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Dissertations / Theses on the topic 'Arab Arts'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Shaban, Hannah W. "Arab Americanesque." VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5899.

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Culture, as defined by Edward Said, is a concept of identity selectively curated through imperialism. Through my ceramic practice, I explore what constitutes my cultural identity as a first generation Arab American. My work, primarily influenced by family narrative was initially expressed through investigations in the figure and viewer relationships with my sculpted figures. As my research progressed into Western Imperialism, I began noticing extensive evidence of colonialism’s lasting effects, especially within Western consumer markets. Interest in the writings of Said, works by French Orient

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2

Al-Tenaijy, Mozah. "Court Interpreting in the United Arab Emirates: Recruitment Policies, Training Opportunities and Quality Standards." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1448916912.

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3

Novak, Susan. "The Foreign Policy of the United Arab Emirates: Past, Present, and Future Trends." Honors in the Major Thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1184.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Sciences<br>Political Science

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4

Joumaa, Jamal. "Australian artists of Arabic origin : identity and hope." Thesis, View thesis, 2009. http://handle.uws.edu.au:8081/1959.7/41020.

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Despite the migration of some artists of Arabic origin to Australia since 1947, experimental Australian artists of Arabic origin only began to gain attention for their work from 1975 onwards. The works of those artists who have a migrant background, distinguished, on one hand, by the continuous link between themselves and their cultural heritage and the political and human conditions of their homelands, and on the other hand, being inspired by the social, cultural and political issues of Australian life, which reflect the type and nature of relationships between the artists and their host soci

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5

Niehoff, Patricia LeVeque. "The acquisition of Arabic language, literature, and culture from a socio-educational perspective : student attitudes and perceptions of Arabs and the Arab world /." The Ohio State University, 1999. http://rave.ohiolink.edu/etdc/view?acc_num=osu1382030341.

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6

Jones, Kevin Wampler. "The Arab Quest for Modernity: Universal Impulses vs. State Development." Digital Commons @ East Tennessee State University, 2007. https://dc.etsu.edu/etd/2113.

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The Arab Middle East began indigenous nation building relatively late in the twentieth century. Issues of legitimacy, identity, and conflicts with the West have plagued Arab nations. Arab states have espoused universal ideologies as solutions to the problems of Arab nation building. The two ideologies of Pan-Arabism and Islamic modernism provided universal solutions to the Arab states. Both Pan-Arabism and Islamic modernism gained validity in political polemics aimed against colonialism, imperialism, Zionism, and the West. Both ideologies promised simple solutions to complex questions of build

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7

Chamsine, Rania. "Lashes to Ashes, Exploring the Hidden Dimensions of Human Hair." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/3144.

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Hair is power, beauty and seduction: a reflection of ethnicity and religion, and even a canvas for self-expression. A key feature in defining identity and social status, it holds the essence of our individuality. However, once removed from its original and natural setting—the epidermis—hair is seen as waste, and often evokes disgust. The objective of this thesis is to explore human hair, which particularly in the Arabic-Islamic region, carries great significance and raises many religious, cultural, and gender issues. Through design, and informed by critical design theory, I explore how this co

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8

Cornet, Catherine. "In Search of an Arab Renaissance : artists, Patrons and Power in Egypt and the Middle East (2001-2013)." Paris, EHESS, 2016. http://www.theses.fr/2016EHES0091.

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Le paradigme de la Nahda, ou Renaissance arabe est un puissant zeitgeist qui revient cycliquement dans la pensée et le monde culturel du Moyen-Orient depuis la fin du 19eme siècle. Cette thèse questionne les raisons du retour du paradigme dans les années 2000 (et en particulier entre 2001 et 2005) en Egypte et dans les Emirats (Doha et Sharjah) en observant les rapports de force entre différentes sphères artistiques et les structures de mécénat. Elle interroge la raison d'être de cette quête pour une Renaissance culturelle, les enjeux liées au mécénat, l'exploitation politique du culturel et e

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9

Al, Hamid Wail. "Moarabesque : the essence of Arabia : a motion graphics piece that promotes the diverse Saudi Arabian arts and culture /." Online version of thesis, 2009. http://hdl.handle.net/1850/9886.

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10

Hammond, Katherine E. "Historiography, the Global Contemporary, and Street Arts of the Egyptian Revolution." Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1534170611388269.

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11

O'Neill, Shannon. "Lebanon to Detroit and the Places In-Between." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/507.

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I am from Dearborn, Michigan, home to one of the largest populations of Arab immigrants in the United States. This mixing of cultures, of peoples, of identities has informed my writing in many ways. Narrative themes of immigration, exile and isolation inspire my writing and my thesis represents chapters from my first novel, tracing the Arab American immigration experience from 1914 until 1967; and, my second novel, set in Detroit, continues this narrative through the perspectives of two characters, drawing on the post 9-11 Arab American community and experience. The poet Hayan Charara has spok

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12

Alruwais, Bader A. "The Tent and its Contents: a Study of the Traditional Arts of Weaving by the Otaibah Tribe in Saudi Arabia." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc500427/.

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This was an ethnographic study of the woven tent objects produced by the Bedouin Otaibah tribe in Najd, central Saudi Arabia; the study examines origin, techniques, character and significance of their weavings. A major objective of the researcher was to discern the relationship between the weavers' development of traditions and the factors of technique, medium and perceived meaning. The method used was investigative fieldwork that included techniques of face to face interviews and participant observation. Interviews with 50 Bedouin female weavers in Najd were conducted for 8 months. Background

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13

Disha, Ilir. "Anti-Arab hate crimes in the aftermath of September 11, 2001 assessing the influence of geographic and situational factors /." [Tampa, Fla.] : University of South Florida, 2005. http://purl.fcla.edu/fcla/etd/SFE0001045.

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14

Pierce, Amira. "Far Away Is Here." VCU Scholars Compass, 2011. http://scholarscompass.vcu.edu/etd/261.

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What follows is a compilation of the best works of creative writing I have completed during my three-year tenure as an M.F.A. candidate in the Department of English at Virginia Commonwealth University. Although I have included the debatably disparate genres of poetry, non-fiction, and fiction (including both short stories and a novel excerpt), it is my aim that the variety of types of work under this cover come together to form a whole. Through themes such as religion, family, romantic relationships, travel, “the exotic,” and nationality, my project is to illuminate the complications that plac

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15

Naïm, Denise Nicole. "Symbiotic Catastrophes: An Urge To Make a Recording." VCU Scholars Compass, 2007. http://scholarscompass.vcu.edu/etd_retro/179.

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Becoming a young woman amid the foothills and valleys of the Appalachian Mountains has fulfilled me with an awareness that I am not from "around these parts" that I now find myself in. As I navigated my way across the mountains, to the southern slopes of the east coast, I began to realize the life I was leaving behind through the process of photography, film, and the act of making a recording. This document speaks about the ideas and persistent energy that drive my process of creation while focusing on three important bodies of work that exhibit what I believe to be a method of engagement betw

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16

Gabr, Hala A. "Women Self Actualization: A narrative of a performative gender constitution." VCU Scholars Compass, 2017. http://scholarscompass.vcu.edu/etd/4903.

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In a traditional Middle Eastern society, men and women have been confined within society’s gender definitions. Those imposed social constructs condition men differently from women by dictating expected behaviors, establishing a hierarchy of gender positioning and enforcing definitions that limit abilities and potential. Based on postmodernist philosopher, feminist and social theorist, Simone de Beauvoir and postmodernist American philosopher and gender theorist Judith Butler, gender is not an inborn role, but rather created through stylized repetition of acts informed by society, named perform

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17

Shuqair, Noura Abdulhameed H. "Living Between Two Worlds: Conflict, Investigation And The Change." Master's thesis, University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5702.

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Beginning with my exploration of art as an aesthetic object, this paper shows the growth of my work and concept. Through my practice, I have been able to understand the contradictions in my traditional society and western modernity. It has helped me grapple with my own beliefs, and begin to confront those I don't agree with.<br>M.F.A.<br>Masters<br>Visual Arts and Design<br>Arts and Humanities<br>Emerging Media; Studio Art and the Computer

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18

Henson, Aaron. "Middle East Policy and Nixon: The Tragedy of the October War." Honors in the Major Thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1032.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Humanities<br>History

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19

Zaid, Bouziane. "Public service television policy and national development in Morocco." [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0003019.

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20

Alkowatly, Lina. "“No Honor in Honor Killings” Critical Discourse Analysis of the responses in social media to ‘Honor’ related killings events via Hashtag activism in the Arab-speaking region." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21398.

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The patriarchal societies in the MENA region have their entire social framework around the protection and regulation of female sexuality. The woman’s male relatives have to make sure that her honor is under their control and fulfills the patriarchal family demands. Women’s failure to stick to the code of honor may result in aggressive reactions that may mount to honor killings and this had happened in 2019 to Israa Gharyeb. The murder of the 21-year-old girl sent a shockwave of protests not just in the Palestinian society where the crime had happened but also across the Arab region. Activi

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21

Al-Hadid, Diana. "Magic Mountain." VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd/827.

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My installations are propositions for an imaginary world that relies on its own internal logic, a world of believability without recognition. While the work references landscape it also emphasizes its contrivance, as it is automatically estranged in an "unnatural" gallery setting. I subvert or de-familiarize the materials and processes that I use in the service of creating a fictitious environment. My places are impossible places. They are irregular, illogical, and unstable. Our imagination can be one of most dangerous things to psychological stability as it is an inventory of all things pos

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22

Willman, Gabriel. "From Pre-Islam to Mandate States: Examining Cultural Imperialism and Cultural Bleed in the Levant." Honors in the Major Thesis, University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/966.

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To a large degree, historical analyses of the Levantine region tend to focus primarily upon martial interaction and state formation. However, perhaps of equitable impact is the chronology of those interactions which are cultural in nature. The long-term formative effect of cultural imperialism and cultural bleed can easily be as influential as the direct alterations imposed by martial invasion. While this study does not attempt to establish comparative causal weight or catalytic impact between these types of interactions, it does contend that the cultural evolution of the Levant has been signi

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23

Amor, Mohamed C. "Arab Muslim immigrants in the U.S. : home environment between forces of change and continuity /." free to MU campus, to others for purchase, 2000. http://wwwlib.umi.com/cr/mo/fullcit?p9988642.

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24

PUGLIESI, GIROLAMO GIUSEPPE MARIA. "Un canone per il teatro arabo. Una lettura de Qālabu-nā al-masraḥī di Tawfīq al-Ḥakīm". Doctoral thesis, Università Cattolica del Sacro Cuore, 2010. http://hdl.handle.net/10280/747.

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Un'analisi della teoria teatrale di Tawfīq al-Ḥakīm a partire dal suo Qālabu-nā l-masraḥī. Lo studio intende dimostrare come in tutta l’opera di Tawfīq al-Ḥakīm sia presente, seppure in modalità diverse, una teleologia performativa della scrittura teatrale.<br>An analysis of Tawfiq al-Hakim's theatrical theory in the light of his Qālabu-nā al-masraḥī. The study aims at showing how in Tawfīq al-Ḥakīm's whole work is present, although in different ways, a performative teleology of playwriting.

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25

PUGLIESI, GIROLAMO GIUSEPPE MARIA. "Un canone per il teatro arabo. Una lettura de Qālabu-nā al-masraḥī di Tawfīq al-Ḥakīm". Doctoral thesis, Università Cattolica del Sacro Cuore, 2010. http://hdl.handle.net/10280/747.

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Un'analisi della teoria teatrale di Tawfīq al-Ḥakīm a partire dal suo Qālabu-nā l-masraḥī. Lo studio intende dimostrare come in tutta l’opera di Tawfīq al-Ḥakīm sia presente, seppure in modalità diverse, una teleologia performativa della scrittura teatrale.<br>An analysis of Tawfiq al-Hakim's theatrical theory in the light of his Qālabu-nā al-masraḥī. The study aims at showing how in Tawfīq al-Ḥakīm's whole work is present, although in different ways, a performative teleology of playwriting.

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26

Darwich, Tarek. "National identity in Sonia Nimr’s children’s book Wondrous Journeys in Strange Lands." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22822.

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In this thesis, depending on Benedict Anderson’s Studies of nationalism in his book The Imagined Communities, I will prove that in her historical fiction for children, Wondrous Journeys in Strange Lands, the Palestinian writer Sonia Nimr is reviving and reforming Arab national identity. Anderson identifies the nation as a group imagined by its members; the people who perceive and identify themselves as equal members in this group. For the people to imagine their nation, Anderson states three tools: the map as a representation of the geographical space, the census as a representation of populat

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27

Romani, Maria Laura <1990&gt. "La nona arte in Egitto: TokTok come caso studio." Master's Degree Thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/5828.

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L'elaborato intende analizzare la produzione fumettistica egiziana attuale e, in particolare, la rivista di fumetti TokTok, sottolineando come essa sia espressione di un fermento artistico presente già prima del 2011

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28

Samoud, El Fidha Saima. "Propositions méthodologiques d'analyse comparée des arts d'une même culture : introduction à l'analyse des relations entre les arts musicaux et visuels arabo-musulmans." Paris 4, 2008. http://www.theses.fr/2008PA040116.

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Partant de l'intuition qu'il devait exister une unité reliant les arts arabo-musulmans, unité confirmée par les écrits s'intéressant aux arts de cette civilisation, cette thèse tente de répondre à une problématique plus générale, celle de savoir en quoi différentes expressions artistiques d'une même culture peuvent-elles être comparables et de chercher les méthodes et approches permettant cette comparaison. Sont donc d'abord abordés les problèmes inhérents au comparatisme en général. Puis, visant les relations d'ordre culturel existant entre les arts en général, et plus particulièrement entre

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29

Clévenot, Dominique. "Une esthétique du voile : réflexion sur la figure du plan dans l'art arabo-islamique." Paris 1, 1988. http://www.theses.fr/1988PA010590.

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L'un des traits dominants de l'art arabo-islamique est sa propension a jouer de la bidimensionalité, a être un art de la surface. Comment comprendre cette caractéristique ? Pour répondre à cette question, trois domaines artistiques ont tour à tour été abordés : celui de l'architecture de la mosquée hypostyle arabe, celui de la représentation figurée, notamment la peinture d'illustration au XIIIe siècle, et enfin celui des arts de la ligne, qui regroupent l'arabesque végétale, l'entrelacs géométrique et la calligraphie. Dans ces trois domaines l'importance de la bidimensionalité peut se compren

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30

De, Roy van Zuydewijn Edwin Karel Willem. "The arms transfer policy of the Federal Republic of Germany towards the Middle East, 1949-1982." Thesis, University of Oxford, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.321547.

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31

Gabsi, Ouafa. "L'art contemporain du Sud de la Méditerranée : à la recherche d'une identité, d'une place et d'une reconnaissance à l'heure de la mondialisation." Thesis, Paris 1, 2015. http://www.theses.fr/2015PA010508.

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Comment l'art contemporain du sud de la Méditerranée est-il perçu et reconnu par les experts du monde de l'art occidental ? Telle la question à laquelle nous nous sommes intéressée. Pour y répondre, il nous a fallu comprendre les liens qu'entretiennent l'art et la mondialisation et discuter les apports des études culturelles et postcoloniales à ce sujet. A partir de ce questionnement initial nous avons rassemblé et étudié les discours hégémoniques intervenant dans le champ de la culture, des processus de négociations, des politiques de différences et des modes d'identification des artistes du

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32

Joumaa, Jamal. "Australian artists of Arabic origin identity and hope /." View thesis, 2009. http://handle.uws.edu.au:8081/1959.7/41020.

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Thesis (D.C.A.)--University of Western Sydney, 2009.<br>A thesis presented to the University of Western Sydney, College of Arts, School of Communication Arts, in fulfilment of the requirements for the degree of Doctor of Creative Arts. Includes bibliographies.

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33

Aras, Marco [Verfasser], and Nicole [Akademischer Betreuer] Frankenberg-Dinkel. "Metabolic channeling during phycoerythrobilin biosynthesis. / Marco Aras ; Betreuer: Nicole Frankenberg-Dinkel." Kaiserslautern : Technische Universität Kaiserslautern, 2018. http://d-nb.info/1171213883/34.

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El-Soufi, Assaf Hind. "La calligraphie : naissance d'un art moderne ?" Paris 8, 1998. http://www.theses.fr/1998PA081471.

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La these traite les problematiques concernant l'art arabe moderne. Il s'agit de la calligraphie arabe et de son evolution selon les styles modernes. Elle se situe des annees 50 aux annees 90. Le corpus groupe des peintres de pays arabes mais considere specifiquement le cas libanais. Une partie historique decrit la genese de l'art. Une seconde partie etudie les paradoxes de la modernite arabe: conflit theorique, approches de l'art, confusion des concepts et des dualismes tradition/modernite, authenticite/contemporaneite, particularisme/localisme, identite/acculturation. Une troisieme partie etu

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35

La, Follette Tavia. "Sites of Passage: Art as Action in Egypt and the US-- Creating an Autoethnography Through Performance Writing, Revolution, and Social Practice." Antioch University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=antioch1365450771.

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Berlinski, Claire J. "Our common enemy : the making of the United States arms transfer policy towards the Arab-Israeli antagonists, 1967-1988." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.405024.

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37

Schillaci, Alice <1990&gt. "La barriera di separazione israeliana tra diritto internazionale e arte impegnata." Master's Degree Thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/10868.

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La costruzione della barriera di separazione israeliana, avrebbe, secondo il governo israeliano, natura militare e sarebbe finalizzata alla protezione dei cittadini israeliani dalla minaccia terroristica palestinese, aumentata in seguito allo scoppio della seconda Intifada nel 2000. Dal punto di vista palestinese, il muro rappresenta una violazione dei diritti umani e un'annessione de facto di territorio da parte d’Israele. Il seguente elaborato nasce dalla volontà di comprendere in maniera profonda la storia della barriera e l’impatto che essa ha avuto sull’opinione pubblica internazionale

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Hazzouri, Ayman. "Une plasticité contemporaine de la calligraphie arabe (signe, symbole, arabesque dans la peinture arabe contemporaine)." Thesis, Strasbourg, 2013. http://www.theses.fr/2013STRAC022.

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Depuis les années 1940, l’art dans le monde arabe traverse des questionnements quant à son authenticité et son identité. Cette thèse souligne dans sa première partie l’importance et l’influence du patrimoine et de l’héritage culturel de la peinture arabe contemporaine. La deuxième partie détaille les éléments culturels provenant de l’héritage patrimonial, dont la complémentarité entre la calligraphie et l’arabesque. Dans la calligraphie contemporaine, des artistes explorent et ont développé de nouvelles formes dans la calligraphie arabe, un art riche qui met au jour la composition plastique de

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Keresztély, Kata. "Peinture de fiction : une tradition arabe médiévale." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH180/document.

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Dans les ouvrages contemporains traitant des arts visuels dans la tradition artistique 'chrétienne' ou 'occidentale' les analyses des œuvres d'art sont souvent effectuées à l'appui d'une approche interdisciplinaire intégrant les méthodes de recherche et les questionnements des sciences sociales ainsi que d'autres disciplines, comme la littérature. Sur se modèle, je tente d’élaborer une méthode de recherche complexe pour l’appliquer dans l’étude de l’iconographie arabe médiévale. Les sources principales de mon travail sont les manuscrits iconographiés de deux 'bestsellers' de la littérature ara

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Cafaggi, Sara. "Temporal and geochemical characterization of the Negros de Aras (northern Chile) monogenetic volcanic field." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2021.

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Negros de Aras is a monogenetic volcanic field located in the Central Volcanic Zone of the Andes in northern Chile, 26 km towards the north from active Socompa volcano, at a zone dominated by N-S trending faults. It is formed by lava flows and subordinate scoria cone, dated between < 1.5 and 0.6 ± 0.4 Ma, referable to six formations. Geochemically, lava flows display a range from 54.28 to 64.47 wt.% SiO2, respectively and show a compatible trending of major elements as Fe2O3, TiO2, MgO, whereas K2O and Na2O present an incompatible trending. Trace elements display elevated Sr/Y and La/Yb ratios

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Guerrero-Rippberger, Sara Angel. "30° from the Northern Tropic : art, region and collective practices from urban Latin American and Arab worlds." Thesis, University of the Arts London, 2017. http://ualresearchonline.arts.ac.uk/12038/.

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This thesis investigates the socially imagined representation of two areas of the global South, through the lens of contemporary art. It traces the historicisation of urban Latin America and the Arab world along a timeline of critical lenses, questioning their construction as imagined sites. Re-occurring tropes from exhibition spaces acting as representations of the global South on a macro-level are contrasted with observations from a local level, in an ethnographic study of nineteen artist groups of four capital cities of Latin America and the Arab world. The research draws upon sociological

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Bida, Habib. "La notion d'imitation de la nature dans l'art arabo-islamique." Paris 1, 1993. http://www.theses.fr/1993PA010751.

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A partir de textes choisis dans le patrimoine culturel araboislamique, datant du 10e au 14e siecle ap jc, et de notions contenues dans les textes, nous avons essaye de decouvrir les fondements philosophiques et esthetiques de certains arts araboislamiques tels que la calligraphie, l'ornementation geometrique et l'art de la miniature. Apres des analyses textuelles operees autour des notions tels que art, perception, forme, matiere, ame, intellect, nature homme, homme parfait, dieu, nous avons decouvert que ces notions fonctionnent entre elles d'une maniere, nous amenant a considerer queles arts

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Bakht, Nancy. "Mocking Mohammad: Mark Twain’s Depiction of Arabs and Muslims in The Innocents Abroad." Scholar Commons, 2006. http://scholarcommons.usf.edu/etd/3907.

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The purpose of this study on Mark Twain's The Innocents Abroad is toinvestigate the various personal and socio-historical reasons for Twain's disrespectful and intolerant depiction of the people of the Middle East in juxtaposition to his lighter treatment of Europeans of the Mediterranean, whom he also wrote about at length in the same travel narrative.The research involves examining the main text, but also considers the long history of Western attitudes towards the Middle East, Twain's prejudicial upbringing, his strong penchant for exaggeration, his sense of opportunism, and the books and co

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Mayer, Esther R. "Arms transfers and influence : the case of the United States and Israel." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=64041.

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Baraldi, Paula de Lima. "Lugar (In) Comum: a parceria de Flávio Império e Fauzi Arap em Pano de Boca." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-19092016-164916/.

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A presente dissertação discorre a respeito da parceria do cenógrafo-figurinista-artista visual Flávio Império com o diretor-dramaturgo Fauzi Arap em Pano de Boca, primeira peça escrita por este, com foco na montagem de 1976, realizada no Teatro Treze de Maio, em São Paulo. O texto, dividido em três planos, apresenta no primeiro duas personagens-personagens, criadas por um autor invisível e que dialogam com a platéia, sem o uso da \"quarta parede\", no segundo, uma atriz que questiona as fronteiras entre a vida e a arte e, no terceiro, um grupo teatral que decide o futuro de sua trupe, trancado

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Mehadji, Meriem. "Les politiques culturelles et le processus de développement dans le monde arabe : analyse d’une série d’indicateurs." Thesis, Paris 5, 2014. http://www.theses.fr/2014PA05D005/document.

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En 2010, le bilan sur les objectifs du millénaire pour le développement (OMD) a révélé que l’ensemble des pays ainsi que les différents acteurs impliqués dans ce processus devaient redoubler leurs efforts afin de mettre en place des projets adaptés à la nature des diverses sociétés. À cet effet, la question de la « culture » s’est imposée comme un facteur évident et inhérent à l’accomplissement de ces objectifs. C’est dans ce cadre que se pose notre problématique de recherche à travers une zone géostratégique qui subit de grands bouleversements au niveau politique, économique et social. De cet

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DINIA, ABDELMALEK. "Analyse linguistique et technique du traite d'al-gazari "recueil scientifique et technique sur les arts mecaniques"." Paris 3, 1990. http://www.theses.fr/1990PA030020.

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Notre recherche s'articule autour de deux grands axes, le premier linguistique, le deuxieme technique. Dans la partie linguistique, nous avons dresse un lexique regroupant tous les termes techniques utilises par al-gazari. Ce lexique est appuye par un lexique annexe ou certains de ces termes sont representes en annexe. Une etude comparative entre le traite d'al-gazari et les traites des freres banu-musa, du pseudo-archimede et de ridwan al-hurasani nous a permis d'inventorier tous les neologismes crees par al-gazari. Les procedes utilises par al-gazari pour la creation de son vocabulaire techn

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Amanat, Shayda. "Iran and the Arab World Through A Female Lens: Deconstructing Western Phantasms and Terrors." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/428.

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This thesis explores how today’s Sheherazades, in this case women photographers from the Middle East, create alternative representations that constitute new meanings and understandings of life, gender, and politics in Iran and the Arab world.

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Gmach, Nomen. "La médiation du signe, les lieux du corps : vers une contemporanéité maghrébine." Paris 1, 2010. http://www.theses.fr/2010PA010693.

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A l'instar d'une icône, l'espace de l'écriture serait un écran médiateur entre deux univers. Entre le champ profane et matériel et le champ sacré d'un au-delà « immatérialisable », l'écriture puis la calligraphie offrent une communication immédiate faisant de l'espace du signe un écran, une fenêtre, «une figure» de l'ouverture et de l'entre-deux. A travers son « tanzil », le texte sacré opérera un passage de l'au-delà vers le monde matériel comme une transcription d' « un corps divin ». Transcription qui implique une transposition d'un code dans un autre. Il implique, par ailleurs, à travers s

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Cassi, Simone <1993&gt. "Il pop in Egitto: fra tradizione e contemporaneità." Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/13981.

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Come si evince dal titolo, lo sviluppo di questa tesi di laurea magistrale ruota intorno alla musica pop in Egitto, partendo dalla pietra miliare di Umm Kulthūm fino ai giorni nostri. Il primo capitolo è d’introduzione storica, un breve riassunto degli eventi della storia egiziana partendo da quella che viene considerata la fondazione dell’Egitto Moderno da parte di Mehmet ‘Alī fino ai recentissimi eventi dal 2011 in avanti, passando, nel mezzo, da Nasser a Sadat e Mubarak. È invece dal secondo capitolo che si comincia a parlare di musica vera e propria, con un’analisi sulla vita, opere e ruol

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