Journal articles: 'Arcadius'

1

Frenk, Joachim. "Happiness in Sir Philip Sidney’s Arcadia." Critical Survey 32, no. 3 (September 1, 2020): 59–69. http://dx.doi.org/10.3167/cs.2020.320306.

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Sir Philip Sidney is not commonly associated with a search for happiness or the use he made of concepts of happiness in his works. Yet, as this article seeks to show, he employed a rhetoric of happiness throughout. In particular, Sidney’s Arcadias – the Old Arcadia, which he finished in 1581, and the New Arcadia, the substantial rewriting which remained unfinished – are markedly different in their representations of and their reflections on happiness. While happiness is associated with the Arcadian state as a – potentially fatal – aim in the Old Arcadia from its very beginning, it is subordinated to a sterner and more violent discourse in the New Arcadia, for which after Sidney’s death other writers wrote diverse happy endings. This different treatment of happiness in the Arcadias is also discussed with a view to different manuscripts and print editions as well as to the power play at the Elizabethan court.

2

SMITH, AYANA. "THE MOCK HEROIC, AN INTRUDER IN ARCADIA: GIROLAMO GIGLI, ANTONIO CALDARA AND L'ANAGILDA (ROME, 1711)." Eighteenth Century Music 7, no. 1 (January 21, 2010): 35–62. http://dx.doi.org/10.1017/s1478570609990443.

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ABSTRACTIn 1711 the opera L'Anagilda was performed in the private theatre of Francesco Maria Ruspoli, an important Roman patron of the Arcadian Academy. L'Anagilda's librettist (Girolamo Gigli) and composer (Antonio Caldara) were both associated with this society, but the opera contrasts with the basic goal of Arcadian aesthetics – namely, to reform literature and opera by imitating the structure of ancient Greek tragedy and the stylistic purity of Italian renaissance poets. Rather, Gigli and Caldara created an opera infused with comedy, interspersed with fantastic intermezzos and formulated according to a genre not endorsed by Arcadian literary critics, the mock heroic. This article explores topics related to one central question: why would Gigli and Caldara openly flout the literary precepts of Arcadia? Gigli was a career satirist whose works eventually caused him to be exiled from his native Siena, all of Tuscany and the Papal States, and to be expelled from three major literary academies, the Intronati, the Cruscanti and the Arcadians. Since he continually criticized the organizations to which he belonged for their narrow-mindedness, prejudice and hypocrisy, I contend that L'Anagilda represents a critique of Arcadia. Yet in the process, Gigli also shows the Arcadians that there is more than one path to verisimilitude and the imitation of classical models. Despite the mock-heroic characteristics of the libretto, Gigli adheres to some Arcadian structural requirements, and Caldara's score heightens the characterizations and the overall verisimilitude of the opera.

3

Lee, A. D., Alan Cameron, and Jacqueline Long. "Barbarians and Politics at the Court of Arcadius." Classical World 89, no. 1 (1995): 72. http://dx.doi.org/10.2307/4351769.

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Maas, Michael, Alan Cameron, Jacqueline Long, and Lee Sherry. "Barbarians and Politics at the Court of Arcadius." American Historical Review 99, no. 5 (December 1994): 1667. http://dx.doi.org/10.2307/2168428.

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Munting, Roger. "Arcadius Kahan, Russian economic history. The nineteenth century." History of European Ideas 12, no. 3 (January 1990): 432–33. http://dx.doi.org/10.1016/0191-6599(90)90168-e.

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6

Mayer, Roland. "Aeneid 8.573 and Callimachus’ Hymn to Zeus." Classical Quarterly 38, no. 1 (January 1988): 260–61. http://dx.doi.org/10.1017/s0009838800031529.

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In his final words to his son, Pallas, Evander interposes a prayer:‘At uos, o superi, et diuum tu maxime rectorIuppiter, Arcadii, quaeso, miserescite regis…’Of recent commentators, C. J. Fordyce alone is bothered by the reference to Evander's Arcadian origin; he reckons that it alludes to his exiled condition and so establishes a claim on Jupiter's mercy. That may be so, but it is worth suggesting that this is rather a piece of Virgil's Callimachean learning. For at the opening of his first Hymn Callimachus had rejected the story that Zeus was born on Crete in favour of Arcadia (6–7, 10). The Arcadian birth-place was known to Cicero (De natura deorum 3.21,53: principio Ioues tres numerant…ex quibus primum et secundum natos in Arcadia). Yet Cicero is less likely to be in Virgil's mind than Callimachus, from whom he derived so much learned detail. Evander then is appealing to Jupiter as a fellow Arcadian, docte.

7

Levine, Gene N., and Roger Weiss. "Essays in Jewish Social and Economic History: Arcadius Kahan." Contemporary Sociology 16, no. 5 (September 1987): 642. http://dx.doi.org/10.2307/2069749.

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8

Gustafson, Mark. "Book Review: Barbarians and Politics at the Court of Arcadius." Journal of Early Christian Studies 4, no. 4 (1996): 532–34. http://dx.doi.org/10.1353/earl.1996.0045.

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9

Dewar, Michael. "The Fall of Eutropius." Classical Quarterly 40, no. 2 (December 1990): 582–84. http://dx.doi.org/10.1017/s0009838800043305.

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The eunuch Eutropius began his ascendancy over Arcadius, Emperor of the East, in late 395, following the murder of the Praetorian Prefect Rufinus. Eutropius, despite his physical shortcomings, ‘sullied the Fasti’ by holding the consulate in 399. By the end of that same year, however, collusion between the barbarian general Gainas and Tribigild, leader of a rebellion of Ostrogoths in Asia Minor, resulted in Eutropius’ fall from power. He was exiled to Cyprus and executed shortly afterwards.

10

Versiani dos Anjos, Carlos. "A Arcádia Romana e a Arcádia Ultramarina: diálogos literários entre a Itália e o Brasil na segunda metade do século XVIII / The Roman Arcadia and the Arcadia Ultramarina: Literary Dialogues between Italy and Brazil in the Second Half of the Eighteenth Century." O Eixo e a Roda: Revista de Literatura Brasileira 28, no. 3 (September 3, 2019): 83. http://dx.doi.org/10.17851/2358-9787.28.3.83-114.

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Resumo: Este trabalho visa apresentar as relações literárias entre árcades brasileiros da segunda metade do século XVIII e a Arcádia Romana, a que alguns destes árcades eram filiados, ou a ela associados por intermédio da chamada Arcádia Ultramarina, academia criada no Brasil, na capitania de Minas Gerais, por Cláudio Manuel da Costa. O artigo analisa os primórdios da Arcádia Romana e seus teóricos precursores; o movimento dos poetas brasileiros na Europa e no Brasil, para a criação de uma colônia ultramarina daquela Academia; os esforços de Basílio da Gama, Seixas Brandão e Cláudio Manuel neste empreendimento; a participação do poeta Silva Alvarenga, também como crítico literário; e a recepção crítica sobre a existência e significado da Arcádia Ultramarina, nas suas relações com a Arcádia Romana, entre estudiosos contemporâneos da Itália e do Brasil.Palavras-chave: Arcádia Romana; Arcádia Ultramarina; século XVIII; Literatura Arcádica; História da Literatura.Abstract: We aim to present the literary relations between Brazilian arcadians in the second half of the eighteenth century and the Roman Arcadia, in which some of these arcadians were affiliated or associated to the so-called Arcadia Ultramarina, an academy created in Brazil, in the captaincy of Minas Gerais, by Cláudio Manuel da Costa. We analyze the beginning of the Roman Arcadia and its precursor theorists; the movement of Brazilian poets in Europe and Brazil, for the creation of an overseas colony of that Academy; the efforts of Basilio da Gama, Seixas Brandão and Cláudio Manuel in this venture; the participation of the poet Silva Alvarenga, also as a literary critic; and the critical reception on the existence and significance of the Arcadia Ultramarina in its relations with the Roman Arcadia among contemporary scholars from Italy and Brazil.Keywords: Roman Arcadia; Arcadia Ultramarina; XVIII Century; Arcadian Literature; History of Literature.

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Honoré, Tony. "VI. Eutropius' Lawyer (396 - 9) and other Quaestors of Arcadius (394-408)." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte. Romanistische Abteilung 112, no. 1 (August 1, 1995): 172–94. http://dx.doi.org/10.7767/zrgra.1995.112.1.172.

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12

Barnes, T. D. "Barbarians and Politics at the Court of Arcadius. Alan Cameron , Jacqueline Long." Classical Philology 90, no. 1 (January 1995): 91–96. http://dx.doi.org/10.1086/367449.

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13

Babnis, Tomasz. "Eutropius as an oriental." Classica Cracoviensia 23 (August 6, 2021): 7–23. http://dx.doi.org/10.12797/cc.23.2020.23.01.

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Eutropius, eunuch who became the consul of the Roman Empire in 399 AD under Arcadius, is a villain of Claudius Claudian’s invective In Eutropium. Argumentation in this piece is based on many negative topoi employed in the earlier Roman poetry. In doing this, the poet makes a particular use of stereotypes connected with the East, by dint of which he can attribute these features to the Eastern Roman Empire (epitomised by Eutropius) and – at the same time – to show that the right Roman virtues are fostered in the Western Roman Empire, controlled by the poet’s patron, Stilicho.

14

Eadie, John W., and J. H. W. G. Liebeschuetz. "Barbarians and Bishops: Army, Church, and State in the Age of Arcadius and Chrysostom." American Historical Review 96, no. 4 (October 1991): 1180. http://dx.doi.org/10.2307/2165058.

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Wheeler, Everett L., and J. H. W. G. Liebeschuetz. "Barbarians and Bishops: Army, Church, and State in the Age of Arcadius and Chrysostom." Journal of Military History 55, no. 2 (April 1991): 238. http://dx.doi.org/10.2307/1985901.

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Carter, Robert E. "The Chronology of Twenty Homilies of Severian of Gabala." Traditio 55 (2000): 1–17. http://dx.doi.org/10.1017/s0362152900000015.

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We know the events of only five or six years in the life of Severian of Gabala, from A.D. 398 or 399 to 404. We are told that Severian was Syrian by birth and spoke Greek with a Syriac accent. His brother bishop and friend Antiochus of Ptolemais went to Constantinople, probably very soon after Chrysostom's episcopal consecration on 15 December 397 or 26 February 398, and earned a great deal of money preaching. Severian decided to follow his friend's example and went to the imperial capital in 398 or 399 to make his fortune. He was well received by Chrysostom; his preaching was evidently a great success, and he became known to many in high office as well as to the emperor Arcadius and the empress Eudoxia.

17

Loke, Andrew Ter Ern. "On the Two Consciousnesses Model: An Assessment of James Arcadi’s Defense." Journal of Analytic Theology 6 (July 19, 2018): 146–50. http://dx.doi.org/10.12978/jat.2018-6.0013-51111404a.

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In a recent review published in Journal of Analytic Theology, James Arcadi offers a defence of the Two Consciousnesses Model against Loke’s criticisms previously published in this journal. Arcadi postulates that Christ could have one centre of the two ranges of consciousness and one centre of operation. I argue that Arcadi’s postulation preserves the unity of the person but is beset by another problem, namely that on Arcadi’s view the one centre of experiences of Christ would have experienced the unlimited scope of awareness through his divine nature, which rule out the possibility that he experienced human limitations with regards to his scope of experiences.

18

Dunn, Geoffrey D. ""...Went to Rome, and when all had assembled there...": Galla Placidia and the Theodosian retaking of the west in 425." Journal of the Australian Early Medieval Association 14 (November 2018): 21–34. http://dx.doi.org/10.35253/jaema.2018.1.2.

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Galla Placidia, daughter of Theodosius I, half-sister of Arcadius and Honorius, wife of Constantius III, and mother of Valentinian III, spent much of her life on the move, living across the Roman empire of late antiquity from Barcelona to Istanbul. In nearly every instance her moves were the results of political circumstances she did not instigate but which she soon had under control. In the climax of Olympiodorus of Thebes' history we are told that Theodosius II, her nephew, sent Galla Placidia and the child Valentinian back to the West, from which they had been exiled, together with an army to defeat the usurper John, who had taken control of the western empire. While Olympiodorus attributes the initiative for this action to Theodosius, this paper argues that Galla Placidia's agency in taking advantage of John's usurpation to orchestrate her return to Italy should not be underestimated.

19

Gregory, Paul. "The Plow, the Hammer, and the Knout: An Economic History of Eighteenth-Century Russia. Arcadius Kahan." Journal of Political Economy 95, no. 2 (April 1987): 441–43. http://dx.doi.org/10.1086/261465.

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Alexander, J. T. "The Plow, the Hammer, and the Knout: An Economic History of Eighteenth-Century Russia. Arcadius Kahan." Journal of Modern History 59, no. 3 (September 1987): 646–48. http://dx.doi.org/10.1086/243279.

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21

Milewski, Ireneusz. "The Economic Condition of the Bishopric of Gaza (Palestine) during the Rule of Bishop Porphyry (circa 395–420)." Studia Ceranea 8 (December 30, 2018): 193–207. http://dx.doi.org/10.18778/2084-140x.08.11.

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The study attempts to determine the economic condition of a small provincial bishopric, namely the church of Gaza (Palestine) during the rule of bishop Porphyry (circa 395–420 AD). All of the information on the subject comes from the Vita Porphyrii by Mark the Deacon – a source whose historical value has often been disputed. Although the information on the wealth of the church in Gaza at the turn of the 4th and 5th centuries is not particularly vast or illuminating, it is nevertheless possible to identify several spheres of economic activity of the Gaza bishopric. These are, among other things, the property owned by the bishopric (real estate), its cash reserves (mostly at the beginning of the 5th century), the endowments of the imperial court (given by emperor Arcadius and his wife, empress Aelia Eudoxia), as well as the charitable activity of the bishopric (especially on the occasion of erecting the Eudoxiane, probably in 407).

22

Rosenberg, Harry. "Barbarians and Bishops: Army, Church, and State in the Age of Arcadius and Chrysostom (review)." Journal of Early Christian Studies 1, no. 2 (1993): 219–21. http://dx.doi.org/10.1353/earl.0.0172.

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23

Icks, Martijn. "The Inadequate Heirs of Theodosius. Ancestry, merit and divine blessing in the representation of Arcadius and Honorius." Millennium 11, no. 1 (November 1, 2014): 69–100. http://dx.doi.org/10.1515/mill-2014-0105.

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24

Dueck, Daniela. "A Lunar People: The Meaning of an Arcadian Epithet, or, Who is the Most Ancient of Them All?" Philologus 164, no. 1 (June 3, 2020): 133–47. http://dx.doi.org/10.1515/phil-2020-0101.

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AbstractA brief scholion allusion to a “Selenite” community in Arcadia raises a question concerning this epithet and its meaning on the background of similar expressions denoting extreme antiquity. The better known term associated with the Arcadians is Proselēnoi, namely, pre-lunar, people who preceded the moon. This term is examined through several options of understanding. At the core of this analysis stands the Classical tendency to highly appreciate early periods of time and early peoples. This opens up a discussion of autochthony and the concept of extreme antiquity, particularly associated with Arcadia. The result is an etymologically based mythographic study centred on the Arcadians’ existence in relation to the first appearance of the moon. The conclusion offers a new interpretation of a neglected term.

25

Quantin, Jean-Louis. "Historical Criticism, Confessional Controversy, and Self-Censorship: Henry Savile and the Lives of John Chrysostom." Erudition and the Republic of Letters 6, no. 1-2 (March 17, 2021): 138–223. http://dx.doi.org/10.1163/24055069-06010004.

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Abstract Henry Savile wrote a critical dissertation on Chrysostom’s biographers for inclusion in the eighth volume of his edition of Chrysostom’s works in Greek. He was indeed very interested in the Lives of his author, primarily in the Dialogus of Palladius of Helenopolis, then only known in Latin translation, whose Greek original he took considerable pains to unearth, to no avail, in libraries throughout Europe. His amanuenses instead brought him an array of Byzantine hagiographical texts, of which he was dismissive, publishing them only in part. Savile’s dissertation propounds his criteria of historical criticism (opposing ‘ancient’, authoritative writers, such as Palladius, and ‘modern’ ones, who invented miraculous stories) and attempts to reconstruct an exact chronology of Chrysostom’s life. It also discusses events immediately following the saint’s death, and argues that the letter of excommunication allegedly sent by Pope Innocent I to Chrysostom’s persecutors, the Emperor Arcadius and the Empress Eudoxia, cannot be genuine. As this episode was much used by champions of papal authority, Savile realized that he would be drawn into contemporary controversies. He preferred therefore to suppress his dissertation altogether: an act of self-censorship which raises fundamental questions about the nature of his undertaking.

26

Gatrell, Peter. "Russian Economic History: The Legacy of Arcadius Kahan - The Plow, The Hammer and the Knout: An Economic History of Eighteenth-Century Russia. By Arcadius Kahan. Ed. Richard Hellie. Chicago: Chicago University Press, 1985. xi, 399 pp. Tables. Cloth. - Essays in Jewish Social and Economic History. By Arcadius Kahan. Ed. Roger Weiss. Intro. Jonathan Frankel. Chicago: Chicago University Press, 1986. xx, 208 pp. Photographs. Tables. $27.50, cloth. - Russian Economic History: The Nineteenth Century. By Arcadius Kahan. Ed. Roger Weiss. Chicago: Chicago University Press, 1989. xii, 244 pp. Tables. Cloth." Slavic Review 50, no. 1 (1991): 176–78. http://dx.doi.org/10.2307/2500609.

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27

Eckerman, Chris. "THYRSIS’ ARCADIAN SHEPHERDS IN VIRGIL'S SEVENTH ECLOGUE." Classical Quarterly 65, no. 2 (August 12, 2015): 669–72. http://dx.doi.org/10.1017/s0009838815000142.

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In Virgil's seventh Eclogue, Meliboeus relates a singing contest that Corydon and Thyrsis undertook. Upon beginning their songs, Corydon invokes the Libethrian nymphs (21), and Thyrsis invokes ‘Arcadian shepherds’ (25–6). Scholars have previously interpreted Thyrsis’ Arcadian shepherds as people, but here I suggest that they should be interpreted as divinities. In support of this assertion, I rely on the expectations of the capping style (which requires that Thyrsis ‘cap’ Corydon's invocation of Libethrian nymphs), Virgil's description of the setting and the characters present, an epigram by Erucius (an intertext for this poem), the Greek and Roman literary tradition that developed especially in relation to gods associated with Arcadia, and Thyrsis’ quatrains, which can be profitably interpreted if we assume that Arcadian gods have heard Thyrsis' prayer and are now inspiring his song.

28

Katos, Demetrios. "Socratic Dialogue or Courtroom Debate? Judicial Rhetoric and Stasis Theory in the Dialogue on the Life of St. John Chrysostom." Vigiliae Christianae 61, no. 1 (2007): 42–69. http://dx.doi.org/10.1163/004260307x164485.

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AbstractThe Dialogue on the Life of St. John Chrysostom (written c. 407/8) has long puzzled modern readers on account of its choice of the dialogue form and its bewildering organization. Its attribution to Palladius of Helenopolis (c. 363-430) has often been contested, too. This article proposes that the dialogue form was chosen to convey the spirit of advocacy that lies at the heart of this composition, and then demonstrates that various compositional decisions can be explained by principles of judicial rhetoric and late antique stasis (issue) theory, particularly those of Hermogenes of Tarsus (c. 160-230) whose rhetorical handbook had become important by the fourth and fifth centuries in rhetorical training. These elements suggest that the author of the Dialogue was well trained in judicial rhetoric and that he composed this work primarily to make a case for John's restoration to the diptychs as bishop, rather than as a biographical or historical record as previously assumed. The influence of stasis theory in this composition also confirms the continued importance of judicial rhetoric in the late empire and bolsters the case for the authorship of Palladius, who had been commissioned by John to investigate charges raised against Antoninus of Ephesus and by Innocent of Rome to petition Arcadius for John's restoration.

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Skolnik, Michael Ryan, and Steven Conway. "Tusslers, Beatdowns, and Brothers: A Sociohistorical Overview of Video Game Arcades and theStreet FighterCommunity." Games and Culture 14, no. 7-8 (August 28, 2017): 742–62. http://dx.doi.org/10.1177/1555412017727687.

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Alongside their material dimensions, video game arcades were simultaneously metaphysical spaces where participants negotiated social and cultural convention, thus contributing to identity formation and performance within game culture. While physical arcade spaces have receded in number, the metaphysical elements of the arcades persist. We examine the historical conditions around the establishment of so-called arcade culture, taking into account the history of public entertainment spaces, such as pool halls, coin-operated entertainment technologies, video games, and the demographic and economic conditions during the arcade’s peak popularity, which are historically connected to the advent of bachelor subculture. Drawing on these complementary histories, we examine the social and historical movement of arcades and arcade culture, focusing upon the Street Fighter series and the fighting game community (FGC). Through this case study, we argue that moral panics concerning arcades, processes of cultural norm selection, technological shifts, and the demographic peculiarities of arcade culture all contributed to its current decline and discuss how they affect the contemporary FGC.

30

V. L. Forsyth. "The Two Arcadias of Sidney’s Two Arcadias." SEL Studies in English Literature 1500-1900 49, no. 1 (2008): 1–15. http://dx.doi.org/10.1353/sel.0.0045.

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Ward, Thomas. "Arcadian Ineloquence: Losing Voice in The Countess of Pembroke's Arcadia." Studies in Philology 115, no. 2 (2018): 286–311. http://dx.doi.org/10.1353/sip.2018.0011.

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Metcalf, William E., P. Grierson, and M. Mays. "Catalogue of Late Roman Coins in the Dumbarton Oaks Collection and in the Whittemore Collection: From Arcadius and Honorius to the Accession of Anastasius." American Journal of Archaeology 97, no. 4 (October 1993): 816. http://dx.doi.org/10.2307/506737.

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Newman, Jennifer. "Reviews : Russian Economic History. The Nineteenth Century. By Arcadius Kahan, edited by Roger Weiss. Chicago: University of Chicago Press, I989. Pp. xii + 244. £I5.25." Journal of European Studies 20, no. 3 (September 1990): 288–89. http://dx.doi.org/10.1177/004724419002000312.

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Haake, Matthias. "Zwischen Alexander dem Großen und Arcadius, von Anaxarchos von Abdera zu Synesios von Kyrene. Die Gattung Über das Königtum im Kontext antiker Alleinherrschaften – eine Skizze." Quaestio 11 (January 2012): 65–82. http://dx.doi.org/10.1484/j.quaestio.1.103010.

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Owen, Thomas C. "Russian Economic History: The Nineteenth Century, By Arcadius Kahan. Ed. Roger Weiss. Chicago: University of Chicago Press, 1989. xii, 244 pp. Tables. Hard bound and paper." Slavic Review 51, no. 4 (1992): 822–23. http://dx.doi.org/10.2307/2500157.

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Gregory, Paul R. "Russian Economic History: The Nineteenth Century. By Arcadius Kahan. Edited by Roger Weiss. Chicago: University of Chicago Press, 1989. Pp. xii, 244. $47.50, cloth; $18.95, paper." Journal of Economic History 49, no. 3 (September 1989): 741–42. http://dx.doi.org/10.1017/s0022050700008986.

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Keep, John L. H. "The Plow, the Hammer and the Knout: An Economic History of Eighteenth-Century Russia, by Arcadius Kahan with the editorial assistance of Richard HellieThe Plow, the Hammer and the Knout: An Economic History of Eighteenth-Century Russia, by Arcadius Kahan with the editorial assistance of Richard Hellie. Chicago, University of Chicago Press, 1985. xi, 399 pp." Canadian Journal of History 22, no. 2 (August 1987): 268–70. http://dx.doi.org/10.3138/cjh.22.2.268.

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Wojciechowska, Sylwia. "“Throw[ing] the Longest Shadows”: The Significance of the Bogus Quotation for "Arcadia" by Jim Crace." Text Matters, no. 2 (December 4, 2012): 180–91. http://dx.doi.org/10.2478/v10231-012-0063-6.

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Preceding his Arcadia with a non-existing quotation, Jim Crace proves to be no Arcadian innocent: challenging the shrewdness of his readers, the contemporary novelist seems to take pleasure in inviting them to an intellectual game which begins before the novel unfolds. The highly evocative title and the bogus quotation are bound to evoke associations which become the subject of minute examination in the novel. Its result turns out to be as astounding as the uncommon aphoristic trap laid for the readers. This article examines the significance of the bogus quotation as a part of the novel’s message and a key to its interpretation.

39

Vermeule, Cornelius. "Catalogue of Late Roman Coins in the Dumbarton Oaks Collection and in the Whittemore Collection: From Arcadius and Honorius to the Accession of Anastasius.Philip Grierson , Melinda Mays." Speculum 69, no. 3 (July 1994): 787–88. http://dx.doi.org/10.2307/3040887.

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Oliner, S. P. "Book reviews : Arcadius Kahan, Essays in Jewish Social and Economic History (edited by Roger Weiss). Chicago: The University of Chicago Press, 1986, pp. xx, 208, $ 27.50 (cloth)." International Journal of Comparative Sociology 29, no. 3-4 (September 1, 1988): 296–99. http://dx.doi.org/10.1177/002071528802900317.

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Hauck, Robert J. "Barbarians and Bishops: Army, Church, and State in the Age of Arcadius and Chrysostom. By J. W. H. G. Liebeschuetz. Oxford: Clarendon Press, 1990. xiv + 314 pp. $65.00." Church History 62, no. 3 (September 1993): 382–83. http://dx.doi.org/10.2307/3168780.

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Jiménez Sánchez, Juan Antonio. "Excusatio non petita: las réplicas de los feligreses a las críticas eclesiásticas por la asistencia a los espectáculos (siglos III-VI) = Excusatio non petita: The Parishioner’s Replies to the Ecclesiastical Criticism for the Attendance at Shows (3rd-6th Centuries)." ARYS: Antigüedad, Religiones y Sociedades, no. 15 (November 5, 2018): 247. http://dx.doi.org/10.20318/arys.2017.3813.

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Resumen: El presente trabajo gira en torno a la evolución experimentada por las respuestas que los feligreses opusieron a las incesantes críticas de las autoridades eclesiásticas en relación con su asistencia a los espectáculos de la tradición romano-pagana. Éstos eran tachados de idólatras e inmorales, y sin embargo la mayor parte de los cristianos, bien integrados en la sociedad de su tiempo, acudían a contemplarlos. Ante los continuos reproches de sus predicadores, muchos individuos se ampararon en una gran diversidad de excusas. Conocemos la naturaleza de dichas réplicas gracias al recurso dialéctico, usado por los predicadores, de reproducirlas en sus discursos a fin de poderlas rebatir después fácilmente ante todo su auditorio. Y gracias también a este recurso sabemos la evolución del pensamiento de los feligreses en este terreno. Nuestro estudio se inicia con el análisis del testimonio de Tertuliano (s. II) y de Novaciano (s. III) y los extravagantes pretextos en los que se escudaban aquellos cristianos que acudían a los juegos. En el siglo IV cambió esta postura, pues las respuestas eran mucho más directas y contundentes, como se observa en los sermones de Agustín de Hipona y de Juan Crisóstomo, en el tránsito entre los siglos IV y V. Finalizamos nuestro estudio con el análisis de Severo de Antioquía y de Jacobo de Serugh, cuyos sermones sobre los espectáculos evidencian hasta qué punto había evolucionado la actitud de los fieles en el siglo VI, cuando ya hacía más de un siglo que la política de Arcadio y Honorio había secularizado oficialmente todas las manifestaciones lúdicas.Abstract: The present work deals with the evolution in the responses of parishioners who opposed to the incessant criticism of the ecclesiastical authorities in relation to their attendance at shows of the Roman-pagan tradition. These were branded as idolatrous and immoral, and yet most of the Christians, well integrated into the society of their time, came to contemplate them. Because of the continual reproaches of their preachers, many individuals sought shelter in a great diversity of pretexts. We know the nature of these replies thanks to the dialectical resource used by preachers who reproduced them in their speeches in order to easily rebutted them in front of their audience. And thanks also to this resource we know the evolution of the thinking of the parishioners in this field. Our study begins with the analysis of the testimony of Tertullian (2nd century) and Novatian (3rd century) and the extravagant excuses made by those Christians who went to the games to justify their behaviour. In the 4th century, this attitude changed, for the answers were much more direct and forceful, as we can see in the sermons of Augustine of Hippo and John Chrysostom in the transit between the 4th and 5th centuries. We finalize our work with the analysis of Severus of Antioch and Jacob of Serugh, whose sermons on the shows evidence to what extent the attitude of the faithful had evolved in the 6th century, when it had been more than a century since the policy of Arcadius and Honorius had officially secularized all these festive manifestations.Palabras clave: Espectáculos, idolatría, homilías, excusas, secularización de los ludi.Key words: Shows, idolatry, homilies, pretexts, secularization of the ludi.

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Fox, W. Christopher, Scott Wawrzyniak, and William F. Chandler. "Intraoperative acquisition of three-dimensional imaging for frameless stereotactic guidance during transsphenoidal pituitary surgery using the Arcadis Orbic System." Journal of Neurosurgery 108, no. 4 (April 2008): 746–50. http://dx.doi.org/10.3171/jns/2008/108/4/0746.

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Object Intraoperative fluoroscopy has long been used for anatomical localization in transsphenoidal pituitary surgery. More recently, frameless stereotaxy has been used to supplement 2D sagittal radiographs with 3D multiplanar reconstructions. Use of Arcadis Orbic allows both conventional fluoroscopic views and multiplanar reconstructions to be acquired intraoperatively without need for preoperative planning studies. The authors report their initial experience using Arcadis Orbic during transsphenoidal pituitary surgery. Methods To test the system, the authors placed a dehydrated human skull in a radiolucent head holder, and obtained standard 2D fluoroscopic images of the skull base and sella turcica. Arcadis Orbic was then used with frameless stereotaxy to register 3D multiplanar reconstructed images of skull base anatomy. The authors then used Arcadis Orbic in 26 transsphenoidal pituitary tumor resections and compared image quality, accuracy, and ease-of-use to standard techniques. Results Arcadis Orbic 2D fluoroscopic images matched or exceeded the quality of images acquired by standard C-arm machines. Arcadis Orbic multiplanar reconstructions provided excellent images of the skull base when compared with preoperative Stealth computed tomography (CT) studies. Intraoperative frameless stereotactic navigation using Arcadis Orbic was highly accurate and more reliable than registering preoperative CT images. Conclusions Arcadis Orbic provides excellent quality 2- and 3D images during transsphenoidal pituitary surgery, and intraoperative frameless navigation using these images is highly accurate. Arcadis Orbic is easy to use, even in patients with large body habitus, and image acquisition takes no longer than registration during a frameless stereotactic case. Based upon our preliminary experience, Arcadis Orbic precludes the need for preoperative CT studies in patients with pituitary lesions requiring frameless stereotactic navigation.

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Hunt, E. D. "Barbarians and Bishops - J. H. W. G. Liebeschuetz: Barbarians and Bishops: Army, Church and State in the Age of Arcadius and Chrysostom. Pp. xiv + 312; 7 plates. Oxford: Clarendon Press, 1990. £35." Classical Review 41, no. 2 (October 1991): 417–19. http://dx.doi.org/10.1017/s0009840x0028075x.

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O Grdda, Cormac. "Arcadius Kahan. The Plow, The Hammer, and the Knout: An Economic History of Eighteenth-Century Russia. With the editorial assistance of Richard Hellie. Chicago: University of Chicago Press, 1985. 399 pp. $65.00." Canadian-American Slavic Studies 23, no. 4 (1989): 444–46. http://dx.doi.org/10.1163/221023989x00446.

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Gatrell, Peter. "Studies and Essays on the Soviet and Eastern European Economies, vol. 1, Published Works on the Soviet Economy. By Arcadius Kahan. Ed. Peter B. Brown. Newtonville: Oriental Research Partners, 1991. Tables. Hard bound." Slavic Review 52, no. 4 (1993): 898. http://dx.doi.org/10.2307/2499695.

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Stanislawski, Michael. "Essays in Jewish Social and Economic History. By Arcadius Kahan. Edited by Roger Weiss. Introduction by Jonathan Frankel. Chicago, 111., and London: University of Chicago Press, 1986. xx, 208 pp. Tables. $27.50, cloth." Slavic Review 47, no. 1 (1988): 145–46. http://dx.doi.org/10.2307/2498872.

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Gonçalves, Deivison Do Couto, Alexandre Pinto Coelho de Almeida, and Patricia Fernanda Carvalho De Sousa. "SÍTIOS ARQUEOLÓGICOS NO RIO GRANDE DO NORTE: CONTRIBUIÇÕES DA ARQUEOLOGIA PREVENTIVA." Cadernos do LEPAARQ (UFPEL) 17, no. 34 (December 22, 2020): 392–420. http://dx.doi.org/10.15210/lepaarq.v17i34.18198.

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O objetivo deste relatório é apresentar o contexto de ocupação humana identificado no Complexo Eólico Monte Verde, no escopo do Projeto de Avaliação de Impacto ao Patrimônio Arqueológico (PAIPA) do Complexo Eólico Monte Verde, municípios de Jandaíra, Pedro Avelino e Lajes/RN – processo IPHAN 01421.000088/2019-90 (ARCADIS, 2019a), executado pela empresa Arcadis, iniciado em maio de 2019 e concluídos em dezembro do mesmo ano. Abstract: This article aims the presentation of the prehistoric human occupation identified at the Monte Verde Windfarm, during the execution of the Archaeological Heritage Impact Evaluation Project for the Monte Verde Windfarm, being implanted in the state of Rio Grande do Norte, Brazil. The Impact Evaluation Project occurred between may and December of 2019 and was conducted by the Archaeology team of Arcadis Brazil, part of Arcadis - Design Consultancy for natural and built assets.

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Prieto, Eduardo. "Arcadias bajo vidrio." Cuaderno de Notas, no. 18 (November 20, 2017): 1. http://dx.doi.org/10.20868/cn.2017.3595.

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Los invernaderos se han visto tradicionalmente como poco más que una anécdota en la historia de la construcción, aunque en realidad fueran el tipo arquitectónico más innovador del siglo XIX. Conjugando la rigurosa atención a los problemas del clima con el uso de los materiales industriales y los nuevos sistemas de calefacción, los invernaderos dieron pie a soluciones formales y técnicas extremadamente eficaces, que están en la base del diseño pasivo contemporáneo. Este artículo da cuenta de los orígenes del invernadero, de su desarrollo y consolidación como tipo termodinámico, y de su rápida extrapolación a otros usos convertido ya en ‘pseudomorfo’, para acabar desvelando su íntima relación con las llamadas ‘casas solares’ del siglo XX. Todo ello a la luz de una pulsión de calado en la tradición moderna: la búsqueda improbable de un clima completamente artificial.

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Elton, Hugh. "J. H. W. G. Liebeschuetz, Barbarians and Bishops: Army, Church, and State in the Age of Arcadius and Chrysostom. Oxford: Clarendon Press, 1990. Pp. xiv + 312, 7 pls. ISBN 0-19-814886-0. £35.00." Journal of Roman Studies 81 (November 1991): 233–34. http://dx.doi.org/10.2307/300547.

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Journal articles on the topic 'Arcadius'

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