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Journal articles on the topic 'Arabic Sufi poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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1

Ogunnaike, Oludamini. "The Presence of Poetry, the Poetry of Presence." Journal of Sufi Studies 5, no. 1 (2016): 58–97. http://dx.doi.org/10.1163/22105956-12341283.

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The composition and performance of Arabic Sufi poetry is the most characteristic artistic tradition of West African Sufi communities, and yet this tradition has yet to receive the scholarly attention it deserves. In this article, I sketch an outline of a theory of Sufi poetics, and then apply this theory to interpret a performance of a popular Arabic poem of the Senegalese Shaykh Ibrahim Niasse (d. 1975), founder of the most popular branch of the Tijāniyya in West Africa.

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Brigaglia, Andrea. "Sufi Poetry in Twentieth-Century Nigeria." Journal of Sufi Studies 6, no. 2 (2017): 190–232. http://dx.doi.org/10.1163/22105956-12341302.

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Abstract This article presents the translation and analysis of two poems (the first in Arabic, the second in Hausa) authored by one of the most famous twentieth-century Islamic scholars and Tijānī Sufis of Kano (Nigeria), Abū Bakr al-ʿAtīq b. Khiḍr (1909–74). As examples of two genres of Sufi poetry that are rather unusual in West Africa (the khamriyya or wine ode and the ghazal or love ode), these poems are important literary and religious documents. From the literary point of view, they are vivid testimonies of the vibrancy of the Sufi qaṣīda tradition in West Africa, and of the capacity of

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3

Orwin, Martin. "Arabic influence on metre in Somali Sufi religious poetry." Brill’s Journal of Afroasiatic Languages and Linguistics 11, no. 2 (2019): 340–74. http://dx.doi.org/10.1163/18776930-01102007.

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Abstract It has generally been assumed that there has not been any direct influence on Somali poetic metre from the metrical forms of Arabic. For the most part, this certainly seems to hold, but this article presents a poem which is of a type on which, it is argued, Arabic influence can be seen. The poem, ‘Taaj Awliyo’ by Sheekh Caaqib Cabdullaahi Jaamac (ca. 1922-?) is presented in detail and, although it has been described as being in the jiifto metre, it is demonstrated that this description of the metre is incorrect. It actually follows a previously undocumented metrical pattern which is t

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Homerin, Th Emil. "Arabic takhalluṣ, Persian Style in Muḥammad al-Ṣūfī’s Poems to Muḥammad the Prophet". Journal of Arabic Literature 51, № 3-4 (2020): 325–50. http://dx.doi.org/10.1163/1570064x-12341409.

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Abstract Though a signature verse (takhalluṣ) is often found in medieval Persian and Ottoman Turkish poetry, this is less frequently the case in Arabic poetry at this time. However, Muḥammad Ibn al-Shihābī al-Ṣūfī included such a signature verse in 38 Arabic poems, many inspired by recitations of Ibn al-Fāriḍ’s poetry. This article offers a critical Arabic edition and English translation of two of these poems, followed by an extensive discussion of linguistic and stylistic aspects of Ibn al-Shihābī’s Arabic and poetic style. Both poems also highlight trends in Arabic poetry at the end of the 9

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Ali, As’adi. "Ulama Perintis Syair Melayu." JURNAL ISLAM NUSANTARA 1, no. 1 (2018): 53. http://dx.doi.org/10.33852/jurnalin.v1i1.12.

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Poetry is an old Malay literary work that rhymes after pantun, seloka, and gurindam. Appeared at the end of the 17th century AD. Pioneered by an Indonesian Sufi cleric. He is from Barus City (present: Singkil, Aceh), living in the late 17th and early 18th centuries. In his lifetime he is a mufti Kesuthanan Islam Aceh Darussalam. The most important element that distinguishes poetry with other old Malay literature is the final sound of his poetry. If the pantun uses the A-B-A-B, and the A-A-B-B cultivation, the verse is A-A-A-A. Another thing that distinguishes it from its predecessor on the con

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Al-Dabbagh, Abdulla. "The Oriental Sources of Courtly Love." International Journal of Arabic-English Studies 3, no. 1 (2002): 21–32. http://dx.doi.org/10.33806/ijaes2000.3.1.2.

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This paper singles out three key theoretical, oriental perspectives on love that have been, to a greater or lesser degree, recognized by scholars as sources for western courtly love notions: Ibn Hazm's Tawq al-Hamama (The Dove's Neck Ring), Ibn Sina's Risala fi 'I- 'lshq (Treatise on Love), and the general Sufi outlook, particularly in the works of Ibn Al-Arabi and Rumi. While chivalry, the forms and features of Arabic music and Arabic poetry, Arabic poetic themes and specifically the expressions and concepts of love in poetry have long been studied as the. main Arab/Islamic contributions to c

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Elhariry, Yasser. "Abdelwahab Meddeb, Sufi Poets, and the New Francophone Lyric." Publications of the Modern Language Association of America 131, no. 2 (2016): 255–68. http://dx.doi.org/10.1632/pmla.2016.131.2.255.

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This is the first work of criticism to read Abdelwahab Meddeb as a poet. Selfconsciously indeterminate from philosophical and poetic perspectives, Meddeb's poetry is indebted to European, especially French, high poetic modernism; to the French literary turn to the United States; and to the author's desire to be read in the lineage of the major Sufi poets of classical Arabic literature. Turning his back on the hegemony of postcolonial literary prose with the 1987 chapbook Tombeau d'Ibn Arabi, Meddeb generates a new francophone lyric infused with the Sufi traditions of al-Andalus, North Africa,

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Hafeez, Muhammad, and Dr Muhammad Rizwan Yunus. "An Analytical Study of Qualities of Sufism; In Light of Si Harfi of Peer Naik Alam Shah." Al Khadim Research journal of Islamic culture and Civilization 3, no. 1 (2022): 94–109. http://dx.doi.org/10.53575/arjicc.v3.01(22)u8.94-109.

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Sufism has put great impact on human nature. By educating the masses and deepening the spiritual concerns of the Muslims, Sufism has played an important role in the formation of Muslim society. Sufism shares some important spirit and has a great impact of its internal spirit on human. Peer Naik Alam Shah is one of the greatest Sufi poets of Azad Jammu and Kashmir. He lived a life of saint and served humanity through his teachings and poetry. In his poetry, Peer Naik Alam Shah discussed different qualities of Sufism. He discussed different terms related to love of Allah, love of Holy Prophet, D

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Sarabyev, Aleksei V. "Extract from the “Diwan” of Al-Makzoun Al-Sinjari (Beginning of the 13th Century)." Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, no. 6 (2021): 262. http://dx.doi.org/10.31857/s086919080017591-7.

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The presenting appeal to the poetic heritage of the medieval mystic poet, emir, sheikh al- Makzoun al-Sinjari (c. 1188–1240) is undertaken for the first time in Russian oriental studies. The proposed translation from the Arabic fragment of his poetic work “Divan” is supplied with an introductory article giving an idea of the degree of study in world science of the literary and theological work of this Nusayri figure. Based on the analysis of the specific terms, a conclusion is made about the deep Sufi roots of the poetry of Makzoun. In the poem, the central concept is loving intimacy to God -

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Anikeeva, T. A. "The Sali Bauatdinov's manuscript sub-collection within the manuscript collection from the Karakalpak institute of humanities of the Academy of sciences of the Republic of Uzbekistan / Nukus." Orientalistica 6, no. 2 (2023): 239–48. http://dx.doi.org/10.31696/2618-7043-2023-6-2-239-248.

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This article is a continuation within a research series, which deals with hand written and early printed books, which constitute a Manuscript Collection housed at the Karakalpak Institute of Humanities of the Karakalpak Branch of the Academy of Sciences of Uzbekistan (City of Nukus, Karakalpakstan). The Collection contains several hundred manuscripts, early printed books and lithographs in Arabic, Turkic and Persian languages from 18th to the middle of the 20th cent. This diverse Collection itself is a clear evidence of the development of the book culture in Karalpakistan. An important part of

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11

Ogunnaike, Oludamini. "All Muhammad, All the Time: Shaykh Ibrahim Niasse’s Prophetic Poetics of Praise in Three Treatises and Poems." Üsküdar Üniversitesi Tasavvuf Araştırmaları Enstitüsü Dergisi 1, no. 2 (2022): 66–111. http://dx.doi.org/10.32739/ustad.2022.2.30.

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Contemporary poet and scholar Joshua Bennett recently wrote, “If black studies is indeed the rewriting of knowledge itself, an ongoing critique of so-called Western civilization—as Wynter and Robinson and others remind us—then poetry will be absolutely essential. Like the field of black studies more broadly, the teaching of black poetry is not simply additive nor is it a niche concern. Historically poetry is at the center of black social and intellectual life.” Of no literary or intellectual tradition is this more true than that of the Fayḍa Tijāniyya, inaugurated by the Senegalese Sufi Shaykh

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Harahap, Khoirul Amru. "Hamzah Al-Fansuri: A Figure of Malay-Indonesian Philosophical Mysticism and Sufi Literature." International Conference of Moslem Society 2 (April 23, 2018): 33–42. http://dx.doi.org/10.24090/icms.2018.1847.

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This paper discusses Hamzah al-Fansuri and his mysticsm philosophical thought and his sufi literature. His mysticism philosopical thought was very controversial that it raises debates in in his era. One of the hardest figure that attack his mysticism philosophical thought was Nuruddin ar-Raniri. This sunni’s mysticism figure considered al-Fansuri a deviate mysticism, zindiq and mulhid (heathen). Mysticism concept he practiced was the concept of wahdah al-wujud or known as wujudiyah concept, which is mostly affected by Ibnu ‘Arabi. Al-Fansuri’s Wujudiyah concept is a concept stating that wujud

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13

Shakry, Omnia El. "Psychoanalysis and the Imaginary: Translating Freud in Postcolonial Egypt." Psychoanalysis and History 20, no. 3 (2018): 313–35. http://dx.doi.org/10.3366/pah.2018.0271.

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This article imagines psychoanalysis geopolitically by way of an exploratory foray into the oeuvre of Sami-Ali, the Arabic translator of Sigmund Freud's Three Essays on the Theory of Sexuality, author of a large body of original psychoanalytic writings, and translator of the poetry of Sufi masters. Taken together, his writings enable a critical rethinking of the role of the imaginary, the mechanisms of projection, and the epistemology of non-knowledge in the workings of the unconscious. Significantly, such a rethinking of key psychoanalytic concepts drew upon the Sufi metaphysics of the imagin

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Brigaglia, Andrea. "Tarbiya and Gnosis in Hausa Islamic Verse: Al-Ṣābūn al-Muṭahhir by Muḥammad Balarabe of Shellen (Adamawa, Nigeria)". Die Welt des Islams 58, № 3 (2018): 272–325. http://dx.doi.org/10.1163/15700607-00583p02.

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Abstract This paper contains a transliteration in Latin script, an English translation and an analysis of Al-Ṣābūn al-Muṭahhir (“The Cleansing Soap”), a poem on tarbiya (spiritual training) and ma‘rifa (gnosis) originally written in the Hausa language using Arabic script by Muḥammad Balarabe (d. 1967) of Shellen, in Adamawa, Nigeria. Balarabe was a Sufi of the Tijāniyya order affiliated to the Jamā‘at al-fayḍa of the Senegalese Ibrāhīm Niasse (d. 1975). In style and content, Balarabe’s poem serves as a corrective to some of the observations on Hausa Sufi poetry made by Mervyn Hiskett in his cl

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McAuley, Denis E. "“I Am No Foundling”: Al-Makzūn al-Sinǧārī Responds to Ibn al-Fāriḍ’s Poem of the Way". Arabica 70, № 6 (2023): 603–60. http://dx.doi.org/10.1163/15700585-20231674.

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Abstract This article is a translation and analysis of a poem by the Nuṣayrī (ʿAlawī) poet al-Makzūn al-Sinǧārī (d. 638/1240) responding to a masterpiece of Arabic Sufi poetry, the Poem of the Way by his contemporary ʿUmar b. al-Fāriḍ (d. 632/1235). Al-Makzūn uses Ibn al-Fāriḍ’s own words to paint him as a false claimant outside the genealogy of true lovers. As against Ibn al-Fāriḍ’s mysticism of identification with an immanent beloved and his focus on the holy sites, al-Makzūn posits a transcendent beloved that reflects a human image without taking human form, and a Mecca built purely on sema

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Lukashev, Andrey A. "«Средневековый BLM»: образ чернолицего в персидской суфийской поэзии". Oriental studies 16, № 1 (2023): 222–31. http://dx.doi.org/10.22162/2619-0990-2023-65-1-222-231.

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Introduction. The black-faced are mentioned in different Muslim texts — from the Quran to Sufi poems. One can trace not just diverse but rather opposite interpretations, and researchers have to face certain problems when it comes to analyze some related images. Goals. The study attempts an insight into functioning and semantic features inherent to images of the black-faced in Sufi poetry. Materials and methods. The work analyzes a number of classical Persian and Arabic writings, such as The Walled Garden of Truth by Sanai, and others. The employed research methods include those of textual reco

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Baig, Sohaib. "Printing a Transregional Ṭarīqa: Haji Imdadullah Makki (d. 1899) and Sufi Contestations from Thana Bhavan to Istanbul". International Journal of Islam in Asia 3, № 1-2 (2023): 21–42. http://dx.doi.org/10.1163/25899996-20230011.

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Abstract This article analyzes the prominence of print in the Sufi ṭarīqa of Haji Imdadullah Muhajir Makki (d. 1899), a pre-eminent Indian Chishti-Sabri shaykh who settled in the Ottoman Hijaz after escaping North India in the aftermath of the 1857 mutiny. It explores the transregional contexts of the publication of Haji Imdadullah’s works, in the long journey of his manuscripts from Mecca to their lithographic printing in North India and their distribution through Ottoman disciples as far as Istanbul. In this study two main lines of inquiry are followed. First, how did Imdadullah participate

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Abdul Majeed, Hafiz, and Irshad Ullah. "Impacts of Arabic Language and Literature on Khawaja Farid's Saraiki Poetic Work." Journal of Islamic and Religious Studies 7, no. 1 (2022): 37–60. http://dx.doi.org/10.36476/jirs.7:1.06.2022.10.

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Khawaja Ghulam Farid (1845-1901) was a famous Saraiki Sufi poet of Indian subcontinent. He was born in chachran, a famous town in Khanpur. He memorized Quran in his early age. Then he got religious education. He always kept on promoting Islamic Law. His mother died when he was four years old, and he was Orphanad around the age of 8 when his father died. He was then brought up by his elder brother, Khawaja Fakhar Jahan. His elder brother was his teacher as well as his spiritual guide. He took the charge of spiritual guidance in 1871, Soon after the death of his brother Khawaja Fakhar Jahan. So

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Ihsanudin, Ihsanudin, and Aimmatul Muslimah. "INTERFERENSI MORFOLOGIS PUISI RUBA‘I HAMZAH FANSURI." Analisis: Jurnal Studi Keislaman 17, no. 1 (2017): 91. http://dx.doi.org/10.24042/ajsk.v17i1.924.

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Interferensi dapat terjadi ketika seseorang menggunakan dua bahasa atau lebih, dan terjadi kontak bahasa. Lazimnya terjadi di bahasa lisan dan tulisan. Salah satu penggunaan bahasa tulis adalah puisi Rubā‘i karya Hamzah Fansuri. Ia dapat dikatakan seorang individu yang dapat memakai dua bahasa atau lebih di tengah masyarakat dan terjadi kontak bahasa sehingga terjadi interferensi bahasa. Lebih tepatnya terjadi permasalahan interferensi morfologis. Objek penelitian ini adalah kata-kata yang mengalami interferensi secara morfologis, tipe penelitian ini, kajian pustaka dan deskriptif-kualitatif.

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Aituganova, S., and K. Sarekenova. "ARTISTIC FUNCTION OF THE FIGURES IN YASAWI'S HIKMETS." Bulletin of the Eurasian Humanities Institute, Philology Series, no. 1 (March 15, 2024): 92–103. http://dx.doi.org/10.55808/1999-4214.2024-1.07.

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In the article, the collection of Yasawi's hikmets is taken as the object of analysis from an artistic and figurative point of view. The significance of hikmets as a genre of poetry will be examined and its patterns of figures will be identified. The important function of poetic repetition, as a rhetorical device for introducing concepts such as moral properties, human duty, morality, and spiritual purity, will be explored. Khoja Ahmed Yasawi, the great representative of Sufi teaching, skillfully harmonized ancient Turkic poetry with Eastern Arabic and Persian poetry and created the best poeti

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Kościelniak, Krzysztof. "The Neoplatonic Roots of Apophatic Theology in Medieval Islam on the Example of Maqāmāt aṭ-ṭuyūr/Manṭiq aṭ-ṭayr (The Conference of the Birds) by ʿAṭṭār Nīšāpūrī (ca. 1145–1221)". Verbum Vitae 41, № 3 (2023): 647–72. http://dx.doi.org/10.31743/vv.16185.

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This study will focus on the metaphysical and theological thought of Farīd ad-dīn ʿAṭṭār Nīšāpūrī, i.e. Abū Hamīd bin Abū Bakr Ibrāhīm (ca. 1145/6–1221). ʿAṭṭār’s best known masterpiece, Maqāmāt aṭ-ṭuyūr (Arabic Manṭiq aṭ-ṭayr), The Conference of the Birds, is seen as the finest example of Sufi love poetry in the Persian language after Rūmī. His thought is distinguished by its provocative and radical theology of love, as well as elements of apophaticism. ʿAṭṭār Nīšāpūrī’s vision of God should be analyzed in the context of Neoplatonism, which in a special way contributed to the development of a

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Yusupov, Airat Faikovich. "THE FUNCTIONING OF THE ARABIC VERBAL FORMS IN THE LANGUAGE OF THE TATAR SUFI POETRY OF THE XIX CENTURY." Philological Sciences. Issues of Theory and Practice, no. 3-2 (March 2018): 398–401. http://dx.doi.org/10.30853/filnauki.2018-3-2.45.

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Amirbekian, Raisa. "Les Sujets Soufis Dans la Miniature Medievale Orientale (Collection du Maténadaran, Erevan)." Iran and the Caucasus 11, no. 1 (2007): 61–87. http://dx.doi.org/10.1163/157338407x224914.

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AbstractThe Matenadaran, Mashtots Institute of Ancient Manuscripts, is a unique repository of Armenian and Oriental manuscripts. The Oriental Collection of the Matenadaran (known usually as Arabo-Persian Collection), including manuscripts in Persian, Arabic, Turkish, Hebrew, Indian and other languages (total ca. 2,500), is formed over a long time and is regularly augmented by purchases and gifts. This collection covers nearly all subjects of human and natural sciences and culture, including theology, jurisprudence, Qur'ānic sciences, Tafsīrs, Hadīthes, lexicography, literature, poetry, history

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HOFFMAN, VALERIE J. "VINCENT J. CORNELL, Realm of the Saint: Power and Authority in Moroccan Sufism (Austin: University of Texas Press, 1998). Pp. 442." International Journal of Middle East Studies 33, no. 2 (2001): 309–11. http://dx.doi.org/10.1017/s0020743801302064.

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Vincent Cornell's Realm of the Saint is a masterly work, indisputably authoritative, the result of more than twenty years of research on Sufism in Morocco and Al-Andalus. Drawing on a critical reading of a vast array of textual sources, including hagiographies, histories, didactic treatises, devotional works, and poetry, this book brings to light material that has been virtually untouched in academic studies on Moroccan Sufism. As Cornell points out, Morocco has become a paradigm for the anthropological analysis of Sufism, but the vast archival resources of Morocco had been hitherto largely un

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Tarik ABDULJABBAR, Ziyad. "LOVE OF HUMAN BEING IN THE DIVAN OF AZIZ MAHMUD HUDAI." International Journal of Humanities and Educational Research 05, no. 03 (2023): 512–24. http://dx.doi.org/10.47832/2757-5403.20.31.

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Aziz Mahmud Hudai is one of Sufi poets who grew in the Anadolu land in Turkey in the 16th century. He was born in 1541 in ġereflikoçhisar town to the south of Ankara. Aziz Mahmud Hudai founded of the branch of the method of going from outside to the hermitage. He died in Istanbul in 1628 about 87 years old. He wrote about 30 books in Arabic and Turkish to educate Muslims and guiding them according to Sunni’s doctrine. In addition to be a Sufi, He is also considered a Divan Poet. His grave is in a graveyard in Istanbul. The poetic work of Aziz Mahmud Hudai is known by the Collection of Divine P

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Zakaria, Muhammad Zulfadhli, та Md Nor Abdullah. "Unsur al-Badī ͨ dalam Puisi al-Munfarijah Karya Ibn al-Naḥwī (Al-Badī ͨ Elements in the Poetry of al-Munfarijah by Ibn al-Naḥwī)". UMRAN - International Journal of Islamic and Civilizational Studies 6, № 2 (2019): 1–19. http://dx.doi.org/10.11113/umran2019.6n2.242.

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The poetry of al-Munfarijah by Ibn al-Naḥwī is an Islamic poem-themed; sufism. This medieval poem received an encouraging response from the sufis and litterateurs. Besides quality content, the benefits of an Arabic poem are judged based on the usage of good language, high imagination, unique phonetics and alphabetical sound, and aesthetics. This values are based on the Arabic rhetoric. Hence, this article aims to examine the application of al-Badī elements which is a part of the Arabic rhetoric in al-Munfarijah poetry. This is a qualitative study that involves content analysis. General meaning

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Khoiro, Della Amaliya, Tantan Hermansyah, and Kiky Rizky. "Emha Ainun Nadjib and Sufism Communication: Congregation of Maiyah Kenduri Cinta as Case Study." Jurnal Ilmiah Syi'ar 22, no. 1 (2022): 56. http://dx.doi.org/10.29300/syr.v22i1.6383.

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This study answers questions about Sufism as a communication message for Emha Ainun Nadjib in the Ma'iyah Kenduri Cinta discussion group at Taman Ismail Marzuqi, Central Jakarta. This study uses a descriptive qualitative approach using data collection techniques: observation, interviews, and documentation. The theoretical basis uses narrative theory. Then the result is obtained. First, Emha Ainun Najib is a literary figure, more inclined to Sufism using Sufism literature when communicating with the congregation. Second, Emha Ainun Najib is a Sufi poet who is not much different from Sufi poets

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Jamal, Muhammad Tanveer, and Abdul Zahoor Khan. "Poetry of Bābā Farīd." ISLAMIC STUDIES 61, no. 1 (2022): 85–110. http://dx.doi.org/10.52541/isiri.v61i1.1393.

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Shaikh Farīd al-Dīn Mas‘ūd Ganj-i Shakar (569/1173-664/1265) is one of the celebrated Chishtī Sufis of the Indian subcontinent. Chishtī order is credited with several seminal literary innovations in Medieval Islamic India. Bābā Farīd is considered the father of Punjabi poetry. He also had a great command of other languages including Persian and Arabic. The present study explores the contemporary sources that interacted with Bābā Farīd’s couplets. An effort has also been made to explore the originality of the Ashlōk-i Shaikh Farīd included in the Guru Granth. The study is a unique endeavour to

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Ridha Shaheen, Faeza. "THE FEATURES OF SUFI LITERATURE IN ANDALUSIA IBN ARABIS POETRY (D. 638 AH) AND." Route Educational and Social Science Journal 8, no. 61 (2021): 153–82. http://dx.doi.org/10.17121/ressjournal.2972.

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Fuad, Khairul, Lalu Agus Satriawan, Mashuri Mashuri, Syamsul Ma'arif, and Harapandi Harapandi. "IBN ARABI'S CREATIVE IMAGINATION IN ODHY POETRY OF SUFISM FIGURES IN HIS ANTHOLOGY RAHASIA SANG GURU SUFI." Jurnal Ilmiah Islam Futura 23, no. 2 (2023): 360. http://dx.doi.org/10.22373/jiif.v23i2.15291.

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This research aims to analyze the Sufism figure in Odhy poetry anthology Rahasia Sang Guru Sufi through Ibn Arabi's creative imagination. The Sufism figure has an important role in the Sufism discourse, and creative imagination is related to literary discourse. Ibn Arabi’s creative imagination combined indicated Ibn Arabi himself and his imagination. Ibn Arabi’s thought is compatible with the literature and applied as a theoretical approach to mystical literature, namely the work of Odhy, the Sufism figure poetry. Those terms denote part and relate to Sufism studies, especially a murshid (guru

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Nurfaiza, Salma. "Exploring The Meaning of Love and Longing for Poetry in Ibn Arabi's Diwan Tarjuman Al-Ashwaq." ISLLAC : Journal of Intensive Studies on Language, Literature, Art, and Culture 7, no. 2 (2023): 187. http://dx.doi.org/10.17977/um006v7i22023p187-204.

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This article aims to analyze the meaning of love and longing for literary works in the form of poems contained in the Diwan Tarjuman Al-Ashwaq by a Sufi named Ibn Arabi. The theory used is Riffaterre’s Semiotic theory. Written ada sources in the form of journals, books, and articles that are relevant to the topic of discussion. Tarjuman Al-Ashwaq contains poems that contain elements of love and longing, which are symbolized by the figure of a girl or woman who sparked controversy in the history of Islamic literary works because his poems were considered to contain the meaning of Ibn Arabi’s Se

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Rohmana, Jajang A. "Sundanese Sufi and Religious Diversity in the Archipelago: The Pluralistic Vision of Haji Hasan Mustapa (1852-1930)." Kawalu: Journal of Local Culture 5, no. 1 (2018): 34. http://dx.doi.org/10.32678/kawalu.v5i1.1873.

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Abstract  The paper aims to analyze moderate understanding of Haji Hasan Mustapa on religious diversity in the archipelago. He is a greatest Sundanese poet who has studied in Mecca and served as Hoofd Penghulu of Kotaraja Aceh and Bandung in the colonial era. This study is focused on sufism and religious diversity, Mustapa‟s scholarship, and on his pluralistic vision, using intertextual studies and semantic analysis. This research argues that Mustapa has tolerance and moderate understanding similarly with Ibn „Arabi‟s thought. He uses kernel and husk as symbolic images which expressed us

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Marzolph, Ulrich. "Popular Narratives of Ǧalāloddīn Rumi’s Masnavi." Arabist: Budapest Studies in Arabic 13-14 (1995): 275–87. http://dx.doi.org/10.58513/arabist.1995.13-14.22.

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Although Rumi and his Masnavi have been a favourite object of study, any occupation with his poetry has mostly concentrated on matters of style, language, and poetical imagery. Though Rumi’s employment of specific narrative materials to illustrate his ideas had been noted from the beginning, a comparative discussion of the sources and later versions of these tales has not attracted major attention. With some notable exceptions, most authors dealing with Rumi content themselves with a general reference to the method of ‘illustrating mystical ideas by way of tales’ as being a common trait of Suf

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VAN GELDER, GEERT JAN. "AKIKO MOTOYOSHI SUMI: Description in Classical Arabic Poetry: Wasf, Ekphrasis, and Interarts Theory. (Brill Studies in Middle Eastern Literatures, Supplements to the Journal of Arabic Literature, 25.) xvii, 251 pp. Leiden and Boston: Brill, 2004. €75." Bulletin of the School of Oriental and African Studies 67, no. 3 (2004): 393–95. http://dx.doi.org/10.1017/s0041977x04240253.

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Suleymanov, S. S. "Арабские лексические единицы в средневековом литературном азербайджанском языке". Эпосоведение, № 3(23) (27 жовтня 2021): 110–23. http://dx.doi.org/10.25587/j2046-8439-9136-r.

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The article reviews the period of the Literary Azerbaijani language beginning from the epics ofDede Korkut to the 16th century. It indicates that Arabic has infl uenced Azerbaijani since the most ancient times,i. e. beginning from the time when the Arabs occupied Azerbaijan approximately in the second half of the 7thcentury, and since that period, Arabic lexical units have been used in Azerbaijani. This infl uence was fi rst atthe level of oral language, but when the written form of Literary Azerbaijani began to be established in the 13thcentury, Arabic infl uenced our written literary languag

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Yücer, Hür Mahmut. "Vahdet-i Vücûd Nazariyesinin İzahında Nokta Sembolizmi ve Muhyiddin-i Rûmî’nin Temsîl-i Nokta Adlı Eseri / The Symbolism of the Point (Noqtah) to Expound the Doctrine of the Unity of Being and Muhyiddin al-Rumi’s Work "Tamthil Noqtah"." Journal of History Culture and Art Research 6, no. 2 (2017): 199. http://dx.doi.org/10.7596/taksad.v6i2.852.

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<p><strong>Abstract</strong></p><p>The real being in the Islamic thought is only one and it is Allah, the Almighty. All other beings have come to existence through the gradational manifestation (tajalli), condescension (tanazzul) and effusion (tafayyud) of the Transcendental Being (Zat Muta'al). A variety of symbols has been utilised to describe the transition of the being from oneness to plurality, from subtlety (latafa) to grossness (kasafa) and from truth (haqiqa) to metaphor (majaz), In this regard some symbolisms prevail such as of reality and shadow, of seed

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Talib Hussain Khokar та Karam Ali. "سید انور علی شاہ کی مذہبی و صوفیانہ شاعری:ایک مطالعہ". Al-NASR, 2 грудня 2023, 69–78. http://dx.doi.org/10.53762/alnasr.02.03.u06.

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Sufi Syed Anwar Ali Shah, born on 11 Muharamul Haram 1324 H at Village Jahan pur Sharif, Taluka Mirpur Mathelo District Ghotki, His father, s Name is Syed Khuda Bux Shah. The forefathers of Syed Anwar Ali Shah belonged to Arabia, then migrated to Punjab (Uch Sharif) and then to Balochistan and then to Sindh. Syed Anwar Ali Shah received his early religious education from his uncle Hafiz Syed Bahadur Ali shah and then from Molvi Mohammad Essa Noorani. Anwar Ali Shah received a little wordly knowledge in apparent but his spiritual and metaphysical knowledge is very thoughtful. Sufi Anwar Ali Sha

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Petrone, Michel. "POESIA ARABA E SUFISMO NELL’ETIOPIA CONTEMPORANEA,FRA PRATICA E DOTTRINA." El Azufre Rojo, no. 9 (December 10, 2021). http://dx.doi.org/10.6018/azufre.504421.

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Riassunto: In questo studio si prenderanno in esame alcuni esempi provenienti dall’Etiopia Sud Occidentale, tutt’ora inediti. Composti da Sufi locali fra la fine del XIX secolo e l’inizio del XX, questi testi mostrano un profondo legame con la pratica del mawlid come festività popolare. Allo stesso tempo i versi racchiudono alcuni insegnamenti metafisici di scuola akbariana. Abstract: Sufi poetry is widespread, in Arabic and local languages, throughout the Islamic world. In this study, some examples from Southwestern Ethiopia, still unpublished, will be examined. Composed by local Sufis betwee

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Snir, Reuven. "Kafka’s “Frightened Mouse”." Quaderni di Studi Arabi, July 5, 2021, 1–24. http://dx.doi.org/10.1163/2667016x-16010001.

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Abstract Existentialist doctrine and neo-Sufi Arabic poetry share the conviction of the worthlessness of human existence – strangeness, alienation, wondering about the meaning and purpose of life, and deep depression after the tragic nature of human existence are imprinted on the character of man by the very nature of his humanness. Two short literary texts, one by the Austrian novelist Franz Kafka (1883–1924) and the other by the Egyptian poet Ṣalāḥ ʿAbd al-Ṣabūr (1931–1981), deal with such topics of the human existence presenting a new original vision. A mouse is the central figure of both o

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Sher, Mr Ali. "امیر خسرو اور فن موسیقی". University of Chitral, Journal of Urdu Language & Literature, 15 червня 2017, 120–35. http://dx.doi.org/10.33195/uochjull-v1ii242017.

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mir Khusru was a sufi, musician, poet and scholar. He was an iconic figure in the cultural history of the Indian subcontinent. He also contributed the Persian, Arabic and Turkish elements to the Indian music. Music has a fundamental role in the spiritual aspects of life. In the Indian sub-continent, Amir Kusro is known as one of the pioneers of Music. He introduced many tunes in music by mixing Persian and Indian tunes together, such as Fraghana, Saazgari, Meanamand Baakhro. Qawali is one of the spiritual types of music in Indo-Pak which was introduced by him for the first time. He also invent

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Talib Hussain Khokar та Karam Ali. "مولانا بہاؤالدین بہائی اور ان کے افکار". Al-Qamar, 24 листопада 2023, 33–38. http://dx.doi.org/10.53762/alqamar.06.04.u03.

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People with great imagination can born anywhere in the world. Mawlānā Bahā-ud- Bahā’ī Pitāfī is one such example. He was born in 1238 AH in Ghotki, district of Sindh. He got his education from Syed Ali Akbar Shah in a madarsa. He got married and had 6 children. He learned Arabic and Persian there and began teaching in the same institution. After that, he kept on teaching in far off places, but, ultimately, he settled in a village called Dad Laghari. He was one of the greatest sufi poets of his time. People often confuse him with Persian "Bahai baha ul din". But he is totally a different poet.

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Ahsanuddin, Mohammad, Irhamni ., and Imam Asrori. "Semantic Domain of Being in Hamzah Fansuri’s “Sidang Fakir Empunya Kata” Poem." KnE Social Sciences, November 11, 2020. http://dx.doi.org/10.18502/kss.v4i14.7898.

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Writing poetry is inseparable from the field of meaning contained in each word used by the author. Among the many types of meaning fields, ‘being’ is one of most often used by Hamzah Fansuri, a poet who is famous for his work in the Sufi field, where he often uses a mixture of Arabic and Indonesian. This study aims to describe the field of meaning of being in Master of the Words by Hamzah Fansuri. The research method used is descriptive qualitative. The results showed that the field of meaning in the category of being was a semantic category related to abstract human concepts or experiences. T

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ACER, Abdulrahman. "The Life of Muhammad Shirin-i Maghribi and Translation of His Jam-i Jihan-numa by Tahir al-Mawlawi." Sufiyye, June 10, 2022. http://dx.doi.org/10.46231/sufiyye.1110823.

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Muhammad Shirin-i Maghribi is a sufi poet who lived between the last half of the 8/13th beginning of the 9/14th centuries. There are also Arabic and Turkish poems in the divan of Maghribi, who wrote mostly in Persian. He is one of the pen holders who successfully transferred the terms of Ibn al-Arabi to Persian. However, there are very few studies about his life. As far as can be determined, there is no study in our language other than the succinct article written by Necdet Tosun in the Encyclopedia of Islam of the Turkish Religious Foundation, and Mehmet Temelli's work, which is focused on Ma

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Vierke, Clarissa. "Of Patience and Pity: Rewriting and Reciting the Widely Travelled Islamic Poem “The Hawk and the Dove” in East Africa." Islamic Africa, December 19, 2022, 1–37. http://dx.doi.org/10.1163/21540993-20220003.

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Abstract The Swahili poem of “The Hawk and the Dove” (Kozi na Ndiwa) has long been popular along the Swahili coast. In brief, the poem tells the story of the prophet Musa, who is put to the test by the angels Mikaili and Jibrili, disguised as a dove and a hawk. The dove, fleeing the famished hawk, finds refuge in the folds of Musa’s clothes. The bird of prey, approaching Musa, claims its right to the dove, since it is hungry. Musa faces a dilemma: he understands the hawk’s argument but is also full of pity for the dove. When he finally offers to cut off a part of his own right thigh to feed th

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Todd, Richard. "Classical poetic motifs as alchemical metaphors in the Shudhūr al-dhahab and its commentaries." Asiatische Studien - Études Asiatiques, August 4, 2021. http://dx.doi.org/10.1515/asia-2020-0043.

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Abstract Traditionally prized as much for its poetic artistry as its didactic content, Ibn Arfaʿ Raʾs’s (fl. twelfth century) dīwān of alchemical verse, the Shudhūr al-dhahab (Shards of Gold), is one of the most important and influential works in the literary canon of Arabic alchemy. Drawing on commentaries by both Ibn Arfaʿ Raʾs himself and Aydamir al-Jildakī (d. 743/1342 [?]), the present article explores a core feature of Ibn Arfaʿ Raʾs’s allegorical style – one that appears to have captured the attention of his medieval readership – namely his novel use of stock poetic motifs as metaphors

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Başçı, Veysel. "SÛFÎ-SİYASET İLİŞKİSİ BAĞLAMINDA MEVLÂNA HALİD ŞİİRLERİNDE BABAN (E)MÎRLERİ." Bingöl Üniversitesi İlahiyat Fakültesi Dergisi, June 3, 2024. http://dx.doi.org/10.34085/buifd.1442374.

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Sûfî-Siyaset İlişkisi Bağlamında Mevlâna Halid Şiirlerinde Baban (E)Mîrleri Baban Emirates In Mawlana Khalid Poems In The Context Of Sufı-Polıtıcs Relatıonshıp Veysel Başçı Dr. Öğr. Üyesi. Batman Üniversitesi İslami İlimler Fakültesi, Temel İslam Bilimleri Bölümü, Tasavvuf Ana Bilim Dalı, Assist. Prof., Batma University Faculty of Islamic Sciences, Basic Islamic Sciences, Department of Sufism, ORCID: 0000-0003-1525-0355 e-posta veysel.basci@batman.edu.tr ÖZ Nakşibendîyye-i Halidîyye tarikat kolunun kurucu pîri Mevlâna Halid-i Şehrezûrî 1779 yılında Süleymaniye’nin Karadağ bölgesinde dünyaya ge

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