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Dissertations / Theses on the topic 'Arabic fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Consult the top 44 dissertations / theses for your research on the topic 'Arabic fiction.'

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1

Sammāq, Fayṣal. "al-Riwāyah al-Sūrīyah nashʼatuhā wa-taṭawwuruhā, madhāhibuhā /". Dimashq : [s.n.], 1985. http://books.google.com/books?id=3rUsAAAAMAAJ.

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Williams, Simon J. "Reading between the lines : Arabic fiction in Israel after 1967." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:23a6d929-e16b-4f14-b240-c5cdd2d27933.

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Arabic literature in Israel has evaded critical attention, or has been treated as an uncomplicated part of Palestinian national culture, on a quest for unification and an identity that was devastated in 1948. This dissertation complicates that narrative through close readings of short stories by five Arab citizens of Israel—Imil Habibi, Muhammad ‘Ali Taha, Muhammad Naffa‘, Hanna Ibrahim, and Zaki Darwish—between 1967 and 1983. Focusing on the relationship between geography and fiction, I suggest that literary constructions of “place” and “space” by these authors reveal a range of cultural nego
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3

Tijani, Ishaq. "Male domination, female revolt : race, class, and gender in Kuwaiti women's fiction /." Leiden : Brill, 2009. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9789004167797.

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4

Dick, Barbara Kathleen. "Modern Arabic science fiction : science, society and religion in selected texts." Thesis, Durham University, 2016. http://etheses.dur.ac.uk/11907/.

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This thesis examines a selection of original SF or SF-inflected texts written in Arabic from the 1960s to the present day. It is a thematic study, considering their presentation of and attitudes to science and technology, utopias and ideal societies and religion. Although some critics attempt to figure SF as a continuation of the Thousand and One Nights fantastical tradition and the mirabile literature of the Middle Ages, Arabic science fiction, as an essentially modern genre, traces its earliest origins to the late 1950s in Egypt. It has experienced several sudden efflorescences during the fo
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Bakker, Barbara. "Arabic dystopias in the 21st century : A study on 21st century Arabic dystopian fiction through the analysis of four works of Arabic dystopian narrative." Thesis, Högskolan Dalarna, Arabiska, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:du-27968.

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Dystopian fiction as intended in the Western literary tradition is a 20 th century phenomenon on the Arabic literary scene. This relatively new genre has been experiencing an uplift since the beginning of the 21st century and many works that have been defined dystopias have been published and translated into English in the last 10 – 15 years. In order to find out their main features, Claeys’s categorization of literary dystopias is applied and a thematic analysis is carried out on four Arabic dystopian works of narrative, written by authors from different parts of the Arabic world. The analysi
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6

Stagh, Marina. "The limits of freedom of speech prose literature and prose writers in Egypt under Nasser and Sadat /." Doctoral thesis, Stockholm : Almqvist & Wiksell International, 1993. http://catalog.hathitrust.org/api/volumes/oclc/30130617.html.

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Thesis (Ph. D.)--Stockholm University, 1993.<br>"Bibliography of writers arrested, detained or imprisoned in the period 1952-1981"--P. 321-360. Includes bibliographical references (p. [363]-374) and indexes.
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Embaló, Birgit. "Palästinenser im arabischen Roman Syrien, Libanon, Jordanien, Palästina 1948-1988 /." Wiesbaden : Reichert, 2000. http://catalog.hathitrust.org/api/volumes/oclc/47694365.html.

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8

Keresztély, Kata. "Peinture de fiction : une tradition arabe médiévale." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH180/document.

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Dans les ouvrages contemporains traitant des arts visuels dans la tradition artistique 'chrétienne' ou 'occidentale' les analyses des œuvres d'art sont souvent effectuées à l'appui d'une approche interdisciplinaire intégrant les méthodes de recherche et les questionnements des sciences sociales ainsi que d'autres disciplines, comme la littérature. Sur se modèle, je tente d’élaborer une méthode de recherche complexe pour l’appliquer dans l’étude de l’iconographie arabe médiévale. Les sources principales de mon travail sont les manuscrits iconographiés de deux 'bestsellers' de la littérature ara
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9

Bakker, Barbara. "Arabic dystopias in the 21st century : A study on 21st century Arabic dystopian fictionthrough the analysis of four works of Arabic dystopian narrative." Thesis, Högskolan Dalarna, Arabiska, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:du-28495.

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Dystopian fiction as intended in the Western literary tradition is a 20 th century phenomenon on the Arabic literary scene. This relatively new genre has been experiencing an uplift since the beginning of the 21 st century and many works that have been defined dystopias have been published and translated into English in the last 10 – 15 years. In order to find out their main features, Claeys’s categorization of literary dystopias is applied and a thematic analysis is carried out on four Arabic dystopian works of narrative, written by authors from different parts of the Arabic world. The analys
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10

Abualhassan, Amani Ahmed D. "Magical Realism in Saudi Novels Between the Return to Origin and the Impact of Foreign trend." Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/17598.

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This study is mainly concerned with the renewal in Saudi novel in late 1980s. It also links this renewal with global literary trends via studying the most prominent foreign influences that influenced the writing of Saudi novelists in that period. The study focuses on magical realism trend, which has emerged in Latin America and then expanded to be a global trend influencing many novelists around the word including Saudi novelists. The study is divided into five chapters in addition to an introduction and a conclusion. Chapter one provides an overview of the main aspects of the study. It clarif
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11

Alblooshi, Fatima Khalifa. "The Role of Paratextual Elements in the Reception of Translation of Arabic Novels into English." Kent State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=kent1617719565200925.

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12

Nkealah, Naomi Epongse. "Islamic culture and the question of women's human rights in North Africa : a study of short stories by Assia Djebar and Alifa Rifaat." Pretoria : [s.n.], 2006. http://upetd.up.ac.za/thesis/available/etd-09102007-111635.

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13

Khalifa, Abdel-Wahab Mohamed. "The socio-cultural determinants of translating modern Arabic fiction into English : the (re)translations of Naguib Mahfouz's ‘Awlād Hāratinā." Thesis, University of Leeds, 2017. http://etheses.whiterose.ac.uk/18329/.

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The idea behind this research is motivated primarily by pronouncements made by (co)producers of English translations of modern Arabic fiction concerning the untranslatability of ‘Arabic’ and its status as a ‘controversial’ language, which presents a ‘hurdle’ in the way of the cultural and literary transfer of modern Arabic works of fiction to English. Is it the Arabic language alone that conditions or circumscribes the translation activity of modern Arabic fiction into English, or are there other socio-cultural and historico-political factors that influence the volume of such activity? In an a
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14

Hanna, Kifah. "Realities reflected and refracted : feminism(s) and nationalism(s) in the fiction of Ghādah al‐Sammān and Sah|ar Khalīfah." Thesis, University of Edinburgh, 2010. http://hdl.handle.net/1842/7820.

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This thesis examines the literary representations of feminist and nationalist struggles in the Middle East particularly in Lebanon and Palestine. It aims to explore the simultaneous articulation of these two pivotal concerns in contemporary Arabic literature written by Arab women, from the 1960s to the present. One of the primary goals of this thesis is to explore how contemporary feminist literature reflects the effects of national crises in the Middle East on women’s status. To this end, this thesis reads closely a number of the novels of two contemporary Arab women writers: Ghādah al‐Sammān
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15

Leafgren, Luke Anthony. "Novelizing the Muslim Wars of Conquests: The Christian Pioneers of the Arabic Historical Novel." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10362.

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During the Arabic cultural renaissance of the nineteenth century known as the nahda, Christian Arabs made a substantial contribution to the development of fiction and journalism. Among these pioneers, Salim al-Bustani, Jurji Zaydan, and Farah Antun were inspired by translations of European fiction to write the first historical novels in Arabic. Their narrations of the Muslim wars of conquest are carefully constructed blends of history and fiction that emphasize the cultural and religious values that Christian and Muslim Arabs hold in common. In their novels, these authors celebrate the histori
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16

Andary, Nezar Ajaj. "A consuming fever of history a study of five urgent flashbacks in Arabic film and literature /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1779835061&sid=1&Fmt=2&clientId=48051&RQT=309&VName=PQD.

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17

Al-Bataineh, Afaf Badr. "The modern Arabic novel : a literary and linguistic analysis of the genre of popular fiction, with special reference to translation from English." Thesis, Heriot-Watt University, 1998. http://hdl.handle.net/10399/1233.

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The aim of this thesis is to examine the notion of 'genre' in general as a basic unit in linguistic, cultural and literary analysis. Chapter One is an introduction to this study outlining my aims and objectives which are mainly related to popular fiction in English and Arabic. Chapter Two discusses the theory of genre both from a linguistic and a literary point of view, underlining crosscultural differences and similarities. These critical insights should enable us to form an overall picture of how the subject of my case study (Mills & Boon and its translation into Arabic) is viewed in the lan
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18

Pierce, Amira. "Far Away Is Here." VCU Scholars Compass, 2011. http://scholarscompass.vcu.edu/etd/261.

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What follows is a compilation of the best works of creative writing I have completed during my three-year tenure as an M.F.A. candidate in the Department of English at Virginia Commonwealth University. Although I have included the debatably disparate genres of poetry, non-fiction, and fiction (including both short stories and a novel excerpt), it is my aim that the variety of types of work under this cover come together to form a whole. Through themes such as religion, family, romantic relationships, travel, “the exotic,” and nationality, my project is to illuminate the complications that plac
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19

Kashou, Hanan Hussam. "War and Exile In Contemporary Iraqi Women’s Novels." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1386038139.

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20

Viteri, Marquez Elisa Andrea. "Literary masculinities in contemporary Egyptian dystopian fiction : Local, regional and global masculinities as social criticism in Utopia and The Queue." Thesis, Stockholms universitet, Institutionen för Asien-, Mellanöstern- och Turkietstudier, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-184262.

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In the aftermath the 25th January Revolution of 2011, two Egyptian dystopian novels stand out as particularly relevant: Utopia (2008) by Ahmed Khaled Towfik, and The Queue (2013), by Basma Abdel Aziz. Due to the absence of studies that pay attention to how gender relations are portrayed in Arabic dystopian novels, this study focuses on the literary representation of men and masculinities in Utopia and The Queue. This thesis uses narratology and content analysis in order to show that, although patterns of local masculinities are different in both novels, regional and global models of masculinit
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21

Althumali, Sami Jameel M. "The applicability of systemic functional linguistics to English-to-Arabic translation of fiction : assessment and training purposes, with particular reference to seven renditions of Hemingway's 'The Old Man and the Sea'." Thesis, University of Leeds, 2016. http://etheses.whiterose.ac.uk/13979/.

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Systemic Functional Linguistics (SFL) has garnered increasing interest and research attention and become particularly significant in many studies of translation. The present study is located within the framework of descriptive and applied Translation Studies. The thesis reports a study investigating the applicability of SFL to translating English prose fiction into Arabic. What makes this study so important is that it addresses several interrelated issues serving two vital purposes in Translation Studies: assessing translations and training translators. The two purposes are kept in balance in
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22

Leeke, Jane. "A novel reading : literature and pedagogy in modern Middle East history courses in Canada and the United States." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98549.

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The purpose of this study is to explore how the Arabic novel can and does challenge the conventional characterization of what constitutes constructive Middle East historiography. The thesis draws on a case study of undergraduate history course syllabi in order to highlight a number of crucial issues related to Arabic literature and the production of modern Middle East history. My analysis of the syllabi concludes that in general, Arabic novels in translation are part of a varied group of resources selected by a professor in order to complement the "official" histories provided by textbooks and
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23

Alrayes, Samer. "Party on a Roof." Chapman University Digital Commons, 2020. https://digitalcommons.chapman.edu/creative_writing_theses/18.

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24

Al-Harby, Nesreen Abdullah. "Veiled pearls : women in Saudi Arabia in contemporary fiction." Thesis, University of Leicester, 2018. http://hdl.handle.net/2381/42480.

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In comparison to other Arab/Muslim women, Saudi women are underexamined and/or often misrepresented. This thesis resists Saudi women’s obscurity and sheds light on their struggle to overcome domination and achieve emancipation. It analyses Hilary Mantel’s Eight Months on Ghazzah Street (1988), Rajaa Alsanea’s Girls of Riyadh (2008), Zoe Ferraris’s trilogy, Finding Nouf (2009), City of Veils (2011), and Kingdom of Strangers (2012), and Alys Einion’s Inshallah (2014). The thesis examines the significance of pre- and post-9/11 political and social contexts of representations of women in Saudi Ara
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25

Hall, Michael Fitz-Gerald. "Discourse analysis of fictional dialogue in Arabic to English translation." Thesis, SOAS, University of London, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.497629.

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26

Sheltag, Hussein Abdul-Azim. "The influence of the Arabian Nights upon nineteenth-century English fiction." Thesis, University of Exeter, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.329854.

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27

Hilali, Bacar Darouèche. "L’autofiction en question : une relecture du roman arabe à travers les œuvres de Mohamed Choukri, Sonallah Ibrahim et Rachid El-Daïf." Thesis, Lyon 2, 2014. http://www.theses.fr/2014LYO20130/document.

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Depuis son invention par Serge Doubrovsky en 1977, le concept d’autofiction n’a cessé d’évoluer et de stimuler la réflexion sur la production romanesque. Après sa consécration en France, l’autofiction gagne les littératures européennes et occidentales, d’abord en Allemagne et en Pologne, puis au Canada et aux États-Unis, ou encore en Espagne et en Amérique latine. Elle franchit ensuite les frontières pour s’adapter aux spécificités culturelles des littératures étrangères. Elle est adoptée au Japon, questionnée en Iran et pratiquée aux Antilles, dans l’Océan Indien, en Afrique du Sud, au Brésil
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28

Ayed, Kawthar. "La littérature d'anticipation dystopique et l'expression de la crise dans le monde occidental et arabe." Aix-Marseille 1, 2008. http://www.theses.fr/2008AIX10031.

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Cette thèse porte sur l'exploration de l'écosystème littéraire des textes d'anticipation ainsi que sur les différentes interactions entre les deux genres de l'utopie et de la dystopie, en relation avec le développement de la science-fiction. Ces fictions sont surtout connues et pratiquées en Occident mais nous avons pu montrer qu'il existe une généalogie de l'utopie et de la science-fiction de langue arabe. En adoptant une approche comparatiste, nous avons d'emblée cherché à cerner les spécificités et les richesses de chaque littérature. C'est le premier objectif que s'est fixée la thèse. Le s
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29

Martin, Fernandez Amaya. "National, linguistic, and religious identity of Lebanese Maronite Christians through their Arabic fictional texts during the period of the French Mandate in Lebanon." Connect to Electronic Thesis (ProQuest) Connect to Electronic Thesis (CONTENTdm), 2009. http://worldcat.org/oclc/451013418/viewonline.

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30

Arami, Sara. "Cartographies : rewriting the body and the nation in Contemporary Middle Eastern American women’s diasporic fiction." Thesis, Strasbourg, 2020. http://www.theses.fr/2020STRAC004.

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Cette thèse analyse les œuvres de fiction des femmes moyen orientales américaines contemporaines du point de vu de la cartographie littéraire. Les œuvres étudiées sont The Girl in the Tangerine Scarf de Mohja Kahf, Once in a Promised Land et West of Jordan de Laila Halaby, The Inheritance of Exile de Susan Muaddi Darraj, The Night Counter d’Alia Yunis et Crescent de Diana Abu Jaber. Les œuvres de fiction sélectionnées et étudiées dans cette thèse contribuent toutes à la remise en question des discours dominants qui dépeignent la diaspora arabo-américaine et suscitent le scepticisme des lecteur
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31

Sadeghian, Saeed. "La « fiction biographique » : une étude comparée en contexte français et iranien." Thesis, Paris 10, 2020. http://www.theses.fr/2020PA100083.

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L’écriture biographique se présente comme l’une des pratiques majeures de la littérature française contemporaine. La pratique interprétée comme une résurgence ayant pour corrélat le regain de l’individualisme et la contamination du régime présent d’historicité par une hantise du passé. L’une des multiples formes que revêt l’écriture contemporaine de vie, est la « fiction biographique » qui relie les auteurs dans leur désir de restituer la vie de l’Autre antérieur au sein des textes signalés par leur réticence à l’égard des codes de la biographie standard. Loin de ce paysage riche en expression
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32

Attia-Gherbi, Radia. "Les Vies de Mahomet (XVII-XIXe siècle) : entre Histoire et fiction." Electronic Thesis or Diss., Paris 8, 2015. http://www.theses.fr/2015PA080110.

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Tout au long de l’histoire de la littérature française et anglaise, la figure de Mahomet a fait l’objet de plusieurs Vies. Dès le Moyen Âge, l’intérêt se concentre autour de la représentation légendaire de ce personnage. Au XVIIe siècle, Humphrey Prideaux publie en anglais une Vie de Mahomet dans un contexte où le thème des « trois imposteurs » était fort prégnant. Plus tard Boulainvilliers suivi de Lamartine rédigeront eux aussi une biographie du prophète de l’Islam. Ces trois principales Vies seront au cœur de notre corpus. S’il existe de nombreuses études sur la représentation légendaire de
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Bérard, Catherine. "Le personnage de Sindbad le Marin études, analyses et critiques /." [S.l.] : [s.n.], 2002. http://www.enssib.fr/bibliotheque/documents/dessid/rrbberard.pdf.

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Attia-Gherbi, Radia. "Les Vies de Mahomet (XVII-XIXe siècle) : entre Histoire et fiction." Thesis, Paris 8, 2015. http://www.theses.fr/2015PA080110.

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Tout au long de l’histoire de la littérature française et anglaise, la figure de Mahomet a fait l’objet de plusieurs Vies. Dès le Moyen Âge, l’intérêt se concentre autour de la représentation légendaire de ce personnage. Au XVIIe siècle, Humphrey Prideaux publie en anglais une Vie de Mahomet dans un contexte où le thème des « trois imposteurs » était fort prégnant. Plus tard Boulainvilliers suivi de Lamartine rédigeront eux aussi une biographie du prophète de l’Islam. Ces trois principales Vies seront au cœur de notre corpus. S’il existe de nombreuses études sur la représentation légendaire de
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35

Almanna, Ali. "Quality in the translation of narrative fictional texts from Arabic into English for the purposes of publication : towards a systematic approach to (self)-assessing the translation process." Thesis, Durham University, 2013. http://etheses.dur.ac.uk/7373/.

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The main focus of the current study is on translation quality assurance. In studying the translation process, the present study does not confine itself to the micro-level of translating, i.e. reading, analysing, comprehending, transferring, polishing the draft translation and the like. Rather, the translation process is studied from a perspective of translation as industry; it is divided into three main phases, namely: 1. pre-translation, 2. translation and 3. post-translation. Each of these three phases of the translation process requires those involved in the whole project to take certain st
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36

Ellerbach, Benoît. "« L’Arabie » contée aux Allemands : fictions interculturelles chez Rafik Schami." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040169.

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La plupart du temps, la littérature dite de l’immigration en Allemagne a fait l’objet d’études générales regroupant plusieurs auteurs. Ce travail, entièrement consacrée à l’œuvre de l’auteur germanophone d’origine syrienne Rafik Schami (né en 1946) entend réindividualiser l’œuvre de cet auteur et l’aborder dans son historicité et son évolution. Jouant sur ses origines ‘orientales’ et les mettant sans cesse en scène tout en écrivant en allemand, Rafik Schami s'inscrit dans la tradition d’un discours sur l’Orient et sa réception occidentale. A partir d’une double approche – l’une sociopoétique,
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Tazartez, Chloé. "Après l’attentat : fictions de l’événement terroriste dans les littératures arabe et états-unienne contemporaines." Thesis, Rennes 2, 2015. http://www.theses.fr/2015REN20040/document.

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Les attentats du 11 septembre 2001 ont eu un tel impact et un tel retentissement planétaire qu’ils sont parfois considérés comme l’événement historique marquant l’entrée du monde dans le XXIe siècle. Si ce bornage est discutable, l’importance du terrorisme dans la société contemporaine ne l’est pas. Ce travail s’attache à analyser la fictionnalisation de ces événements et à les mettre en perspective avec des fictions sur d’autres attentats-suicides. Il en résulte que l’exceptionnalité du 11 septembre 2001 réside principalement dans sa médiatisation. Cette étude s’organise en trois parties. Dan
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38

Fili-Tullon, Touriya. "Figures de la subversion dans les littératures francophone et d'expression arabe au Maghreb et au Proche-Orient, des années 1970 à 2000 : (R. Boudjedra, A. Cossery, E. A. El Maleh, É. Habibi et P. Smaïl)." Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030012/document.

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Dans l’aire arabofrancophone, la valeur littéraire de la fiction narrative tend souvent à se confondre avec sa dimension subversive. Le présent travail aborde cette notion problématique de subversion en tant que modalité discursive et posturale. Sont analysées les perturbations infligées aux codes linguistiques, énonciatifs et génériques à la lumière du postulat suivant lequel le bilinguisme et le biculturalisme des écrivains favorisent cette veine et la nourrissent. C’est, en effet, autour d’une double appartenance, feinte ou avérée, que se rejoignent les poétiques d’auteurs aussi éloignés qu
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Rubino, Marcella. "Religion et violence dans l'oeuvre de Yūsuf Zaydān : les chemins croisés de la fiction et de l'histoire." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCF014/document.

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L’écrivain égyptien Yūsuf Zaydān s’inscrit dans la tradition - constituée à l’âge de la Nahḍa – de l’intellectuel “éducateur des consciences”. Depuis cette époque, face à un récit national contrôlé par le pouvoir politique ou religieux, la littérature arabe a souvent revisité l’histoire et l’actualité dans le but de rétablir - grâce à la liberté offerte par le discours fictionnel - la vérité occultée par le récit officiel. Dans ce processus de réécriture, Zaydān s’intéresse particulièrement à la relation entre religion, politique et violence. L’objectif de cette étude est d’explorer l’oeuvre l
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40

Rifai, Nabila. "Le féminin et le maternel dans l'imaginaire occidental : le mythe de Shéhérazade en analyse." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040131/document.

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Cette thèse analyse le mythe fondateur des Mille et une nuits, ou « mythe de Shéhérazade », par une approche psychanalytique et comparatiste. Nous mettons en évidence que le récit-cadre des Nuits constitue un récit mythique, miroir de l’imaginaire collectif, qui révèle la place de la femme, du féminin et du maternel dans le processus de civilisation.En effet, les Nuits s’ouvrent sur un double adultère et un double meurtre: deux femmes, sultanes, trompent leur époux avec un esclave noir. Ce désir féminin transgressif est le déclencheur de tout le recueil. Il constitue le péché originel qui entr
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41

Paul, William Andrew. "Border fiction : fracture and contestation in post-Oslo Palestinian culture." 2013. http://hdl.handle.net/2152/23099.

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This dissertation delves into a body of Palestinian literature, film, and art from the past two decades in order theorize the relationship between borders and their representations. In Israel and Palestine, a region in which negotiating borders has become a way of life, I explore the ways in which ubiquitous boundaries have pervaded cultural production through a process that I term “bordering.” I draw on theoretical contributions from the fields of architecture, geography, anthropology, as well as literature and film studies to develop a conceptual framework for examining the ways in which aut
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Lorins, Rebecca M. 1970. "Inheritance: kinship and the performance of Sudanese identities." Thesis, 2007. http://hdl.handle.net/2152/3494.

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In this project, I treat Sudan as an exemplary case study for the examination of kinship and agency in contexts of layered imperialisms. I juxtapose a contemporary postcolonial novel by Tayeb Salih (Mawsim al-hijra ila shamal / Season of Migration to the North (1966/69)), and four contemporary unpublished plays (1994 - 2002) by the Kwoto Cultural Center in Khartoum, Sudan, and ask how the texts, the performance traditions, and their creators appropriate kinship as a vehicle to discuss, uphold and/or challenge the reproduction of economic, social and political values and the dominant ideologies
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"National, linguistic, and religious identity of Lebanese Maronite Christians through their Arabic fictional texts during the period of the French Mandate in Lebanon." GEORGETOWN UNIVERSITY, 2009. http://pqdtopen.proquest.com/#viewpdf?dispub=3350466.

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(8850251), Ghaleb Alomaish. "“DOUBLE REFRACTION”: IMAGE PROJECTION AND PERCEPTION IN SAUDI-AMERICAN CONTEXTS: A COMPARATIVE STUDY." Thesis, 2020.

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<p>This dissertation aims to create a scholarly space where a seventy-five-year-old “special relationship” (1945-2020) between the Kingdom of Saudi Arabia and the United States is examined from an interdisciplinary comparativist perspective. I posit that a comparative study of Saudi and American fiction goes beyond the limitedness of global geopolitics and proves to uncover some new literary, sociocultural, and historical dimensions of this long history, while shedding some light on others. Saudi writers creatively challenge the inherently static and monolithic image of Saudi Arabia, its cultu
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