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Books on the topic 'Arc de contact'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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1

Chiffelle, Frédéric. L' Arc jurassien romand à la frontière des langues: Faut-il craindre la germanisation? Lausanne: Payot, 2000.

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2

Rhoda, Lederer, ed. The ABC of contract bridge. London: HarperCollins, 1993.

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3

Mali, Musée national du. Contact zone. Edited by Fall N'Goné, Olufuwa Bisi, and Turaykī Rashīdah. Bamako: Musée national du Mali, 2007.

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4

Sam Taylor-wood: Contact. London: Booth-Clibborn Editions, 2001.

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5

1er contact, festival d'art numérique à ciel ouvert (2nd 2005 Issy-les-Moulineaux, France). 1er contact: Festival d'art numérique à ciel ouvert. Paris]: Archibooks, 2005.

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6

Bauer, Günter. Rechtsschutzversicherung: Kommentar zu den Allgemeinen Bedingungen für die Rechtsschutzversicherung (ARB 2000/2009 und ARB 75). 8th ed. München: Beck, 2010.

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7

Bauer, Günter. Rechtsschutzversicherung: Kommentar zu den Allgemeinen Bedingungen für die Rechtsschutzversicherung (ARB 2000/2009 und ARB 75). 8th ed. München: Beck, 2010.

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8

Castillo, Vilma Sánchez del. El ABC del derecho de la contratación electrónica. San José, C.R.]: Editorial Jurídica Continental, 2012.

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9

Defavari, Olga. Imprensa alternativa no ABC: A história contada pelos independentes. Santo André: O. Defavari, 2008.

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10

Traut, Veronika. Rechtsprechungsübersicht zu den Allg. Rechtsschutzversicherungsbedingungen (ARB). München: C.H. Beck, 1989.

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11

Harbauer, Walter. Rechtsschutzversicherung: Kommentar zu den Allgemeinen Bedingungen für die Rechtsschutzversicherung (ARB 75 und ARB 94). 6th ed. München: C.H. Beck, 1998.

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12

Günter, Bauer. Rechtsschutzversicherung: Kommentar zu den Allgemeinen Bedingungen für die Rechtsschutzversicherung (ARB 75 und ARB 94/2000). 7th ed. München: C.H. Beck, 2004.

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13

Anselmetti, Ferdinando. Quelli che contano. Venezia: Marsilio, 1988.

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14

Museum, Ulmer, and Zonnehof Cultureel Centrum, eds. Emil Nolde: Blickkontakte : frühe Porträts = eye contact : early portraits. Ostfildern-Ruit: Hatje Cantz, 2005.

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15

Wolfgang, Böhme. Allgemeine Bedingungen für die Rechtsschutzversicherung (ARB): Kommentar. Karlsruhe: VVW, 1995.

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16

Wolfgang, Böhme. Allgemeine Bedingungen für die Rechtsschutzversicherung (ARB): Kommentar. 6th ed. Karlsruhe: VVW, 1985.

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17

Wolfgang, Böhme. Allgemeine Bedingungen für die Rechtsschutzversicherung (ARB): Kommentar. 9th ed. Karlsruhe: VVW, 1993.

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18

Rule, Jane. Contract with the world. London: Pandora, 1990.

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19

Porta, Jordi. El català, o ara o mai. 2nd ed. Barcelona: Angle Editorial, 2005.

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20

La ressemblance par contact: Archéologie, anachronisme et modernité de l'empreinte. Paris: Éditions de Minuit, 2008.

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21

Sheriff, Mary D. Cultural contact and the making of European art since the age of exploration. Chapel Hill [N.C.]: University of North Carolina Press, 2010.

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22

Coellier, Sylvie. Lygia Clark (l'enveloppe): La fin de la modernité et le désir du contact. Paris, France: Harmattan, 2003.

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23

Coats, queens, and cormorants: Selected studies in cultural contact between East and West. Kilchberg: Akanthus, 2009.

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24

Contract with the skin: Masochism, performance art, and the 1970's. Minneapolis: University of Minnesota Press, 1998.

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25

Harbauer, Walter. Rechtsschutzversicherung: Kommentar zu den Allgemeinen Bedingungen für die Rechtsschutzversicherung (ARB). 3rd ed. München: C.H. Beck, 1987.

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26

Harbauer, Walter. Rechtsschutzversicherung: Kommentar zu den Allgemeinen Bedingungen für die Rechtsschutzversicherung (ARB). 4th ed. München: C.H. Beck, 1990.

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27

Spiral bevel and circular arc helical gears: Tooth contact analysis and the effect of misalignment on circular arc helical gears. [Cleveland, Ohio: National Aeronautics and Space Administration, Lewis Research Center, 1985.

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28

Patrick, Tsay Chung-Biau, and United States. National Aeronautics and Space Administration. Scientific and Technical Information Division., eds. Helical gears with circular arc teeth: Generation geometry, precision and adjustment to errors, computer aided simulation of conditions of meshing, and bearing contact. [Washington, DC]: National Aeronautics and Space Administration, Scientific and Technical Information Division, 1987.

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29

William, Ernstrom J., and Peartree Kevin F, eds. AGC contract documents handbook. New York: Aspen Publishers, 2003.

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30

Cohen, Ben, and Rhoda Lederer. The ABC of Contract Bridge. 5th ed. Collins, 1998.

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31

Cohen, Ben, and Rhoda Lederer. The ABC of Contract Bridge. Collins, 1998.

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32

Contact photography. Leatherhead: Elfande, 2007.

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33

Fearn, David. Contact. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198746379.003.0003.

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This chapter offers a new reading of Pindar’s Nemean 8. It investigates the ways in which Pindar frames consciousness about art, cult, and the material world with the language and imagery of desire, vision, and physical contact. Discussion is built around the encounter with the Aeginetan cult hero Aiakos, and the potential for interfaces with contemporary art and ritual through contextual allusion to his Aeginetan shrine. This forms the basis for a broader treatment of the poem’s visual and haptic metaphors, and a wider-ranging musing on epinician poetry’s potential to grant special access: to the mythical; to ritual; to heroes; to the deceased and to the past; to context. These findings are then built upon to offer a fresh interpretation of the encounter with the hero Alcmaeon in Pindar’s Pythian 8.
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34

Strong Eye Contact. 2D Cloud, 2013.

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35

Advertising, Contact, ed. Contact 15: illustrators. Leatherhead: Elfande, 1999.

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36

J, Heberlein, and United States. National Aeronautics and Space Administration., eds. Arc-cathode interaction study: Final report for NASA contract NASA/NAG3-1332. Minneapolis, MN: High TemperatureLab, Dept. of Mechanical Engineering, University of Minnesota, 1992.

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37

J, Heberlein, and United States. National Aeronautics and Space Administration., eds. Arc-cathode interaction study: Final report for NASA contract NASA/NAG3-1332. Minneapolis, MN: High TemperatureLab, Dept. of Mechanical Engineering, University of Minnesota, 1992.

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38

J, Heberlein, and United States. National Aeronautics and Space Administration., eds. Arc-cathode interaction study: Final report for NASA contract NASA/NAG3-1332. Minneapolis, MN: High TemperatureLab, Dept. of Mechanical Engineering, University of Minnesota, 1992.

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39

Cultures in contact. Richmond, Ind: Earlham College, 1992.

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40

Silano, Pacifico, and Shane Lavalette. Contact Sheet 206: Pacifico Silano. Light Work Visual Studies, Incorporated, 2020.

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41

Reuther, Manfred, and Emil Nolde. Emil Nolde: Eye Contact. Hatje Cantz Publishers, 2005.

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42

Sweet, Justin. Legal Aspects of Arch, Egrg, & Constr 4e. 4th ed. West Publishing Company, 1999.

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43

Elliott, Kate. Framing First Contact: From Catlin to Russell. University of Oklahoma Press, 2020.

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44

Being a Skull: Site, Contact, Thought, Sculpture. Univocal Publishing, 2016.

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45

Pfeiffer, Christian. Contact and Continuity. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198779728.003.0007.

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The chapter deals with the distinction between continuity and contact. Two objects are in contact if they have their boundaries in the same place. Two parts of a single object are continuous if they share a boundary. The topological difference between continuity and contact‐‐‐the number of boundaries involved‐‐‐is grounded in the ontological difference between ontologically independent objects and parts of a single object that are not ontologically separate. Continuity is thus connected to the unity of an object. The spatial wholeness and continuity of an object is explained by its form. The chapter provides an account of how the study of bodies relates to an overarching analysis of physical substances.
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46

Herbert F. Johnson Museum of Art and Crocker Art Museum, eds. JapanAmerica: Points of contact, 1876-1970. Herbert F. Johnson Museum of Art, Cornell University, 2016.

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47

Maria Eichhorn: The Artist's Contract. Verlag der Buchhandlung Walther Konig, 2009.

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48

Quinto-Pozos, David, and Robert Adam. Sign Language Contact. Edited by Robert Bayley, Richard Cameron, and Ceil Lucas. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199744084.013.0019.

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This chapter argues that language contact is the norm in Deaf communities, and that deaf people are typically multilingual. They use signed, written, and, in some cases, spoken languages for daily communication, which means that aspects of the spoken and/or written languages of the larger communities are in constant interaction with the signed languages. If one considers the contact that results from users of two different signed languages interacting, various comparisons can be made to contact that occurs across two or more spoken languages. The term unimodal contact, or that which comes about because of two languages within the same modality, can be used to characterize such contact. However, if one considers the contact that results from interaction between a signed and a spoken or written language, the term bimodal (or even multimodal) contact is more appropriate.
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49

Teilhet-Fisk, Jehanne. Dimensions of Native America: The Contact Zone. Florida State University, Museum of Fine Arts, 1998.

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50

Jehanne, Teilhet-Fisk, Nigh Robin Franklin, Florida State University Museum of Fine Arts., and Appleton Museum of Art (Ocala, Fla.), eds. Dimensions of native America: The contact zone. Tallahassee, FL: Florida State University, Museum of Fine Arts, School of Visual Arts & Dance, 1998.

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