveals how Rihbany called on his training in the cosmopolitan era of the Nahda in order to guide the American public toward a more expansive model of transnationalism capable of encompassing both Arabs and Arab Americans in its fold.
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Jerbi, Syrine, and Eva Eszter Szabo. "From Vilification to Celebration: Arab American Comedians and Their Alternative Representations of Arabs and Muslims in Hollywood." International Journal of Arts, Humanities & Social Science 04, no. 08 (August 9, 2023): 29–37. http://dx.doi.org/10.56734/ijahss.v4n8a4.

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This article explores how Arab American comedians use humor and satire to challenge and subvert Hollywood’s negative stereotypes and portrayals of Arabs and Muslims. Drawing on the theory of Jack Shaheen, who analyzed and contested Arab and Muslim stereotypes in American media, the article uses qualitative content analysis to examine stand-up shows, films, and television series featuring Arab American comedians and other ethnic comedians in Hollywood. The article identifies common misconceptions and stereotypes, examines the techniques of humor and satire, and compares the impact of Arab American comedy with that of other ethnic comedies. The article argues that Arab American comedians successfully challenge Hollywood’s stereotypes and create alternative representations that celebrate their identity, culture, and diversity. The article contributes to existing literature on humor, satire, representation, stereotyping, resistance, empowerment, identity, culture, diversity, Arab Americans, Muslims, Hollywood, and the media.
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Jerbi, Syrine. "Unveiling the tapestry of Arab American writings." International Journal of Language and Literary Studies 5, no. 2 (July 21, 2023): 384–99. http://dx.doi.org/10.36892/ijlls.v5i2.1362.

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Arab Americans living in the United States are represented in the intriguing and varied body of Arab American Literature. It is a diverse and significant body of writing that reflects the experiences and perspectives of Arab Americans in the United States. It explores powerful examples of how difficult it is to deal with identity, heritage, and belonging concerns in a diverse community. Arab American writers, from Ameen Rihani to Naomi Shihab Nye, have made creative contributions with their viewpoints, illuminating the rich tapestry of life in Arab America in everything from provocative novels to tender poetry and perceptive essays. However, Arab American authors have faced numerous challenges, including prejudice, stereotypes, language barriers, and limited publishing opportunities. Despite these obstacles, they have persisted in using their literary works as a means of self-expression, cultural preservation, and empowerment. To promote the visibility and acknowledgment of Arab American voices, readers, institutions, and literary communities must actively support and endorse Arab American authors and their work. Arab American Literature contributes to a more inclusive and interconnected society, dispelling myths and fostering empathy and understanding across cultural divides.
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Alshetawi, Mahmoud F. "Combating 9/11 Negative Images of Arabs in American Culture: A Study of Yussef El Guindi’s Drama." Journal of Ethnic and Cultural Studies 7, no. 3 (October 15, 2020): 177. http://dx.doi.org/10.29333/ejecs/458.

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This study intends to examine the dramatic endeavours of Arab American playwrights to make their voices heard through drama, performance, and theatre in light of transnationalism and diaspora theory. The study argues that Arab American dramatists and theatre groups attempt to counter the hegemonic polemics against Arabs and Muslims, which have madly become characteristic of contemporary American literature and media following 9/11. In this context, this study examines Yussef El Guindi, an Egyptian-American, and his work. El Guindi has devoted most of his plays to fight the stereotypes that are persistently attributed to Arabs and Muslims, and his drama presents issues relating to identity formation and what this formation means to be Arab American. A scrutiny of these plays shows that El Guindi has dealt with an assortment of topics and issues all relating to the stereotypes of Arab Americans and the Middle East. These issues include racial profiling and surveillance, stereotypes of Arabs and Muslims in the cinema and theatre, and acculturation and clash of cultures.
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Al-Hazza, Tami Craft, and Katherine T. Bucher. "Bridging a Cultural Divide with Literature about Arabs and Arab Americans." Middle School Journal 41, no. 3 (January 2010): 4–11. http://dx.doi.org/10.1080/00940771.2010.11461716.

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Berrebbah, Ishak. "Anxious Dynamics of Exile and the Ambivalence of Arab American Identity in Diana Abu-Jaber’s Crescent: Critical Reflections and Contemplations." Anglia 140, no. 3-4 (December 1, 2022): 555–71. http://dx.doi.org/10.1515/ang-2022-0047.

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Abstract Diana Abu-Jaber’s Crescent is an Arab American literary piece of fiction that symbolizes the remarkable emergence of this kind of literature in the early years of the twenty-first century. The social and political atmosphere in the USA after 9/11 ushered in the rise of this ethnic literature to worldwide prominence. In addition to the desire to challenge the multi-faceted oppression that Arab Americans confront in the USA – gender-related, sexual, racial, and ethnic – the literary canon of Arab American writers also discuss the experiences of exile and displacement that Arabs go through when settling in the USA and how such experiences affect their sense of authenticity. As such, this paper examines the politics of exile as projected in Diana Abu-Jaber’s Crescent, taking the co-protagonist Han as a prototype of Arab exiles living in the USA. In addition to employing critical and analytical approaches to the novel, this paper relies on a socio-cultural conceptual framework based on perspectives of prominent critics such as Edward Said, Avtar Brah, and Svetlana Boym, to name a few. This paper argues that the politics of exile – such as nostalgia, memory, and displacement – make Arab American identity more convoluted and interlaced with the dilemma of authenticity, featuring feelings of estrangement, loneliness, and homesickness.
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Fouad Selim, Yasser. "Narrating Arab-American Transnational Identity in Leila Buck’s Hkeelee [Talk to Me]." Modern Drama 64, no. 3 (August 1, 2021): 329–49. http://dx.doi.org/10.3138/md-64-3-1146.

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Hkeelee [ Talk to Me] is a one-woman show written and performed by Arab-American playwright Leila Buck, which explores the history of Buck’s family as she reminisces about the life story of her Teta (grandmother) and intertwines it with her own experiences to better understand what it means to be American with an Arab ethnic origin. This article argues that Buck’s stories act as counter-narratives: they resist the marginalization of Arab Americans and place the Arab-American identity within a transnational framework that emphasizes simultaneous attachment to the Arab world and to the United States, thereby unsettling prevailing US political discourses on citizenship and national identity. The article further proposes that Buck constructs an Arab-American transnational identity in the play by deploying the techniques and practices of the ancient Arab hakawati [storyteller] tradition, another example of cross-cultural connection and an instance of how US theatre could be enriched by an ethnic literary and performance legacy.
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Baki, Hala. "Dispute in the Diaspora: Metaphor and Contradiction in Twenty-First-Century Arab American Family Dramas." Modern Drama 66, no. 4 (December 1, 2023): 519–40. http://dx.doi.org/10.3138/md-66-4-1263.

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Betty Shamieh’s Roar (2005) and Yussef El Guindi’s Ten Acrobats in an Amazing Leap of Faith (2009) exemplify early twenty-first-century Arab American family dramas that grapple with the intersecting dilemmas of Arab diasporic experience in the United States. Reading the family as a metaphor for the Arab diaspora, I argue that these plays serve as sites of contradiction and negotiation, exploring intra-communal conflicts that stem from differing relationships to homeland, host nation, and community. In this article, I contextualize Shamieh’s and El Guindi’s plays within the long history of Arab Americans navigating US racial frameworks, immigrant sentiment, and systemic bias. I further propose that these family dramas can be read as allegories of a diasporic public, Arab American or otherwise, that imagine ways of responding to the challenges of acculturation and survival in the diaspora.
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Hammer, Juliane. "America in an Arab Mirror." American Journal of Islam and Society 18, no. 1 (January 1, 2001): 107–9. http://dx.doi.org/10.35632/ajis.v18i1.2039.

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How do Arab travelers view the US? Much has been written about how westerntravelers and scholars have seen and described the Orient, thereby not onlycreating an image but also transforming the reality of it. Looking at this anthologyone is reminded of Said's book Orienta/ism and inspired to ask whether asimilar process takes place in reverse. Not in terms of change but certainly increating an image of the unfamiliar as the other simultaneously admired andrejected.Kamal Abdel-Malek has collected and edited texts of twenty-seven Arab visitorsto the United States. Some came as students, others as accomplished scholars orcurious visitors. Each text is an excerpt of a longer text, usually a book, and allbooks were originally published in Arabic and have not been translated intoEnglish before. Also, as Abdel-Malek points out in his preface, the collectionrepresents most of the travel literature he was able to locate in Arabic and iscompleted by a list of all Arabic sources. Thus, this collection allows the readeraccess to a genre of Arabic literature otherwise not available.The travel accounts are organized in five sections and chronologically by year ofpublication within each section.The ftrst section is titled America in the Eyes of a Nineteenth-Century Amb andcontains one account of an Arab traveler to the US published in I 895. The authorpresents the reader with a comparison of what Arabs and Americans findimportant and how these preferences are diametrically opposed in most cases.In the second section Abdel-Malek has gathered a variety of accounts under thetitle The Making of an Image: America as the Unchanged Other, Ame1ica as theSeductive Female. The most interesting piece of this section is probably that ofSayyid Qutb, who studied in the US between 1948 and 1950 and published hisaccount under the title The America I have seen. Much of what he noted about theUS ln the first half of the 20th century, in my opinion, still holds true today. Qutbconcludes: "All that requires mind power and muscle are where American geniusshines, and all that requires spirit and emotion are where American naivete andprimitiveness become apparent .... All this does not mean that Americans are anation devoid of virtue, or else, what would have enabled them to live? Rather, itmeans that America's virtues are the virtues of production and organization, andnot those of human and social morals." (p. 26f.) ...
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Dissertations / Theses on the topic "Arab Americans in literature"

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Al-Issa, Fadi Ahmad Goodman Robin. "Living on the hyphen : the literature of the early Arab-Americans between 1870-1940 /." Florida : Fadi Ahmad Al-Issa, 2003. http://etd.lib.fsu.edu/theses/available/etd-09152003-222016.

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Thesis (M.A.)--Florida State University, 2003.
Advisor: Dr. Robin Goodman, Florida State University, College of Arts and Sciences, Dept. of English. Copy of Thesis. Includes bibliographical references.
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Khoury, Nicole Michelle. "Hybrid identity and Arab/American feminism in Diana Abu-Jaber's Arabian Jazz." CSUSB ScholarWorks, 2005. https://scholarworks.lib.csusb.edu/etd-project/2862.

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In her novel Arabian Jazz, Diana Abu-Jaber attempts to explore the Arab American identity as something new; as an identity that exists related to, but ultimately separate from, the Arab and American identities from which it was originally created. This thesis discusses the emergence of the depiction of the Arab American female identity in the novel, examining how the characters explore issues of race, class, imperialism, and sex within both the Arab and the American cultures as those issues shape female identity. The thesis also presents a rhetorical analysis of the speeches that allow the characters a voice with respect to how identity is shaped and reshaped throughout the novel.
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El, Deek Hosry Manar. "Interrogations into Female Identity in Arab American literature." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040024.

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Cette thèse étudie des œuvres littéraires arabo-américaines contemporaines écrites par des femmes, plus spécifiquement les écrits d’Evelyn Shakir tels que Bint Arab, ainsi que plusieurs autres romans dont Arabian Jazz et Crescent de Diana Abu Jaber, The Inheritance of Exile de Susan Muaddi Darraj, The Night Counter d’Alia Yunis, et Once in a Promised Land de Laila Halaby. Elle montre comment ces œuvres construisent des univers où peuvent être interrogées les notions d’identité, de culture, d’ethnicité, et de genre. Les conflits quotidiens autour de l’identité sont traités en se fondant à la fois sur les œuvres critiques des femmes arabo-américaines et sur les études psycho-sociales du biculturalisme. De plus, ce travail met l’accent sur la formation de solidarités entre les femmes de couleur, en élargissant le concept de « conscience des zones frontalières » d’Anzaldua pour inclure les œuvres des écrivaines arabo-américaines. Les théories développées après la colonisation, particulièrement les études sur l’orientalisme à la suite d’Edward Said, sont également invoquées pour remettre en question le modèle oriental de la féminité. Enfin, cette thèse analyse la narration et son rôle dans la création d’un point d’ancrage pour les identités « exilées », insistant plus particulièrement sur la figure de Shéhérazade. Ce travail montre ainsi la façon dont les productions littéraires peuvent créer de nouveaux espaces pour comprendre les problèmes sociaux, politiques, culturels, ou ethniques
This dissertation analyses contemporary Arab-American literary productions by female writers, specifically, Shakir’s collection of memoirs Bint Arab and her two short stories “Oh Lebanon” and “Name Calling,” as well as a selection of novels, Abu Jaber’s Arabian Jazz and Crescent, Darraj’s The Inheritance of Exile, Alia Yunis’s The Night Counter, and Laila Halaby’s Once in a Promised Land. It shows how these works construct a space which enables them to investigate questions of identity, culture, ethnicity and gender. Identity conflicts around everyday matters like physical appearance, color, dress codes, veiling, chastity, and marriage are addressed by drawing upon critical works by Arab-American female writers and psycho-social studies on biculturalism. Moreover, this work emphasizes coalition-building with women of color by extending Anzaldua’s concept of the “consciousness of the borderlands” to encompass works by Arab-American female writers. Theories by post-colonial thinkers, particularly Said’s studies on Orientalism, also contribute to the dissertation’s questioning of the Oriental model of womanhood. Finally, this dissertation envisages critical works that study storytelling and its role in creating a surrogate home for “exilic” identities, with special emphasis on the Scheherazadian narrative. This project views literary productions as an appropriate way to investigate social, political, cultural and ethnic issues. It shows how writings by Arab-American women contribute to exploring inner identity conflicts, how they connect with other minority groups, and how they create a new sense of home
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Bosch, Marta (Bosch Vilarrubias). "Post-9/11 Representations of Arab Men by Arab American Women Writers: Affirmation and Resistance." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/392705.

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This dissertation provides an analysis of the representation of Arab American men in post-9/11 writings by Arab American women. This thesis contributes a new inquiry regarding Arab American literature in joining the subject of literature written by women and the study of Arab American masculinities. It delves into the construction (from both outsider and insider perspectives) of Arab American masculinities, at the same time as it expounds on the history of Arab (American) feminisms, placing Arab American women writers in a privileged space of contestation and critique in their fight against both sexism and racism. This dissertation wants to visibilize the nuanced depiction of Arab and Arab American men provided by Arab American women writers after 9/11, who have been informed by feminism since the 1990s. In their attempt to fight both sexism and racism, Arab American women provide ambivalent representations of Arab men that counter stereotypical discourses historically entrenched in the American psyche and also recurrent after 9/11. Furthermore, this thesis also intends to provide an analysis of fiction as a representation of reality, while also understanding literature as a potential conductor of change in cultural discourses. To do so, the dissertation is structured in four main parts which examine the context, reasons, and potential consequences of the specific portrayals of Arab American masculinities published by Arab American women after 9/11. The first chapter covers the historical vilification and racialization of Arab men in the United States, by taking on theories on biopolitics (Foucault), necropolitics (Mbembe, Puar), and monster-terrorist (Puar and Rai) in relation to the traumatic experience of September 11. The second deals with the discourses that aid in the social construction of Arab American identities and masculinities, with a special emphasis given to the theories of neopatriarchy (Sharabi), heterotopia (Foucault) and thirdspace (Soja, Bhaba). The construction of Arab American identities is also analyzed (David), as well as Arab American masculinities (Harpel). The third chapter examines the development and characteristics of Arab American feminisms (Hatem), as well as their influence to Arab American women writers. Finally, the fourth part takes on the theories from previous chapters and provides a literary analysis of the male characters in a group of selected novels published after 9/11. Those are: Diana Abu-Jaber's Crescent (2003), Laila Halaby's West of the Jordan (2003), Alicia Erian's Towelhead (2005), Laila Halaby's Once in A Promised Land (2007), Frances Kirallah Noble's The New Belly Dancer of the Galaxy (2007), Susan Muaddi Darraj's The Inheritance of Exile: Stories from South Philly (2007), Randa Jarrar's A Map of Home (2008), and Alia Yunis's The Night Counter (2009).
Esta tesis proporciona un análisis de la representación de los hombres árabo-americanos en novelas escritas por mujeres después del 11 de septiembre. Este estudio contribuye una novedosa investigación en relación a la literatura árabo-americana al juntar el estudio de la literatura escrita por mujeres y el análisis de las masculinidades árabo-americanas. La tesis explora la construcción de las masculinidades árabo-americanas, al mismo tiempo que explica la historia de los feminismos árabo-americanos, situando a las mujeres árabo-americanas en un espacio privilegiado de contestación y crítica en su lucha contra el sexismo y contra el racismo. Esta tesis quiere visibilizar la compleja representación de los hombres árabes y árabo-americanos ofrecida por mujeres árabo-americanas después del 11 de septiembre, mujeres influenciadas por el feminismo desde los años noventa. En su lucha contra el sexismo y el racismo, estas mujeres proporcionan representaciones ambivalentes de hombres árabes que contrarrestan los discursos estereotípicos recurrentes después del 11 de septiembre y arraigados en la psique norteamericana. Además, proporciona un análisis de la ficción como representación de la realidad, entendiendo la literatura como conductor potencial de cambio en los discursos culturales. Para ello, el estudio se estructura en cuatro partes que examinan los contextos, razones y potenciales consecuencias de las representaciones específicas de las masculinidades árabo-americanas publicadas por mujeres después del 11 de septiembre. El primer capítulo cubre la vilificación y racialización históricas del hombre árabe en los Estados Unidos, tomando las teorías de “biopolitics” (Foucault), “necropolitics” (Mbembe, Puar), y “monster-terrorist” (Puar y Rai) para entender la experiencia traumática del 11 de septiembre. El segundo trata sobre los discursos que ayudan a la construcción social de las identidades y masculinidades árabo-americanas, dando especial énfasis a las teorías de “neopatriarchy” (Sharabi), “heterotopia” (Foucault) y “thirdspace” (Soja, Bhaba). La construcción de identidades árabo-americanas también es analizada, así como las masculinidades árabo-americanas. El tercer capítulo examina el desarrollo y características de los feminismos árabo-americanos, así como su influencia para las escritoras árabo-americanas. Finalmente, el cuarto capítulo recoge las teorías expuestas en los capítulos previos y proporciona un análisis literario de los personajes masculinos en un grupo de novelas publicadas después del 11 de septiembre: Crescent (2003) de Diana Abu-Jaber, West of the Jordan (2003) de Laila Halaby, Towelhead (2005) de Alicia Erian, Once in A Promised Land (2007) de Laila Halaby, The New Belly Dancer of the Galaxy (2007) de Frances Kirallah Noble, The Inheritance of Exile: Stories from South Philly (2007) de Susan Muaddi Darraj, A Map of Home (2008) de Randa Jarrar, y The Night Counter (2009) de Alia Yunis.
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Herro, Niven. "Arab American Literature and the Ethnic American Landscape: Language, Identity, and Community." University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin153563377189775.

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Maloul, Linda Fawzi. "From immigrant narratives to ethnic literature : the contemporary fiction of Arab British and Arab American women writers." Thesis, University of Manchester, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.647377.

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The purpose of this thesis is to firmly situate the fictions of contemporary Arab British and Arab American women writers who write in English within the corpus of ethnic and mainstream literary criticism. I aim to position these fictions within their historical and sociopolitical contexts. I also aim to shift the focus from the texts’ female protagonists to male and minor characters in order to explore how the writers construct both political Islam and Islam as a private faith; how they construct Palestinian Muslim masculinities; and how they respond to the events of 9/11 and the ensuing war on terror. I argue that these fictions offer some of the most astute reactions to the events of 9/11 and their repercussions. I also argue that Arab American literature in general and Arab American women’s literature in particular is more canny than its Arab British counterpart. Thus, I aim to show how Arab American literary productions refract a development from the literature of self-exploration to that of transformation allowing them a well-deserved spot in Ethnic-American literary studies and in time, mainstream American literary studies. Another of my aims is to investigate how Arab American and Arab British writers highlight the diversity of Arabs, Muslims and Islam, thus addressing essentialist reductions of Arabs and Muslims as a monolithic group. In chapter one, I investigate how Ahdaf Soueif’s In the Eye of the Sun and Leila Aboulela’s Minaret negotiate issues such as Islamic clothing. I also question anew Arab women writers’ perceived role as “cultural commentators.” In chapter two, I explore how Laila Halaby’s West of the Jordan and Randa Jarrar’s A Map of Home construct Palestinian Muslim masculinities, and how they challenge the Anglo-American stereotypical representations of Arab Muslim masculinity. In chapter three, I analyse how Laila Halaby’s Once in a Promised Land, Frances Khirallah Noble’s The New Belly Dancer of the Galaxy and Alia Yunis’ The Night Counter negotiate cultural, political and social views of America. I aim to examine whether Halaby, Noble and Yunis’ ambiguous position, as legally ‘white’ citizens who are also members of a marginalized and religiously racialized minority, offers them a more nuanced understanding of the relationship between ‘East’ and ‘West.’ In the conclusion, I offer some suggestions for future research.
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Ben-Nasr, Leila. "The Narrative Space of Childhood in 21st Century Anglophone Arab Literature in the Diaspora." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1546475958114273.

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Marchi, Lisa. "Creolizing Diaspora: Home and Identity, Language and Hospitality in Arab Diasporic Literature." Doctoral thesis, University of Trento, 2011. http://eprints-phd.biblio.unitn.it/567/1/tesi_di_dottorato_corretta_Marchi.pdf.

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This research investigates the extent to which diaspora can be considered a useful term of reference for the exploration and critical interrogation of the literary works written by authors of Arab origin in Europe, Canada and the United States. The aim of this study is to develop an alternative theoretical model to analyze and critically interrogate works that have been written beyond the boundaries of a national literature and that blur the opposition "migrant" vs. "national" or "ethnic" vs. "mainstream." This study makes use of an integrated methodology and draws its theoretical tools from deconstruction, post-colonial studies, feminist theory, and Edouard Glissant's poetics of creolization. It is an interdisciplinary and multilingual work that puts in dialogue literature with philosophy and sociology and explores texts written in English, French, German, and Italian.
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Abdulrahim, Safaa. "Between empire and diaspora : identity poetics in contemporary Arab-American women's poetry." Thesis, University of Stirling, 2013. http://hdl.handle.net/1893/19525.

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This dissertation aims to contribute to the burgeoning field of Arab-American feminist critique through an exploration of the work of four contemporary Arab-American women poets: Etel Adnan (1925-), a poet and a visual artist and a writer, Naomi Shihab Nye (1952-), poet, a song writer, and a novelist, Mohja Kahf (1967-), a poet, an Islamic feminist critic and author, and Suheir Hammad (1973-), a hip-hop poet and political activist. The study traverses the intersections of stereotypical racial and Orientalist discourses with which these women contend, and which have been further complicated by being shaped against the backdrop of the “War on Terror” and hostility against Arabs, Muslims and Arab-Americans in the post-September 11 era. Hence, the study attempts to examine their poetry as a tool for resistance, and as a space for conciliating the complexities of their hyphenated identities. The last two decades of the twentieth-century saw the rise of a rich body of Arab-American women writing which has elicited increasing academic and critical interest. However, extensive scholarly and critical attention was mainly drawn to novels and non-fiction prose produced by Arab-American women writers as reflected in the huge array of anthologies, journal articles, book reviews and academic studies. Although such efforts aim to research and examine the racial politics that have impacted the community and how it relates to feminist discourses in the United States, they have rarely addressed or researched how the ramifications of these racialised politics and discourses are articulated in Arab-American women’s poetry per se. Informed by a wide range of postcolonial and United States ethnic theory and criticism, feminist discourses of women of colour such Gloria Anzaldúa's borderland theory, and Lisa Lowe's discussions of ethnic cultural formations in addition to transnational feminism, this study seeks to lay the groundwork for a complex analysis of Arab-American feminist poetics, based on both national and transnational literary approaches. The dissertation addresses the following questions: how does the genre of poetry negotiate identity politics and affiliations of belonging in the current polarized and historical moment? How do these women poets challenge the troubling oppressed/exoticised representations of Arab/Muslim women prevalent in the United States mainstream culture? How does each of these poets express their vision of social and political transformation? Emphasising the varying ethnic, religious, national, political, and cultural backgrounds and affiliations of these four poets, this dissertation attempts to defy any notion of the monolithic experience of Arab-American women, and argues for a nuanced understanding of specificity and diversity of Arab-American feminist experiences and articulations. To achieve its aim, the study depicts the historical evolution of Arab women’s poetry in the United States throughout four generations in order to examine the deriving issues and formative elements that contributed to the development of this genre, and also to pinpoint the defining characteristics marking Arab-American women poetry as a cultural production of American women of Arab descent. Through close readings and critical analyses of texts, the dissertation offers an investigation of some of the major themes and issues handled by these Arab-American women to highlight the most persistent tropes that mark this developing literary genre. Eventually, this study shows how literature, and specifically poetry becomes a conduit to investigate Arab-American cultural and sociopolitical conditions. It also offers productive explorations of identities and representations that transcend the rigid essential totalising categorisation of identity, while attempting to forge a new space for cultural translation and social transformation.
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Motyl, Katharina. "With the Face of the Enemy : Arab American Literature Since 9/11 / Katharina Motyl." Frankfurt : Campus, 2019.

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Books on the topic "Arab Americans in literature"

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Fitterer, C. Ann. Arab Americans. Chanhassen, Minn: Child's World, 2003.

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Habeeb, William Mark. Arab Americans. Philadelphia: Mason Crest Publishers, 2009.

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Cromwell, Sharon. Arab Americans. Vero Beach, FL: Rourke Pub., 2008.

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Naff, Alixa. The Arab Americans. Philadelphia: Chelsea House Publishers, 1999.

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Naff, Alixa. The Arab Americans. Philadelphia: Chelsea House Publishers, 1999.

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Moreno, Barry. The Arab Americans. Philadelphia: Mason Crest Publishers, 2008.

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Temple, Bob. The Arab Americans. Philadelphia: Mason Crest Publishers, 2003.

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Hall, Loretta. Arab American voices. Detroit: U X L, 2000.

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Layton, Rebecca. Arab-American and Muslim writers. New York: Chelsea House, 2010.

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Salaita, Steven George. Modern Arab American fiction: A reader's guide. Syracuse, N.Y: Syracuse University Press, 2011.

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Book chapters on the topic "Arab Americans in literature"

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Bosch-Vilarrubias, Marta. "Aging Men in Contemporary Arab American Literature Written by Women." In Aging Masculinities in Contemporary U.S. Fiction, 139–52. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71596-0_10.

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Haddad, Angela. "Chronicling “the Death of the Arab” in Colombian Literature." In Twenty-First Century Arab and African Diasporas in Spain, Portugal and Latin America, 207–22. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003245117-17.

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Bosch-Vilarrubias, Marta. "Transitory Masculinities in Post-9/11 Arab American Literature Written by Women." In Alternative Masculinities for a Changing World, 205–17. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137462565_14.

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Soliman, Sherif, and Natalie Wallace. "Arab-Americans." In Encyclopedia of Immigrant Health, 212–15. New York, NY: Springer New York, 2012. http://dx.doi.org/10.1007/978-1-4419-5659-0_48.

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Spengler, Birgit. "States of Exception and Arab American Women’s Poetry After 9/11: Liminality and Community in Suheir Hammad’s “first writing since” and D. H. Melhem’s “September 11, 2001, World Trade Center, Aftermath”." In Liminality, Hybridity, and American Women's Literature, 227–46. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-73851-2_15.

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Grimm, Joe, and Osama Siblani. "Arab Americans and Muslim Americans." In The Diversity Style Guide, 133–51. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781119407256.ch7.

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Cainkar, Louise, and Jen’nan Ghazal Read. "Arab Americans and Gender." In Biopsychosocial Perspectives on Arab Americans, 89–105. Boston, MA: Springer US, 2013. http://dx.doi.org/10.1007/978-1-4614-8238-3_5.

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Abi-Hashem, Naji. "Counseling Middle Eastern Arab-Americans." In Encyclopedia of Psychology and Religion, 535–40. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-24348-7_9330.

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Alsultany, Evelyn. "Arabs, Muslims, and Arab Americans." In The Routledge Companion to Media and Race, 241–49. London ; New York : Routledge, Taylor & Francis Group, 2017.: Routledge, 2016. http://dx.doi.org/10.4324/9781315778228-22.

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Abi-Hashem, Naji. "Counseling Middle Eastern Arab-Americans." In Encyclopedia of Psychology and Religion, 402–7. Boston, MA: Springer US, 2014. http://dx.doi.org/10.1007/978-1-4614-6086-2_9330.

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Conference papers on the topic "Arab Americans in literature"

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Decker, David. "Wolfe Tone, America and the Americans." In Annual International Conference on Language, Literature & Linguistics. Global Science & Technology Forum (GSTF), 2012. http://dx.doi.org/10.5176/2251-3566_l312141.

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Alfarsi, Ghaliya, Jasiya Jabbar, Ragad M. Tawafak, Abir Alsidiri, and Maryam Alsinani. "Techniques For Face Verification: Literature Review." In 2019 International Arab Conference on Information Technology (ACIT). IEEE, 2019. http://dx.doi.org/10.1109/acit47987.2019.8990975.

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Al-Zuabi, Haifa, and Murni Mahmud. "Implementation of e-Government in Arab countries: A literature review." In 2011 International Conference on Research and Innovation in Information Systems (ICRIIS). IEEE, 2011. http://dx.doi.org/10.1109/icriis.2011.6125735.

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Burkhart, Rachel, Julie Ruterbusch, Amr Soliman, Rafael Meza, Kelly Hirko, John Graff, and Kendra Schwartz. "Abstract A68: Cancer incidence among Arab Americans in California, Detroit, and New Jersey SEER registries, 2000." In Abstracts: Fifth AACR Conference on the Science of Cancer Health Disparities in Racial/Ethnic Minorities and the Medically Underserved; Oct 27–30, 2012; San Diego, CA. American Association for Cancer Research, 2012. http://dx.doi.org/10.1158/1055-9965.disp12-a68.

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Marzougui, Fatma, Mohamed Elleuch, and Monji Kherallah. "Literature Review of IoT and Blockchain Technology in Agriculture." In 2023 24th International Arab Conference on Information Technology (ACIT). IEEE, 2023. http://dx.doi.org/10.1109/acit58888.2023.10453873.

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Al-Harrasi, Abir S., and Saqib Ali. "Investigating the Challenges Facing Composable/ Disaggregated Infrastructure Implementation: A Literature Review." In 2021 22nd International Arab Conference on Information Technology (ACIT). IEEE, 2021. http://dx.doi.org/10.1109/acit53391.2021.9677094.

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Costa, António Pedro, Eduardo Dutra Moresi, Isabel Pinho, and Mohanad Halaweh. "Integrating Bibliometrics and Qualitative Content Analysis for Conducting a Literature Review." In 2023 24th International Arab Conference on Information Technology (ACIT). IEEE, 2023. http://dx.doi.org/10.1109/acit58888.2023.10453680.

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Lim, Lin. "Underachievement in Gifted Asian Americans, More Than Meets the Eye: Critical Literature Review." In 2024 AERA Annual Meeting. Washington DC: AERA, 2024. http://dx.doi.org/10.3102/2105822.

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Said, Inas, and Vijay Vyas. "Intentions Transformation of Arab Ethnic Minority Entrepreneurs in Israel: A Literature Review." In Annual International Conference on Innovation and Entrepreneurship (IE 2017). Global Science & Technology Forum (GSTF), 2017. http://dx.doi.org/10.5176/2251-2039_ie17.7.

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Schwartz, Kendra, Julie J. Ruterbusch, and Fatima Khan. "Abstract A67: Differences in the cancer burden for foreign-born versus U.S.-born Arab Americans living in metropolitan Detroit." In Abstracts: Fifth AACR Conference on the Science of Cancer Health Disparities in Racial/Ethnic Minorities and the Medically Underserved; Oct 27–30, 2012; San Diego, CA. American Association for Cancer Research, 2012. http://dx.doi.org/10.1158/1055-9965.disp12-a67.

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Reports on the topic "Arab Americans in literature"

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Webair, Hana Hasan, Tengku Alina Tengku Ismail, and Shaiful Bahari Ismail. Health seeking behaviour among patients suffering from infertility in the Arab countries; a scoping review protocol. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, March 2022. http://dx.doi.org/10.37766/inplasy2022.3.0034.

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Review question / Objective: To identify how much and what is already known about health-seeking behavior (HSB) among the Arab patients who experienced infertility. Our purpose is to map and describe the studies that have been done and what they assessed concerning HSB among patients who experienced infertility. This includes the studies which address the factors affecting HSB. This review is conducted to display gaps in HSB literature and to inform a systematic review in the Arab countries. Condition being studied: The review will study research articles which addressed the HSB among couples, men, or women suffering from infertility. We adopted the definition of HSB by Ward et al. (1997) which is the actions undertaken by the patients who perceive themselves as infertile for the purpose to conceive and get children (Ward, Mertens, & Thomas, 1997). This could be any action ranged from neglect to seeking advanced infertility care. We will study the operational definition of HSB in each study, HSB model, rate of seeking medical care and type of care sought, other sources of help sought, and factors influencing HSB. In addition, we will describe how HSB was studied by defining the characteristics of the retrieved studies including design, setting, participants, and sample size, and infertility operational definition.
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Yilmaz, Ihsan, and Nicholas Morieson. Nationalism, Religion, and Archaeology: The Civilizational Populism of Benjamin Netanyahu and Likud. European Center for Populism Studies (ECPS), October 2022. http://dx.doi.org/10.55271/pp0015.

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This paper examines civilizational populism in Israel and focuses on the largest and most powerful party in Israel since the 1980s, National Liberal Movement (Likud), and its most significant leader of the past twenty years, the populist politician Benjamin Netanyahu. We show how Netanyahu incorporates ‘civilizationism’ into his populist discourses by, first, using the notion that Jewish civilization predates all others in the region to establish the legitimacy of the state of Israel, the hegemony of Jewish culture within Israel, and at times his own political decisions. Second, through his portrayal of the Arab-Muslim world as an antisemitic and barbaric bloc that, far from being a civilization, threatens Western civilization through its barbarism. Equally, this paper shows how Netanyahu argues that Israel is akin to protective wall that protects Western Civilization from the Islamist barbarians who wish to destroy it, and therefore on this basis calls for Europeans and North Americans to support Israel in its battle for civilization and against “the forces of barbarism.”
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Braun, Lindsay, Jesus Barajas, Bumsoo Lee, Rebecca Martin, Rafsun Mashraky, Shubhangi Rathor, and Manika Shrivastava. Construction of Pedestrian Infrastructure along Transit Corridors. Illinois Center for Transportation, March 2021. http://dx.doi.org/10.36501/0197-9191/21-004.

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The availability and quality of pedestrian infrastructure play key roles in enabling access to transit. Many transit operators face challenges in facilitating this access, however, because they lack land use authority and encounter other institutional and programmatic impediments to effecting changes in the pedestrian environment. This report identifies the barriers to pedestrian access to transit in suburban communities located in the Pace Suburban Bus service area in northeastern Illinois and suggests potential solutions to overcome these barriers. The research team led several activities to collect data, including: conducting an academic literature review; reviewing pedestrian plans, policies, and programs in the region; surveying and interviewing key stakeholders; reviewing pedestrian funding sources; surveying and conducting case studies of peer transit agencies; conducting physical audits of pedestrian infrastructure; and interviewing residents of six municipalities about their transit access experiences. Lack of adequate funding, difficulties planning across jurisdictional boundaries, and conflicts in transportation priorities are major impediments to building pedestrian infrastructure. While planners and decision-makers tend to value pedestrian planning, challenges such as funding constraints and the need to retrofit suburban infrastructure are key barriers to implementation. Peer transit agencies face similar barriers to Pace and use strategies such as plan and policy development, diverse funding opportunities, and collaborative partnerships with stakeholder agencies and advocacy groups to overcome these barriers. Transit riders generally reported positive experiences with pedestrian access to transit in their communities. Many locations had robust infrastructure, but common deficiencies included poor sidewalk connectivity, incomplete crossings, lack of lighting and transit shelters, and deficiencies in Americans with Disabilities Act (ADA) infrastructure. A suite of policy recommendations for Pace and other partners that focus on planning, policy, funding, interagency coordination, education and training, infrastructure prioritization, and transit amenities address the full range of physical and institutional barriers identified in the research.
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Villwock-Witte, Natalie, Karalyn Clouser, and David Kack. In Search of Simultaneous Benefits of Infrastructure Provisions on Freight & Bicycle Movements. Western Transportation Institute, October 2023. http://dx.doi.org/10.15788/1700174082.

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The United States has three million miles of rural roadways (U.S. Department of Transportation, Federal Highway Administration, 2000). Some bicyclists enjoy recreating on low-volume rural roadways because they are looking for long rides to physically challenge themselves. Some rural Americans commute to work by bicycle or travel by bike for other trips (e.g., to the grocery store), whether they are driven by environmental motivators (they do not want to further pollute the environment) or practical purposes (they have limited or no vehicles in their households but still need to make trips). Regardless of the reason, bicyclists can be found on rural roadways. While many riders may self-select onto lower-volume roadways and roadways where there are fewer large vehicles, the limited redundancy of some rural roadway networks may force bicyclists to travel on roadways with higher traffic volumes, with higher posted speed limits, and with large vehicles. With extensive miles in the rural context, the question then becomes: can providing additional pavement in the form of wide shoulders benefit both motorists, particularly those in large vehicles carrying freight, and bicyclists on roadways used by both, or should a separated facility, like a cycle highway, be considered instead? Thus, the purpose of this project is to consider whether wider road shoulders could benefit both freight and bicyclists traveling along rural roadways. Through a literature review focused on the crash experience of bicyclists, the impact of the road design on a bicyclist’s crash experience, the impact of the vehicle type and vehicle technology on a bicyclist’s crash experience, and policies impacting how and where a bicyclist may travel, recommendations and conclusions are made regarding if benefits can be had by both bicyclists and freight (a.k.a., large vehicles) within a corridor.
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Our Voices, Our Images: A Celebration of Hispanic Heritage Month. Inter-American Development Bank, August 2003. http://dx.doi.org/10.18235/0006425.

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This event brought together winners of an art and literature competition for Washington DC artists who explored issues and events relevant to Hispanic Americans and the Hispanic experience in the United States. The exhibition was a joint initiative of the IDB Cultural Center and the D.C. Commission on the Arts and Humanities. The Awards Ceremony took place in September 2003 at the IDB Cultural Center Art Gallery with the participation the Honorable Anthony Williams, Mayor of the District of Columbia. The selected visual artists and poets received IDB Cultural Center grants.
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