Academic literature on the topic 'Arab poets'
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Journal articles on the topic "Arab poets"
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Arslan, Adnan. "Klasik Arap Şiirinde Yerilen Kötü Bir Ahlak: Mal/Servet Biriktirmek." Journal of The Near East University Islamic Research Center 6, no. 2 (December 25, 2020): 369–96. http://dx.doi.org/10.32955/neu.istem.2020.6.2.02.
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As in the literature of every nation, the Arabs have preserved their precious words about moral virtues through the record of literature. One of these virtues is to spend a contented life away from ambition. The ambition to stockpile goods and stinginess are among the bad morals that the Quran and hadith prevent. The ambition to save and extravagance has been mentioned as two themes in classical Arabic poetry and many poets in this regard have criticized the exorbitant situation. The first three or even four centuries of the Abbasid period corresponds to the socio-economically prosperous period of the Muslims. Therefore, Arab poets who were brought up in this period of history naturally condemned in their poetry not poverty and poverty, but going to extremes with a life of wealth and luxury. In this study, the poems of the Arab poets of the Classical period, whose traces we have been following for a long time, about this exorbitant / extremism are included. The poems that great poets such as Ibn al-Rûmî, Abu Temmâm, Abu al-Atâhiye and al-Mutanabbî said within the scope of the subject were examined in terms of content. Under the prominent headings, the poems that are frequently mentioned in literary sources were selected and the perspective of the poets to the relevant theme was discussed.
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Abushihab, Ibrahim Mohammad, Enas Sami Awad, and Esraa Ibrahim Abushihab. "Nostalgia and Alienation in the Poetry of Arab-American Mahjar Poets (Emigrant Poets): Literary Criticism to Stylistics." Theory and Practice in Language Studies 11, no. 9 (September 1, 2021): 1101–8. http://dx.doi.org/10.17507/tpls.1109.17.
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Nostalgia and Alienation are defined as the feeling that one has when he finds himself alone without connection with the people around him. He considers himself as a stranger in the society where he lives. This is due to leaving the people and homelands. This is what happened to Arab- American poets, (Emigrant poets) who leave their homelands and people. The current paper presents Arab- American poets’ longing, deep love, nostalgia and feeling of homesickness for their beloved countries in East. It also shows their adherence and alienation to their homelands by remembering the years and times they lived there. It emphasizes literary criticism of describing, analyzing and evaluating some of Arab- American poems.
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AYYILDIZ, Esat. "Arap Şairlerin Osmanlı Hükümdarlarına Övgü Şiirleri." Eskiyeni, no. 50 (September 30, 2023): 859–76. http://dx.doi.org/10.37697/eskiyeni.1302129.
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This study aims to examine the rich tradition of panegyric odes composed by Arab poets in honor of Ottoman sovereigns, highlighting the historical, cultural, and political context that gave rise to this distinctive form of literary expression. The paper seeks to explore the reciprocal relationship between Arab poets and the Ottoman Empire, shedding light on how these poets paid tribute to the imperial majesty, conveyed the sultans’ might, and helped to legitimize their rule. By focusing on a diverse range of panegyric odes from the later periods of the Ottoman Empire, the research encompasses the evolving dynamics of power, patronage, and poetic expression that underpinned this unique interaction between Arab poets and the Ottoman court. The primary purpose of the study is to offer a comprehensive analysis of the thematic and stylistic features of these panegyric odes, elucidating the creative strategies employed by Arab poets to extol the virtues of the Ottoman sultans and to articulate their own political, social, and religious allegiances. The paper utilizes historical, literary, and textual analysis, to examine panegyric poetry’s role in fostering cultural exchange and diplomatic communication between the Arab and Ottoman worlds, and its function in bolstering imperial ideology and projecting the Ottoman state’s image. This paper further delves into the critical intersections of politics, religion, and artistic expression within these odes, illuminating how the poets navigated these spheres to construct a nuanced portrait of Ottoman rule. By interpreting the subtexts, allegories, and metaphors employed within these poems, the research uncovers the profound philosophical, spiritual, and cultural paradigms that underscored the political landscapes of the time. Through this lens, the panegyric odes emerge as invaluable literary artifacts that bear testimony to the grandeur of the Ottoman Empire and the intricate socio-political relationships that existed between the Arab poets and the Ottoman court.
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Maher Ennad Al-Hamoud, Abdul-Karim Al-Hussein, Maher Ennad Al-Hamoud, Abdul-Karim Al-Hussein. "Poetic thefts in Al-Farazdaq's poetry: السَّرِقَات الِّشعْرِية فِي شِعْرِ الفِرزدق." مجلة العلوم الإنسانية و الإجتماعية 5, no. 16 (December 27, 2021): 55–33. http://dx.doi.org/10.26389/ajsrp.r090821.
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The research studies the issue of poetic thefts at Al-Farazdaq, relying on the classifications of the ancient critics, trying to reveal what were the reasons that prompted the poet to steal, studying the critical issue and their types of theft in the poet's poetry, , and critics' opinions on the issue of taking poet from other poets. It has an ancient history of our Arab literature dating back to the first early Arab poetry. Research has studied the types of robberies found in in the poet's poetry. Raiding, usurpation plagiarism the Impersonation, the Vilification and its reasons for the desire of the poet to acquire the unique verses that fit his doctrine of pride. So the search consisted of two researchers and one finalist, the first researcher took up thefts and their types in the hair of the frieze. And the poet's knowledge of it, and the research showed the critics' view of Al Farazdaq thefts. The second researcher studied thefts statistically explaining the way in which poets were taken and how many poets were The second researcher studied thefts statistically explaining how many poets had acquired their poets and how many poets had acquired their poetry. Poetic theft is an important phenomenon that requires research, study and further elaboration of its monetary and psychological impact.
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Hosseini, Fatemeh. "Social Tendencies of Poets, Case Study: Hatam1 Taei’s Poetry." International Journal of Social Sciences and Humanities Invention 5, no. 3 (March 28, 2018): 4540–43. http://dx.doi.org/10.18535/ijsshi/v5i3.10.
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A well-known Arab man, Hatam Taei was a generous, catholic, chivalrous, bountiful man in the pre-Islam period and the Arabs set him as an example of generosity and munificence. He was one of the most generous men of that time and the reputation of his bounty and benevolence is still widespread in all corners of the world. Not only known for generosity among Arab people, but also in other nations’ literatures, his name has been welcomed by poets and used with the hospitality and magnanimity attributes, thus embellishing their works. His poems are full of descriptions for generosity and benevolence and humanitarian characteristics as well as high moral and religious teachings. In the present paper, it was attempted to investigate humanitarian and social characteristics in Hatam Taei’s poems including chastity, hospitality, good fame, tolerance and patience, forgiveness, and lack of interest in worldly commodities.
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HAIDAR, Otared. "The Arab American Poets." ARAM Periodical 21 (December 31, 2009): 345–52. http://dx.doi.org/10.2143/aram.21.0.2047099.
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Ahmed, Zina Tariq, and Arwa Hussein Mohammed. "CODE MIXING IN CONTEMPORARY ARAB-AMERICAN POETRY." JOURNAL OF LANGUAGE STUDIES 8, no. 6 (June 30, 2024): 103–13. http://dx.doi.org/10.25130/lang.8.6.6.
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The paper argues that code mixing which is a key concept of sociolinguistics is highly implemented in contemporary Arab-American poetry as a mechanism of representing identity. It focuses on the innovative use of original codes within the dominant one and examining the poetic expressions that produce mixing in the poetry of contemporary poets with dual identities namely, Suhier Hammad, Safia Elhillo, and Ziad Shlah. This qualitative paper uses textual and analytical methods and is based on concepts such as heteroglossia and hybrid identity. It tackles identity through analysis of selected poems in the collections entitled as Breaking Poems (2008), The January Children (2022) and Taqsim (2006). It contends that, despite the diverse backgrounds and poetic styles such as rap, narrative, and metaphor besides, the poets achieve the similar target which is the negotiation of identities in order to accept the difference and integration with other cultures.
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Doğru, İhsan. "Yahya Kemal and Nizar Qabbani: Two Poet-Diplomats in Spain and “Andalus” in their Poems." CLEaR 4, no. 2 (September 1, 2017): 20–33. http://dx.doi.org/10.1515/clear-2017-0009.
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Abstract Yahya Kemal and Nizar Qabbani were two poets who served as diplomats in Spain in the past century on behalf of the governments of Turkey and Syria. Yahya Kemal wrote two poems about Spain, “Dance in Andalusia “ and “Coffee Shop in Madrid”. “Dance in Andalusia,” a poem written about the Flamenco dance, has become very famous. In this poem, he described the traditional dance of the Spanish people and emphasized the place of this dance in their lives and the fun-loving lives of the people of Spain. In almost all of the poems which Nizar Qabbani wrote about Spain, on the other hand, a feeling of sadness rather than joy prevails. He gives a deep sigh in his poems as he regards Andalusia as the one-time land of his ancestors. His most important poem with respect to Spain is the poem entitled “Granada”. This poem is considered to be one of the most significant odes in the Arab literature describing Granada, the pearl of Andalusia, Arab influences there, the Alhambra palace and the sadness felt due to the loss of the city by Arabs. This study analyzes the two most important poems written by Yahya Kemal and Nizar Qabbani concerning Spain, namely “Dance in Andalusia” and “Granada”. Whenever it is deemed appropriate, other poems of the two poets regarding Spain will be dwelt upon and what kind of an influence Andalusia left in their emotional world will be revealed.
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JASIM, RANA. "Arab Poets in Andalusia and their impact on Andalusian civilization." Journal Ishraqat Tanmawya 27 (June 2021): 736–77. http://dx.doi.org/10.51424/ishq.27.26.
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Andalusian literature rose a great revival , it was aided by political progress, social superiority , and cultural advancement, the first thing to note about literary life, appearance of a new generation of real Andalusian poets is a birthplace , a origin and a culture, and notes that work is not limited to the people but the participation of rules in it as well and the saying of Arabic poetry was not limited to the Muslims of Andalusia rather , it was also said by Arabised Christians ,poets were worthy of study , and I studied their most prominent poems and I studied their poetic trends and their progress or development, the prosperity of familiar species and the abundance of literary output , its fertility and diversity, the common occurrence of poerty among Andalusians made it one of the most prominent features of the Andalusian civilization at the time. Key word: poets, Andalus, Arabs, Civilization .
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Abushihab, Ibrahim. "A Stylistic Analysis of Arab-American Poetry: Mahjar (Place of Emigration) Poetry." Journal of Language Teaching and Research 11, no. 4 (July 1, 2020): 652. http://dx.doi.org/10.17507/jltr.1104.17.
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The present paper represents an attempt to focus upon analyzing and describing the major features of Arab American poetry written by prominent Arab poets who had arrived in America on behalf of millions of immigrants during the 19th century. Some of who wrote in English and Arabic like Ameen Rihani (1876-1940); Khalil Gibran (1883-1931) and Mikhail Naimy (1889-1988). Others wrote in Arabic like Elia Abumadi (1890-1957). Most of their poems in Mahjar (place of emigration) reveal nostalgia, their love to their countries and their ancestors and issues relating to Arab countries. The paper analyzes some of their poems based on linguistic, grammatical, lexical and rhetorical levels.
Dissertations / Theses on the topic "Arab poets"
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Emara, Mohamed Hamed Hafez. "Modernist Arabic poetry and the English modernists : a comparative linguistic study." Thesis, University of Exeter, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326926.
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Jābirī, Muḥammad Ṣāliḥ Bayram al-Tūnisī Maḥmūd. "Maḥmūd Bayram al-Tūnisī fī al-manfá ḥayātuhu wa-āthāruh /." Bayrūt, Lubnān : Dār al-Gharb al-Islāmī, 1987. http://books.google.com/books?id=pkYsAAAAMAAJ.
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Delmote, Gilles. "Ponts et frontières entre Espagne et monde arabe." Paris 8, 1999. http://www.theses.fr/1999PA081584.
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L'espagne est generalement presentee comme un etat ayant << vocation >> a servir de << pont >> entre les deux rives de la mediterranee. Cette metaphore du pont, developpee par les africanistes espagnols a propos du maroc, fut largement exploitee sous le franquisme tout en etant generalisee a l'ensemble du monde arabe. Reposant sur un argumentaire d'ordre geographique et historique pour le moins deterministe, la metaphore du pont ne suffit cependant pas a expliquer la politique actuelle de l'espagne en mediterranee, region qui constitue avec l'europe et l'iberoamerique l'essentiel du systeme de projection exterieure espagnole. L'etude de l'histoire et de la geographie de l'espagne, mais aussi des representations collectives espagnoles vis-a-vis du monde arabe, revele surtout la permanence de rapports conflictuels avec le maghreb - monde arabe concret de l'espagne - principalement dus a des questions de frontieres. A travers le partenariat euro-mediterraneen, l'espagne s'est engagee dans une redefinition de sa relation avec le monde arabe. Mais sa politique mediterraneenne demeure principalement centree sur le maghreb. Et malgre l'intensification d'un reseau d'interets communs, le developpement d'une cooperation globale et l'instauration d'un climat politique serein avec les etats du maghreb, les problemes de frontieres territoriales et maritimes subsistent. L'immigration, qui elle aussi souleve la question des frontieres nationale et communautaire, perpetue aujourd'hui la representation de l'espagne pont entre les rives nord et sud de la mediterranee. Le processus d'integrationde la communaute immigree maghrebine dans un pays deja engage dans un debat sur le multiculturalisme a propos des identites regionales, sera sans doute un element essentiel intervenant dans la nature de la relation entre espagne et monde arabe.
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ZARANTONELLO, MARIANNA. "The Arabic Reception of Pagan Greek Poetry and Poets in the ʿAbbāsid Period." Doctoral thesis, Università degli studi di Padova, 2022. http://hdl.handle.net/11577/3459402.
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Il presente studio indaga le dinamiche di ricezione della poesia greca pagana in lingua araba durante l’epoca ʿabbāside, nel contesto del cosiddetto movimento di traduzione e della tradizione filosofico-letteraria che si sviluppò a partire da esso. Questo specifico fenomeno di ricezione è avvenuto sia per via di traduzione passiva di testi greci in siriaco e in arabo sia attraverso un’assimilazione più libera di frammenti testuali e motivi narrativi, ma ha avuto, in generale, una portata piuttosto limitata. La poesia greca sembra essere stata ai margini degli interessi degli intellettuali arabofoni di epoca ʿabbāside e, infatti, non si conservano né sono attestate traduzioni integrali di opere di poesia greca (ad eccezione di alcuni poemi di argomento scientifico o moralistico-filosofico). Dunque, la trasmissione di questa parte della letteratura greca è avvenuta per lo più per via indiretta, attraverso frammenti sparsi provenienti da fonti eterogenee. Queste possono essere ricondotte a due macrocategorie che corrispondono a due canali di trasmissione principali. La prima macrocategoria è costituita dai riferimenti poetici contenuti in trattati filosofici, medici e scientifici tradotti in arabo. Data la vastità di questo campo di indagine ci siamo concentrati sull’esame delle versioni arabe del Corpus Aristotelicum. Il secondo canale di trasmissione è la letteratura dosso-gnomologica, cioè compilazioni di aneddoti e detti che mescolano materiali di diversa origine, non solo greca e arabo-islamica. Oltre a questi corpora di testi, sono state esaminate importanti fonti documentarie che attestino una conoscenza e una trasmissione, almeno parzialmente orale, di elementi narrativi e topoi letterari.This study investigates the dynamics of reception of pagan Greek poetry in Arabic during the ʿAbbāsid era, in the context of the so-called translation movement and the philosophical-literary tradition that developed from it. This specific phenomenon of reception took place either through passive translation of Greek texts into Syriac and Arabic or through a freer assimilation of textual fragments and narrative motifs, but it had, in general, a rather limited scope. Greek poetry seems to have been at the margins of the interests of Arabic-speaking intellectuals of the ʿAbbāsid period, and, in fact, no full translations of works of Greek poetry are preserved or attested (with the exception of a few poems on scientific or moralistic-philosophical subjects). Thus, the transmission of this part of Greek literature took place mostly indirectly, through scattered fragments from heterogeneous sources. These can be reduced to two macrocategories corresponding to two main channels of transmission. The first macrocategory consists of poetic references contained in philosophical, medical and scientific treatises translated into Arabic. Given the vastness of this field of investigation, we have concentrated on examining the Arabic versions of the Corpus Aristotelicum. The second channel of transmission is the doxo-gnomological literature, i.e., compilations of anecdotes and sayings mixing materials of different origins, not only Greek and Arabic-Islamic. In addition to these corpora of texts, important documentary sources attesting to an at least partially oral knowledge and transmission of narrative elements and literary topoi were examined.
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Saidi, Mustapha. "Ibn Arabi's Sufi and poetic experiences (through his collection of mystical poems Tarjuman al-Ashwaq)." Thesis, University of the Western Cape, 2005. http://etd.uwc.ac.za/index.php?module=etd&action=viewtitle&id=gen8Srv25Nme4_2270_1183723387.
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This study is a theoretical research concerning Ibn Arabi's Sufi experience and his philosophy of the "
unity of being"
(also his poetical talent). I therefore adopted the historical and analytical methodologies to analyse and reply on the questions and suggestions I have raised in this paper. Both of the methodologies reveal the actual status of the Sufism of Ibn Arabi who came with a challenging sufi doctrine. Also, in the theoretical methodology I attempt to define Sufism by giving a panoramic history of it. I have also researched Ibn Arabi's status amongst his contemporaries for example, Al-Hallaj and Ibn Al Farid, and how they influenced him as a Sufi thinker during this time.
In the analytical study I explore the poems "
Tarjuman al Ashwaq"
of Ibn Arabi, of which I have selected some poems to study analytically. Through this I discovered Ibn Arabi's Sufi inclinations and the criticisms of various literary scholars, theologians, philosophers and also sufi thinkers, both from the East and the West. In this analysis I have also focused on the artistic value of the poetry which he utilized to promote his own doctrine "
the unity of being."
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Al-Athari, Lamees. ""This rhythm does not please me" : women protest war in Dunya Mikhail's poetry." Thesis, Manhattan, Kan. : Kansas State University, 2008. http://hdl.handle.net/2097/865.
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Queiroz, Christina Stephano de. "O caixeiro viajante da poesia, ou um estrangeiro inventado: ensaio biográfico sobre o poeta líbano-brasileiro Jamil Almansur Haddad (1914-1988)." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8159/tde-02042018-110839/.
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Ao acompanhar a trajetória intelectual de Jamil Almansur Haddad desde suas primeiras publicações até sua morte, esta Tese de doutorado traz à luz o percurso de um literato pertencente à segunda geração de imigrantes libaneses e suas relações paradoxais com o meio intelectual brasileiro e, em especial, o paulistano. Seu percurso biográfico ilustra um desdobramento do movimento literário árabe da imigração, que desempenhou papel central no processo de renascimento da literatura árabe no final do século XIX. Imerso no contexto cultural de um país em busca da conformação de sua verdadeira identidade nacional e vivendo na cidade de São Paulo - que em meados do século XX foi um dos maiores polos de imigração do mundo Jamil, através de sua experiência biográfica e de seu caminho literário, revela nuances de um processo intermediário de hibridação cultural.This thesis follows the intellectual trajectory of Jamil Almansur Haddad from his first publications to his death, bringing to light the trajectory of a poet that belongs to the second generation of Lebanese immigrants and his paradoxical relations with the Brazilian intellectual environment and, in particular, the paulistano one. His biographical journey illustrates an unfolding of the Arab literary movement of immigration, which played a central role in the process of rebirth of Arab literature in the late nineteenth century. Immersed in the cultural context of a country in search of the conformation of its true national identity and living in the city of São Paulo - which in the mid-twentieth century was one of the largest poles of immigration in the world - Jamil, through his biographical experience and his literary path, reveals nuances of an intermediate process of cultural hybridization.
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Ben, Mansour Mohamed. "Le poète et le Prince : couleurs de l'éloge et du blâme à l'époque abbasside (750 - 965)." Thesis, Lyon, 2017. http://www.theses.fr/2017LYSEN086.
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En partant de l’une des périodes les plus riches dans l’histoire de l’Islam en termes de créativité et de production poétiques, notre projet vise à mettre au jour les formes qu’a revêtues le rapport entre le poète et le Prince. Pour élucider ce rapport aussi complexe que protéiforme, nous ferons appel à un corpus riche et varié, et on tentera alors d’examiner la question de l’éloge et du blâme à travers trois prismes : la rhétorique, l’éthique et la politique. Le discours encomiastique mobilise la rhétorique afin d’emporter l’adhésion d’un auditoire sur une matière qui n’est pas encore établie. Mais l’effort déployé par l’orateur afin de convaincre l’auditoire ne peut se passer de la toile de fond éthique et du système commun de valeurs dont il procède pour arriver à la persuasion. Quant à la dimension politique, elle se reflète dans la fonction du poète comme « arme verbale » au service du Prince et instrument de légitimation de sa position politique contre ses adversaires réels ou potentiels. Par-delà la fonction de panégyriste officiel, la performativité du discours politique s’étend également à la parole, d’éducation, de réforme voire de critique ouverte qui pourrait évoquer la parrêsia antique. Grâce à un fonds sapiential, la poésie apporte sa contribution au processus de formation de l’homme politique et lui offre un excellent manuel de gouvernement. Quant à la veine contestataire, l’invective, la caricature et la mobilisation de la parole polémique constituent ses principaux ressorts. La veine contestataire traverse le regard que le poète jette sur l’univers de la cour, la politique du Prince ou le rapport entre gouvernants/gouvernés. Qu’il s’agisse de nominations, de projets politiques ou de l’ethos même de l’homme du pouvoir, le poète est toujours présent pour donner son avis. L’injustice d’une décision prise par un juge, le népotisme d’un gouverneur ou la dureté d’un général sont autant d’aspects qui témoignent de la vivacité de la critique du pouvoir par le poète, et du rôle que ce dernier endosse en tant que moralisateur de cette sphère. Le conseil se présente alors comme le moyen de rectifier les décisions ou les orientations générales du Prince et témoigne de l’existence d’une véritable rationalité poétique. Aussi, la rhétorique de l’éloge et du blâme témoigne-elle de l’existence d’une rationalité poétique qui arrive à maturité à l’époque abbasside et parvient à un degré d’efficience oratoire sans précédent en raison d’une conscience accrue du poète de la nécessité de s’impliquer dans la vie politique et de peser sur le cours de l’HistoireBased on one of the richest periods in the history of Islam in terms of poetic creativity and production, our project seeks to revise the forms that characterized the relationship between the poet and the prince. To elucidate this relationship as complex as it is protean, we will call on a rich and varied corpus, and then examine the question of praise and blame through three prisms: rhetoric, ethics and politics. The encomiastic discourse uses rhetoric to gain an audience’s support for a matter that is not yet established. But the effort required by the orator to convince the audience necessitates the ethical backdrop and common system of values, from which he proceeds to persuade. As for the political dimension, it is reflected in the poet’s function as the “verbal arm” serving the prince and as an instrument legitimizing his political position against real or potential opponents. Beyond the function of official panegyrist, the performativity of political discourse also extends to speech, education, reform, even open criticism that could evoke the antique parrêsia. By virtue of its sapiential substance, poetry contributes to the process forming the politician and offers him an excellent manual to government. As for the dissenting vein, invective, caricature and the mobilization of polemical speech constitute his main resources. The dissenting vein passes through the poet’s gaze on the universe of the court, the prince’s politics and the relationship between governor/governed. Whether it involves nominations, political projects or the very ethos of the man of power, the poet is always present to give his opinion. The injustice of a decision made by a judge, the nepotism of a governor or the harshness of a general are all aspects that demonstrate the poet’s vivacious criticism of power, and the role that the latter assumes as the moralizer of this sphere. The counsel is then presented as a means to rectify the prince’s general decisions or orientations and attests to the existence of a veritable poetic rationality. Furthermore, the rhetoric of praise and blame indicates the existence of a poetic rationality that reached maturity in the Abbasid period and attained an unprecedented degree of oratory efficiency, due to the poet’s growing consciousness of the necessity to be involved in political life and to influence the course of history
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Maghchouch, Zena. "Diaspora poets responding to the Israeli occupation : a study of Western Sydney’s Arab poetry community." Thesis, 2020. http://hdl.handle.net/1959.7/uws:64621.
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Our stories are held in the hands of our artists, and spaces such as the Bankstown Poetry Slam (BPS) serve as repositories for these artists to interrogate and explore complex ideas with their audiences. The BPS features artists from diverse backgrounds on its stage. Since its establishment Arab poets in particular are using this space to engage in artistic resistance. These poets have fostered a collective Arab solidarity with the Palestinians under occupation. The research interrogates the formation of Arab identities in relation to this movement as well as the ways in which the members of the Arab poetry community in Western Sydney are racialized. Using mixed qualitative methods, including semi-structured interviews, participant observation, and poetic analysis, this study explores the Arab poetry community in western Sydney, its engagement in the Palestinian resistance and the effects on racialization and identity.
Books on the topic "Arab poets"
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Durbāshī, ʻAbd al-Muʻṭī. al- Shaykh al-muʻallim Khalīl ibn Yūsuf ibn Abī Bakr, 1905-1995: Ḥayātuhu wa-shiʻruh. ʻAmmān: Dār al-Yanābīʻ, 1999.
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ʻAbd Allāh ibn Qāsim Nawwāq. Qabīlat al-sharārāt (Banū Kalb): Mawṭinuhum wa-al-intimāʾ wa-qawl al-kuttāb-- wa-al-shuʻarāʾ. Bayrūt: Muʾassasat al-Risālah, 1994.
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Fashwān, Muḥammad Saʻd. Ḥasan Kāmil al-Ṣayrafī wa-tayyārāt al-tajdīd fī shiʻrih. al-Qāhirah: Rabiṭat al-Adab al-Ḥadīth, 1985.
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ʻAlī, ʻAbd al-Riḍā. Nāzik al-Malāʾikah: Dirāsah wa-mukhtārāt. Baghdād: Dār al-Shuʾūn al-Thaqāfīyah al-ʻĀmmah "Āfāq ʻArabīyah", 1987.
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Ḥasan, Ḥāmid. Ḥāmid Ḥasan fāris al-shiʻr wa-al-nathr. Dimashq: Dār al-Yanābīʻ, 2001.
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Qumayḥah, Jābir. al- Shāʻir al-Filasṭīnī al-shahīd ʻAbd al-Raḥīm Maḥmūd, aw, Malḥamat al-kalimah wa-al-dam. al-Qāhirah: Dār al-Fikr al-ʻArabī, 1986.
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Gharīb, Zakī ʻĀbidīn. Al-Quṭāmī, ḥayātuhu wa-shiʻruh. al-Qāhirah: Dār al-Maʻārif, 1986.
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al-Mālikī, Mājidah Būẓū. Rasāʾil Mājdūlīn ilá al-Bayātī. [Damascus]: Dār Mājidah, 2000.
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Basaj, Aḥmad Ḥasan. al- Akhṭal shāʻir banī Umayyah. Bayrūt: Dār al-Kutub al-ʻIlmīyah, 1994.
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Cobb, Paul M. Usama ibn Munqidh: Warrior-poet of the age of Crusades. Oxford: Oneworld, 2005.
Find full textBook chapters on the topic "Arab poets"
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Khannous, Touria. "Black poets' defensive rhetorical acts." In Black-Arab Encounters in Literature and Film, 33–46. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429462979-1.
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Alves, Adalberto. "Erranze poetiche e geografiche nei poeti del Gharb al-Andalus." In Studi e saggi, 53–62. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-467-0.06.
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The arab poetry is born among the wandering bedouins of the desert. The long odes (qasidat), were born to be recited in the camp, at night, under the stars and around the fire. The ode includes always a section named nasib wich intention is to describe the erratic course of the desert rider in search of his beloved woman. On the other hand, throughout centuries and with rare exceptions, the social conditions of arab poets were precarious. This meant that they were obliged to wander between courts to find patrons, in order to guarantee means of subsistence. These two circumstances, together with the hazards of existing politics, determined the erring matrix of life of the ancient arab poets: most of them, despite their outstanding talent, were compelled to being mainly vagrant panegyrists.
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Hermes, Nizar F. "The Moor’s First Sight: An Arab Poet in a Ninth-Century Viking Court." In Historic Engagements with Occidental Cultures, Religions, Powers, 57–69. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137405029_3.
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Nasser, Tahia Abdel. "Palestine Song: Mahmoud Darwish and Mourid Barghouti." In Literary Autobiography and Arab National Struggles. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474420228.003.0004.
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This chapter explores a new form of poetic autobiography by Palestinian poets Mahmoud Darwish and Mourid Barghouti. The chapter explores the relationship of the poets to Palestine and its effects on autobiographical form in Darwish’s Memory for Forgetfulness, his 1986 memoir of the Israeli siege of Beirut, and Mural, his 1999 autobiographical epic focusing on mortality and Palestine. Barghouti’s memoirs I Saw Ramallah and I Was Born There, I Was Born Here explore the poet’s return to Palestine. Darwish and Barghouti rework the genre to explore the life of the poet in relation to Palestine and the tension between the poet’s solitude and his public role.
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Elmeligi, Wessam. "Crossover poets." In The Poetry of Arab Women from the Pre-Islamic Age to Andalusia, 41–50. Routledge, 2019. http://dx.doi.org/10.4324/9780429451317-3.
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Elmeligi, Wessam. "Umayyad poets." In The Poetry of Arab Women from the Pre-Islamic Age to Andalusia, 75–89. Routledge, 2019. http://dx.doi.org/10.4324/9780429451317-6.
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Elmeligi, Wessam. "Abbasid poets." In The Poetry of Arab Women from the Pre-Islamic Age to Andalusia, 90–128. Routledge, 2019. http://dx.doi.org/10.4324/9780429451317-7.
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Elmeligi, Wessam. "Andalusian poets." In The Poetry of Arab Women from the Pre-Islamic Age to Andalusia, 129–47. Routledge, 2019. http://dx.doi.org/10.4324/9780429451317-8.
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"Poetry of Twenty Female Arab Poets." In Red Pomegranates: Love, Beauty and Deceit, 281–328. De Gruyter, 2013. http://dx.doi.org/10.1515/9783112208977-007.
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Webb, Peter. "Pre-Islamic ‘Arabless-ness’: Arabian Identities." In Imagining the Arabs. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474408264.003.0003.
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Developing Chapter 1’s findings on pre-Islamic Arabian society, this chapter proposes a new origin point for Arab communal consciousness. Chapter 2 seeks the first groups of people who called themselves ‘Arabs’ and explores how those people can be identified from historical records. We begin by appraising the evidence about Arabic language: when and where did it evolve and to what extent does Arabic-language use delineate Arab communal identity? We evaluate the surprising paucity of pre-Islamic Arabic records, and next turn to pre-Islamic poetry to examine its citation of the word ‘Arab’ alongside the senses of community the poets articulate. Pre-Islamic poetic reference to ‘Arabs’ is also almost non-existent, whereas alternative forms of communal identity are clearly expressed, in particular, a people known as Maʿadd. Marshalling theories of ethnogenesis to interpret the evidence, this chapter sheds new light on pre-Islamic Arabia’s fragmented communal boundaries. Chapter 2 closes with early Islamic-era poetry where poets first begin to call themselves ‘Arabs’, suggesting that Arab ethnogenesis was a result, not a cause of the rise of Islam.
Conference papers on the topic "Arab poets"
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MEHMETALI, Bekir. "THE ARAB-TURKISH BROTHERHOOD IN MODERN ARABIC POETRY." In VI. International Congress of Humanities and Educational Research. Rimar Academy, 2023. http://dx.doi.org/10.47832/ijhercongress6-3.
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Since ancient times, Arabic poetry has been a depiction of everything that is happening in the Arab environment that surrounds the poet wherever he is, and his igniting flame has not been extinguished in their souls, despite the subjugation of the Arab world to the rule of non-Arabs after Islam. It is known that the Arab Muslims set out from the Arabian Peninsula as conquerors and heralds of the serious Islamic religion, and as a result of this the entry of nonArabs into Islam that enlightened the darkness of their hearts, so the Persians, Romans, Copts, Abyssinians, Turks, and others will be enlightened by his guidance... Muslim rulers will succeed in ruling the Islamic state Arabs and non-Arabs, such as Persians, Turks, Kurds, and others. And when the Turkish Ottoman state was established on an Islamic religious basis, the Turkish Muslims carried the banner of Islam, so they defended it, relying on Muslims of all nations, from the Turks, the Laz, the Arabs, and others, so the Islamic Ottoman rule extended over common areas that included almost the entire Arab lands, and they did not differentiate between Muslim and another in view of his race, color or geography. However, this matter did not satisfy the lurking enemies who wanted sedition and division between the Arabs and the Turks, so they stirred up the winds of nationalism that some Arab poets sought in the modern era, such as Ibrahim al-Yaziji and Khalil Mutran. Herein lies the importance of the research, its objective, and its value. The research uses the descriptive and analytical approaches in order to highlight the manifestations of this brotherhood, which received sufficient attention from Arab poets in the modern era.
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Ahmed SALIH, Sura. "TIME IN THE POETRY OF JAMIL BUTHAINA." In III. International Congress of Humanities and Educational Research. Rimar Academy, 2022. http://dx.doi.org/10.47832/ijhercongress3-3.
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Then Believing in the need of our Arab heritage for a second reading that shows its creativity and originality, we chose Jamil Buthaina, who is considered one of the most important poets of virgin Spinning in the Umayyad era, where his name was associated with the name of his beloved. The Arab in general and beautiful poetry in particular. We notice the dominance of time over Arab poetry and the poets’ gaze. The research is divided into several axes:. - Time in Arabic poetry: which we talked about about the element of time in poetry as it is one of the elements of forming the dramatic structure of the poetic text, and that time is associated with poets even in the poetry industry itself in time. - Time in the virginal spinning poetry We talked about the poets’ view of time and considering it responsible for everything that befalls the poet and for the separation of the beloved and the sadness. Time in jamil poetry Buthaina: In this axis we studied time in beautiful poetry, which he highlighted through dialogue. Beautiful poetry is based on dialogue that shows the life of poetry with its lover, its previous and current status, and its complaint about time. In conclusion, we hope that we have succeeded in presenting an adequate summary of our subject, and that it will be in the service of our Arabic literature and the service of scholars
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MEHMETALI, Bekir. "THE RULE OF POETIC NECESSITY IN CONTEMPORARY POETRY." In III. International Research Congress ofContemporary Studiesin Social Sciences. Rimar Academy, 2021. http://dx.doi.org/10.47832/rimarcongress3-10.
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Poetry flowed from the tongue of the Arab poets in a natural flow in the early days of his era, and it preceded its cradle in the pre-Islamic era, and accordingly the saliqa and innate nature took place. Classical Arabic in which he produced his poetry, in rules and linguistic laws, and by analogy with them, his poetry will be studied in meaning and structure, and that he will be mistaken in saying this, and the linguist will seek to find linguistic ways to penetrate the poet into the Arab rule that was made by the grammatical extrapolation. Hence the term poetic necessity, which is to find a nice linguistic way out because the poet's statement is not inconsistent with the made linguistic rule. There was a lot of disagreement between the grammarians on this subject. The problem of the research is manifested in the permissibility of using the poetic necessities of the contemporary poet who lives in our time, or the impermissibility of that, and he wonders: Is it permissible for the contemporary poet to use the poetic necessities that the ancients used? And how much is permissible to use it? Does he use it consciously and intentionally, compared to the ancients, or are they linguistic errors that he falls into without being aware of them? The research is theoretical and applied on two collections of poetry by two contemporary Arab poets who live in a nonArab spatial and linguistic environment (Turkey), namely Ayman al-Jabali and Khaled alMuhaimid. The study relied on the descriptive approach, which describes some of the poetic necessities used by the ancients, and which were mentioned by specialized sources and references. The importance of the research lies in its problem and topic, and the conclusions drawn from the research are presented at the end
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عبد الرزاق أيوب, ضياء. "Kurdish-Arab coexistence in Iraqi contemporary poetry." In Peacebuilding and Genocide Prevention. University of Human Development, 2021. http://dx.doi.org/10.21928/uhdicpgp/56.
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" One of the best manifestations of the ego is in its relation to the other as an identifiable equivalent. This relation is basically and culturally determined by the nature of the observant ego, both dialectically and dialogically. The other serves as an inspiring stimulus that produces a desirable effect on an expressive ego which is aiming at self-expression and actively shaped by that equivalent other. This article investigates the poetic ego in its constant, variable interaction with the Kurds as reflected in the poems of contemporary Iraqi poets who showed sympathy with and support to the Kurdish cause. Exemplary poems will be chosen to depict this reciprocal relationship, shedding light on its unified representation. The article is divided into an introduction and five sections. The concept of the other and its origin, diversity of meanings, and its interdisciplinary suggestiveness are all discussed in the introduction. The five sections, on the other hand, are a study of the various depictions of the Kurds in contemporary Iraqi poetry. These depictions are shown in the Kurdish brotherhood, the commemoration of famous Kurdish figures, the celebration of the Kurdish place and festivities and their role in identity formation, and remembering its setbacks and inculcating it in the collective memory"
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MEHMETALI, Bekir. "The Woman in Diwan (The Brunette Said to Me) by Nizar Qabbani." In I.International Congress ofWoman's Studies. Rimar Academy, 2023. http://dx.doi.org/10.47832/lady.con1-1.
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The woman, since God created her, was equal to the man, and a foundation on which life, the family, and society rest. Girlfriend, lover, dancer, singer, wife. Arab poetry immortalized many women, such as Abla Bint Malik Al-Absi, Habiba Antarah Bin Shaddad, Laila Habiba Majnoon Bani Amer, Buthaina Habiba Jamil, Afra Habiba Urwa, and the birth of Habiba Ibn Zaydun. In the modern era, poets emerged who had the upper hand in dealing with the issue of women, and talking about them in their poems. He describes her, flirts with her, praises her charms, or attacks and criticizes her. In this research, I wanted to address the image of the woman in the poetry collection (The Brunette Said to Me) by Nizar Qabbani, in an attempt to clarify his position towards her as it was revealed in this collection that we chose. Because it is his first collection of poetry. The aim of the study is to clarify the true image of women in this collection of poetry from the poet's perspective, his attitude towards her, and his view of her, while he was in the prime of his life and in the prime of his youth. The researcher uses the descriptive and analytical approaches, presenting and analyzing Nizar Qabbani's poems related to this topic as contained in his poetry collection (The Brunette Said to Me). To deduce, clarify, and extrapolate her image or images from the poet's perspective.
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MEHMETALI, Bekir. "FEATURES OF THE INDIVIDUAL HERO IN THE POETRY OF ANTARA BIN SHADDAD." In II. INTERNATIONAL RESEARCH SCIENTIFIC CONGRESS OF HUMANITIES AND SOCIAL SCIENCES. Rimar Academy, 2022. http://dx.doi.org/10.47832/ist.con2-1.
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Championship occupied a significant space among Arab poets in the pre-Islamic era, and the literary and historical eras that followed, and perhaps this is due to the fact that the harsh, Bedouin life, full of conflicts, invasions, and wars between Arab tribes required that each tribe have knights, heroes, They defend it, secure its existence, and even impose its dominance, control, and power over other tribes. Among these heroes were poets such as Duraid bin Al-Summa, Amer bin Al-Tufail, Amr bin Maadikarb, Antara bin Shaddad Al-Absi, and many others. The motives for this tournament were multiple, they may be social, economic, personal or otherwise, and all of the previous motives may meet; to motivate someone; To be a hero in his tribe. Since the conflicts and wars between people, individuals, and societies do not end, and heroism is a necessity in life; To ensure the existence of this or that society in a world that only recognizes the right of the powerful, I thought that I should address this topic in this study, and limit it to the features of the individual hero in the poetry of Antara bin Shaddad; Because his heroism, in my opinion, has two main reasons: his tenderness and his love for Abla; And because he became an example of heroism and courage, his heroism shaped the image of the individual, the hero, the model in Arab thought and culture. The research aims to memorize the features of this heroism in a contemporary reading, and the importance of the research is reflected in its goal and the personality that it studies. The researcher will follow the methods of description, analysis, and induction; To achieve the purpose of writing it
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Mehmetali, Doç Dr Bekir. "THE USE OF ARABIC WORDS IN CONTEMPORARY TURKISH POETRY.THE POEM (WORDS OF KILIS) BY THE POET MUSTAFA ALPAYDIN IS AN EXAMPLE." In I. International Dubai Social Sciences and Humanities Congress. Rimar Academy, 2024. http://dx.doi.org/10.47832/dubaicongress1-1.
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The languages with which God has honored His servants, believers and non-believers, are all one of His signs and one of His effects. It is natural for human languages to borrow words from each other due to several factors, including religion, juxtaposition, mixing, and so on. The Turkish language borrowed many words from the Arabic language, and the Islamic religion was the main factor in this borrowing. Through this research, I wanted to show a small amount of contemporary Turkish poetry’s borrowing of Arabic words that the poet used in his poetic experience. The choice fell on the poet Mustafa Alp Aydin. Because he is one of the most prominent contemporary poets in the Turkish state of Kilis, adjacent to the Syrian border, and the president of the Kilis Poets and Writers Association. I chose his poem (The Words of Kels) to be the subject of study in this research. Because it contains quite a few Arabic words that distinguish the dialect of Kilis from others, I wanted this study to be one of the research lamps that illuminate the way for researchers in this type of studies. The importance of the research is evident in its treatment of a poet who has not been studied before, in the fact that this poet belongs to a state adjacent to Arab geography, and in his treatment of this topic in Turkish poetry and not in other types of speech. The research adopts the methods of description, analysis, induction, and deduction. It describes the Arabic words contained in this poem, analyzes them linguistically, and extrapolates the law of their use in the studied poem as a model of contemporary Turkish poetry that used Arabic words, and reaches conclusions based on this extrapolation
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MEHMETALI, Bekir. "The manifestations of the meanings of grammatical construction in selected verses from the Mu'allaqa Amr bin Kulthum." In V. International Congress of Humanities and Educational Research. Rimar Academy, 2022. http://dx.doi.org/10.47832/ijhercongress5-2.
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Poetry has been since pre-Islamic times, and continues to this day to be of great importance to scholars, researchers, specialists, and others. These were made available to poets in later literary ages, and the mu’allaqat came at the forefront of these monuments. The introduction to these pendants is such that over time they became the pride of the Taghlib tribe, which distinguished it from others that its poet was a master of his tribe, and that his tribe was the greatest of the Arab tribes, and that the reason for its organization was unique, which is the killing of the poet by an unjust king who tried to insult the king in his council because of him An incident that revolves between reality and imagination, and I have not found, within my knowledge, who has dealt with the grammatical meanings of this study; Because of the importance of this commentator, the importance of its poet, and the importance of the grammar lesson in understanding the literary text, I chose from this commentary verses that I consider to be the core and center of the suspension, and I studied them based on the grammar lesson; To memorize the precise meanings that the poet imparted in his structures, and the grammatical sentences with which he weaves these verses, and the importance of research lies in the motive for it, its goal, and its subject.
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إبراهيم أحمد العزّي, يونس. "Halabja in Poetic Memory: The Crime and the Case." In Peacebuilding and Genocide Prevention. University of Human Development, 2021. http://dx.doi.org/10.21928/uhdicpgp/55.
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"Abstract The Halabja case, and the genocide to which the people of this city were subjected, represented an international crime with all the dimensions and connotations of the word, and thus left a wound in the memory of the human conscience, the effects of which were reflected in various forms politically, socially, and culturally. The Halabja crime constituted intellectual and literary foundations for many Iraqi and Arab poets and writers, and it became an artistic theme for many poems and literary works in the contemporary creative achievement. Among these writers was the Iraqi poet (Ahmed al-Hamd al-Mandalawi), whose poem (Execution of a City in My Country) is regarded as an artistic painting that recorded the details of this tragedy, and depicted its bloody events, in a high literary style, and a language far from complex, embodied the poetry of sadness and the memory of pain. This is what makes it a rich sample in technical and objective terms, and worthy of research and study. The stylistic approach was adopted as a method of reading and a mechanism for analysis, to reveal the aesthetics of this poem, and the mechanisms of its artistic formation, according to a critical and analytical vision, highlighting the poetics of the text and the poeticity of the creator on the one hand, the depth of tragedy and the connotations of sadness and sorrow On the other hand, the text. The study methodology necessitated dividing the research into an introduction and three sections. The introduction formed a methodological threshold - including (Halabja - the poem - and the poet), which collectively represents the external / theoretical framework of the research. As for the research sections, it was devoted to the study of the three levels of the poem - according to the mechanisms of the stylistic approach - which are respectively: the structural level, the phonemic level, and the semantic level, which the poet was able through his employment of the elements of formation and artistic construction to highlight these stylistic levels and their poetics that tempt the researcher to approach the text and critically debate it what reveals its aesthetic beauty secrets."
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MEHMETALI, Bekir. "THE IMAGE OF THE MARTYR IN THE PALESTINIAN RESISTANCE POETRY." In III. International Congress of Humanities and Educational Research. Rimar Academy, 2022. http://dx.doi.org/10.47832/ijhercongress3-2.
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All nations and societies need someone to defend them, protect them, and repel aggression and injustice, so that these sacrifices become the torch of freedom, the beacon of pride, and the throne of pride. And this testimony adds to him a human, patriotic and sanctity value, thus elevating his position among his people and his people. He who sees himself as part of his society, his issues are his cause, and his pain is his pain. With the catastrophe of Palestine in 1948, and the setback of June 1967, the Palestinian resistance appeared carrying weapons, believing in the principle of liberation by force, and alongside this resistance, Palestinian resistance poetry appeared, which supported the armed resistance with the literary poetic word, and gave a great space, and great attention to the cause of the Palestinian martyr who sacrificed the cause of the Palestinian martyr. The research aims to clarify the poetic image of the martyr in the Palestinian resistance poetry, and the motive for this is the status of the martyr in Arab thought on the one hand, and the status of the Palestinian cause, and its specificity among the Palestinians, Arabs, and Muslims on the one hand, and the international community on the other. The importance of the research lies in its goal and motive. The researcher will follow the descriptive and analytical approaches, and will clarify the concept of the martyr, and the testimony, and will address the image of the martyr with description and analysis of some poets of the Palestinian resistance, such as Mahmoud Darwish, Samih Al-Qasim, and others
Reports on the topic "Arab poets"
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Coyner, Kelley, and Jason Bittner. Automated Vehicles and Infrastructure Enablers: Logistics and Delivery. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, September 2023. http://dx.doi.org/10.4271/epr2023021.
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<div class="section abstract"><div class="htmlview paragraph">Like the shift from horse drawn carriages to cars, the emergence of delivery robots marks a shift from driverless vehicles to automated logistics vehicles where form follows function. On paper, the business cases are compelling and the use cases seemingly unbounded. Vehicles may be conventional in the form of trucks and industrial equipment of all types, or as purpose-built vehicles on with widely varying cargo capacities. Proof of concepts and pilots are moving forward on roadways, sidewalks, and doorsteps, as well as in low altitude airways, ports, and even inside of buildings.</div><div class="htmlview paragraph"><b>Automated Vehicles and Infrastructure Enablers: Logistics and Delivery</b> addresses the current state of the industry, benefits of ADVs, challenges, and expanding use. It also touches on opportunities to design, modify, and expand infrastructure—both digital and physical—to supports safe and equitable usage. The report draws on experience and research on these topics in North America, the United Kingdom, the European Union, Australia, and the United Arab Emirates, among others.</div><div class="htmlview paragraph"><a href="https://www.sae.org/publications/edge-research-reports" target="_blank">Click here to access the full SAE EDGE</a><sup>TM</sup><a href="https://www.sae.org/publications/edge-research-reports" target="_blank"> Research Report portfolio.</a></div></div>