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Books on the topic 'Arabic theory of music'

Author: Grafiati

Published: 24 April 2022

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1

Powers, Cameron. Arabic musical scales: Basic maqam teachings. Boulder, Colo: G.L. Designs, 2005.

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2

Cameron, Powers, ed. Arabic musical scales: Basic maqam teachings. Boulder, Colo: G.L. Designs, 2005.

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3

Fārābī. Kitāb al-Mūsīqī al-kabīr. Frānkfūrt, Jumhūrīyat Almāniyā al-Ittiḥādīyah: Maʻhad Tārīkh al-ʻUlūm al-ʻArabīyah wa-al-Islāmīyah fī iṭār Jāmiʻat Frānkfūrt, 1998.

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4

Shiloah, Amnon. The theory of music in Arabic writings (c. 900-1900): Descriptive catalogue of manuscripts in libraries of Egypt, Israel, Morocco, Russia, Tunisia, Uzbekistan, and supplement to B X. München: G. Henle Verlag, 2003.

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5

Mathiesen, Thomas J. Ancient Greek music theory: A catalogue raisonné of manuscripts. München: G. Henle Verlag, 1988.

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6

Amīr, Sālim Ḥusayn. Dalīl salālim al-maqāmāt al-ʻArabīyah. Aʻẓamīyah, Baghdād, al-ʻIrāq: Dār al-Shuʼūn al-Thaqāfīyah al-ʻĀmmah, Wizārat al-Thaqāfah wa-al-Iʻlām, 1986.

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7

Ibn al-Nadīm al-Mawṣilī, Isḥāq ibn Ibrāhīm, 771 or 2-849 or 50, Abū al-Faraj al-Iṣbahānī, 897 or 8-967, Ibn Khurradādhbih, ʻUbayd Allāh ibn ʻAbd Allāh, ca. 820-ca. 912, Baṭalyawsī, ʻAbd Allāh ibn Muḥammad, 1052 or 3-1127, Kindī d. ca 873, and Fārābī, eds. Rhythmic theories and practices in Arabic writings to 339 AH/950 CE: Annotated translations and commentaries. Ottawa: Institute of Mediaeval Music, 2009.

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8

1927-1998, Śarmā Premalatā, Nalini Françoise Delvoye, and ITC Sangeet Research Academy (Calcutta, India), eds. Nūr-ratnākar: A bio-bibliographical survey, and techno-historical study, of all available important writings in Arabic, Persian, Sanskrit, and other allied languages on the subject of song, dance, and drama. Kolkata: ITC Sangeet Research Academy, 2003.

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9

Dubyān, Muḥammad ʻAbd al-Hādī. al- ʻAlāqah bayna al-mūsīqā al-ʻArabīyah wa-al-mūsīqā al-ʻālamīyah ʻabra al-ʻuṣūr. [Cairo?: s.n.], 1997.

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10

Dubyān, Muḥammad ʻAbd al-Hādī. al-ʻAlāqah bayna al-mūsīqā al-ʻArabīyah wa-al-mūsīqā al-ʻālamīyah ʻabra al-ʻuṣūr. [Cairo: s.n., 1997.

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11

Kassab-Charfi, Samia. La métaphore dans la poésie de Baudelaire. Tunis: Faculté des sciences humaines et sociales de Tunis, 1997.

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12

La métaphore dans la poésie de Baudelaire. Tunis: Faculté des sciences humaines et sociales, 1997.

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13

Henry, Earl. Music theory. Englewood Cliffs, N.J: Prentice-Hall, 1985.

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14

Music theory. Englewood Cliffs, NJ: Prentice-Hall, 1985.

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15

Brimhall, John. Music theory. Las Vegas, NV (6010 W. Cheyenne Ave., Suite 15, Las Vegas, NV 89108): Brimhall Music Pub., Inc., 1990.

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16

Richer, Margaret. Music theory. London: Hodder Headline, 2002.

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17

Mark, Harrison. Contemporary music theory. Milwaukee: Hal Leonard, 2001.

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18

Elementary music theory. Mississauga, Ont: F. Harris Music Co., 2001.

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19

Harrison, Mark. Contemporary music theory. Milwaukee: Hal Leonard, 1996.

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20

Theory of music. Bangalore: Prism Books, 2005.

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21

Dorr, Joyce. Introductory music theory. Belmont: Wadsworth Pub. Co., 1995.

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22

Schmeling, Paul. Berklee music theory. Boston, MA: Berklee Press, 2005.

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23

Spencer, Peter. Music theory for non-music majors. Upper Saddle River, NJ: Prentice Hall, 1996.

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24

Music theory for non-music majors. 2nd ed. Upper Saddle River, N.J: Prentice Hall, 2001.

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25

Music theory for non-music majors. 3rd ed. Upper Saddle River, N.J: Pearson Prentice Hall, 2005.

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26

group), Linkin Park (Musical. Hybrid theory. Burbank, CA: Warner Bros., 2000.

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27

Music Theory For Dummies. New York: John Wiley & Sons, Ltd., 2007.

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28

Associated Board of the Royal Schools of Music. Theory of music examinations. London: Associated Board, 1993.

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29

Music, Associated Board of the Royal Schools of. Theory of music examinations. London: Associated Board, 1993.

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30

Bishan, Swarup. Theory of Indian music. Delhi, India: Mittal Publications, 1987.

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31

Julian, Webb, and Associated Board of the Royal Schools of Music., eds. Music theory in practice. London: Associated Board ofthe Royal Schools of Music, 1993.

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32

Associated Board of the Royal Schools of Music. Theory of music examinations. London: Associated Board, 1994.

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33

Holly, Day, ed. Music theory for dummies. 2nd ed. Hoboken, N.J: Wiley, 2012.

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34

Kubik, Gerhard. Theory of African music. Wilhelmshaven: F. Noetzel, 1994.

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35

Farraj, Johnny, and Sami Abu Shumays. Inside Arabic Music: Arabic Maqam Performance and Theory in the 20th Century Middle East. Oxford University Press, 2019.

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36

Inside Arabic Music: Arabic Maqam Performance and Theory in the 20th Century Middle East. Oxford University Press, Incorporated, 2019.

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37

Arabic Musical Scales: Basic Maqam Teachings (without CD's). GL Design, 2006.

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38

Collins, Nick. Origins of Algorithmic Thinking in Music. Edited by Roger T. Dean and Alex McLean. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190226992.013.2.

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Musicians’ relationships with algorithms have deep precedents in the confluence of music and mathematics across millennia and across cultures. Technological and musico-mathematical precedents in the ancient world predate the Arabic etymology of the term ‘algorithm’. From Guido d’Arezzo’s hand to rule systems in music theory and eighteenth-century ars combinatoria, there is a rich background to twentieth-century rule-led music making. Robotic music, too, has precedents, and there is an interesting proto-computational thread linking the automata builder Vaucanson to early programmable weaving looms. Ada Lovelace’s writing, Joseph Schillinger’s composition system, and John Pierce’s 1950 stochastic music science fiction article provide productive insight into the origins of algorithmic music. Indeed, the world’s musics reveal a panoply of interesting practices, such as campanology, Nzakara court harp music, time structures in Indian classical music, and many more examples of the rich combinations of music and mathematics often predating musical computer science.

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39

Konerding, Peter, Felix Wiedemann, and Lale Behzadi, eds. Approaches to Arabic popular culture. University of Bamberg Press, 2021. http://dx.doi.org/10.20378/irb-49890.

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Over recent years, Arabic popular culture has become a focal point of West Asian and North African studies. Most of the new research dealing with it concentrates on the ‘popular’ as opposed to an intellectual ‘high’ culture far from the harsh and hierarchically organized reality many Arabic-speaking societies face today. Popular cultural practices are thus seen as a rejection of the elite and a stance against those who have ‘something to loose’ within paralyzed and conservative communities. Albeit not denying the subversive political potential associated with these practices, this volume intends to take a more nuanced and broader perspective. Arabic popular culture might engage with emancipatory claims, but it might as easily follow the capitalist rulebook of global marketing. It might fight against oppressive authorities, yet it can equally become their symbol. Approaches to Arabic Popular Culture therefore closely looks at the aesthetic implications of a topic ranging from Lebanese hip hop over Algerian pop novels to jihadi chants in the ‘Islamic State’ as well as from Egyptian mahraganāt music over sarcastic stories about hash dens and time travel in downtown Cairo to Saudi-Arabian YouTube-influencers. Thus, the theoretical scope widens and the reader is taken on a delightful journey to the unsettling pleasures of contemporary Arabic art and culture.

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40

(Designer), Rebecca Halverson, and Gerald Wood (Illustrator), eds. Music Theory for Beginners (Music Theory). Usborne Books, 2006.

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41

Music Theory (Music Theory Study Guide). Prentice Hall, 1986.

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42

Music Theory. National Learning Corp, 2005.

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43

Lefkowitz, David. Music Theory. Schirmer, 2008.

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44

Richer, Margaret. Music Theory. Teach Yourself Books, 2002.

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45

Brown, Matthew, and David Headlam. Music Theory. Pearson Education, Limited, 2009.

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46

Chriss, Jacob. Music Theory. Not Avail, 2003.

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47

McCann, Brian. Music Theory. 50/50 Press, LLC, 2018.

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48

Music theory. Alpha, a member of Penguin Random House, 2016.

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49

Music Theory. HarperCollins College,U.S., 1994.

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50

Popular Music Theory Grade 3 (Popular Music Theory). Registry Publications Ltd, 2001.

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