Relevant bibliographies by topics / Arcadia

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Arcadia'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 March 2023

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Journal articles on the topic "Arcadia"

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Frenk, Joachim. "Happiness in Sir Philip Sidney’s Arcadia." Critical Survey 32, no. 3 (September 1, 2020): 59–69. http://dx.doi.org/10.3167/cs.2020.320306.

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Sir Philip Sidney is not commonly associated with a search for happiness or the use he made of concepts of happiness in his works. Yet, as this article seeks to show, he employed a rhetoric of happiness throughout. In particular, Sidney’s Arcadias – the Old Arcadia, which he finished in 1581, and the New Arcadia, the substantial rewriting which remained unfinished – are markedly different in their representations of and their reflections on happiness. While happiness is associated with the Arcadian state as a – potentially fatal – aim in the Old Arcadia from its very beginning, it is subordinated to a sterner and more violent discourse in the New Arcadia, for which after Sidney’s death other writers wrote diverse happy endings. This different treatment of happiness in the Arcadias is also discussed with a view to different manuscripts and print editions as well as to the power play at the Elizabethan court.
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Mayer, Roland. "Aeneid 8.573 and Callimachus’ Hymn to Zeus." Classical Quarterly 38, no. 1 (January 1988): 260–61. http://dx.doi.org/10.1017/s0009838800031529.

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In his final words to his son, Pallas, Evander interposes a prayer:‘At uos, o superi, et diuum tu maxime rectorIuppiter, Arcadii, quaeso, miserescite regis…’Of recent commentators, C. J. Fordyce alone is bothered by the reference to Evander's Arcadian origin; he reckons that it alludes to his exiled condition and so establishes a claim on Jupiter's mercy. That may be so, but it is worth suggesting that this is rather a piece of Virgil's Callimachean learning. For at the opening of his first Hymn Callimachus had rejected the story that Zeus was born on Crete in favour of Arcadia (6–7, 10). The Arcadian birth-place was known to Cicero (De natura deorum 3.21,53: principio Ioues tres numerant…ex quibus primum et secundum natos in Arcadia). Yet Cicero is less likely to be in Virgil's mind than Callimachus, from whom he derived so much learned detail. Evander then is appealing to Jupiter as a fellow Arcadian, docte.
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Versiani dos Anjos, Carlos. "A Arcádia Romana e a Arcádia Ultramarina: diálogos literários entre a Itália e o Brasil na segunda metade do século XVIII / The Roman Arcadia and the Arcadia Ultramarina: Literary Dialogues between Italy and Brazil in the Second Half of the Eighteenth Century." O Eixo e a Roda: Revista de Literatura Brasileira 28, no. 3 (September 3, 2019): 83. http://dx.doi.org/10.17851/2358-9787.28.3.83-114.

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Resumo: Este trabalho visa apresentar as relações literárias entre árcades brasileiros da segunda metade do século XVIII e a Arcádia Romana, a que alguns destes árcades eram filiados, ou a ela associados por intermédio da chamada Arcádia Ultramarina, academia criada no Brasil, na capitania de Minas Gerais, por Cláudio Manuel da Costa. O artigo analisa os primórdios da Arcádia Romana e seus teóricos precursores; o movimento dos poetas brasileiros na Europa e no Brasil, para a criação de uma colônia ultramarina daquela Academia; os esforços de Basílio da Gama, Seixas Brandão e Cláudio Manuel neste empreendimento; a participação do poeta Silva Alvarenga, também como crítico literário; e a recepção crítica sobre a existência e significado da Arcádia Ultramarina, nas suas relações com a Arcádia Romana, entre estudiosos contemporâneos da Itália e do Brasil.Palavras-chave: Arcádia Romana; Arcádia Ultramarina; século XVIII; Literatura Arcádica; História da Literatura.Abstract: We aim to present the literary relations between Brazilian arcadians in the second half of the eighteenth century and the Roman Arcadia, in which some of these arcadians were affiliated or associated to the so-called Arcadia Ultramarina, an academy created in Brazil, in the captaincy of Minas Gerais, by Cláudio Manuel da Costa. We analyze the beginning of the Roman Arcadia and its precursor theorists; the movement of Brazilian poets in Europe and Brazil, for the creation of an overseas colony of that Academy; the efforts of Basilio da Gama, Seixas Brandão and Cláudio Manuel in this venture; the participation of the poet Silva Alvarenga, also as a literary critic; and the critical reception on the existence and significance of the Arcadia Ultramarina in its relations with the Roman Arcadia among contemporary scholars from Italy and Brazil.Keywords: Roman Arcadia; Arcadia Ultramarina; XVIII Century; Arcadian Literature; History of Literature.
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SMITH, AYANA. "THE MOCK HEROIC, AN INTRUDER IN ARCADIA: GIROLAMO GIGLI, ANTONIO CALDARA AND L'ANAGILDA (ROME, 1711)." Eighteenth Century Music 7, no. 1 (January 21, 2010): 35–62. http://dx.doi.org/10.1017/s1478570609990443.

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ABSTRACTIn 1711 the opera L'Anagilda was performed in the private theatre of Francesco Maria Ruspoli, an important Roman patron of the Arcadian Academy. L'Anagilda's librettist (Girolamo Gigli) and composer (Antonio Caldara) were both associated with this society, but the opera contrasts with the basic goal of Arcadian aesthetics – namely, to reform literature and opera by imitating the structure of ancient Greek tragedy and the stylistic purity of Italian renaissance poets. Rather, Gigli and Caldara created an opera infused with comedy, interspersed with fantastic intermezzos and formulated according to a genre not endorsed by Arcadian literary critics, the mock heroic. This article explores topics related to one central question: why would Gigli and Caldara openly flout the literary precepts of Arcadia? Gigli was a career satirist whose works eventually caused him to be exiled from his native Siena, all of Tuscany and the Papal States, and to be expelled from three major literary academies, the Intronati, the Cruscanti and the Arcadians. Since he continually criticized the organizations to which he belonged for their narrow-mindedness, prejudice and hypocrisy, I contend that L'Anagilda represents a critique of Arcadia. Yet in the process, Gigli also shows the Arcadians that there is more than one path to verisimilitude and the imitation of classical models. Despite the mock-heroic characteristics of the libretto, Gigli adheres to some Arcadian structural requirements, and Caldara's score heightens the characterizations and the overall verisimilitude of the opera.
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Dueck, Daniela. "A Lunar People: The Meaning of an Arcadian Epithet, or, Who is the Most Ancient of Them All?" Philologus 164, no. 1 (June 3, 2020): 133–47. http://dx.doi.org/10.1515/phil-2020-0101.

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AbstractA brief scholion allusion to a “Selenite” community in Arcadia raises a question concerning this epithet and its meaning on the background of similar expressions denoting extreme antiquity. The better known term associated with the Arcadians is Proselēnoi, namely, pre-lunar, people who preceded the moon. This term is examined through several options of understanding. At the core of this analysis stands the Classical tendency to highly appreciate early periods of time and early peoples. This opens up a discussion of autochthony and the concept of extreme antiquity, particularly associated with Arcadia. The result is an etymologically based mythographic study centred on the Arcadians’ existence in relation to the first appearance of the moon. The conclusion offers a new interpretation of a neglected term.
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Dziedzic, Joanna. "Последний кинем взгляд на бывший наш эден! O motywach arkadyjskich w liryce Apollona Majkowa." Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 53, no. 4 (December 23, 2021): 173–92. http://dx.doi.org/10.36770/bp.651.

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The article is devoted to the discussion of Arcadian themes in the poetry of Apollon Maykov. It discusses the traditional idyllic depiction of Arcadia as the lost paradise of childhood, so yearned for by the poet. The presence of anti-idyllic motifs – escaping/leaving the earthly Eden – is also pointed out. Maykov’s Arcadian landscapes are also analysed in relation to the current of land poetry and the myth of the “nobleman’s nest”. The Arcadian nature has aesthetic (beauty and richness of nature) and ethical values for the poet (harmony, peace, goodness, naturalness and truthfulness).
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Clinton, Craig, and Tom Stoppard. "Arcadia." Theatre Journal 46, no. 2 (May 1994): 270. http://dx.doi.org/10.2307/3208459.

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McLarney, Rose. "Arcadia." Missouri Review 36, no. 3 (2013): 27–33. http://dx.doi.org/10.1353/mis.2013.0075.

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Morgan, Catherine. "Arcadia." Archaeological Reports 54 (November 2008): 31–34. http://dx.doi.org/10.1017/s0570608400000582.

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Morgan, Catherine. "Arcadia." Archaeological Reports 55 (November 2009): 26–29. http://dx.doi.org/10.1017/s0570608400001095.

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Dissertations / Theses on the topic "Arcadia"

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Mallet, Lorilee. "Les poètes jardiniers. L’Arcadie dans l’imaginaire des jardins du XVIIIe siècle." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040004.

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Le thème de l’Arcadie figure dans un grand nombre du jardins au XVIIIe siècle. Le tableau de Poussin Les Bergers d’Arcadie et la formule Et in Arcadia Ego sont indissociables, de nos jours, à la vision du locus Arcadie. Cependant, il n’y a aucune preuve que notre réception actuelle du tableau corresponde aux intentions de Poussin, ni à la vision du locus au XVIIIe siècle. Une appréciation de la réception du thème de l’Et in Arcadia Ego et de ses variantes au XVIIIe siècle s’avère utile, afin de comprendre la reprise de ce thème par les jardiniers de l’époque. Nous proposons d’examiner en détail l’évolution dans le temps de ce thème, dans la peinture, dans la poésie et dans les jardins. Nous mènerons un recensement des membres étrangers de l’Accademia degli Arcadi de Rome et de leurs jardins. Cette académie, à ses origines, était une association de poètes qui se réunissaient dans les jardins ou en plein air à la campagne afin décomposer et de réciter leurs œuvres, souvent liées aux thèmes de la nature. Nous sommes partis de l’hypothèse que cette académie serait l’un des vecteurs possibles de la diffusion du thème arcadien en Europe aux XVIIIe siècle. Les jardins que nous examinerons, tous au thème de l’Et in Arcadia Ego,appartiennent ou furent conçus, en dehors de l’Italie, par un Pastor ou Pastorella d’Arcadia (un membre de l’Accademia degli Arcadi)
The arcadian theme is prevalent in a large number of eighteenth-century gardens. Poussin’s painting TheArcadian Shepherds and the enigmatic ‘Et in Arcadia Ego’ are now indissociable from our vision of thelocus Arcadia. Nevertheless, there is no proof that our actual reception of the image corresponds to Poussin’s intentions, or to the vision of this locus in the eighteenth-century. An appreciation of thereception of the theme of Et in Arcadia Ego and it’s eighteenth-century variants is useful, in order tounderstand the adoption of the theme by the gardeners of the period. We propose to examine in detail it’sevolution over time, in painting, poetry and landscape. We will conduct an identification and census of theforeign (non-Italian) members of the Accademia degli Arcadia of Rome and their gardens. This academy, atit’s origin, was an association of poets who met in gardens and in the surrounding countryside in order tocompose and recite their work, which dealt frequently with themes from nature. We are working under thehypothesis that this academy was a possible vector for the propagation of the arcadian theme in theeighteenth century garden. The gardens which we examine in detail each deal specifically with the theme ofEt in Arcadia Ego and apart from two exceptions are either created by, or in collaboration with, a foreignArcadian Pastor or Pastorella.(designation of a member of the Accademia degli Arcadi)
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Duncan, John. "The Convergance of Arcadia." UKnowledge, 2016. http://uknowledge.uky.edu/english_etds/33.

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The Convergence of Arcadia is a story about people losing things. Stretching from the Jim Crow South, the Korean War, New York City and central Kentucky circa 1980, this story follows a one armed man who has given up on life, a sheriff haunted by his past, a Korean War veteran with a terrible secret and a family broken from suicide. The Convergence of Arcadia follows three families as their fates are inextricably wove together in the tradition of Southern Gothic literature.
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Goss, Stephen. "Musical composition : 'Dreamchild' and 'Arcadia'." Thesis, Goldsmiths College (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313725.

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Collin, Franck. "Pan Arcadia mecum si iudice certet." Paris 4, 2005. http://www.theses.fr/2005PA040023.

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Cette thèse vise à donner corps à la notion d'Arcadie chez Virgile en appliquant les méthodes de la stylistique et de la métrique. Souvent confondue avec l'idylle théocritéenne, ou avec l'Âge d'or, l'Arcadie, récurrente dans les trois recueils virgiliens, apparaît comme une utopie idéale mais fuyante, car échappant à toute définition homogène. Le choix de cette contrée grecque du Péloponnèse, austère et isolée, repose chez notre poète sur un substrat mythique arcadien très riche qui englobe la naissance du lyrisme, les récits archéologiques des temps primitifs de l'homme, et l'aspiration à l'otium pastoral, au moment où grondent les guerres civiles. La croyance dans les origines arcadiennes de Rome, diffusées par les légendes oenotriennes, était attestée par les historiens contemporains. Virgile choisit donc de représenter une Arcadie latine, qui sera une chance nouvelle pour l'Italie. Cette Arcadie, qui naît comme un manifeste poétique dans les Bucoliques, est une hypotypose utopique prenant en référence le lyrisme de Pan, c'est-à-dire une poésie de l'éloge à la vie, fondée sur l'enchantement de la forêt, sur l'écho et l'illusion, sans que soient négligées pour autant les souffrances humaines. Cette polyphonie de la nature va au-delà des habitudes de la poésie antique narrative, et l'on peut parler à son sujet de poésie pure, au sens moderne. Mais Virgile entend aussi construire son Arcadie : il lui donne une dimension sociale, basée sur le travail agricole, et capable d'assurer le bien-être ; il refonde enfin Rome sur le mythe d'Evandre, précurseur d'Auguste, pour effacer le fratricide originel, et croire en un renouveau des temps. L'Arcadie est ainsi une utopie active profondément inscrite dans la pensée de Virgile qui présente sur ce point une évolution continue et cohérente
This thesis aims at giving shape to the notion of Arcadia in Virgils works by applying the methods of stylistics and metrics. Often merged with the Theocritean idyll, or with the Golden age, Arcadia, recurring in three Virgilian poetic collections, appears as an ideal but elusive utopia, because of escaping any homogeneous definition. The choice by our poet of this part of the Greek country of Peloponnesus, austere and isolated, is founded on a very rich mythical Arcadian substratum which contains the birth of the lyricism, the archaeological narratives of the primitive times of man, and the pursuit of the pastoral otium, as the civil wars mutter. The faith in the Arcadian origins of Rome, spread by the Enotrian legends, was attested by the contemporary historians. Virgil thus chooses to represent a Latin Arcadia, which will be a new chance for Italy. This Arcadia, which is born as a poetic manifesto in The Bucolics, is a utopian hypotyposis taking in reference the lyricism of Pan, which is a Poetry of eulogy of life, based on the forest enchantment, on the echo and the illusion, but which does not neglect, for all that, the human sufferings. This polyphony of the nature goes beyond the habits of the antique narrative poetry, and we can speak to its subject of pure poetry in the modern sense of the words. But Virgil also intends to build his Arcadia: he gives it a social dimension, based on the agricultural work, and capable of assuring the well-being; he eventually refounds Rome on the myth of Evander, precursor of August, to erase the original fratricide, and to believe in a revival of times. Thus, Arcadia is an active utopia, profoundly registered in Virgils thought, which presents on this point a continuous and coherent evolution
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Auckbur, Andy. "Lire la nature dans Arcadia de Sir Philip Sidney : une esthétique du détail." Thesis, Reims, 2017. http://www.theses.fr/2017REIML002.

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Dans Arcadia de Sir Philip Sidney (1554-1586), les représentations de la nature témoignent de la richesse de l’univers artistique de l’auteur. Le titre de l’œuvre suggère que le socle esthétique sur lequel repose la mimesis sidnéienne est ancré dans l’imitation de la tradition poétique pastorale. L’imitation littéraire est certes au cœur du processus de création sur lequel repose la composition de l’œuvre. Cependant, le texte de Sidney est bien plus qu’une autre Arcadie littéraire inspirée des Bucoliques de Virgile ou de L’Arcadie de Jacopo Sannazaro. Le texte fait s’imbriquer les récits héroïques qui empruntent à l’épopée les repères esthétiques sur lesquels reposent l’évocation du locus terribilis, vision antagoniste du locus amoenus. L’œuvre est donc animée par une passion pour la fiction au point que la littérature et la lecture se substituent à l’intrigue en tant que sujet même de l’œuvre. Cette conception de la création littéraire comme acte réflexif imprègne la représentation de la nature qui devient donc dans certains passages un texte dans le texte, une nature textualisée. Le champ de la réflexivité s’étend à d’autres domaines de la création artistique et notamment aux arts plastiques dont l’esthétique informe à la fois la représentation de la nature et la matière verbale de l’œuvre. L’affinité entre les formes verbales et les formes visuelles est sous-tendue par une esthétique commune que l’on doit replacer dans le contexte du mouvement du maniérisme. Paradoxalement, l’unité de cette œuvre protéiforme réside dans sa fragmentation dont résulte une esthétique du détail. L’énergie créative de l’auteur s’illustre en effet dans la représentation de petites natures dont l’esthétique témoigne de la beauté de son univers artistique
In Philip Sidney’s Arcadia, the representations of nature testify to the diversity and wealth of the author’s artistic world. The title of the literary work suggests that the aesthetic foundations on which the Sidneyan mimesis lies are rooted in the imitation of the pastoral poetic tradition. Literary imitation lies at the core of the creative process from which the text proceeds. Yet, Philip Sidney’s work goes beyond the vision of nature as locus amoenus associated with Virgil’s Bucolics or Jacopo Sannazaro’s own Arcadia. The text features embedded narratives recounting heroic tales which draw on the epic literary tradition and lead to the representation of nature as locus terribilis. The passion for fiction with which Arcadia is imbued leads to a shift from the plot to the essence of literature as the main focus of Sidney’s work. This conception of literary creation as a reflexive praxis pervades the representation of nature which, in parts of the text, becomes a text within the text, a textualized nature. The spectrum of the reflexive dynamics encompasses several artistic areas including the plastic arts which inform both the aesthetics of the representation of nature and that of the verbal matter. The correspondences between the visual forms and the verbal ones spring from a common aesthetics which ties to the artistic context of mannerism. Paradoxically, the unity of this multifarious work lies in its fragmented dimension from which derives an aesthetics of the detail. Indeed, the illustration of author’s creative energy resides in the depictions of a small-scale nature and minute details which illustrate the beauty of his artistic environment
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Schneider, Regina. "Sidney's 'Arcadia' : prose romance or proto-novel?" Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.324580.

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Mitchell, J. M. "Gender and identity in Philip Sidney's Arcadia." Thesis, University of Sussex, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.370418.

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Lau, King, and 劉兢. "Postmodern performance in Tom Stoppard's Travesties and Arcadia." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B26832501.

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Wilson, Edward. "Sidney's Arcadia and the early modern reader, 1586-1660." Thesis, University of Cambridge, 2008. https://www.repository.cam.ac.uk/handle/1810/252109.

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Seirlis, Julia Katherine. "Arcadia : urban space and 'coloured' identities in Harare, Zimbabwe." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.342800.

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Books on the topic "Arcadia"

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Groff, Lauren. Arcadia. Waterville, Maine: Thorndike Press, 2012.

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Crace, Jim. Arcadia. New York: Collier Books, 1993.

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Crace, Jim. Arcadia. London: Cape, 1992.

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Sannazaro, Jacopo. Arcadia. Milano: Mursia, 1990.

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Crace, Jim. Arcadia. London: Cape, 1992.

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Crace, Jim. Arcadia. London: Picador, 1993.

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Stoppard, Tom. Arcadia. New York, NY: Faber and Faber, 2008.

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Száz, Pál. Arcadia. Pozsony: Kalligram, 2011.

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Carlo, Vecce, ed. Arcadia. Roma: Carocci editore, 2013.

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Laird, Elizabeth. Arcadia. London: Pan, 1992.

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Book chapters on the topic "Arcadia"

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Mallgrave, Harry Francis. "New Arcadia." In Building Paradise, 150–76. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003178460-8.

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Naldi, Pat. "Managing Arcadia." In British Art and the Environment, 119–35. Abingdon, Oxon ; New York : Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781003099215-10.

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Fiskevold, Marius, and Anne Katrine Geelmuyden. "Introduction: Reinterpreting landscapes in an evolving world." In Arcadia Updated, 1–14. New York : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9780429466441-1.

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Fiskevold, Marius, and Anne Katrine Geelmuyden. "The pastoral tradition as inherited motives." In Arcadia Updated, 15–32. New York : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9780429466441-2.

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Fiskevold, Marius, and Anne Katrine Geelmuyden. "From classical pastorals to pastoral landscapes: Rebirth of the landscape as fragile nature." In Arcadia Updated, 33–60. New York : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9780429466441-3.

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Fiskevold, Marius, and Anne Katrine Geelmuyden. "Instances of pastoral motivation in contemporary landscape analytical practice." In Arcadia Updated, 61–84. New York : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9780429466441-4.

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Fiskevold, Marius, and Anne Katrine Geelmuyden. "Articulating analytical narratives of contemporary pastoral landscapes." In Arcadia Updated, 85–124. New York : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9780429466441-5.

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Fiskevold, Marius, and Anne Katrine Geelmuyden. "The landscape analyst’s pastoral action." In Arcadia Updated, 125–39. New York : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9780429466441-6.

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Kilgenstein, Hubert. "Sannazaro, Iacopo: Arcadia." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_20860-1.

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Wokart, Norbert. "In Arcadia nemo." In Ent-Täuschungen, 89–102. Stuttgart: J.B. Metzler, 1991. http://dx.doi.org/10.1007/978-3-476-03369-7_5.

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Conference papers on the topic "Arcadia"

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Kelly, Annie, R. Benjamin Shapiro, Jonathan de Halleux, and Thomas Ball. "ARcadia." In CHI '18: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3170427.3186535.

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Kelly, Annie, R. Benjamin Shapiro, Jonathan de Halleux, and Thomas Ball. "ARcadia." In CHI '18: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3173574.3173983.

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"The Arcadia Research Project." In Proceedings of the 5th International Software Process Workshop. IEEE, 1989. http://dx.doi.org/10.1109/ispw.1989.690464.

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Taylor, R. N. "Tool integration in Arcadia." In the conference. New York, New York, USA: ACM Press, 1988. http://dx.doi.org/10.1145/76619.77028.

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Anas, A., S. S. Zubir, F. R. Razali, Z. Yahya, and F. Kholid. "Embara: Saigon’s youth arcadia." In SUSTAINABLE DEVELOPMENT AND PLANNING 2016. Southampton UK: WIT Press, 2016. http://dx.doi.org/10.2495/sdp160251.

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Taylor, Richard N., Frank C. Belz, Lori A. Clarke, Leon Osterweil, Richard W. Selby, Jack C. Wileden, Alexander L. Wolf, and Michael Young. "Foundations for the Arcadia environment architecture." In the third ACM SIGSOFT/SIGPLAN software engineering symposium. New York, New York, USA: ACM Press, 1988. http://dx.doi.org/10.1145/64135.65004.

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Richardson, Debra J., T. Owen O'Malley, Cynthia Tittle Moore, and Stephanie Leif Aha. "Developing and integrating ProDAG in the Arcadia environment." In the fifth ACM SIGSOFT symposium. New York, New York, USA: ACM Press, 1992. http://dx.doi.org/10.1145/142868.143759.

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"The Passage of Time in Tom Stoppard’s Arcadia." In 2019 International Conference on Advances in Literature, Arts and Communication. The Academy of Engineering and Education (AEE), 2019. http://dx.doi.org/10.35532/jahs.v1.002.

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Kuch, Sebastian, Mario Leberig, Richard Brock, Florian Reiterer, Michael Riedmann, and Kenneth Rooks. "Transient Validation of Areva’s New Arcadia™ Code System." In 2014 22nd International Conference on Nuclear Engineering. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/icone22-30743.

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AREVA has developed a new leading edge code suite to meet the challenges arising from increasing expectations in nuclear power plant availability and fuel performance while satisfying stricter safety requirements. ARCADIA™ [1] is an advanced 3D coupled neutronics/thermal-hydraulics/thermal-mechanics code system for Light Water Reactor (LWR) fuel assembly and core design calculations as well as safety analysis, using a new software architecture allowing for nodal and pin-by-pin calculation capability. ARCADIA™ was licensed by the US Nuclear Regulatory Commission (NRC) for applications for PWR UO2 cores in 2013. It is on the way to be licensed in other countries for AREVA customers. ARCADIA™ contains the steady-state and transient core-simulator ARTEMIS™ [2] for core design and coupled transient safety analysis. ARTEMIS™ can be used in a coupled mode with S-RELAP5 and CATHARE 2 to allow fully coupled transient analysis, combining the sophisticated 3D core model of ARTEMIS™ with the proven system thermal-hydraulics of S-RELAP5 and CATHARE 2 including a detailed simulation of the Instrumentation and Control (I&C). This allows simulating complex transients affecting the core as well as the primary and secondary side including I&C signals and responses. For the validation of ARTEMIS™ a comprehensive set of validation cases was selected, including international benchmarks and measurements covering various classes of transients. These cases include a ‘Load Rejection to station service’ event at a German 1300 MWe plant, where a wide range of system and core parameters was measured that allow the validation of the fully coupled code system. Another validation case is a nodal recalculation of the core behavior during the pump shaft break transient that occurred in the Gösgen nuclear power plant in 1985 [3]. The paper will provide representative example results for the abovementioned validation cases.
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Diaconu, Daniela, Marin Constantin, Giacomo Grasso, Georgios Glinatsis, Fosca Di Gabriele, Alessandro Alemberti, Didier De Bruyn, and Egidijus Urbonavicius. "The ARCADIA Project in Support of the ALFRED Concept." In 2014 22nd International Conference on Nuclear Engineering. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/icone22-31109.

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The FP7 Euratom project ARCADIA (Assessment of Regional CApabilities for new reactors Development through an Integrated Approach), launched in November 2013, has the aim to assess the regional capabilities of the EU New Member States (NMS) to effectively contribute in bringing closer the European research to ESNII (European Sustainable Nuclear Industrial Initiative) and NUGENIA (NUclearGEneration II&III Association) objectives. In particular, for the ESNII, the project will work in support to the ALFRED concept towards its realization in Romania, and for NUGENIA it will approach safety aspects of Gen III/III+. The project focuses on the identification of the primary needs for the ALFRED project, mainly to what concerns engineering and technology, supporting infrastructures, competences and regulatory aspects. At the same time, it investigates the existing national and regional supporting structures — with a particular attention to the ones in Romania and in all the participating NMS — for defining a map of competences potentially eligible to satisfy the identified needs. Since the most of the existing competences and experiences rely on present generation systems, the review will also provide a frame for potential support to NUGENIA on Gen III/III+ systems, as well as the starting point for building the Gen IV culture and future capabilities. On the other hand, ARCADIA takes the profit of the large participation to the project itself to carry out an advising activity to the ALFRED Consortium (FALCON), addressing recommendations regarding the national and international best practices and guidelines for the advancement of the ALFRED project. Investigation of the existing Research Reactors, among the Project Partner, for their potential involvement in future (potential) experimental activities in support of both the ALFRED project realization and the Gen III/III+ safety activities will be also considered. Networking, Cooperation and Dissemination activities are also included in the project in order to provide the connection with the international scientific community, with the European institutional organizations and with the general public. This work gives an overview of the project objectives, structure and contents, with focus on the international effort towards the GenIV.
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Reports on the topic "Arcadia"

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Abraham, A. P. G., and E. T. C. Spooner. Anialik River, Arcadia Bay. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1992. http://dx.doi.org/10.4095/133315.

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Dick, Gary O., R. M. Smart, and Eugene R. Gilliland. Aquatic Vegetation Restoration in Arcadia Lake, Oklahoma: A Case Study. Fort Belvoir, VA: Defense Technical Information Center, May 2004. http://dx.doi.org/10.21236/ada424448.

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Zurawski, Jason, Jennifer Schopf, Hans Addleman, and Doug Southworth. Arcadia University Bioinformatics Application Deep Dive. Final report. KINBERCON 2019, Philadelphia, PA, April 3, 2019. Office of Scientific and Technical Information (OSTI), July 2019. http://dx.doi.org/10.2172/1542424.

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Finn, John M., and James Chen. Equilibrium of Solar Coronal Arcades. Fort Belvoir, VA: Defense Technical Information Center, March 1989. http://dx.doi.org/10.21236/ada207311.

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Wolf, Mark J. P. As arcade games died out, Asteroids lived on. Edited by Sara Phillips. Monash University, June 2022. http://dx.doi.org/10.54377/c814-6420.

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C.Z. Chen and G.S. Choe. Solar flare mechanism based on magnetic arcade reconnection and island merging. Office of Scientific and Technical Information (OSTI), June 2000. http://dx.doi.org/10.2172/756593.

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Craig, Darren. Final Report Experimental Study of Impulsive Reconnection in a Current Carrying Magnetic Arcade. Office of Scientific and Technical Information (OSTI), October 2011. http://dx.doi.org/10.2172/1086588.

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G.S. Choe and C.Z. Cheng. A Model of Solar Flares Based on Arcade Field Reconnection and Merging of Magnetic Islands. Office of Scientific and Technical Information (OSTI), December 2001. http://dx.doi.org/10.2172/792994.

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Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Geelong and Surf Coast. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206969.

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Geelong and the Surf Coast are treated here as one entity although there are marked differences between the two communities. Sitting on the home of the Wathaurong Aboriginal group, this G21 region is geographically diverse. Geelong serviced a wool industry on its western plains, while manufacturing and its seaport past has left it as a post-industrial city. The Surf Coast has benefitted from the sea change phenomenon. Both communities have fast growing populations and have benefitted from their proximity to Melbourne. They are deeply integrated with this major urban centre. The early establishment of digital infrastructure proved an advantage to certain sectors. All creative industries are represented well in Geelong while many creatives in Torquay are embedded in the high profile and economically dominant surfing industry. The Geelong community is serviced well by its own creative industries with well-established advertising firms, architects, bookshops, gaming arcades, movie houses, music venues, newspaper headquarters, brand new and iconic performing and visual arts centres, libraries and museums, television and radio all accessible in its refurbished downtown area. Co-working spaces, collective practices and entrepreneurial activity are evident throughout the region.
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Stoffel, Tom, and Afshin Andreas. Solar Resource Measurements in Humboldt State University, Arcata, California: Cooperative Research and Development Final Report, CRADA Number CRD-08-262. Office of Scientific and Technical Information (OSTI), January 2014. http://dx.doi.org/10.2172/1121524.

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