Relevant bibliographies by topics / Arabic poetry

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Arabic poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Arabic poetry"

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DAHAMI, YAHYA SALEH HASAN. "HOME IN THE POETRY OF SAUDI ARABIA POETS: ABDUS-SALAM HAFETH AN EXAMPLE OF A DISTINGUISHED ARAB (1)." International Journal of Applied Research in Social Sciences 4, no. 4 (June 14, 2022): 147–57. http://dx.doi.org/10.51594/ijarss.v4i4.337.

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Classical Arabic poetry is the core of all categories of literature in all Arabic lands, territories, and realms since the age of pre-Islam. This study is an attempt to shed light on some literary facets of modern Saudi Arabic poetry focusing on the concept of homeland as an illustration of the standing of modern Saudi Arabic poetry with a particular indication to a contemporary Saudi poet, Abdus-Salam Hashem Hafeth. It can be right that the progress of Arabic poetry in the present age, among Arab poets, writers, and critics has a positive measure. It is true to generalize that the same would be identical to current innovative Saudi poetry given that it is naturally considered a principal, commanding, and uninterrupted measure of Arabic poetry. The researcher endeavors to illustrate the poet's intellectuality in depicting his glorious city as a representative of his adoration for the big home - the Kingdom of Saudi Arabia. The study commences with a concise introduction. Then, it analytically moves ahead to inspect the noteworthy Saudi poet – Abdus-Salam Hashem Hafeth. After that, the study portrays a critical-analytical attitude to the first four-verse lines of the poem of Hafeth, ‘Nostalgia, Oh my Home’, focusing on the concept of home as its principal theme. In conclusion, the study ends with a concise assumption and recommendations. Keywords: Abdus-Salam Hashem Hafeth, Al Madinah Al Monawarah, Arabic Literature, Arabic Poetry, Home in Poetry, Kingdom of Saudi Arabia, Saudi poetry.
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DAHAMI, YAHYA SALEH HASAN. "MODERN SAUDI POETRY: MOHAMMAD HASAN AWWAD’S NIGHT AND ME, IN BALANCE." International Journal of Applied Research in Social Sciences 2, no. 5 (November 25, 2020): 130–43. http://dx.doi.org/10.51594/ijarss.v2i5.177.

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Arabic poetry is the heart of all types of literature in all Arabic realms. Consistent with this generalization, it can be right that the development of poetry in the modern age, among Arabs, is a positive measure. At that argument, the same would be focused on modern Saudi literature since it is typically considered a central, authoritative, and undivided part of Arabic poetry. In this paper, the researcher has attempted to illustrate some literary aspects of modern Arabic poetry in the Kingdom of Saudi Arabia as an instance of the greatness of Arabic poetry with a particular reference to a contemporary Saudi poet. The study starts with an introduction to the condition of poetry in Arabia. In the first section of the study, the researcher points up the importance of Arabic poetry as an Arabic literature genre. The second section deals with poetry and literary movement in Saudi Arabia as the central section of the investigation. After that, the task moves ahead to deal with a model of the modern Arabic poetry in the kingdom, Mohammad Hasan Awwad, a modernized rebellious poet with stark poetry, then the researcher, analytically and critically, sheds light on some selected verses of one of the poems of Awwad, Night and Me. The study finishes with a discussion and a brief conclusion. Keywords: Arabic literature, Arabic poetry, free verse, greatness, Kingdom of Saudi Arabia, modernism.
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Dahami, Yahya Saleh Hasan. "Home in the Poetry of Saudi Arabia Poets: Abdus-Salam Hafeth an Example of a Distinguished Arab (3)." Ihya al-Arabiyah: Jurnal Pendidikan Bahasa dan Sastra Arab 8, no. 2 (December 31, 2022): 14. http://dx.doi.org/10.30821/ihya.v8i2.12118.

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<p>With particular reference to the Saudi poet Abdus-Salam Hashem Hafeth, this study tries to shed light on some literary characteristics of modern Saudi Arabic poetry. It specifically focuses on the concept of homeland as an illustration of the status of modern Saudi Arabic poetry. One may argue that Arabic poetry is in a good place right now among Arab authors, critics, and poets. By using the poet's magnificent city as a representation of his affection for his big country, the Kingdom of Saudi Arabia, the researcher attempts to demonstrate the poet's intelligence by showing his gorgeous city as a symbol of his love.</p><p>An introduction starts the study, then, it analyzes the subtitle Arabic Poetry: The Tongue of the Arabs. Afterward, a brief analysis of Glimpse at Eternal Saudi Poetry and the Conception of Home in Saudi Poetry. The study's primary section employs a critical-analytical method to evaluate Abdus-Salam Hafeth's poem Nostalgia, Oh My Home. The examination of the poem concentrates on the idea of home as its central theme and covers verse lines nine through eleven. Finally, the research comes to a brief conclusion with some remarks.</p>
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Dahami, Yahya Saleh Hasan. "Home in the Poetry of Saudi Arabia Poets: Abdus-Salam Hafeth an Example of a Distinguished Arab (2)." ELS Journal on Interdisciplinary Studies in Humanities 5, no. 2 (June 30, 2022): 328–36. http://dx.doi.org/10.34050/elsjish.v5i2.21569.

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This study aims to shed light on some literary aspects of modern Saudi Arabic poetry, focusing on the concept of homeland as an example of the standing of modern Saudi poetry, with a specific reference to a contemporary Saudi poet, Abdus-Salam Hashem Hafeth. The researcher seeks to show the poet's intellect by showing his gorgeous metropolis as a symbol of his love for the grand home - the Kingdom of Saudi Arabia. The study begins with a brief introduction to Arabic poetry and its language. Then it gives a symbolic picture of the outstanding Saudi poet – Abdus-Salam Hashem Hafeth and Saudi poetry in general. Following that, the study takes a critical-analytical approach to the second four verse lines of Hafeth's poem, 'Nostalgia, Oh my Home,' focusing on the concept of home as its main theme as well talent of the poet in using the grand Arabic language. Eventually, the research is concluded with a short premise and comments.
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Dahami, Yahya Saleh Hasan, and Abdullah Al Ghamdi. "MUA'LLAGAT ZOHAYR IBN ABI SOLMA: ELEGANT PIECE OF ARABIC POETRY (1)." International Journal of Applied Research in Social Sciences 3, no. 1 (March 29, 2021): 1–11. http://dx.doi.org/10.51594/ijarss.v3i1.208.

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Zohayr ibn Abi Solma is identified as an eminent poet who produced poetry distinguished with preeminence in courtly and virtuous love. The study employs an analytical and critical methodology, attempting to elucidate the influence of virtuous love narrated by the poet in the first verse lines of his great Mua'llagah. It commences with a terse introductory synopsis shedding light on the importance of classical Arabic and its involvement with poetry. The paper attempts to prove, via the poetry of Zohayr ibn Abi Solma, the greatness of the Arabic classical poetry and demonstrate the aptitudes of the poet through his Mua'llagah. It is divided into four main parts. The first part deals with the greatness of the Arabic language then it moves to the second section that focuses on Arabic Poetry: Treasure of Wisdom. The third one sheds light on the poet's 'The Man and the Poet', and the last main part goes with an analytical and critical endeavor of the first ten verse lines of Al-Mua'llagah of Zohayr. It comes to an end with a conclusion. Keywords: Arabic Literature, Arabic Poetry, Courtly Love Poetry, Courteous Arabic Poetry, Umm Awfa, Virtuous Poetry.
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Fayek, Nevine. "Arabic Prose Poetry." Middle East Journal of Culture and Communication 15, no. 1-2 (June 15, 2022): 113–32. http://dx.doi.org/10.1163/18739865-01501011.

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Abstract This article attempts to outline the most significant linguistic and conceptual transformations brought about by the developing periodical press and the translation movement in Egypt toward the beginning of the twentieth century. Both these phenomena entailed the need for new writing practices, which in turn led to intense discussions about the form and status of the literary/poetic text. While poetry constitutes the core of this discussion, the most relevant conceptual transformation that shall be highlighted here is the unprecedented move to involve prose as an equal component or tool of expression into the debate on how to (re)define poetry.
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Dahami, Dr Yahya Saleh Hasan. "Home in the Poetry of Saudi Arabia Poets: Khalid Al-Faisal an Example of a Distinguished Arab (1)." Cross-Currents: An International Peer-Reviewed Journal on Humanities & Social Sciences 9, no. 03 (March 30, 2023): 31–38. http://dx.doi.org/10.36344/ccijhss.2023.v09i03.004.

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The term "homeland" refers to the place and things that a poet associates with his humanity, such as his thoughts, pain, and chanting. The focus of this investigation is on the Saudi Arabian poet Khalid Al-Faisal and the concept of home. It consistently makes an effort to illuminate some literary traits of current Saudi poetry, such as the theme of familial attachment. The topic of "homeland" is given particular attention in the study as a sign of the direction current Saudi Arabian poetry is taking. There is a case to be made that Saudi poetry is presently flourishing among Arab writers, critics, and poets. The researcher wants to emphasize the poet's knowledge while also demonstrating his love for his vast country, the Kingdom of Saudi Arabia, through the beautiful poem "Homeland Desire" by Khalid Al-Faisal. The researcher, on the other hand, makes an attempt to look at the poet's talent in the way he utilized the Arabic language in his poem. The poet's brilliant use of a lovely blending of classical Arabic and vernacular as a metaphor for his love of his vast homeland, the Kingdom of Saudi Arabia, will also demonstrate the poet's brilliance. The research commences with a brief introduction and then a look at the glory of home in Saudi poetry. The main part of the study deals with the Saudi poet Khalid Al-Faisal. The research then employs a critical-analytical approach to examine selected verses from Khaled Al-Faisal's poem "Homeland Passion" (عشق الوطن), emphasizing the concept of home as its primary concern. A brief conclusion to the study is then presented.
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Dardiri, Taufiq A. "PERKEMBANGAN PUISI ARAB MODERN." Adabiyyāt: Jurnal Bahasa dan Sastra 10, no. 2 (December 31, 2011): 2834. http://dx.doi.org/10.14421/ajbs.2011.10204.

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This article aims to study the development of Arabic poetry from its early phase to its modern one. Having used a historical-diachronic study of form and content of Arabic poetry, this article concludes that Arabic poetry, as the oldest genre in the Arabic literary tradition, has hardly developed. Not until the 20th century, more commonly known in the history of Arabic literature as As}r al-Nahd}ah, that the awareness of the absence of creativity in Arabic poetry and external factors due to the interaction of Arab with the West have given birth the seeds of modern Arabic poetry. At least, there are five schools of modern Arabic poetry, namely: Neo Classical (al-Muhāfizun) with such its central figures as Mahmud Sami and Ahmad al-Barudi Syauqy; Western Romanticism, which was pioneered by Khalil Mutran; Madrasah Dīwān, which was propagandized by Abd al-Rahman Shukri, Abbas Mahmud al-'Aqad, and Ibrahim Abd al-Qadir al-Mazini; Madrasah Apollo, which was carried by Ahmad Zaki Abu Syadi; and Madrasah al-Muhajir, which is pioneered by Jibran Khalil Jibran. Each has contributed their part in Arabic poetry formally as well as contentially. Those schools have became a tradition of modern Arabic poetry. The emergence of modern Arabic poetic tradition has been accompanied by three general pattern- the influence of literary patterns of the more advanced cultures, the escapism, and the search for identity.
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Shamim, Dr Kamruzzaman. "مظاهر الحنين في شعر رشيد أيوب: دراسة تحليلية." Dhaka University Arabic Journal 23, no. 25 (April 15, 2023): 109–18. http://dx.doi.org/10.62295/mazallah.v23i25.18.

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Abstract This study deals with an important subject titled “The Feature of Nostalgia in Rashid Ayyub's Poetry: An Analytical Study. The Nostalgia is a most important phenomenon in modern Arabic Mahjar literature that characterized in the America by the Arab migrated poets. The Poet Rashid Ayyub was a prominent personality of this literature. He was born and brought up in Lebanon. In 1905 he settled in New York City in United States. There he practiced literary works in mother language Arabic and involved with Arabic mahjar literary group called “the Pen Association”. He performed many objects of poems in Arabic modern literature and contributed to Arabic poetry with the diversity of contents and the renewal of topics. Among these topics and contents, the nostalgia or homesickness is a very significant content of his poetry. Where this chapter of poetry occupied a large area of ​​his literary creations in general and poetic in particular. Besides that it covered most of poetic emotion and literary feeling. Because this type of poem grows up from complaining about the pain of exile, its derivative, and demonstrating of passionate for the homeland, his family and relatives. This article try to clarify the characteristics of this poet's nostalgia and feature of homesickness through explaining his poems organized in this context.
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Drozdik, Ladislav. "Arabic Poetry in Spain." Human Affairs 11, no. 1 (June 1, 2001): 80–95. http://dx.doi.org/10.1515/humaff-2001-110108.

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Dissertations / Theses on the topic "Arabic poetry"

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Jamil, Nadia. "Ethical values & poetic expression in early Arabic poetry." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670213.

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Hammāmī, al-Ṭāhir. "al-Shiʻr ʻalá al-shiʻr baḥth fī al-shiʻrīyah al-ʻArabīyah min manẓūr shiʻr al-shuʻarāʼ ʻalá shiʻrihim ilá al-qarn 5 H/11 M /." Manūbah : Jāmiʻat Manūbah, Kullīyat al-Ādāb, 2003. http://books.google.com/books?id=p0FjAAAAMAAJ.

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Nāṣir, Muḥammad. "al-Shiʻr al-Jazāʼirī al-ḥadīth, 1925-1975 itij̄ahātuhu wa-khaṣāʼiṣuhu al-fannīyah /." Bayrūt, Lubnān : Dār al-Gharb al-Islāmī, 1985. http://books.google.com/books?id=4bIsAAAAMAAJ.

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Schippers, Arie. "Arabic tradition and Hebrew innovation : Arabic themes in Hebrew Andalusian poetry /." Amsterdam : Institute for modern Near Eastern studies, Department of Arabic and Islamic studies, University of Amsterdam, 1988. http://catalogue.bnf.fr/ark:/12148/cb35454451r.

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Clarke, Lynda 1956. "Arabic elegy between the Jāhilīyah and Islam." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63950.

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Talib, Adam. "Out of many, one : epigram anthologies in pre-modern Arabic literature." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:fed5b992-9403-4f79-aa6f-92a9b5dd7406.

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This is the study of a previously neglected genre in pre-modern Arabic literature: the (poetic) epigram anthology. The epigram anthology was pioneered by a handful of poets in 14th-century Syria, but the genre was soon taken up by anthologists across the pre-modern Middle East and soon became one of the most popular types of Arabic poetry up until the modern period. This study is divided into two parts. Part One deals with critical issues in literary history and comparative literature, while Part Two is made up of three encapsulated studies on specific aspects of the social and literary (structural and textual) composition of the texts. In Part One, the epistemological background of the terms epigram and anthology is surveyed and their suitability for application to pre-modern Arabic literature is evaluated. Part One also includes a comprehensive history of the maqāṭīʿ (sing. maqṭūʿ, also maqṭūʿah) genre in Arabic as well as a detailed explication of this style of poetry, its anthological context, its generic status in the Arabic literary tradition, and its relation to the wider world-literary category of epigram. The three chapters of Part Two are devoted to the social network of anthologists and poets, the structure and composition of the anthologies themselves, and the way in which anthologists used a technique, which is called ‘variation’ in this study, to link the cited poetic material into an organic whole respectively. NB: This is a literary-historical study informed by the discipline of comparative literature; it is not primarily a philolological, biographical, or codicological investigation. The literary material presented here is what has been deemed most relevant for the purposes of the larger generic discussion at the centre of this literary-historical study. An annotated bibliography of unpublished sources is provided in an appendix in order to help the reader navigate the tricky present status of many Mamluk and Ottoman era sources.
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Khalifa, Abdelwahab Ali. "Problems of translation of modern Arabic poetry into English." Thesis, University of Exeter, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.441806.

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Al-Mufti, Elham Abdul-Wahhab. "Shakwa in Arabic Poetry during the c Abbasid Period." Thesis, SOAS, University of London, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.503481.

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ZARANTONELLO, MARIANNA. "The Arabic Reception of Pagan Greek Poetry and Poets in the ʿAbbāsid Period." Doctoral thesis, Università degli studi di Padova, 2022. http://hdl.handle.net/11577/3459402.

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Il presente studio indaga le dinamiche di ricezione della poesia greca pagana in lingua araba durante l’epoca ʿabbāside, nel contesto del cosiddetto movimento di traduzione e della tradizione filosofico-letteraria che si sviluppò a partire da esso. Questo specifico fenomeno di ricezione è avvenuto sia per via di traduzione passiva di testi greci in siriaco e in arabo sia attraverso un’assimilazione più libera di frammenti testuali e motivi narrativi, ma ha avuto, in generale, una portata piuttosto limitata. La poesia greca sembra essere stata ai margini degli interessi degli intellettuali arabofoni di epoca ʿabbāside e, infatti, non si conservano né sono attestate traduzioni integrali di opere di poesia greca (ad eccezione di alcuni poemi di argomento scientifico o moralistico-filosofico). Dunque, la trasmissione di questa parte della letteratura greca è avvenuta per lo più per via indiretta, attraverso frammenti sparsi provenienti da fonti eterogenee. Queste possono essere ricondotte a due macrocategorie che corrispondono a due canali di trasmissione principali. La prima macrocategoria è costituita dai riferimenti poetici contenuti in trattati filosofici, medici e scientifici tradotti in arabo. Data la vastità di questo campo di indagine ci siamo concentrati sull’esame delle versioni arabe del Corpus Aristotelicum. Il secondo canale di trasmissione è la letteratura dosso-gnomologica, cioè compilazioni di aneddoti e detti che mescolano materiali di diversa origine, non solo greca e arabo-islamica. Oltre a questi corpora di testi, sono state esaminate importanti fonti documentarie che attestino una conoscenza e una trasmissione, almeno parzialmente orale, di elementi narrativi e topoi letterari.
This study investigates the dynamics of reception of pagan Greek poetry in Arabic during the ʿAbbāsid era, in the context of the so-called translation movement and the philosophical-literary tradition that developed from it. This specific phenomenon of reception took place either through passive translation of Greek texts into Syriac and Arabic or through a freer assimilation of textual fragments and narrative motifs, but it had, in general, a rather limited scope. Greek poetry seems to have been at the margins of the interests of Arabic-speaking intellectuals of the ʿAbbāsid period, and, in fact, no full translations of works of Greek poetry are preserved or attested (with the exception of a few poems on scientific or moralistic-philosophical subjects). Thus, the transmission of this part of Greek literature took place mostly indirectly, through scattered fragments from heterogeneous sources. These can be reduced to two macrocategories corresponding to two main channels of transmission. The first macrocategory consists of poetic references contained in philosophical, medical and scientific treatises translated into Arabic. Given the vastness of this field of investigation, we have concentrated on examining the Arabic versions of the Corpus Aristotelicum. The second channel of transmission is the doxo-gnomological literature, i.e., compilations of anecdotes and sayings mixing materials of different origins, not only Greek and Arabic-Islamic. In addition to these corpora of texts, important documentary sources attesting to an at least partially oral knowledge and transmission of narrative elements and literary topoi were examined.
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Sayuti, Najmah. "The concept of Allāh as the highest God in pre-Islamic Arabia : a study of pre-Islamic Arabic religious poetry." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=30215.

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The ancient Arabs used poetry not only to entertain themselves in the midst of their harsh life in the Arabian desert, but also to proclaim their cultural values, which were the moral-spiritual and material basis of their nomad society. Composing poetry therefore was almost a sacred rite for them. Its recitation in particular, was a main feature of certain ritual customs held annually during the aswaq (sg. suq , festival) season. The most common themes touched upon were the attributes of which a tribe may have been particularly proud, such as its victories and generosity to the vanquished, the bravery of its heroes in battle and on hard journeys, the beauty of its women and of nature, the genealogy of the tribe, and prayers to the Almighty.
Through verse the ancient Arabs expressed how they conceived of their deities, whether, idols representing various gods and goddesses, or Allah. These verses make it clear that Allah alone was not represented by any idol, allowing us to infer that He was regarded as superior to other deities. This thesis, therefore, attempts to show how the ancient Arabs expressed through poetry their belief in Allah as the Lord of Gods, which was the true nature of their ancestral belief, the h&dotbelow;anifiyya, the religion of their forefathers Abraham and Ishmael.
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Books on the topic "Arabic poetry"

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1933-, Jones Alan, ed. Early Arabic poetry. Reading, U.K: Published by Ithaca Press Reading for the Board of the Faculty of Oriental Studies, Oxford University, 1992.

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Stetkevych, Jaroslav. Arabic poetry & orientalism. Oxford: St. John's College Research Centre, 2004.

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Balabanova, Violeta. Poetry & pictures: English-French-Arabic. Sofia?: s.n., 2002.

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Khadra, Jayyusi Salma, ed. Modern Arabic poetry: An anthology. New York: Columbia University Press, 1987.

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Pinckney, Stetkevych Suzanne, ed. Reorientations: Arabic and Persian poetry. Bloomington: Indiana University Press, 1994.

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Sowayan, Saad Abdullah. Nabati poetry: The oral poetry of Arabia. Qatar: Doha, 1985.

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ʻAlī ibn Ṣāliḥ al-Salūk Zahrānī. al-Mawrūthāt al-shaʻbīyah li-Ghāmid wa-Zahrān. [Bahah, Saudi Arabia]: ʻA.b.Ṣ al-.S.al-Zahrānī, 1994.

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ʻAlī ibn Ṣāliḥ al-Salūk Zahrānī. al- Mawrūthāt al-shaʻbīyah li-Ghāmid wa-Zahrān. [Saudi Arabia: s.n.], 1995.

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Arthur, Wormhoudt, ed. [Medieval Arabic poetry: Texts and translations. [Oskaloosa, Iowa]: William Penn College, 1989.

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Fakhreddine, Huda, and Suzanne Pinckney Stetkevych. The Routledge Handbook of Arabic Poetry. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003096955.

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Book chapters on the topic "Arabic poetry"

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de Almeida, Catarina Nunes. "Luso-Arabic Poetry." In Twenty-First Century Arab and African Diasporas in Spain, Portugal and Latin America, 150–62. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003245117-12.

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Jaouad, Hédi A. "Browning and Ancient Arabic Poetry." In Browning Upon Arabia, 99–106. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-92648-3_4.

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Klasova, Pamela. "Arabic Poetry in Late Antiquity." In The Routledge Handbook of Arabic Poetry, 1–32. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003096955-1.

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Elsisi, Sayed. "Cinematography in Modern Arabic Poetry." In The Routledge Handbook of Arabic Poetry, 267–84. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003096955-12.

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Biesterfeldt, Hinrich, and Alma Giese. "1982. Authority in Arabic Poetry." In Wolfhart Heinrichs´ Essays and Articles on Arabic Literature, 192–200. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003194026-12.

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Brann, Ross. "Andalusi Hebrew Poetry and the Arabic Poetic Tradition." In The Routledge Handbook of Arabic Poetry, 108–30. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003096955-5.

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Monroe, James T. "Andalusī Heterodoxy and Colloquial Arabic Poetry." In The Routledge Handbook of Arabic Poetry, 86–107. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003096955-4.

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Biesterfeldt, Hinrich, and Alma Giese. "1996. Obscurity in Classical Arabic Poetry." In Wolfhart Heinrichs´ Essays and Articles on Arabic Literature, 212–26. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003194026-14.

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"Arabic Poetry." In An Anthology of Ismaili Literature. I.B.Tauris, 2008. http://dx.doi.org/10.5040/9780755610327.0018.

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Fakhreddine, Huda J. "Muhammad al-Maghut and Poetic Detachment." In The Arabic Prose Poem, 107–37. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474474962.003.0005.

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This chapter examines al-Māghūt’s intervention as instrumental in paving the way for the subsequent prose poem, although he himself was not an invested prose poet. Without engaging directly in the polemics of form in Arabic poetry, the Maghutian text, particularly in its attitude towards language and subject matter, was instrumental in opening up the Arabic poetic register. And it is with this taunting of the established poetic aesthetic that al-Maghut contributes, even if unintentionally, to the prose poem as subversive and expansive interrogation of the limits of poetry in Arabic. His legacy translates in the works of younger poets, particularly the Egyptian poets of the nineties such as Imad Abu Salih (b. 1967), Iman Mirsal (b. 1966), and Usama al-Danasūri (1960-2007) and their poetics of detachment. Diverging from the theoretical motivations of their predecessors, these poets set out to write poetry against poetry as it had thus far existed in the Arabic tradition.
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Conference papers on the topic "Arabic poetry"

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MEHMETALİ, Bekir. "THE POSITION OF ARABIC POETRY FROM HIGH PRICES." In I V . I N T E R N A T I O N A L C O N G R E S S O F L A N G U A G E A N D L I T E R A T U R E. Rimar Academy, 2022. http://dx.doi.org/10.47832/lan.con4-12.

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Arabic literature, especially poetry, was not static literature, isolated from the issues of the society in which the poet grew up, and he grew up in it, drawing inspiration from it for its themes, purposes, images, and language, and pouring it into a poetic form that is a literary image of the poet’s thoughts, views, and feelings, The subject he dealt with was rather literature that lives the concerns of society, and he still does so. The poet's concern with the concerns of his society has produced a new color in modern Arabic poetry, which is social poetry. Since the price hike and the rise in prices have become a heavy social concern that Arab societies, and others, suffer from at the present time, this matter prompted me to research this topic, to clarify the position of modern Arab poetry on the issue of high prices, and the way it depicts them, and I found sufficient and relevant poems A value in which its organizers dealt with this issue that recurs at all times and places, and becomes a terrifying nightmare that worries and frightens society, threatens the collapse of governments, corrupts consciences, and enters human moral, social, economic, and political relations under the shade. In this lies the importance of the research, and the motive for it. The researcher will approach the investigative method by examining the poems that were mentioned for this purpose. He will provide from them what he deems appropriate, and follow that with the analytical method, analyzing the meanings, thought, and attitudes contained in these poems. To get as clearly as possible the position of modern Arabic poetry on the high prices and the high prices, trying to answer some of the questions that revolve in the researcher’s mind towards: Is modern Arabic poetry a real interaction with this social problem? Did his reaction rise to the extent of the problem? Was it on the side of society or on the side of those who caused it?
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2

Mehmetali, Bekir. "Examples of the wonderful poetic image in ancient Arabic poetry." In VII. International Congress of Humanities and Educational Research. Rimar Academy, 2023. http://dx.doi.org/10.47832/ijhercongress7-7.

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Arabic poetry, ancient and modern, remains a feature distinguished by the Arabs, and a distinguishing mark for which they were known, as it flows on the tongues of their poets the flow of water in the river, and flows from their mouths the flow of fresh water from the spring, as it is twittering on their tongues, and hymns that delight the speaker, the listener, the narrator, the reader, and the student Alike, he is the flame that ignited in their world hundreds of years ago, and is still glowing in every country of theirs, and in every age. The Arabic poetry that we are talking about is nothing but words organized into sentences, and not sentences organized into verses only. The contemplator of ancient Arabic poetry stands on wonderful poetic images that the poets installed in whatever form they were, and formulated them in whatever form, so that some of them, or even most of them, were unique in producing these poetic images without others, so this wonderful poetic image became specific to his wonderful poetic experience. I chose to write on this topic because of its importance in the world of poetry and the production of the poem, as a poem devoid of a poetic image is not considered a complete poem. In this research, I will present, study, and analyze some of the wonderful poetic images of some ancient poets, hoping to write another research in which I will deal with examples of the poetic image in modern Arabic poetry. The objective of the research is evident in its importance, and in the research I will approach the methods of description, induction, and analysis. And I wrote a research on the wonderful poetic image in ancient Arabic poetry, so I wanted this research to be a continuation of that research, and a complement to it. To provide a clear picture of the art of beautiful photography in ancient and modern Arabic poetry. And since this research follows the pattern of that research, and completes it, I adopted the same approach to avoid fallacy, affectation, and concavity
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3

Ahmed SALIH, Sura. "TIME IN THE POETRY OF JAMIL BUTHAINA." In III. International Congress of Humanities and Educational Research. Rimar Academy, 2022. http://dx.doi.org/10.47832/ijhercongress3-3.

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Then Believing in the need of our Arab heritage for a second reading that shows its creativity and originality, we chose Jamil Buthaina, who is considered one of the most important poets of virgin Spinning in the Umayyad era, where his name was associated with the name of his beloved. The Arab in general and beautiful poetry in particular. We notice the dominance of time over Arab poetry and the poets’ gaze. The research is divided into several axes:. - Time in Arabic poetry: which we talked about about the element of time in poetry as it is one of the elements of forming the dramatic structure of the poetic text, and that time is associated with poets even in the poetry industry itself in time. - Time in the virginal spinning poetry We talked about the poets’ view of time and considering it responsible for everything that befalls the poet and for the separation of the beloved and the sadness. Time in jamil poetry Buthaina: In this axis we studied time in beautiful poetry, which he highlighted through dialogue. Beautiful poetry is based on dialogue that shows the life of poetry with its lover, its previous and current status, and its complaint about time. In conclusion, we hope that we have succeeded in presenting an adequate summary of our subject, and that it will be in the service of our Arabic literature and the service of scholars
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4

MEHMETALI, Bekir. "THE RULE OF POETIC NECESSITY IN CONTEMPORARY POETRY." In III. International Research Congress ofContemporary Studiesin Social Sciences. Rimar Academy, 2021. http://dx.doi.org/10.47832/rimarcongress3-10.

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Poetry flowed from the tongue of the Arab poets in a natural flow in the early days of his era, and it preceded its cradle in the pre-Islamic era, and accordingly the saliqa and innate nature took place. Classical Arabic in which he produced his poetry, in rules and linguistic laws, and by analogy with them, his poetry will be studied in meaning and structure, and that he will be mistaken in saying this, and the linguist will seek to find linguistic ways to penetrate the poet into the Arab rule that was made by the grammatical extrapolation. Hence the term poetic necessity, which is to find a nice linguistic way out because the poet's statement is not inconsistent with the made linguistic rule. There was a lot of disagreement between the grammarians on this subject. The problem of the research is manifested in the permissibility of using the poetic necessities of the contemporary poet who lives in our time, or the impermissibility of that, and he wonders: Is it permissible for the contemporary poet to use the poetic necessities that the ancients used? And how much is permissible to use it? Does he use it consciously and intentionally, compared to the ancients, or are they linguistic errors that he falls into without being aware of them? The research is theoretical and applied on two collections of poetry by two contemporary Arab poets who live in a nonArab spatial and linguistic environment (Turkey), namely Ayman al-Jabali and Khaled alMuhaimid. The study relied on the descriptive approach, which describes some of the poetic necessities used by the ancients, and which were mentioned by specialized sources and references. The importance of the research lies in its problem and topic, and the conclusions drawn from the research are presented at the end
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5

MEHMETALI, bekir. "VIII. International Congress of Humanities and Educational Research." In VIII. International Congress of Humanities and Educational Research. Rimar Academy, 2023. http://dx.doi.org/10.47832/ijhercongress8-8.

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Arabic poetry, ancient and modern, remains a feature distinguished by the Arabs, and a distinguishing mark for which they were known, as it flows on the tongues of their poets the flow of water in the river, and flows from their mouths the flow of fresh water from the spring, as it is twittering on their tongues, and hymns that delight the speaker, the listener, the narrator, the reader, and the student Alike, he is the flame that ignited in their world hundreds of years ago, and is still glowing in every country of theirs, and in every age. The Arabic poetry that we are talking about is nothing but words organized into sentences, and not sentences organized into verses only. The contemplator of ancient Arabic poetry stands on wonderful poetic images that the poets installed in whatever form they were, and formulated them in whatever form, so that some of them, or even most of them, were unique in producing these poetic images without others, so this wonderful poetic image became specific to his wonderful poetic experience. I chose to write on this topic because of its importance in the world of poetry and the production of the poem, as a poem devoid of a poetic image is not considered a complete poem. In this research, I will present, study, and analyze some of the wonderful poetic images of some ancient poets, hoping to write another research in which I will deal with examples of the poetic image in modern Arabic poetry. The objective of the research is evident in its importance, and in the research I will approach the methods of description, induction, and analysis.
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6

MEHMETALI, Bekir. "THE ARAB-TURKISH BROTHERHOOD IN MODERN ARABIC POETRY." In VI. International Congress of Humanities and Educational Research. Rimar Academy, 2023. http://dx.doi.org/10.47832/ijhercongress6-3.

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Since ancient times, Arabic poetry has been a depiction of everything that is happening in the Arab environment that surrounds the poet wherever he is, and his igniting flame has not been extinguished in their souls, despite the subjugation of the Arab world to the rule of non-Arabs after Islam. It is known that the Arab Muslims set out from the Arabian Peninsula as conquerors and heralds of the serious Islamic religion, and as a result of this the entry of nonArabs into Islam that enlightened the darkness of their hearts, so the Persians, Romans, Copts, Abyssinians, Turks, and others will be enlightened by his guidance... Muslim rulers will succeed in ruling the Islamic state Arabs and non-Arabs, such as Persians, Turks, Kurds, and others. And when the Turkish Ottoman state was established on an Islamic religious basis, the Turkish Muslims carried the banner of Islam, so they defended it, relying on Muslims of all nations, from the Turks, the Laz, the Arabs, and others, so the Islamic Ottoman rule extended over common areas that included almost the entire Arab lands, and they did not differentiate between Muslim and another in view of his race, color or geography. However, this matter did not satisfy the lurking enemies who wanted sedition and division between the Arabs and the Turks, so they stirred up the winds of nationalism that some Arab poets sought in the modern era, such as Ibrahim al-Yaziji and Khalil Mutran. Herein lies the importance of the research, its objective, and its value. The research uses the descriptive and analytical approaches in order to highlight the manifestations of this brotherhood, which received sufficient attention from Arab poets in the modern era.
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7

Mehmetali, Doç Dr Bekir. "THE USE OF ARABIC WORDS IN CONTEMPORARY TURKISH POETRY.THE POEM (WORDS OF KILIS) BY THE POET MUSTAFA ALPAYDIN IS AN EXAMPLE." In I. International Dubai Social Sciences and Humanities Congress. Rimar Academy, 2024. http://dx.doi.org/10.47832/dubaicongress1-1.

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The languages with which God has honored His servants, believers and non-believers, are all one of His signs and one of His effects. It is natural for human languages to borrow words from each other due to several factors, including religion, juxtaposition, mixing, and so on. The Turkish language borrowed many words from the Arabic language, and the Islamic religion was the main factor in this borrowing. Through this research, I wanted to show a small amount of contemporary Turkish poetry’s borrowing of Arabic words that the poet used in his poetic experience. The choice fell on the poet Mustafa Alp Aydin. Because he is one of the most prominent contemporary poets in the Turkish state of Kilis, adjacent to the Syrian border, and the president of the Kilis Poets and Writers Association. I chose his poem (The Words of Kels) to be the subject of study in this research. Because it contains quite a few Arabic words that distinguish the dialect of Kilis from others, I wanted this study to be one of the research lamps that illuminate the way for researchers in this type of studies. The importance of the research is evident in its treatment of a poet who has not been studied before, in the fact that this poet belongs to a state adjacent to Arab geography, and in his treatment of this topic in Turkish poetry and not in other types of speech. The research adopts the methods of description, analysis, induction, and deduction. It describes the Arabic words contained in this poem, analyzes them linguistically, and extrapolates the law of their use in the studied poem as a model of contemporary Turkish poetry that used Arabic words, and reaches conclusions based on this extrapolation
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8

Ahmed, Al-Falahi, Ramdani Mohamed, Bellafkih Mostafa, and Al-Sarem Mohammed. "Authorship attribution in Arabic poetry." In 2015 10th International Conference on Intelligent Systems: Theories and Applications (SITA). IEEE, 2015. http://dx.doi.org/10.1109/sita.2015.7358411.

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9

Azizi, Abdelmalek. "Java cryptographycal application based on Arabic poetry." In 2012 International Conference on Computer Systems and Industrial Informatics (ICCSII). IEEE, 2012. http://dx.doi.org/10.1109/iccsii.2012.6454486.

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10

Orabi, Mariam, Hozayfa El Rifai, and Ashraf Elnagar. "Classical Arabic Poetry: Classification based on Era." In 2020 IEEE/ACS 17th International Conference on Computer Systems and Applications (AICCSA). IEEE, 2020. http://dx.doi.org/10.1109/aiccsa50499.2020.9316520.

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Reports on the topic "Arabic poetry"

1

Danawer, Fatem. The eye is a sense of beauty in Arabic poetry .. "spinning" as a model. Natural Sciences Publishing, January 2019. http://dx.doi.org/10.18576/context/040107.

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