Relevant bibliographies by topics / Arabic poetry Folk poetry

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  2. Dissertations / Theses
  3. Books
  4. Book chapters
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Academic literature on the topic 'Arabic poetry Folk poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 16 February 2022

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Journal articles on the topic "Arabic poetry Folk poetry"

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Kukhareva, Elena V. "THE CONCEPT OF HOMELAND IN ARABIC ORAL AND FOLK POETRY." Вестник Пермского университета. Российская и зарубежная филология 9, no. 3 (2017): 24–36. http://dx.doi.org/10.17072/2037-6681-2017-3-24-36.

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Khodjaeva`, Rano Umarovna. "The Role Of The Central Asians In The Socio-Political And Cultural Life Of Mamluk Egypt." American Journal of Social Science and Education Innovations 02, no. 10 (October 29, 2020): 227–36. http://dx.doi.org/10.37547/tajssei/volume02issue10-38.

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The article considers the strengthening of the Turkic factor in Egypt after the Mamluk Emirs, natives from the Khwarezm, Turkmen and Kipchak tribes, who came to power in the second half of the XIII century. The influence of the Turkic factor affected all aspects of life in Egypt. Under the leadership of the Turkic Emirs, the Egyptians defeated the crusaders who invaded Egypt in 1248. This defeat of the 7th crusade marked the beginning of the General collapse of the Crusades. Another crushing defeat of the Mamluks led by Sultan Kutuz caused the Mongols, stopping their victorious March through the Arab world. As a result of these brilliant victories, Egypt under the first Mamluk Sultans turned into a fairly strong state, which developed agriculture, irrigation, and foreign trade. The article also examines the factors contributing to the transformation of Egypt in the 13-14th centuries in the center of Muslim culture after the fall of the Abbasid Caliphate. Scientists from all over the Muslim world came to Egypt, educational institutions-madrassas were intensively built, and Muslim encyclopedias were created that absorbed the knowledge gained in various Sciences (geography, history, philology, astronomy, mathematics, etc.). Scholars from Khwarezm, the Golden Horde, Azerbaijan, and other Turkic-speaking regions along with Arab scholars taught hadith, logic, oratory, fiqh, and other Muslim Sciences in the famous madrassas of Egypt. In Mamluk Egypt, there was a great interest in the Turkic languages, especially the Oguz-Kipchak dialect. Arabic and Turkic philologists write special works on the vocabulary and grammar of the Turkic languages, and compile Arabic-Turkic dictionaries. In Egypt, a whole layer of artistic Turkic-language literature was created that has survived to the present day. The famous poet Saif Sarayi, who came from the lower reaches of the Syr Darya river in Mawaraunnahr was considered to be its founder. He wrote in Chigatai (old Uzbek) language and is recognized a poet who stands at the origins of Uzbek literature. In addition to his known the names of eight Turkish-speaking poets, most of whom have nisba “al-Khwarizmi”. Notable changes occurred in Arabic literature itself, especially after the decline of Palace Abbasid poetry. There is a convergence of literature with folk art, under the influence of which the poetic genres, such as “zazhal”, “mavval”, “muvashshah”, etc. emerge in the Egyptian poetry. In Mamluk Egypt, the genre of “adaba” is rapidly developing, aimed at bringing up and enlightening the good-natured Muslim in a popular scientific form. The works of “adaba” contained a large amount of poetic and folklore material from rivayats and hikayats, which makes it possible to have a more complete understanding of medieval Arabic literature in general. Unfortunately, the culture, including the fiction of the Mamluk period of Egypt, has been little studied, as well as the influence of the Turkic factor on the cultural and social life of the Egyptians. The Turkic influence is felt in the military and household vocabulary, the introduction of new rituals, court etiquette, changing the criteria for evaluating beauty, in food, clothing, etc. Natives of the Turkic regions, former slaves, historical figures such as the Sultan Shajarat ad-Durr, Mamluk sultans as Kutuz and Beybars became national heroes of the Egyptian people. Folk novels-Sirs were written about their deeds. And in modern times, their names are not forgotten. Prominent Egyptian writers have dedicated their historical novels to them, streets have been named after them, monuments have been erected to them, and series and TV shows dedicated to them are still shown on national television. This article for the first time examines some aspects of the influence of the Turkic factor on the cultural life of Mamluk Egypt and highlights some unknown pages of cultural relations between Egypt and Mawaraunnahr.
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Gadamska-Serafin, Renata. "Góry Kaukaz jako wrota Orientu. Motywy orientalne w twórczości Tadeusza Łady-Zabłockiego." Góry, Literatura, Kultura 11 (July 17, 2018): 111–41. http://dx.doi.org/10.19195/2084-4107.11.9.

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THE CAUCASUS AS A GATE TO THE ORIENT. ORIENTAL MOTIFS IN TADEUSZ ŁADA-ZABŁOCKI'S OEUVREThe East, its culture and literature were always part of the rich, erudite poetic imagination of Tadeusz Łada-Zabłocki 1811–1847, a tsarist exile to the Caucasus. He spoke Oriental languages Georgian and Persian and had a thorough knowledge of the Koran, a short fragment of which he even translated probably from French. Although today we only have his poetry inspired by the Caucasian mountains, he was also no stranger to extensive travel accounts unfortunately, his Dziennik podróży mojej do Tyflisu i z Tyflisu po różnych krajach za Kaukazem Journal From My Journey To and From Tiflis Across Various Countries Beyond the Caucasus and notes from his Armenian expedition were lost. An important source of inspiration for Zabłocki, encouraging him to explore the East, were the Philomaths’ translations of Oriental poetry by Jan Wiernikowski and Aleksander Chodźko, while his model of reception of the Orient were the oeuvres of Mickiewicz primarily his Crimean and Odessa Sonnets, Byron and Thomas Moore especially the fragment of Lalla Rookh — Paradise and the Peri. The exile brutally brought Zabłocki into contact with the real Orient, terribly dangerous and diametrically different from the one described by Western travellers. It is, therefore, not surprising, that their superficial and simplified accounts were criticised by the Polish poet and soldier.Zabłocki’s oeuvre, both pre-exile and Caucasus period works, is full of various Oriental reminiscences: from the Biblical topos of the Paradise ab Oriente, through numerous splendid images of Caucasian nature, scenes from the life of Caucasian highlanders, poetic imitation of the metre of Caucasian folk dances, apt ethnographic observations in the verses, borrowings from Oriental languages, extraordinarily sensual eastern erotic poems, to translations of texts of Caucasian cultures Tatar, Azeri and Georgian songs. Zabłocki drew on both folk culture of Caucasian tribes, and on Eastern mythologies as well as universal culture of the Islamic world. He presents an ambivalent image of Caucasian highlanders in his poetry: sometimes they acquire traits of noble, free, valiant and indomitable individuals, typical of the Romantic idea of highlanders, on other occasions the label “Son of the East” becomes a synonym of Asian barbarity.Freed from the service in the tsarist army, Zabłocki planned travels across nearby Persia, Asia Minor, and even Arabia, Nubia and Palestine. However, the plans never became a reality, owing to a lack of funds and the poet’s early death of cholera.Zabłocki’s “Eastern” oeuvre fully reveals the “liminal”, demarcational nature of the Caucasian mountains, for centuries constituting the limes between Europe and Asia, the East and the West, a meeting place of the Christian and the Muslim Orients.]]>
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Hana, Yafia Yousif Jamil. "The Cries of Street Vendors as a Folklore Genre and Example of Oral Advertising in Iraq." Vestnik of Saint Petersburg University. Asian and African Studies 12, no. 4 (2020): 573–78. http://dx.doi.org/10.21638/spbu13.2020.407.

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The article is devoted to the review of the cries of street vendors as a kind of folk genre used in Iraq. The tradition of shouting short texts, praising goods to customers, has a long history. Skillful mastery of the word, the ability to poetically improvise has always been very appreciated in the Middle East. It is no wonder that poetry tournaments emerged and gained wide popularity in the region. The functions of cries are similar to the functions of advertising: to attract the attention of the customer and to convince him or her to purchase the street vendor’s goods. Street vendors in Iraq use dialectal Arabic words and expressions including Turkish and Persian words. As a rule, their language is rich in various metaphors, epithets or lines from famous folk songs. Often, a seller’s cry that was successfully invented was then borrowed by other merchants of related goods. A similar thing also happened when a merchant’s son, adopting his father’s profession, inherited a saying with which he continued to appeal to potential buyers. Currently, this phenomenon is becoming increasingly rare, but, nevertheless, continues to exist, which can be observed during religious and public holidays. Some examples of verbal advertising have become catchy slogans on product labels.
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Bauatdinova, Sapura Jumabaevna. "FOLK POETS AND FOLK POETRY." Theoretical & Applied Science 92, no. 12 (December 30, 2020): 105–8. http://dx.doi.org/10.15863/tas.2020.12.92.19.

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Ogunnaike, Oludamini. "The Presence of Poetry, the Poetry of Presence." Journal of Sufi Studies 5, no. 1 (May 23, 2016): 58–97. http://dx.doi.org/10.1163/22105956-12341283.

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The composition and performance of Arabic Sufi poetry is the most characteristic artistic tradition of West African Sufi communities, and yet this tradition has yet to receive the scholarly attention it deserves. In this article, I sketch an outline of a theory of Sufi poetics, and then apply this theory to interpret a performance of a popular Arabic poem of the Senegalese Shaykh Ibrahim Niasse (d. 1975), founder of the most popular branch of the Tijāniyya in West Africa.
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Klobčar, Marija. "Krek's Views on Folk Poetry." Traditiones 35, no. 2 (November 15, 2006): 193–203. http://dx.doi.org/10.3986/traditio2006350210.

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Patai, Raphael, Lajos Vargyas, Marton Istvanovits, and Agnes Szemerkenyi. "Magyar Nepkolteszet [Hungarian Folk Poetry]." Journal of American Folklore 104, no. 412 (1991): 242. http://dx.doi.org/10.2307/541253.

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Bushnaq, Inea, and Salma Khadra Jayyusi. "Modern Arabic Poetry: An Anthology." Journal of the American Oriental Society 109, no. 2 (April 1989): 308. http://dx.doi.org/10.2307/604446.

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Chraibi, Aboubakr, and Suzanne Pinckney Stetkevych. "Reorientations/Arabic and Persian Poetry." Studia Islamica, no. 83 (1996): 164. http://dx.doi.org/10.2307/1595750.

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Dissertations / Theses on the topic "Arabic poetry Folk poetry"

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Hammāmī, al-Ṭāhir. "al-Shiʻr ʻalá al-shiʻr baḥth fī al-shiʻrīyah al-ʻArabīyah min manẓūr shiʻr al-shuʻarāʼ ʻalá shiʻrihim ilá al-qarn 5 H/11 M /." Manūbah : Jāmiʻat Manūbah, Kullīyat al-Ādāb, 2003. http://books.google.com/books?id=p0FjAAAAMAAJ.

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Nāṣir, Muḥammad. "al-Shiʻr al-Jazāʼirī al-ḥadīth, 1925-1975 itij̄ahātuhu wa-khaṣāʼiṣuhu al-fannīyah /." Bayrūt, Lubnān : Dār al-Gharb al-Islāmī, 1985. http://books.google.com/books?id=4bIsAAAAMAAJ.

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Clarke, Lynda 1956. "Arabic elegy between the Jāhilīyah and Islam." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63950.

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Schippers, Arie. "Arabic tradition and Hebrew innovation : Arabic themes in Hebrew Andalusian poetry /." Amsterdam : Institute for modern Near Eastern studies, Department of Arabic and Islamic studies, University of Amsterdam, 1988. http://catalogue.bnf.fr/ark:/12148/cb35454451r.

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Talib, Adam. "Out of many, one : epigram anthologies in pre-modern Arabic literature." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:fed5b992-9403-4f79-aa6f-92a9b5dd7406.

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This is the study of a previously neglected genre in pre-modern Arabic literature: the (poetic) epigram anthology. The epigram anthology was pioneered by a handful of poets in 14th-century Syria, but the genre was soon taken up by anthologists across the pre-modern Middle East and soon became one of the most popular types of Arabic poetry up until the modern period. This study is divided into two parts. Part One deals with critical issues in literary history and comparative literature, while Part Two is made up of three encapsulated studies on specific aspects of the social and literary (structural and textual) composition of the texts. In Part One, the epistemological background of the terms epigram and anthology is surveyed and their suitability for application to pre-modern Arabic literature is evaluated. Part One also includes a comprehensive history of the maqāṭīʿ (sing. maqṭūʿ, also maqṭūʿah) genre in Arabic as well as a detailed explication of this style of poetry, its anthological context, its generic status in the Arabic literary tradition, and its relation to the wider world-literary category of epigram. The three chapters of Part Two are devoted to the social network of anthologists and poets, the structure and composition of the anthologies themselves, and the way in which anthologists used a technique, which is called ‘variation’ in this study, to link the cited poetic material into an organic whole respectively. NB: This is a literary-historical study informed by the discipline of comparative literature; it is not primarily a philolological, biographical, or codicological investigation. The literary material presented here is what has been deemed most relevant for the purposes of the larger generic discussion at the centre of this literary-historical study. An annotated bibliography of unpublished sources is provided in an appendix in order to help the reader navigate the tricky present status of many Mamluk and Ottoman era sources.
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Khalifa, Abdelwahab Ali. "Problems of translation of modern Arabic poetry into English." Thesis, University of Exeter, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.441806.

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Jamil, Nadia. "Ethical values & poetic expression in early Arabic poetry." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670213.

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Al-Mufti, Elham Abdul-Wahhab. "Shakwa in Arabic Poetry during the c Abbasid Period." Thesis, SOAS, University of London, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.503481.

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Ćurčin, Milan. "Srpska narodna pesma u nemačkoj književnosti." Beograd : Narodna biblioteka Srbije, 1987. http://catalog.hathitrust.org/api/volumes/oclc/18487273.html.

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Originally presented as the author's Thesis (doctoral --Universität Wien) under the title: Das serbische Volkslied in der deutschen Literatur.
Includes bibliographical references (p. [169]-189) and index.
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Kennedy, Philip F. "The development of the Khamriyya." Thesis, University of Oxford, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.333237.

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Books on the topic "Arabic poetry Folk poetry"

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Sowayan, Saad Abdullah. Nabati poetry: The oral poetry of Arabia. Qatar: Doha, 1985.

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Nabati poetry: The oral poetry of Arabia. Doha-Qatar: The Arab Gulf States Folklore Centre, 1985.

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ʻAlī ibn Ṣāliḥ al-Salūk Zahrānī. al-Mawrūthāt al-shaʻbīyah li-Ghāmid wa-Zahrān. [Bahah, Saudi Arabia]: ʻA.b.Ṣ al-.S.al-Zahrānī, 1994.

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ʻAlī ibn Ṣāliḥ al-Salūk Zahrānī. al- Mawrūthāt al-shaʻbīyah li-Ghāmid wa-Zahrān. [Saudi Arabia: s.n.], 1995.

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Sowayan, Saad Abdullah. Nabati poetry: The oral poetry of Arabia = [al-Shiʻr al-Nabaṭī. Berkeley: University of California Press, 1985.

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ʻAbbādī, Aḥmad ʻUwaydī. Min al-shiʻr al-shaʻbī al-Urdunī: Qiṣaṣ shiʻrīyah ghināʾīyah. ʻAmmān: Dār al-Fikr, 1987.

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Rāshid ibn Sallūm al-Muṣliḥī Suwayrī. Ḥidāʼ al-sārī: Dīwān al-shāʻir al-shaʻbī Rāshid ibn Sallūm al-Muṣliḥī al-mulaqqab (Suwayrī). [S.l: s.n.], 1988.

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Dīwān al-Kaddādī. Ṣanʻāʾ: Markaz al-Dirāsāt wa-al-Buḥūt al-Yamanī, 1998.

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Rāshid ibn Sallūm al-Muṣliḥī Suwayrī. Ḥidāʾ al-sārī: Dīwān al-shāʻir al-shaʻbī Rashīd ibn Sallūm al-Musayliḥī, al-mulaqqab Suwayrī ; qāma bi-jamʻihi wa-taqīḥihi Muḥammad ibn Ḥamad al-Masrūrī. [Oman: s.n.], 1988.

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Dawsarī, ʻAbd Allāh ibn Ḥimyar ibn Ṣābir. Diwān wāḥat al-shiʻbī: Min ashʻār qabīlat al-Dawāsir wa-ḥikamihim. al-Riyāḍ: Maktabat al-Maʻārif, 1985.

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Book chapters on the topic "Arabic poetry Folk poetry"

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Griffith, Paul A. "Folk Masques." In Afro-Caribbean Poetry and Ritual, 67–83. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230106529_4.

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Jaouad, Hédi A. "Browning and Ancient Arabic Poetry." In Browning Upon Arabia, 99–106. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-92648-3_4.

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Antoon, Sinan. "Sukhf in Panegyric Poetry." In The Poetics of the Obscene in Premodern Arabic Poetry, 65–91. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137391780_4.

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Pócs, Éva. "Miracles and Impossibilities in Magic Folk Poetry." In Charms, Charmers and Charming, 27–53. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230583535_3.

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"The Arabian Nights and Folk Narratives." In The Impact of the Arabian Nights on Modern Arabic Poetry, 73–92. Harrassowitz, O, 2016. http://dx.doi.org/10.2307/j.ctvckq3p5.7.

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Booth, Marilyn. "Ataturk Becomes ͑Antar: Nationalist-vernacular Politics and Epic Heroism in 1920s Egypt." In Studying Modern Arabic Literature. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748696628.003.0009.

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This chapter examines the emergence of colloquial Arabic poetry as populist-political commentary in Egypt by offering a reading of Mahmud Bayram al-Tunisi's series of texts, which figured political contestation in the thematic-formal mould of the sira shaʻbiyya. It first provides an overview of the sira shaʻbiyya (folk epic, folk romance) before discussing at least four Bayramic sira compositions, all of which narrate the Turkish–Greek conflict over possession of Asia Minor in the context of postwar intra-European negotiations for neocolonial primacy. The texts, labelled ‘Sira Kemaliyya’, chronicle the conflict between Greece and Turkey in 1919–1922, highlighted by the exploits of Turkish ‘epic hero’ and nationalist leader Mustafa Kemal Ataturk. The chapter explains how Bayram manages the duality of heroic posturing as a heavy-handed colonialist tactic versus the effective heroism of Mustafa Kemal.
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"Arabic Poetry." In An Anthology of Ismaili Literature. I.B.Tauris, 2008. http://dx.doi.org/10.5040/9780755610327.0018.

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"POETIC DIALOGIZATION: Ancestors in the text—figures and figurations." In Arabic Poetry, 110–51. Routledge, 2006. http://dx.doi.org/10.4324/9780203965412-10.

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"DEDICATIONS AS POETIC INTERSECTIONS." In Arabic Poetry, 152–83. Routledge, 2006. http://dx.doi.org/10.4324/9780203965412-11.

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"ENVISIONING EXILE: Past anchors and problematic encounters." In Arabic Poetry, 184–239. Routledge, 2006. http://dx.doi.org/10.4324/9780203965412-12.

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Conference papers on the topic "Arabic poetry Folk poetry"

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Elkilany, Elsayed Abdelwahed. "Arabic Language Topics in Al Arab Qatari Newspaper: A Study in Journalistic Treatment Patterns." In Qatar University Annual Research Forum & Exhibition. Qatar University Press, 2020. http://dx.doi.org/10.29117/quarfe.2020.0252.

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The purpose of this research is to explore the patterns of journalistic treatments for issues of Arab Language in Al Arab Qatari newspaper during the year of 2017. It also seeks to understand the degree to which this journalistic behavior enhances Qatar National identity. The importance of this research, which is funded by Qatar National Research Fund, No. UREP21-095-5-009 is to test the relationship between journalistic practices in relation to coverage of Arabic language issues and national identity. As interdisciplinary research combining Arabic language and journalism studies, its data were gathered by students of Arabic and Mass Communication Departments. The study adopted the descriptive and analytical approach to explore a sample of 841 publications that covered 10 linguistic forms including folk literature, translation, sermon, thought, novel, narration, poetry, story, drama and others as well as 6 editorial forms including investigative report, news report, dialogue, news, article, feature story and others. We analyze both the editorial content and the layout treatment. The results showed a statistical significance in the use of different editorial forms to demonstrate the Arabic language topics in Al Arab Qatari newspaper as well as the use of different layout techniques such as positioning, size, headline style and the accompanying visual elements. Future studies can compare the influence of different journalistic practices on national identity.
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Ahmed, Al-Falahi, Ramdani Mohamed, Bellafkih Mostafa, and Al-Sarem Mohammed. "Authorship attribution in Arabic poetry." In 2015 10th International Conference on Intelligent Systems: Theories and Applications (SITA). IEEE, 2015. http://dx.doi.org/10.1109/sita.2015.7358411.

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Azizi, Abdelmalek. "Java cryptographycal application based on Arabic poetry." In 2012 International Conference on Computer Systems and Industrial Informatics (ICCSII). IEEE, 2012. http://dx.doi.org/10.1109/iccsii.2012.6454486.

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Orabi, Mariam, Hozayfa El Rifai, and Ashraf Elnagar. "Classical Arabic Poetry: Classification based on Era." In 2020 IEEE/ACS 17th International Conference on Computer Systems and Applications (AICCSA). IEEE, 2020. http://dx.doi.org/10.1109/aiccsa50499.2020.9316520.

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Almuhareb, Abdulrahman. "Arabic poetry focused crawling using SVM and keywords." In 2016 4th Saudi International Conference on Information Technology (Big Data Analysis) (KACSTIT). IEEE, 2016. http://dx.doi.org/10.1109/kacstit.2016.7756067.

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Ahmed, Munef Abdullah, and Stefan Trausan-Matu. "Using natural language processing for analyzing Arabic poetry rhythm." In 2017 16th RoEduNet Conference: Networking in Education and Research (RoEduNet). IEEE, 2017. http://dx.doi.org/10.1109/roedunet.2017.8123759.

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Ahmed, Alfalahi, Ramdani Mohamed, and Bellafkih Mostafa. "Authorship attribution in Arabic poetry using NB, SVM, SMO." In 2016 11th International Conference on Intelligent Systems: Theories and Applications (SITA). IEEE, 2016. http://dx.doi.org/10.1109/sita.2016.7772287.

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Gharbat, Mohammad, Heba Saadeh, and Reem Q. Al Fayez. "Discovering The Applicability of Classification Algorithms With Arabic Poetry." In 2019 IEEE Jordan International Joint Conference on Electrical Engineering and Information Technology (JEEIT). IEEE, 2019. http://dx.doi.org/10.1109/jeeit.2019.8717387.

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Berkani, Abdelmalek, Adrian Holzer, and Kilian Stoffel. "Pattern Matching in Meter Detection of Arabic Classical Poetry." In 2020 IEEE/ACS 17th International Conference on Computer Systems and Applications (AICCSA). IEEE, 2020. http://dx.doi.org/10.1109/aiccsa50499.2020.9316497.

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Dang Thi Dieu, Trang. "Modern Folk poetry (Ca Dao): A Form of Folklore Linguistic Composition on the Internet." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.4-2.

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The context of globalization along with the development of electronic media has opened a new era for folklore in general as well as forms of linguistic composition of folk literature in particular. In addition to the form of composing and keeping media documents in the traditional way, the Internet explosion has dominated the main spaces of communal life and has gradually changed the mode of human interaction. Cyber space is considered as a tool to convey traditional values, to create many new cultural activities, and to be a place to circulate folk cultural works in contemporary society, in which folk poetry (Ca dao) is one. Modern folk poetry studies are still a controversial issue in academic circles in Vietnam, but with the dominance of today's Internet communication technology, the emergence of lyrics rhymes circulated on the Internet is a remarkable and inevitable phenomenon in the context of development of various forms of "reformed", "processing", "parody" lyrics, songs, poems according to the direction of humor and entertainment rather than focusing on aesthetics and art. From a linguistic cultural approach, this article aims to discuss modern folk poetry on such issues as: Why did such folk poetry come about? How would we circulate or share this poetry on the Internet and to approach folk culture in an era of dominance of visual culture (TV, video, film, photography) and Online culture; how does socio-economic change on modern folk poetry impact on the Internet in terms of thinking innovatively, and how does it tend to break traditional cognitive structures due to the diverse forms of reflection and reality in modern society?
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Reports on the topic "Arabic poetry Folk poetry"

1

Danawer, Fatem. The eye is a sense of beauty in Arabic poetry .. "spinning" as a model. Natural Sciences Publishing, January 2019. http://dx.doi.org/10.18576/context/040107.

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