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Relevant bibliographies by topics / Arab Art

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Journal articles
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Academic literature on the topic 'Arab Art'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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Journal articles on the topic "Arab Art"

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Gaber, Tammy. "Modern Arab Art." American Journal of Islam and Society 26, no. 1 (January 1, 2009): 114–17. http://dx.doi.org/10.35632/ajis.v26i1.1422.

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This book endeavors to define a specific term for modern Arab art, which ismost often considered a continuation of Islamic or ethnic art or a subordinatecopy of western trends. This academic text, which targets audiences interestedin contemporary art or the Arab world, or both, is divided into threeparts: “Background and Definitions,” “Modern Arab Aesthetics,” and “The Arabic Letter in Art.” It contains forty images within the text and thirty-twoplates of contemporary works of art by Arabs ...

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Bahoora, Haytham. "Locating Modern Arab Art: Between the Global Art Market and Area Studies." Review of Middle East Studies 54, no. 1 (June 2020): 25–36. http://dx.doi.org/10.1017/rms.2020.15.

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AbstractThis essay situates the publication of Modern Art in the Arab World: Primary Documents in the context of an expanding global interest in modern Arab art as well as the study of modern Arab art as an academic discipline. The essay first examines the implications of the cultivation of a new museum and gallery infrastructure for modern Arab art in the Arab Gulf. It then considers how the academic study of modern Arab art has faced institutional barriers, due largely to the overwhelming academic focus on Ancient Studies and Islamic art. Finally, it suggests that Modern Arab Art in the Arab World provides scholars with a comprehensive textual archive that calls for a historicized approach to theorizing the emergence of modernist aesthetics in Arab visual cultures.

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Khair Allah, Raad. "Review." Exchanges: The Interdisciplinary Research Journal 11, no. 1 (October 26, 2023): 85–91. http://dx.doi.org/10.31273/eirj.v11i1.1349.

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Art can be particularly an effective means of building transnational understanding across cultural divides. Specifically, the act of making art to express conflict, sexuality and identity is significant as Arab women have frequently been marginalised and excluded from such a site of visibility and meaning. Contemporary Arab women artists not only contribute to global feminist theory but also deal with their aesthetic, visual and personal concerns. The Body in Twilight: Representation of the Human Body, Sexuality and Struggle in Contemporary Arab Art is a book by the Syrian professor of visual art and design Fassih Keiso. In this book, Keiso explores the representation of the human body in contemporary Arab art and its relationship to issues of sexuality and struggle. He argues that the representation of the body in Arab art reflects broader societal changes and struggles and that the use of the body as a site of resistance and political commentary is a common theme in contemporary Arab art. Despite the lack of images of artworks by the artists discussed in this book, the book provides a compelling contribution to comparative gender and feminist art and the broader international art on the centrality of sexuality in politics and society.

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A. M. Lutfi, Dina. "Challenging Perceptions of Modern Arab Art." Contemporary Review of the Middle East 7, no. 3 (May 11, 2020): 286–300. http://dx.doi.org/10.1177/2347798920921708.

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The understanding of modern Arab art is, more often than not, based on individual and collective perceptions that relate to beliefs, culture, and social constructs. Defining qualities or characteristics that make a work of art “Arab” is not a clear-cut endeavor. Many Arab artists appropriated Western techniques, while they strived to combine their newly acquired artistic processes with content inherent in their respective cultures. Some audiences appreciated the new direction the Arab art was taking; however, many artists were harshly criticized of advocating cultural colonialism. A struggle in the field of art, and in other aspects of life took place, due to the increasing fear of losing one’s own tradition and Arab identity in the face of Western culture. This article explores the nature of modern Arab art and Arab identity, its place within a global modernism, and the ways in which Western influences have shaped its development, in addition to understanding the different particularities that have shaped Arab modernism in art specifically.

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Lenssen, Anneka. "“Muslims to Take Over Institute for Contemporary Art”: The 1976 World of Islam Festival." Review of Middle East Studies 42, no. 1-2 (2008): 40–47. http://dx.doi.org/10.1017/s0026318400051506.

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The terms “Islamic” and ‘Arab” are not ideal instruments for classifying modern or contemporary art, for they are meta-categories that can variously encompass Muslims and non-Muslims, and Arabs and non-Arabs. Nonetheless, as historians of modern art in Islamic regions, we seem to have inherited a longstanding commitment to Islamic art as an epistemologically unique practice that produced limitless abstract patterns and other “non-Western” visual expression. It is time to move beyond such overburdened lineages. In this paper, I aim to historicize the formulations of a specific Arabo-Islamic aesthetic that emerged in the 1970s. I do so by a study of a single event and its metacultural claims: the World of Islam Festival held in London in 1976. The Festival projected optimistic countercultural options for art and civilization that remain instructive today, while the complexity of its organizing structures demonstrates the limitations of the West/rest paradigm in interpreting its artistic products.

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Shabout, Nada. "Art Without History? Evaluating ‘Arab’ Art: An Introduction." Review of Middle East Studies 42, no. 1-2 (2008): 16–18. http://dx.doi.org/10.1017/s0026318400051464.

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The Association for Modern and Contemporary Art of the Arab world, Iran, and Turkey (AMCA) is a private, non-profit, non-political, international academic organization. Our goals include initiating the much-deserved recognition of a neglected and misrepresented field, and to open up institutional spaces for discussion, research and study. We seek to connect artists, scholars and others from around the world by sponsoring conferences, holding meetings, and exchanging information via a newsletter and website.

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Adrian von Roques, Karin. "Situation of Contemporary Arab Art." SGMOIK-Bulletin, no. 23 (October 1, 2006): 4–9. http://dx.doi.org/10.12685/bul.23.2006.806.

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Salameh, Mohammad Ahmad Bani, and Yakup Mohd Rafee. "The Political Dimension in Arab Contemporary Art through the Marcuse Aesthetic Theory: A Descriptive Analytical Study." International Journal of Contemporary Research and Review 10, no. 04 (April 29, 2019): 20632–37. http://dx.doi.org/10.15520/ijcrr.v10i04.695.

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This paper discusses the political dimension in Arab contemporary art based on the Marcuse aesthetic theory. The researchers believe there is a high correlation between Arab contemporary art and Marcuse aesthetic theory when the three main axes of this theory are tested and reflected on contemporary Arab artworks (study sample). This study attempts to describe and analyze the artworks (study sample) and link this analysis to Marcuse theory. The study sample contains three Arab contemporary artworks from 2010-2015 to clarify the political dimension in Arab contemporary art in accordance with the Marcuse aesthetic theory. The findings prove strong correlations between Arab contemporary art and Marcuse aesthetic theory.

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Keshmirshekan, Hamid. "Modern Art in the Arab World, Primary Documents: A Review Essay." Review of Middle East Studies 54, no. 2 (December 2020): 342–51. http://dx.doi.org/10.1017/rms.2021.4.

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The study of modern and contemporary art from Islamic lands, and particularly the Arab world, is a developing field. Over the past few decades, a variety of publications on modern and contemporary art from the Arab world and its diasporas has appeared in art magazines, journals, and exhibition and auction catalogues. There is, however, still a lack of scholarly literature and reliable resources on the subject. Many such existing sources have focused on productions that are largely in line with certain interests or agendas pursued by the particular magazine/journal, exhibition, or art market in question. Therefore, although recent scholarly output has played a crucial role in introducing modern art in the Arab countries in the Middle East and North Africa, these publications have not sufficiently filled the gap of discussion regarding certain aspects of the subject. Modern Art in the Arab World, a collection of critical writings by Arab intellectuals and artists, offers an unparalleled source for the study of modernism in the Arab world. Mapping the primary documents with additional entries written by the editors and other scholars, this book addresses the major historical, conceptual, theoretical, and aesthetic issues that inform the modern art paradigm in the Arab world. Arranged largely in a chronological order, it explores the art of the Arab world by tracing the main discourses that have shaped artistic practices and transformations in the region from the mid-nineteenth century until the late 1980s.

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Latifah Al-Ma'yuf, Latifah Al-Ma'yuf. "Francophone History and its Effects in the Arabs World." journal of king abdulaziz university arts and humanities 25, no. 1 (May 6, 2017): 179–200. http://dx.doi.org/10.4197/art.25-1.8.

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Francophone represents one of the methods of alienation and subordination which was carried out in the Arab’s world. It has gone through several stages and different styles, which began with the protection of Christians minority in the Levant (in the eighteenth century during the Ottoman rule), then it ended with the colonial military invasion of the Maghreb. Francophone worked towards the capture of the sources and resources of the Arab nations, and worked towards obliteration of the Arabian Islamic identity. After the liberalization of the Arab countries from military occupation, Francophone continued the abuse of the Arabs. However, the methodology of Francophone was defeated in the Arab’s world, but it left behind its existence serious effects, (for instance on the Arabic language, education and culture).

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Dissertations / Theses on the topic "Arab Art"

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Amor, Mohamed C. "Arab Muslim immigrants in the U.S. : home environment between forces of change and continuity /." free to MU campus, to others for purchase, 2000. http://wwwlib.umi.com/cr/mo/fullcit?p9988642.

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Joumaa, Jamal. "Australian artists of Arabic origin identity and hope /." View thesis, 2009. http://handle.uws.edu.au:8081/1959.7/41020.

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Thesis (D.C.A.)--University of Western Sydney, 2009.
A thesis presented to the University of Western Sydney, College of Arts, School of Communication Arts, in fulfilment of the requirements for the degree of Doctor of Creative Arts. Includes bibliographies.

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PUGLIESI, GIROLAMO GIUSEPPE MARIA. "Un canone per il teatro arabo. Una lettura de Qālabu-nā al-masraḥī di Tawfīq al-Ḥakīm." Doctoral thesis, Università Cattolica del Sacro Cuore, 2010. http://hdl.handle.net/10280/747.

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Un'analisi della teoria teatrale di Tawfīq al-Ḥakīm a partire dal suo Qālabu-nā l-masraḥī. Lo studio intende dimostrare come in tutta l’opera di Tawfīq al-Ḥakīm sia presente, seppure in modalità diverse, una teleologia performativa della scrittura teatrale.
An analysis of Tawfiq al-Hakim's theatrical theory in the light of his Qālabu-nā al-masraḥī. The study aims at showing how in Tawfīq al-Ḥakīm's whole work is present, although in different ways, a performative teleology of playwriting.

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PUGLIESI, GIROLAMO GIUSEPPE MARIA. "Un canone per il teatro arabo. Una lettura de Qālabu-nā al-masraḥī di Tawfīq al-Ḥakīm." Doctoral thesis, Università Cattolica del Sacro Cuore, 2010. http://hdl.handle.net/10280/747.

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Un'analisi della teoria teatrale di Tawfīq al-Ḥakīm a partire dal suo Qālabu-nā l-masraḥī. Lo studio intende dimostrare come in tutta l’opera di Tawfīq al-Ḥakīm sia presente, seppure in modalità diverse, una teleologia performativa della scrittura teatrale.
An analysis of Tawfiq al-Hakim's theatrical theory in the light of his Qālabu-nā al-masraḥī. The study aims at showing how in Tawfīq al-Ḥakīm's whole work is present, although in different ways, a performative teleology of playwriting.

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Guerrero-Rippberger, Sara Angel. "30° from the Northern Tropic : art, region and collective practices from urban Latin American and Arab worlds." Thesis, University of the Arts London, 2017. http://ualresearchonline.arts.ac.uk/12038/.

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This thesis investigates the socially imagined representation of two areas of the global South, through the lens of contemporary art. It traces the historicisation of urban Latin America and the Arab world along a timeline of critical lenses, questioning their construction as imagined sites. Re-occurring tropes from exhibition spaces acting as representations of the global South on a macro-level are contrasted with observations from a local level, in an ethnographic study of nineteen artist groups of four capital cities of Latin America and the Arab world. The research draws upon sociological methodologies of research, arts methodologies and historicisation to chart the scope and function of these groups against the backdrop of the global art-institution’s so-called geographic turn and it’s romanticisation of the precarious state as the new avant-garde. Moving away from the traditional cartography of art and social history, this thesis offers an expanded concept of collectivity and social engagement through art, and the artist group as unit of social analysis in urban space. Putting these ideas into dialogue, artist-led structures are presented as counter-point to collective exhibitions and to the collectivity of national identity and citizenship. An abundance of artist groups in the art scene of each city represents an informal infrastructure in which a mirror image of inner-workings of the city and art world become visible through this zone of discourses in conflict. This unorthodox exploration of art, region, and collective expression launches into the possibility of new constellations of meaning, tools to recapture the particulars of everyday experience in the unfolding of large narratives. Examining the place of collective art practices in the socio-political history of the city, this intervention into current theory around the role of art from the global South traces the currents and counter-currents of the art-institution and its structures of representation re-enacted in places of display and public discourse -- the museum, the news, the gallery, the biennial,the street and the independent art space.

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Gabsi, Ouafa. "L'art contemporain du Sud de la Méditerranée : à la recherche d'une identité, d'une place et d'une reconnaissance à l'heure de la mondialisation." Thesis, Paris 1, 2015. http://www.theses.fr/2015PA010508.

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Comment l'art contemporain du sud de la Méditerranée est-il perçu et reconnu par les experts du monde de l'art occidental ? Telle la question à laquelle nous nous sommes intéressée. Pour y répondre, il nous a fallu comprendre les liens qu'entretiennent l'art et la mondialisation et discuter les apports des études culturelles et postcoloniales à ce sujet. A partir de ce questionnement initial nous avons rassemblé et étudié les discours hégémoniques intervenant dans le champ de la culture, des processus de négociations, des politiques de différences et des modes d'identification des artistes du Sud selon une vision ethnocentriste et identitaire. Pour mener à bien notre recherche, nous avons conduit deux études. La première porte sur une étude thématique des intitulés d'expositions internationales concernant l'art contemporain du sud de la Méditerranée (Europe et États-Unis de 1999 à 2014). Nous soutenons l'idée que les sujets d'expositions véhiculent un discours qui traduit des idées culturelles d'hégémonie occidentale et des orientations concernant le genre, l' ethnicité, la classe, confinant le statut de l'artiste sud-méditerranéen à un rôle «périphérique ». La seconde enquête qui est de nature compréhensive, traite des croyances des artistes du sud de la Méditerranée et de leurs positionnements par rapport aux marqueurs identitaires dans la construction de catégories ethniques. Quel regard portent-ils sur ces marqueurs, leur accordent-ils une certaine reconnaissance ? Cette étude a été conduite avant et après les mouvements révolutionnaires du printemps arabe
How is contemporary art of the southern Mediterranean perceived and cognized by experts in the world of Western art ? It is this very question which actually interested us. To answer this, we had to understand the links between art and globalization and discuss the contributions of cultural and postcolonial studies related to this subject. From that initial question, we have gathered and studied hegemonic discourses involved in the field of culture, negotiation processes, differences policies and modes of identification of the artists from the South in an ethnocentric vision. To carry out our research, we conducted two studies. The first concerns a thematic study of the headings of international exhibitions on contemporary art from the south of the Mediterranean (Europe and the United States from 1999 to 2014). We support the idea that the subjects of exhibitions convey a discourse that reflects the cultural ideas of Western hegemony and trends concerning genre, ethnicity, class, confining the status of the southern Mediterranean artist to a "peripheral" role. The second survey which is comprehensive in nature, deals with the beliefs of the southern Mediterranean artists and their positioning in comparison with identity markers in the construction of ethnic categories. How do they perceive these markers, do they give them some recognition ? This study was conducted before and after the revolutionary movements of the Arab Spring

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Joumaa, Jamal. "Australian artists of Arabic origin : identity and hope." Thesis, View thesis, 2009. http://handle.uws.edu.au:8081/1959.7/41020.

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Despite the migration of some artists of Arabic origin to Australia since 1947, experimental Australian artists of Arabic origin only began to gain attention for their work from 1975 onwards. The works of those artists who have a migrant background, distinguished, on one hand, by the continuous link between themselves and their cultural heritage and the political and human conditions of their homelands, and on the other hand, being inspired by the social, cultural and political issues of Australian life, which reflect the type and nature of relationships between the artists and their host society. It is important to note the commonalities in efforts of artists to realize their arts with individual imprints, in an attempt to create an aesthetic contribution that confirms their own particularity. In their cultural trends, originating from the values and concerns of their social existence; exploring new artistic values and symbols, and working through different artistic trends and techniques, in ways that reflect their visions about art as a duty, and represent a cultural, aesthetic and moral responsibility, toward the societies of their homelands and their adopted country. At present, this art activity is recognized as having made a vital contribution to Australian cultural life, incorporating serious artistic and cultural concerns, represented by a group of exhibitions. Thus, this study is in the frame of these cultural and artistic efforts, dating to the beginning of this activity in Australia, studying the educational, political, social conditions, which help in the development of this art. It focuses on exposing the artistic elements and their aesthetic and cultural values, the symbols and their relegations, which appear in the works of the participant artists in the frame of the study.

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Ensor, Lael J. "Decoration in early Qur'an manuscripts: A close look at the Walters Art Museum's W.554." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 56 p, 2009. http://proquest.umi.com/pqdweb?did=1885754571&sid=3&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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Erskine-Loftus, Pamela F. "What is the relationship western museological practice and philosophy and display in the Sharjah art museum, United Arab Emirates?" Thesis, University of Newcastle Upon Tyne, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.531734.

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Amanat, Shayda. "Iran and the Arab World Through A Female Lens: Deconstructing Western Phantasms and Terrors." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/428.

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This thesis explores how today’s Sheherazades, in this case women photographers from the Middle East, create alternative representations that constitute new meanings and understandings of life, gender, and politics in Iran and the Arab world.

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Books on the topic "Arab Art"

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Shabout, Nada M. Modern Arab art: Formation of Arab aesthetics. Gainesville, FL: University Press of Florida, 2008.

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Shabout, Nada M. Modern Arab art: Formation of Arab aesthetics. Gainesville: University Press of Florida, 2007.

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El Nossery, Nevine. Arab Women's Revolutionary Art. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-21724-1.

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Al-Tawil, Hashim. History of Arab art. Ronkonkoma, NY: Published by Linus Learning, 2018.

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(Gallery), Art Sawa. Glimpses: Contemporary Arab women art. Dubai, United Arab Emirates: Art Sawa, 2013.

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1954-, David Catherine, ed. Tamáss: Contemporary Arab representations. Barcelona: Fundacio Antoni Tapies, 2002.

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Jamʻīyah al-Malakīyah lil-Funūn al-Jamīlah (Jordan), ed. The Arab contribution to Islamic art: From the seventh to the fifteenth centuries. Cairo, Egypt: American University in Cairo Press, 1999.

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Kashout, Emad. The Syrian Arab Republic pavilion. Edited by Biennale di Venezia (57th : 2017 : Venice, Italy). Falciano]: Maretti editore, 2018.

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Aïda, Kaouk, Bourque Dominique 1962-, and Canadian Museum of Civilization, eds. The lands within me: [expressions by Canadian artists of Arab origin. Gatineau, Québec: Canadian Museum of Civilization, 2003.

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Bijutsukan, Mori, ed. Arabu ekusupuresu-ten: Arabu bijutsu no ima o shiru = Arab express : the latest art from the Arab world. Tōkyō: Heibonsha, 2012.

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Book chapters on the topic "Arab Art"

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Al-Samman, Hanadi. "The art of teaching Arab traumas triumphantly." In Arabic Literature for the Classroom, 145–55. Abingdon, Oxon; New York, NY : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315451657-10.

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Flood, Finbarr Barry. "Conflict and Cosmopolitanism in “Arab” Sind." In A Companion to Asian Art and Architecture, 365–97. Oxford, UK: Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444396355.ch15.

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Gadoin, Isabelle. "The 1885 Exhibition of “Persian and Arab Art”." In Private Collectors of Islamic Art in Late Nineteenth-Century London, 78–116. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003167709-4.

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Cutler, Anthony. "The Parallel Universes of Arab and Byzantine Art." In Image Making in Byzantium, Sasanian Persia and the Early Muslim World, X:635—X:648. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003417552-10.

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El Sendiony, Mohammed F. "Traditional Therapies and Therapists in the Arab World Today." In Psychiatry The State of the Art, 667–72. Boston, MA: Springer US, 1985. http://dx.doi.org/10.1007/978-1-4757-1853-9_106.

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Williams, Kim. "Arab and Pisan Mathematics in the Piazza dei Miracoli." In Crossroads: History of Science, History of Art, 9–27. Basel: Springer Basel, 2011. http://dx.doi.org/10.1007/978-3-0348-0139-3_2.

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Nossery, Névine El. "Women, Art, and Revolution in the Streets of Egypt." In Women’s Movements in Post-“Arab Spring” North Africa, 143–57. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-50675-7_10.

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Jarbou, Rana. "The Resistance Passed Through Here: Arabic Graffiti of Resistance, Before and After the Arab Uprisings." In Street Art of Resistance, 113–53. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63330-5_6.

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Veracini, Cecilia, and Malak A. Alghamdi. "Perception and Description of Non-human Primates in the Arab World 1." In Primates in History, Myth, Art, and Science, 158–73. Boca Raton: CRC Press, 2024. http://dx.doi.org/10.1201/b21963-10.

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Nasri, Chourouq. "The Liberating Force of Art, Humor, and Social Media: Women Cartoonists of the Arab Spring." In North African Women after the Arab Spring, 53–76. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-49926-0_3.

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Conference papers on the topic "Arab Art"

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Brachemi-Meftah, Salima, and Fatiha Barigou. "Algerian Dialect Sentiment Analysis: Sate of Art." In 2020 21st International Arab Conference on Information Technology (ACIT). IEEE, 2020. http://dx.doi.org/10.1109/acit50332.2020.9300060.

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Shaout, Adnan, and Max Theisen. "State of the Art - Smart Doorbell Systems." In 2021 22nd International Arab Conference on Information Technology (ACIT). IEEE, 2021. http://dx.doi.org/10.1109/acit53391.2021.9677313.

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Lisinski, Joanne, Nada Shabout, and Samia Touati. "Mathaf Encyclopedia Of Modern Art And The Arab World (memaaw)." In Qatar Foundation Annual Research Conference Proceedings. Hamad bin Khalifa University Press (HBKU Press), 2014. http://dx.doi.org/10.5339/qfarc.2014.sspp1043.

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Arabi, Afif J., and Sahar Sharara. "Nasser the Radio Star and Sound Icon in Arab Collective Memory." In RE:SOUND 2019 – 8th International Conference on Media Art, Science, and Technology. BCS Learning & Development, 2019. http://dx.doi.org/10.14236/ewic/resound19.14.

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"The Seventh Art as a Soft Power Source for the United Arab Emirates." In March 13-15, 2017 Dubai (UAE). HEAIG, 2017. http://dx.doi.org/10.15242/heaig/iah0317536.

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Fernández, L. "The Riḥla: a trip to Arab–Norman Palermo – a story of a Mediterranean koine by way of two buildings." In ISLAMIC HERITAGE ARCHITECTURE AND ART 2016. Southampton UK: WIT Press, 2016. http://dx.doi.org/10.2495/iha160161.

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Congress, IJHER. "Full Text Book of IJHER Congress 8." In VIII. International Congress of Humanities and Educational Research. Rimar Academy, 2023. http://dx.doi.org/10.47832/ijhercongress8-7.

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The relationship between the self and the 'other' in Arab theatre encompasses multifaceted manifestations, ranging from confrontation and role exchange to marginalization and mutual accusations. The 'other' is significant in Arab cultural memory and history, influencing the formation of identity and occasionally sparking creativity, as conflict remains central to existence and dialectics shape this presence. This research paper aims to deeply explore a series of relationships that have depicted the presence of the 'other' in Arab theatrical performances, intending to uncover and understand the nature of this presence, which has taken on diverse forms and features. It seeks to delve into the layers of theatrical art in contemporary Arab culture, with a desire to embrace the uniqueness of Arab thought and intellect in its interaction with the other especially the foreign. It also examines the ability of theatrical art to express this fusion between art, culture, and thought

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Guan, Hanze, Xin Lv, Junjie Wang, and Qiyuan Wang. "An Analysis of the Types and Factors of Parents’ Language Awareness in the Chinese-Arab Families." In 2021 International Conference on Education, Language and Art (ICELA 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220131.172.

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Ibrahim, Fayrouz. "ART EDUCATION CHALLENGES AND THE ROLE OF COMMUNITY EDUCATION IN DEVELOPING AESTHETICS PERCEPTION IN ARAB SOCIETIES." In International Technology, Education and Development Conference. IATED, 2017. http://dx.doi.org/10.21125/inted.2017.2338.

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Ramadan, Lina Nabih. "The Role of Women Artists in Qatar and the Representation of their Work in Mathaf: Arab Museum of Modern Art." In Qatar Foundation Annual Research Conference Proceedings. Hamad bin Khalifa University Press (HBKU Press), 2016. http://dx.doi.org/10.5339/qfarc.2016.sshasp2487.

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Reports on the topic "Arab Art"

1

Cooper, Gregory H. Operational Art in the 1973 Arab-Israeli War (An Egyptian Perspective). Fort Belvoir, VA: Defense Technical Information Center, May 1997. http://dx.doi.org/10.21236/ada328178.

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2

Sternberg, Charles A. The Arab-Israeli Six Day War of 1967: Essential Elements of Operational Art. Fort Belvoir, VA: Defense Technical Information Center, June 1995. http://dx.doi.org/10.21236/ada293908.

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3

Cochran, Edwin S. The Egyptian Staff Solution: Operational Art and Planning for the 1973 Arab-Israeli War. Fort Belvoir, VA: Defense Technical Information Center, February 1998. http://dx.doi.org/10.21236/ada348901.

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4

Drew, Thomas R. The Arab Spring in Egypt: What are the Implications for U.S. Foreign Policy. Fort Belvoir, VA: Defense Technical Information Center, April 2013. http://dx.doi.org/10.21236/ada592772.

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SIMMONS SA. AMEC GEOMATRIX/ARA GROUNDWATER REMEDIAITON TRIP REPORT. Office of Scientific and Technical Information (OSTI), August 2008. http://dx.doi.org/10.2172/936783.

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6

Sillah, Bukhari. Country Diagnostic Study – United Arab Emirates. Islamic Development Bank Institute, November 2021. http://dx.doi.org/10.55780/rp21002.

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The Country Diagnostic Study (CDS) for United Arab Emirates (U.A.E.) uses the Hausmann-Rodrik-Velasco growth diagnostics model to identify the binding constraints being faced in its quest for higher economic growth and make recommendations to relax these constraints. Hence, the findings of the CDS can help the Islamic Development Bank in identifying areas where it can have a greater impact and provide an evidence basis to support the development of the Member Country Partnership Strategy. U.A.E.’s development journey has been painstakingly crafted over time, with the latest being Vision 2021. Launched in 2010 and in the aftermath of the global financial crisis (GFC), Vision 2021 was designed to place the U.A.E. among the best nations in the world. It has achieved several targets under the competitive knowledge pillar of the Vision, but some key targets related to economic growth, innovation, and knowledge workers are yet to be fully realized. This is because growth has been low and inadequate with relatively low private investment since the 2008–2009 GFC, leading to a lower than potential real GDP trend. To bring in private investment and improve growth, both quantity and quality of human capital may need to be scaled up through improving the education system and spending on research and development to support industry-university collaboration on innovations. Efficient institutional governance in the areas of corruption control, regulatory quality and conducive bureaucracy is necessary for the vibrant functioning of the private sector.

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Hale, Alan, Samuel Ortiz, Michael Ames, and Anthony Lacombe. Radon Assessment of Occupational Facilities, Grissom ARB, IN. Fort Belvoir, VA: Defense Technical Information Center, November 2012. http://dx.doi.org/10.21236/ada570721.

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Ames, Michael. Radon Assessment of Occupational Facilities, Homestead ARB, FL. Fort Belvoir, VA: Defense Technical Information Center, November 2013. http://dx.doi.org/10.21236/ada592211.

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Almorjan, Dr Abdulrazaq, Dr Kyounggon Kim, and Ms Norah Alilwit. NAUSS Ransomware Trends Report in Arab Countries 2020-2022. Naif University Press, January 2024. http://dx.doi.org/10.26735/orro4624.

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Threat actors, including infamous cybercrime groups and financially driven ransomware gangs, have focused on Arab countries› businesses and organizations as they grow and move toward digital transformation. In particular, ransomware is a very serious type of cyber-attack worldwide, and many organizations are severely affected by it. INTERPOL indicates that the ransomware gangs are targeting different regions such as Africa, Americas, Caribbean, Asia-Pacific, Europe, Middle East, and North Africa 1. The Center of Excellence in Cybercrime and Digital Forensics (CoECDF) at NAUSS has conducted a deep web search, collecting, analyzing, and classifying data on ransomware gangs targeting Arab countries and organizations from 2020 to 2022. We have collected the information of ransomware victims through the darknet and dark web, focusing on leaked information. This report focuses on the Arab countries, organizations, and sectors victimized by ransomware gangs and whose information has been leaked on the darknet. Moreover, it investigated ransomware gangs that carried out cyberattacks against Arab countries, and the tactics, techniques, and procedures (TTPs) they were using. The number of organizations that are attacked by ransomware gangs is increasing significantly. Some organizations pay ransom to ransomware gangs in order not to publish their information on the darknet. As a result of not paying the ransom demanded by the ransomware gangs, certain organizations and countries had their private and sensitive data leaked to the dark web. The purpose of this report is to help law enforcement agencies combat ransomware cyberattacks by providing them with insights into the evolving tactics of ransomware gangs. By understanding how these gangs operate, law enforcement agencies can better prepare to combat and respond to ransomware attacks.

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Dass, William C., and Douglas H. Merkle. Computational Aspects of the ARA Three Invariant Constitutive Model. Fort Belvoir, VA: Defense Technical Information Center, May 1986. http://dx.doi.org/10.21236/ada170072.

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