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Journal articles

Academic literature on the topic 'Arabic poetry Names'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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Journal articles on the topic "Arabic poetry Names"

1

M. Himeidi, Assist Prof Dr Sundus. "Plagiarism in Arabic Criticism Heritage." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 223, no. 1 (2017): 33–56. http://dx.doi.org/10.36473/ujhss.v223i1.318.

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The phenomenon of plagiarism has been commonly dealt with in Arabic criticism heritage,and many traditional Arab critics have written a specific part in their books covering this phenomenon under the title of "literary thefts". Literary thefts have been condemned in Arabic heritage as one poet takes some expressions or phrases from his predecessors, and such a tendency leads to the underestimation of the poet’s status. This phenomenon is called "citation" in Arabic rhetorics when the cited materials are extracted from the Glorious Qur'an or the Prophetic Traditions. This phenomenon has been gi

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2

Stetkevych, Suzanne Pinckney. "Labīd, ʿAbīd, and Lubad: Lexical Excavation and the Reclamation of the Poetic Past in al-Maʿarrī’s Luzūmiyyāt". Journal of Arabic Literature 51, № 3-4 (2020): 238–72. http://dx.doi.org/10.1163/1570064x-12341408.

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Abstract The blind Syrian poet, man of letters and scholar, Abū al-ʿAlāʾ al-Maʿarrī (363 H/973 CE-449 H/1057 CE) is the author of two celebrated diwans. The second of these, his controversial double-rhymed and alphabetized, Luzūm Mā Lā Yalzam (Requiring What is Not Obligatory), known simply as Al-Luzūmiyyāt (The Compulsories), features his uninhibited, often highly ironic and usually pessimistic, religious, and ‘philosophical’ ideas along with mordant criticism of politics, religion, and humanity in general. In his introduction, he abjures the corrupt and worldly qaṣīdah poetry of his otherwis

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3

Ediyani, Muhammad. "تاريخ نشأة اللغة العربية وتطورها". لسـانـنـا (LISANUNA): Jurnal Ilmu Bahasa Arab dan Pembelajarannya 9, № 1 (2020): 27. http://dx.doi.org/10.22373/ls.v9i1.6730.

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Arabic is the language of the tribes that inhabited the peninsula from Yemen to the Levant to the race and the borders of Palestine and Sana to reach their purposes, which is one of the Semitic languages, and the subject of the emergence of language of the subjects addressed by the researchers of old and recent, and expanded in them a lot and their work that some opinions, The most important of these are: humility and terminology, and language inspired by God. The first person was taught the names of everything (arrest), and the language was born cumulatively subject to the factor of space-tim

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4

Stetkevych, Suzanne Pinckney. "Archetype and Attribution in Early Arabic Poetry: Al-Shanfarā and the Lāmiyyat 'Al-Arab." International Journal of Middle East Studies 18, no. 3 (1986): 361–90. http://dx.doi.org/10.1017/s0020743800030518.

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The premier position of the Lāmiyyat al-'Arab among the poetry of al-shu'arā' al-Ta'alīk (the brigand-poets) of the Jāhiliyya is undeniable. Among scholars and philologists, both Arab and Orientalist, it has remained over the centuries the object of the most minute philological commentaries. Its Arab commentators number more than 20, among them the foremost names in classical Arabic literary scholarship: al-Mubarrad (d. 285/898), the doyen of the Basran school, whose commentary is said actually to have been taken from his Kufan archrival, Tha'lab (d. 291/904); the renowned poetic commentarist

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5

AL-BERMANI, Muhannad Nasir Hussein. "THE INTENTIONALLY USE OF PRONOUNS IN THE ARABIC GRAMMAR." RIMAK International Journal of Humanities and Social Sciences 03, no. 03 (2021): 331–40. http://dx.doi.org/10.47832/2717-8293.3-3.30.

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The metaphor of the pronoun is the substitution of a pronoun with another pronoun that differs from it in connotation and in the Arabic position, such as the occurrence of the accusative pronoun subject to the raised pronoun or the accusative pronoun subject to the accusative pronoun, and so on, such as the saying of the one who said: "You passed by me" and it was better for him to say: "You passed by me." It is correct to say: "I honored him I followed in this research tagged with (Intentionally borrowing the pronoun in Arabic grammar) A clear approach to explaining its issues, as I present t

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6

Khodjaeva`, Rano Umarovna. "The Role Of The Central Asians In The Socio-Political And Cultural Life Of Mamluk Egypt." American Journal of Social Science and Education Innovations 02, no. 10 (2020): 227–36. http://dx.doi.org/10.37547/tajssei/volume02issue10-38.

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The article considers the strengthening of the Turkic factor in Egypt after the Mamluk Emirs, natives from the Khwarezm, Turkmen and Kipchak tribes, who came to power in the second half of the XIII century. The influence of the Turkic factor affected all aspects of life in Egypt. Under the leadership of the Turkic Emirs, the Egyptians defeated the crusaders who invaded Egypt in 1248. This defeat of the 7th crusade marked the beginning of the General collapse of the Crusades. Another crushing defeat of the Mamluks led by Sultan Kutuz caused the Mongols, stopping their victorious March through t

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7

هلمانيتا, كرلينا. "جبران خليل جبران في تطوير الأدب العربي الحديث". Buletin Al-Turas 20, № 1 (2020): 83–98. http://dx.doi.org/10.15408/bat.v20i1.3748.

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Abstrak Jubran Khalil Jubran (1883-1931) adalah seorang tokoh sastra Arab Modern. Namun karena ia tinggal di perantauan Amerika, akulturasi budaya dirinya pun terjadi, sesuai tradisinya di Barat, ia hanya menggunakan dua suku kata yaitu Khalil Jubran. Akan tetapi orang Amerika kesulitan melafalkan huruf kha ( خ) dari nama Khalil ( خليل ), maka lafalnya kemudian menjadi Kahlil. Transliterasi ini keliru dan tidak ada nama Arab yang ditulis sebagai Kahlil ) كهليل ). Namun Khalil menggunakannya untuk memberi kemudahan masyarakat menyebut namanya tanpa kesulitan. Sedangkan perubahan nama Jubran men

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8

DAHAMI, YAHYA SALEH HASAN. "Hassan ibn Thabit: An Original Arabic Tongue (2)." International Journal of Applied Research in Social Sciences 2, no. 2 (2020): 41–52. http://dx.doi.org/10.51594/ijarss.v2i2.85.

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As it is suggested and recommended in the first part of a previous paper that carries the same title, this paper is a continuous effort not to claim to be wide-ranging in mastering a poetic piece as one sort of expressive manuscript in Arabic but an impartial effort through analytical assessment of a poem. The study is limited to a few selected verses of Hassan ibn Thabit poem named ‘Al Alef rhymed (????? ?????).’ It is a representative of the Arabic tongue and its magnificence. It is a piece of poetry that cannot be examined and scrutinized in a short paper like this.The study focuses, with a

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9

Booth, Marilyn. "Colloquial Arabic Poetry, Politics, and the Press in Modern Egypt." International Journal of Middle East Studies 24, no. 3 (1992): 419–40. http://dx.doi.org/10.1017/s0020743800021966.

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On 9 November 1956, a poem in colloquial Arabic appeared in the month-old Cairo daily al-Masāʾ. The poet was an unknown named Hamid al-Atmas, a carpenter from the Delta city of Damanhur. Entitled “That's It, I'm Off to the Battlefield,” al-Atmas's poem celebrated the worker as soldier, for British and French troops had just landed in Port Said. The narrator states that he will put down his tools—as will many laborers and craftsmen—to go and fight. Following victory, he will return to his shākūsh (hammer) and mingār (plane). This, he stresses, is a people's struggle.1 The point is made no less

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10

Papoutsakis, Nefeli. "Quṭbaddīn an-Nahrawālī’s (917-990/1511-1582) Treasure of Names and Other Ottoman-Era Arabic Treatises on the Art of the Muʿammā". Journal of Arabic and Islamic Studies 20 (24 квітня 2020): 53–89. http://dx.doi.org/10.5617/jais.7905.

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In Timurid times Persian littérateurs devised a new kind of logogriph (muʿammā) that differed considerably from the muʿammā as was known in the Arabic tradition. The most salient feature of the new, Persianate muʿammā, which is normally a couplet, is that it has two levels of meaning: an obvious or surface meaning (‘the poetic meaning’), and an encoded ‘riddle meaning’, which gives the clues to the solution of the riddle. Since the 16th century the new, Persianate muʿammā became very popular with Ottoman Turkish and Arabic littérateurs as well. In fact, to judge by the available evidence, it

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