Relevant bibliographies by topics / Arch of Victory

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Arch of Victory'

Author: Grafiati
Published: 19 February 2023

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Journal articles on the topic "Arch of Victory"

1

Barrett, A. A. "Claudius' British Victory Arch in Rome." Britannia 22 (1991): 1. http://dx.doi.org/10.2307/526627.

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Siegel, James. "Victory Without Surrender: The Jihad in Aceh." Archipel 87, no. 1 (2014): 29–62. http://dx.doi.org/10.3406/arch.2014.4455.

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Fine, Steven. "Who is Carrying the Temple Menorah? A Jewish Counter-Narrative of the Arch of Titus Spolia Panel." Images 9, no. 1 (May 22, 2016): 19–48. http://dx.doi.org/10.1163/18718000-12340060.

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The Arch of Titus, constructed circa 81 CE under the emperor Domitian, commemorates the victory of the general, then emperor Titus in the Jewish War of 66–74 CE. Located on Rome’s Via Sacra, the Arch has been a “place of memory” for Romans, Christians and Jews since antiquity. This essay explores the history of a Jewish counter-memory of a bas relief within the arch that depicts the triumphal procession of the Jerusalem Temple treasures into Rome in 71 CE. At least since the early modern period, Jews—as well as British Protestants—came to believe that the menorah bearers of this relief represent Jews, and not Roman triumphadors. This essay addresses the history of this widespread belief, particularly during the nineteenth and twentieth centuries, and continuing in contemporary Israel.
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Zietlow, Nina. "The Politics of Monumentalizing Trauma: Visual Use of Martyrdom in the Memorialization of the Iraq-Iran War." Review of Middle East Studies 54, no. 1 (June 2020): 131–32. http://dx.doi.org/10.1017/rms.2020.11.

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This poster focuses on three mediums of commemoration: the monument, the memorial, and the museum as tools of state-sanctioned memory creation, and thereby spaces for politicized rituals of memory which further state-building projects. Specifically, during and after The Iran-Iraq war (1980-88) the al-Shaheed Monument (1983), and the Victory Arch (1989) in Baghdad and the Martyrs’ Museum (1996) in Tehran functioned as politically strategic representations of collective trauma. Both the Ba'ath party in Iraq and the emerging Islamic Republic in Iran used these sites to render and politicize memories of violence and loss. Despite obvious differences, the projects in Baghdad and Tehran appealed to a need to address national trauma while bolstering idealized images of statehood. The Ba'athist party under Saddam Hussein capitalized on the collective trauma of the Iraq-Iran war to further a hegemonic Sunni identity, which was both religious and political. The use of immense scale, vulgar displays of power, and Islamic imagery in both the al-Shaheed Monument and Victory Arch linked Sunni and Ba'athist causes and allowed Hussein to characterize the Iran-Iraq War as a sacred project of national and religious vindication. Similarly, the Martyrs’ Museum in Tehran constructs a specific version of history using motifs of the Battle of Karbala, Imam Husayn, martyr and civilian deaths, and blood to tie Iranian national identity to ritualized Shia martyrdom. The Martyrs’ Museum parallels the religification of national identity as seen in Iraq, and configures death as a public, religiopolitical act. Despite Ba'athist Iraq's secular self-image, the strategic harnessing of trauma both Iraq and Iran demonstrates a constructed connection between political state hegemony, religious practice, and rituals of grief. In these ways, state propagated imagery through physical commemorations of the Iran-Iraq War furthered the political – and resulting religious – sectarian divide in the official positions of the two nations.
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Краснова, И. А. "Transformation of Images of Perception of Socio-Political Changes in Florence in the Last Quarter of the XIV- Early XV Centuries." Диалог со временем, no. 80(80) (December 5, 2022): 317–29. http://dx.doi.org/10.21267/aquilo.2022.80.80.019.

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В статье идет речь об особенностях восприятия социально-политических перемен флорентийскими гражданами в последней четверти XIV – начале XV в., когда была свергнута диктатура партии гвельфов, поставлен предел режиму младших цехов, и городское общество вернулось к республиканским порядкам, достигнув относительного равновесия участвующих в управлении структур – старших и младших цехов, а также вернувшихся в город архигвельфов. Это отразилось в восприятии граждан, как достижение социумом относительной гармонии в процветающем, добившемся значимых внешнеполитических успехов городе. Далее исследуется «цена победы»: ограничение норм флорентийской демократии в пользу формирующегося олигархического строя. The article deals with the peculiarities of the perception of socio-political changes by Florentine citizens in the last quarter of the XIV- early XV c., when the dictatorship of the Guelph Party was overthrown, a limit was set to the regime of junior workshops, and urban society returned to republican order, reaching a relative balance of structures involved in the management – senior and junior workshops, as well as those who returned to the city of the arch-elves. This was reflected in the perception of citizens as the achievement of relative harmony by society in a rich, prosperous city that has achieved significant foreign policy successes (inclusion in the sphere of the Florentine dominion of Arezzo and Pisa). Next, the "price of victory" is investigated: the restriction of the norms of Florentine democracy in favor of the emerging oligarchic system.
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Zernetska, O., and O. Myronchuk. "Historical Memory and Practices of Monumental Commemoration of World War I in Australia (Part 1)." Problems of World History, no. 12 (September 29, 2020): 208–24. http://dx.doi.org/10.46869/2707-6776-2020-12-11.

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The authors’ research attention is focused on the specifics of the Australian memorial practices dedicated to the World War I. The statement is substantiated that in the Australian context memorials and military monuments formed a special post-war and post-traumatic part of the visual memory of the first Australian global military conflict. The features of the Australian memorial concept are clarified, the social function of the monuments and their important role in the psychological overcoming of the trauma and bitter losses experienced are noted. The multifaceted aspects of visualization of the monumental memory of the World War I in Australia are analyzed. Monuments and memorials are an important part of Australia’s visual heritage. It is concluded that each Australian State has developed its own concept of memory, embodied in various types and nature of monuments. The main ones are analyzed in detail: Shrine of Remembrance in Melbourne (1928–1934); Australian War Memorial in Canberra (1941); Sydney Cenotaph (1927-1929) and Anzac Memorial in Sydney (1934); Desert Mounted Corps Memorial in Western Australia (1932); Victoria Memorials: Avenue of Honour and Victory Arch in Ballarat (1917-1919), Australian Ex-Prisoners of War Memorial (2004), Great Ocean Road – the longest nationwide memorial (1919-1932); Hobart War Memorial in the Australian State of Tasmania (1925), as well as Villers-Bretonneux Australian National Memorial in France dedicated to French-Australian cooperation during the World War I (1938). The authors demonstrate an inseparable connection between the commemorative practices of Australia and the politics of national identity, explore the trends in the creation and development of memorial practices. It is noted that the overwhelming majority of memorial sites are based on the clearly expressed function of a place of memory, a place of mourning and commemoration. It was found that the representation of the memorial policy of the memory of Australia in the first post-war years was implemented at the beginning at the local level and was partially influenced by British memorial practices, transforming over time into a nationwide cultural resource.
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Zernetska, O., and O. Myronchuk. "Historical Memory and Practices of Monumental Commemoration of World War I in Australia (Part 2)." Problems of World History, no. 13 (March 18, 2021): 203–21. http://dx.doi.org/10.46869/2707-6776-2021-13-10.

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The authors’ research attention is focused on the specifics of the Australian memorial practices dedicated to the World War I. The statement is substantiated that in the Australian context memorials and military monuments formed a special post-war and post-traumatic part of the visual memory of the first Australian global military conflict. The features of the Australian memorial concept are clarified, the social function of the monuments and their important role in the psychological overcoming of the trauma and bitter losses experienced are noted. The multifaceted aspects of visualization of the monumental memory of the World War I in Australia are analyzed. Monuments and memorials are an important part of Australia’s visual heritage. It is concluded that each Australian State has developed its own concept of memory, embodied in various types and nature of monuments. The main ones are analyzed in detail: Shrine of Remembrance in Melbourne (1928–1934); Australian War Memorial in Canberra (1941); Sydney Cenotaph (1927-1929) and Anzac Memorial in Sydney (1934); Desert Mounted Corps Memorial in Western Australia (1932); Victoria Memorials: Avenue of Honour and Victory Arch in Ballarat (1917-1919), Australian Ex-Prisoners of War Memorial (2004), Great Ocean Road – the longest nationwide memorial (1919-1932); Hobart War Memorial in the Australian State of Tasmania (1925), as well as Villers-Bretonneux Australian National Memorial in France dedicated to French-Australian cooperation during the World War I (1938). The authors demonstrate an inseparable connection between the commemorative practices of Australia and the politics of national identity, explore the trends in the creation and development of memorial practices. It is noted that the overwhelming majority of memorial sites are based on the clearly expressed function of a place of memory, a place of mourning and commemoration. It was found that the representation of the memorial policy of the memory of Australia in the first post-war years was implemented at the beginning at the local level and was partially influenced by British memorial practices, transforming over time into a nationwide cultural resource.
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Stammberger, Ralf M. W. "De archa Noe, Libellus de formatione arche. Hugo de Sancto Victore , Patricius SicardDe tribus diebus. Hugo de Sancto Victore , Dominique Poirel." Speculum 79, no. 3 (July 2004): 773–75. http://dx.doi.org/10.1017/s0038713400090151.

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Badoud, Nathan. "La Victoire de Samothrace, défaite de Philippe V." Revue archéologique 66, no. 2 (2018): 279. http://dx.doi.org/10.3917/arch.182.0279.

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Paulin, C. "Review of the Australian fish family Arripididae (Percomorpha), with the description of a new species." Marine and Freshwater Research 44, no. 3 (1993): 459. http://dx.doi.org/10.1071/mf9930459.

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The family Arripididae contains one genus, Arripis Jenyns, with four species endemic to areas within temperate Australian and New Zealand waters. A. georgianus (Valenciennes), found throughout cool temperate Australia, is identified by having more than 27 rakers on the lower limb of the first gill arch. A. truttaceus (Cuvier), found in Western and South Australia, Victoria and Tasmania, has fewer than 17 rakers on the lower limb of the first gill arch. A. trutta (Bloch & Schneider), found in eastern Australia, Victoria, Tasmania and New Zealand, has 20-24 rakers on the lower limb of the first gill arch and a small caudal fin whose length is equal to or less than the length of the head. A. xylabion sp, nov., found in northern New Zealand, Lord Howe Island, Norfolk Island and the Kermadec Islands, is identified by having 20-25 rakers on the lower limb of the first gill arch and a large caudal fin whose length is longer than that of the head. A neotype is designated for A. trutta.
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Dissertations / Theses on the topic "Arch of Victory"

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Sicard, Patrice. "Images et spiritualité au XIIe siècle : le "Libellus de formatione arche" de Hugues de Saint-Victor : étude d'histoire littéraire et doctrinale." Paris 4, 1989. http://www.theses.fr/1989PA040085.

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Hugues de Saint-Victor (mort en 1141) a tenu au cloître de l'abbaye parisienne de Saint-Victor des entretiens spirituels dont le contenu a fourni la matière du traité De archa Noe,d'abord rédigé à l'attention de ses auditeurs. Nous avons essayé de montrer qu'une représentation figurée a accompagné les propos du maître,et qu'un ouvrage,joint par Hugues à titre d'appendice au 'De archa Noe',le 'Libellus de formatione arche',devait guider le lecteur dans la réalisation de ce dessin. Le témoignage des manuscrits et la critique textuelle permettent de conclure que Hugues lui-même a remanié le 'Libellus',vers 1135. Le dessin décrit par le 'Libellius' relève d'une méthode de pédagogie spirituelle à laquelle on peut donner le nom d'"exégèse visuelle". Celle-ci doit mener le lecteur à la "meditatio" et à la "contemplatio",en lui faisant parcourir les trois sens scripturaires. Le diagramme est la voie de cet itinéraire spirituel et il met en oeuvre une pédagogie appuyée sur une anthropologie et une théorie de l'expérience spirituelle
Hugh of Saint-Victor gave several lectures at the cloister of the parisian abbey of St Victor : the subject furnished the matter of the treatise 'De Archa Noe'. .
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Saunders, Katharine Emma. "Micro-analytical studies of the petrogenesis of silicic arc magmas in the Taupo Volcanic Zone and southern Kermadec Arc, New Zealand : a thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy in Geology /." ResearchArchive@Victoria e-Thesis, 2009. http://hdl.handle.net/10063/943.

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Books on the topic "Arch of Victory"

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Saiyasitsēnā, Tham. Victory arch: Construction, significance, prestige. Nongkhai, Thailand: Mtthai Press, 1995.

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2

Hugh. Hugonis de Sancto Victore De Archa Noe : figurae: Libellus de formatione arche : figurae. Turnhout: Brepols, 2001.

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Les arcs-en-ciel du noir: Victor Hugo. Paris: Gallimard, 2012.

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Diagrammes médiévaux et exégèse visuelle: Le Libellus de formatione arche de Hugues de Saint-Victor. Paris: Brepols, 1993.

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Gondoin, Stéphane W. Joan of Arc and the passage to victory, 1428-29: The Siege of Orléans and the Loire campaign. Paris: Histoire & Collections, 2010.

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Phillips, Alastair, and Ginette Vincendeau, eds. Journeys of Desire. Bloomsbury Publishing, 2006. http://dx.doi.org/10.5040/9781838710439.

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Journeys of Desire offers for the first time, a comprehensive critical guide to European actors in American film, bringing together 15 overview chapters with A-Z entries on over 900 individuals in one accessible and scholarly volume. Since the early days of the US film industry, European actors have consistently been a major force in Hollywood. Screen idols such as Charlie Chaplin, Greta Garbo, Marlene Dietrich, Charles Boyer, Audrey Hepburn, Maurice Chevalier, Arnold Schwarzenegger, and Antonio Banderas, as well as scores of more modest players, have profoundly shaped 'American' cinema. They have also contributed to the propagation of European types and stereotypes such as the 'Russian' and 'Nordic' queens played by Garbo and Dietrich, the French roues popularised by Chevalier, the fiery Latinos depicted by Banderas and the British arch-villains played by Steven Berkoff, Anthony Hopkins and Tim Roth. Films such as 'Casablanca' (1942), 'Gigi' (1958), 'Green Card' (1990), and 'Vanilla Sky' (2001), among many others, would not be the same without them. Contributions from a team of 70 international experts provide groundbreaking case studies of prominent individuals and phenomena associated with the emigres, such as the retired Russian officers who played crowds in silent films, the stereotyping of European actresses in 'bad women' roles, and the ultimate irony of Jewish actors playing Nazis. Individual entries chart the careers and screen performances of the European actors - from Victoria Abril to Mai Zetterling - who appeared in American movies.
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Joseph, Timothy A. Thunder and Lament. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197582145.001.0001.

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Lucan’s epic poem Pharsalia tells the story of the cataclysmic “end of Rome” through the victory of Julius Caesar and Caesarism in the civil wars of 49–48 BCE. This book argues that Lucan’s poetic agenda moves in lockstep with his narrative arc, as he fashions the Pharsalia to mark the momentous end of the epic genre. In order to accomplish the closure of the genre, Lucan engages pervasively and polemically with the very first works of Greek and Roman epic—inverting, collapsing, undoing, and completing tropes and themes introduced in Homer’s Iliad and Odyssey and in the foundational Latin epic poems by Livius Andronicus, Naevius, and most of all Ennius. By focusing on Lucan’s effort to “surpass the poets of old”—a phrase Statius would use of his achievement—this study deepens our appreciation of Lucan’s poetic accomplishment and of the tensions between beginning and ending that lie at the heart of the epic genre. Statius also read Lucan as a poet who both thunders and laments, and this book argues that Lucan closes off epic’s beginnings through gestures of thundering poetic violence and also through a transformation and completion of the traditional epic mode of lament. Equipped with these two registers of closure, each engaging and taking aim at epic’s primal texts, Lucan positions the Pharsalia as epic’s final song.
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Maçães, Bruno. History Has Begun. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197528341.001.0001.

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Popular consensus says that the US rose over two centuries to Cold War victory and world domination, and is now in slow decline. But is this right? History's great civilizations have always lasted much longer, and for all its colossal power, American culture was overshadowed by Europe until recently. What if this isn't the end? This book offers a compelling vision of America's future, both fascinating and unnerving. From the early American Republic, it takes us to the turbulent present, when, it argues, America is finally forging its own path. We can see the birth pangs of this new civilization in today's debates on guns, religion, foreign policy, and the significance of Trump. Should the coronavirus pandemic be regarded as an opportunity to build a new kind of society? What will its values be, and what will this new America look like? The book traces the long arc of US history to argue that in contrast to those who see the US on the cusp of decline, it may well be simply shifting to a new model, one equally powerful but no longer liberal. Consequently, it is no longer enough to analyze America's current trajectory through the simple prism of decline vs. progress, which assumes a static model—America as liberal leviathan. Rather, the book argues that America may be casting off the liberalism that has defined the country since its founding for a new model, one more appropriate to succeeding in a transformed world.
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Creativos, Cuadernos. Los Hombres Pelean; SÓlo Dios Da la Victoria: Cuaderno de Notas. Libreta de Apuntes, Diario Personal o Agenda para Amantes de la Historia. Frase CÉlebre de Juana de Arco. Cuaderno de CumpleaÑos. Independently Published, 2021.

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Book chapters on the topic "Arch of Victory"

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Brown, Thomas J. "Visions of Victory." In Civil War Monuments and the Militarization of America, 186–231. University of North Carolina Press, 2019. http://dx.doi.org/10.5149/northcarolina/9781469653747.003.0005.

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This chapter situates northern and southern monuments to Civil War victory within longstanding traditions in art history. The triumphal arch came to the United States after the war. Proposals for arches framed debates about the future of antebellum landscapes like town commons and parade grounds, and arches also figured prominently in the shaping of public parks, largely a key feature of post-war urban planning. Increasingly sexualized statues of Nike, or Winged Victory, imagined Union triumph as a more comprehensive consummation than the most renowned successes of antiquity. Early attempts to represent peace incorporated a foundation in social or political change, but peace gradually converged with martial victory. The shift in Union memorials from regeneration to self-congratulation paralleled the rise of Confederate victory memorials. These works partly celebrated the overthrow of Reconstruction and consolidation of white supremacism but also illustrated a deepening national reluctance to engage in critical introspection.
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Benelli, Francesco. "The Arch of Trajan in Ancona and civic identity in the Italian Quattrocento from Ciriaco d’Ancona to the death of Matthias Corvinus1." In Local antiquities, local identities, 37–56. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526117045.003.0003.

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This essay offers new insights into the civic value and the reception of the Arch of Trajan for Renaissance architecture in Ancona, a city almost completely overlooked by Renaissance historiography because of the destruction of most of its buildings. Built in 115 AD the Arch was meant to celebrate the Emperor’s victory in the Dacian wars, whose fleet departed from Ancona. Looking to sources to be found outside of the city it is possible to examine the legacy of the arch – a monument praised by Sebastiano Serlio and Andrea Palladio, among others -‐ in public and religious architecture, as well as its role in creating the identity of the city. Some motifs from the arch appear already in Giorgio da Sebenico’s late Gothic church portals of S. Agostino and S. Francesco alle Scale, as well as in the Loggia dei Mercanti (late 1450’s, early 1460’s), but its first important depiction is by Pinturicchio in the Piccolomini library in Siena. Here the arch is placed adjacent to Pius II’s, celebrating the (failed) departure of the fifth crusade from Ancona’s harbour in 1464 as a neo-Trajanic enterprise.
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Barron, Caroline. "The (lost) Arch of Titus: the visibility and prominence of victory in Flavian Rome." In Reconsidering Roman power. Publications de l’École française de Rome, 2020. http://dx.doi.org/10.4000/books.efr.4809.

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Sragow, Michael. "Ingrid Bergman and Joan of Arc." In Victor Fleming, 446–89. University Press of Kentucky, 2013. http://dx.doi.org/10.5810/kentucky/9780813144412.003.0030.

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Woodruff, Paul. "Messianic Leadership." In The Garden of Leaders, 29–36. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190883645.003.0003.

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Joan the Maid, known in our time as Joan of Arc, led a French army to victory by inspiring them to work together for the goal of freedom for France. She was brilliantly successful at the start. But Joan was limited by her ignorance and lack of education—an innocent, totally unprepared for the politics of the situation in which she had thrust herself. Her kind of messianic leadership would not survive school learning, and it cannot function well for long in the real world. We can learn both positive and negative lessons from her story. The positive lesson arises from the galvanic effect that her message had on a dispirited army; her vision brought it together and made it a powerful fighting force. She was able to do this without any military or civilian authority. The negative lesson comes from her failure to understand the diplomatic reality on which true victory would depend. Looking at her failure, we can sketch out the education that a more successful leader would need.
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"Joshua Brindley Discusses the Betrayal and the Victory Story Arcs for Data Visualization." In Data Narratives. United Kingdom: Joshua Brindley, 2020. http://dx.doi.org/10.4135/9781529775297.n3.

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van Delden, Ate. "In and out of the Deepest Depression." In Adrian Rollini, 295–316. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496825155.003.0017.

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Rollini joins Richard Himber' Ritz-Carlton hotel band and does some recording work under his own name, but he wants more stability and decides to start a club of his own. This became Adrian's Tap Room where Fats Waller was the piano player/entertainer. Musicians would gather there and often jam together and with the regular band. Also Rollini crossed paths again with Ed Kirkeby who, as an agent for Victor, got him several record dates for that label.With some dates with ARC a.o. with Dick McDonough, Rollini's dark Depression years ended.
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Conference papers on the topic "Arch of Victory"

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Cruz Castillo, Denisse, Juan Alonso Ramirez Fernandez, Fernando Velasco Tapia, and Uwe Jenchen. "NORTHERNMOST EXPRESSION OF THE GONDWANIC CARBONIFEROUS ARC IN MEXICO: ASERRADERO RHYOLITE FROM CIUDAD VICTORIA, TAMAULIPAS." In 54th Annual GSA South-Central Section Meeting 2020. Geological Society of America, 2020. http://dx.doi.org/10.1130/abs/2020sc-342996.

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Ramirez Fernandez, Juan, Eduardo Alejandro Alemán Gallardo, Juan Moisés Casas Peña, and Uwe Jenchen. "EARLY MISSISIPPIAN, PERI-GONDWANAN ARC VOLCANISM IN NE-MEXICO: ASERRADERO RHYOLITE FROM THE CIUDAD VICTORIA BLOCK." In Joint 55th Annual North-Central / 55th Annual South-Central Section Meeting - 2021. Geological Society of America, 2021. http://dx.doi.org/10.1130/abs/2021nc-362746.

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Erickson, Elizabeth A., and John M. Cottle. "ROSS OROGENY MAGMATISM IN NORTHERN VICTORIA LAND, ANTARCTICA: INSIGHT INTO ALONG-STRIKE ARC VARIATION AND COMPARISON TO THE DETRITAL ZIRCON RECORD." In GSA Annual Meeting in Seattle, Washington, USA - 2017. Geological Society of America, 2017. http://dx.doi.org/10.1130/abs/2017am-299690.

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Ramirez Fernandez, Juan Alonso, Denisse Cruz Castillo, Eduardo Alejandro Alemán Gallardo, Fernando Velasco Tapia, and Uwe Jenchen. "PALEOZOIC MAGMATIC ACIDID ROCKS PRESERVED IN THE BASEMENT OF THE SIERRA MADRE ORIENTAL, CIUDAD VICTORIA, TAMAULIPAS: EVOLUTION OF ORDOVICIAN AND CARBONIFEROUS ARCS ALONG THE NW-MARGIN OF GONDWANA." In 54th Annual GSA South-Central Section Meeting 2020. Geological Society of America, 2020. http://dx.doi.org/10.1130/abs/2020sc-342663.

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Reports on the topic "Arch of Victory"

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Bailey, A., E. Bastrakov, C. Cairns, R. Cayley, R. Duncan, D. Huston, C. Lewis, et al. Regional geology and mineral systems of the Stavely Arc, western Victoria. Edited by A. Schofield. Geoscience Australia, 2018. http://dx.doi.org/10.11636/record.2018.002.

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