Relevant bibliographies by topics / Arabian nights – Authorship

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Academic literature on the topic 'Arabian nights – Authorship'

Author: Grafiati
Published: 28 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Arabian nights – Authorship"

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Jasim Mohammed, Azeez. "O. Henry’s A Madison Square Arabian Night: A Cross-Cultural Dialogue." International Journal of Applied Linguistics and English Literature 10, no. 1 (2021): 71. http://dx.doi.org/10.7575/aiac.ijalel.v.10n.1p.71.

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In this paper, the assertion of cross-culture in the American literature is studied and put for discussion. Aside from the inspiration of the American writers of the Arabian Nights, the inspiration of the Arabian Culture is inspired as well. O. Henry is given as an example in his short story “A Madison square Arabian Night”. The first part of this research is going to highlight the importance of the Arabian Nights in the American literature. It tries to give a brief idea about the Arabian nights and according to this it is divided into five parts to give enough information as possible about th
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Muhawi, Ibrahim. "The Arabian Nights and the Question of Authorship." Journal of Arabic Literature 36, no. 3 (2005): 323–37. http://dx.doi.org/10.1163/157006405774909899.

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Books on the topic "Arabian nights – Authorship"

1

Marvellous thieves: Secret authors of the Arabian nights. Harvard University Press, 2017.

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Marvellous Thieves: Secret Authors of the Arabian Nights. Harvard University Press, 2017.

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Horta, Paulo Lemos. Marvellous Thieves: Secret Authors of the Arabian Nights. Harvard University Press, 2019.

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Horta, Paulo Lemos. Marvellous Thieves. Harvard University Press, 2017.

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Dites-moi le songe. Actes sud, 2010.

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Murfin, Audrey. Robert Louis Stevenson and the Art of Collaboration. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474451987.001.0001.

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Robert Louis Stevenson, Collaboration, and the Construction of the Late-Victorian Author argues that understanding literary collaboration is essential to understanding Stevenson’s writings. Stevenson often collaborated with family and friends, sometimes acknowledged, and sometimes not. Early collaborations include three plays with his friend W. E. Henley. Later, he and his wife Fanny co-authored a volume of linked stories, More New Arabian Nights, also titled The Dynamiter (1885). Fanny also contributed to other work that did not bear her name, significantly the Strange Case of Dr Jekyll and M
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Book chapters on the topic "Arabian nights – Authorship"

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Annovi, Gian Maria. "Acting." In Pier Paolo Pasolini. Columbia University Press, 2017. http://dx.doi.org/10.7312/columbia/9780231180306.003.0006.

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Chapter Five is devoted to films that feature Pasolini in roles that evoke or directly address his authorial function. This is the case for his self-projections onto character-authors such as Chaucer in I racconti di Canterbury (The Canterbury Tales, 1972), or Giotto’s pupil in Il Decameron (The Decameron, 1971). The director’s on-screen performances contribute to the composition of the self-portrait of a multimedia author, and at the same time affirm the intimate bond between work and authorial corporeality. In The Trilogy of Life, Pasolini presents authorship like a corporeal, material eleme
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