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Dissertations / Theses on the topic 'Archaeological museums and exhibitions'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Lin, Chungju. "Special exhibitions and national museums in Taiwan : an investigation." Thesis, University of Leicester, 2015. http://hdl.handle.net/2381/33293.

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One hundred years ago, the museum was founded in Taiwan by the Japanese government. This “new” cultural institution did not exist in the past, so the distance between the museum and the public was to be expected. On the other hand, the expositions broadly took place around Taiwan, and although most of them were mainly for commercial purposes, these exhibitions have become a form of social memory for most of the Taiwanese people and to allow for experiencing art and world wonders (Lu Shao-Li 2005). In the 1990’s, holding special exhibitions in Taiwan’s national museums was a vital strategy to i

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2

Cheng, Chuen-fung Dara. "Museum of archaeology in Tai Po (Wun Yiu)." Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25956516.

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3

Littler, Jo. "Capital displays : exhibitions and consumer culture in twentieth-century England." Thesis, University of Sussex, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368277.

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4

Kong, Da. "Imaging China : China's cultural diplomacy through loan exhibitions to British museums." Thesis, University of Leicester, 2015. http://hdl.handle.net/2381/33072.

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China’s worldwide cultural promotion has attracted considerable attention in the past decade. Art exhibitions sent out by the Chinese government, as an important part of such initiatives, have been ever more visible in Western museums. How and why the Chinese government uses such exhibitions, however, has rarely been explored. This study examines how such exhibitions have contributed to China’s cultural diplomacy, through shaping the image of China in the British media. It demonstrates how China’s loan exhibitions contribute to an advanced and civilised, democratic and humanist (with Chinese c

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5

Petty, Nancy. "African Art in Western Museums: Issues and Perspectives." Honors in the Major Thesis, University of Central Florida, 2006. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/992.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Sciences<br>Art History

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Gazi, Andromache. "Archaeological museums in Greece (1829-1909) : the display of archaeology." Thesis, University of Leicester, 1993. http://hdl.handle.net/2381/10203.

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This study examines the way in which the Greek archaeological heritage was presented through Greek archaeological displays of the period 1829-1909 and outlines the history of Greek archaeological museums during the above period. The study starts by examining the impact that the West-European idealisation of ancient Greece had on the Greeks' perception of their own cultural past. It then looks at the Greek concepts of the Greek antiquity from the eighteenth century to the end of the period under study (1909). Effort is made to examine whether, or not, any obvious ideology was involved in the Gr

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Terheide, Sarah E. "Restorative Exhibition Practices: Foregrounding the Cultural and Archaeological Destruction of 19th Century Pothunting through a Web-Based Virtual Exhibit of Three-Dimensional Models of Southeastern Ceramics within a NAGPRA Remediation Project." University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1595849396122411.

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Ríos-Bustamante, Antonio. "El Orgullo De Ser: Mexican American/Latino Applied History Programs, Exhibitions and Museums." University of Arizona, Mexican American Studies and Research Center, 1990. http://hdl.handle.net/10150/218873.

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Grunenberg, Christoph. "The politics of presentation : museums, galleries and exhibitions in New York, 1929-1947." Thesis, Courtauld Institute of Art (University of London), 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.283893.

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10

Petrov, Julia. "Dressing ghosts : museum exhibitions of historical fashion in Britain and North America." Thesis, University of Leicester, 2012. http://hdl.handle.net/2381/11065.

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By critically analyzing trends in museum fashion exhibition practice over the past century, this thesis defines and describes the varied representations of historical fashion within museum exhibitions in Britain and North America. Evidence collected through archival research on past exhibitions at the Victoria and Albert Museum, Bath Fashion Museum, the Metropolitan Museum of Art, Brooklyn Museum, the Royal Ontario Museum, and the McCord Museum, and supplemented by media reports, academic reviews, as well as secondary theoretical literature, suggests that the discourses of historical fashion e

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Hsieh, Ching-yueh. "Exhibiting minority culture : an exploration of exhibitions of indigenous culture in museums of Taiwan." Thesis, University of Leicester, 2016. http://hdl.handle.net/2381/38217.

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The research subjects of this study are temporary museum exhibitions of indigenous culture in Taiwan. Via three case studies, each typifying a different approach to exhibition making, this study isolates the factors that affect the process of making museum exhibitions of indigenous culture in Taiwan, examines the effects that exhibition making has on the exhibited subject and delineates the nature and characteristics of such exhibitions themselves. The key findings of this study are that such factors as the rules and resources generated by cultural policy, administration and performance evalua

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Studart, Denise Coelho. "The perceptions and behaviour of children and their families in child-orientated museum exhibitions." Thesis, University College London (University of London), 2000. http://discovery.ucl.ac.uk/1318009/.

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This study explores the part that child-orientated exhibitions play in the child and family museum experience. Such exhibitions are characterised by their distinctive approaches to learning, interpretation, and design, being especially devised for children. The research was carried out in children's galleries from three types of museum (a maritime museum, a science museum, and a children's museum) in order to compare and contrast similarities and differences between them. Since most of the research in this area has been carried out in science centres or science museums, there is a need to expl

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13

Manasseh, Cyrus. "The problematic of video art in the museum (1968-1990)." University of Western Australia. Faculty of Architecture, Landscape and Visual Arts, 2008. http://theses.library.uwa.edu.au/adt-WU2009.0004.

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This thesis discusses how museum structures were redefined over a twenty-two year period in specific relation to the impetus of Video Art. It contends that Video Art would be instrumental in the evolution of the contemporary art museum. The thesis will analyse, discuss and evaluate the problematic nature and form of Video Art within four major contemporary art museums - the Museum of Modern Art (MoMA) in New York, the Georges Pompidou National Centre of Art and Culture in Paris, the Tate Gallery in London and the Art Gallery of New South Wales (AGNSW) in Sydney. By addressing some of the probl

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Tahan, Lina Gebrail. "Archaeological museums in Lebanon : a stage for colonial and post-colonial allegories." Thesis, University of Cambridge, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.615976.

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Hansen, Paul. "The Immaculate Perception project : exhibition creation and reception in a New Zealand regional art museum : thesis presented in partial fulfilment of the requirements for the degree of Master of Philosophy in Museum Studies, Massey University, Palmerston North, New Zealand." Massey University. School of Maori Studies, 2003. http://hdl.handle.net/10179/249.

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Internationally, museums have increasingly come under review since Bourdieu's (1969) research focused on art gallery visiting patterns and cultural codes. Museums exist within a post-modern milieu that demands a more democratic approach to defining their cultural and educational role within society. Over the last decade in particular, art museums, criticised for being elitist and insular within their communities, have been challenged to be more inclusive, accessible and relevant to their local communities.The literature suggests that a review of the core mission and the culture of museums is r

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Stevenson, Ann. "Changing tides: the development of an archaeological exhibit." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25537.

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This thesis report is part of a larger thesis project which includes the museum exhibit Changing Tides and the UBC Museum of Anthropology Museum Note No. 13, entitled Changing Tides: The Development of Archaeology in B.C.'s Fraser Delta. This report chronicles the planning and production of this exhibit project and outlines the criteria on which it is based. The main objective of this project was to aid in the development of public appreciation for scientific archaeology. Justification for this objective is provided through a discussion of the role of public interpretation in archaeology. Fu

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Lira, Sérgio. "Museums and temporary exhibitions as means of propaganda : the Portuguese case during the Estado Novo." Thesis, University of Leicester, 2002. http://hdl.handle.net/2381/31140.

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This thesis aims at understanding how museums and temporary exhibitions were used for the purposes of nationalist propaganda during the Portuguese Estado Novo (1926-1974). The dissertation is therefore centred in the analysis of several museums, which are presented as significant case studies of the Portuguese museological reality, as well as in the presentation of all temporary exhibitions of the period where clear propagandistic goals were detectable. According to the plan of the research the methodology to be used was mainly that of the historians. Therefore, after the establishment of a co

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Badran, Arwa. ""Archaeological Museums and Schools : Teaching Primary-Aged Children about the Past in Jordan." Thesis, University of Newcastle upon Tyne, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.525065.

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Giraldo, Verónica. "Here we are building a museum together: An interactive exhibition." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22327.

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It has been established by several studies that interactive exhibitions in museums bring many benefits to the experience of its visitors. This thesis explores how to make the exhibition Människor och idéer i rörelse (People and Ideas in Motion) interactive. This exhibition took place at the Workroom of Rörelsernas Museum (Museum of Movements) in Malmö. The exhibition was designed so that no one needed to go inside, but rather view and interact with the content of the exhibition from the street, which was displayed on the windows of the Workroom.Through a context-based design approach, the desi

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Redvale, Jolene Kay. "Interactive exhibits in museums: Definitions, methods and visitor experiences." CSUSB ScholarWorks, 1997. https://scholarworks.lib.csusb.edu/etd-project/1371.

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21

Högström-Schnee, Linn. "Treading the Timeline : A Study of the Newly Renovated Permanent Art and Design Exhibition at Nationalmuseum, Stockholm." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-165547.

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The present study is, to my knowledge, the first investigating the newly renovated and rearranged permanent art and design exhibition at Nationalmuseum, Stockholm: The Timeline. The exhibition presents Western art from 1500 to 1914 and design and portraiture from 1500 until today in a chronological arrangement. In the first chapter of the analysis, the exhibition is compared to previous arrangements of the permanent art exhibition at Nationalmuseum, as well as to historical museological trends. In the second chapter, Carol Duncan’s perspective of the ritual structure is applied in order to exp

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Davies, Susan Margaret. "Co-production and values in museums : with special reference to the production of temporary exhibitions in Britain." Thesis, Open University, 2011. http://oro.open.ac.uk/54507/.

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This thesis looks at co-production in museums, specifically how external parties were involved in the production of temporary exhibitions. It explores the different patterns of co-production found in various museum contexts, offers an explanation for the differences based on values and discusses the implications for museum managers. The research explored the topic from a museum management perspective, an interdisciplinary field informed by museum and heritage studies as well as various management disciplines. The central research question was - why does the pattern of external involvement in t

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Dickenson, Rachelle. "The stories told : indigenous art collections, museums, and national identities." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98919.

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The history of collection at the National Gallery of Canada, the Art Gallery of Ontario and the Montreal Museum of Fine Arts, illustrates concepts of race in the development of museums in Canada from before Confederation to today. Located at intersections of Art History, Museology, Postcolonial Studies and Native Studies, this thesis uses discourse theory to trouble definitions of nation and problematize them as inherently racial constructs wherein 'Canadianness' is institutionalized as a dominant white, Euro-Canadian discourse that mediates belonging. The recent reinstallations of the permane

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Julig, Patrick. "Archaeological Theme Parks, Public Archaeology, and Living Museums: Prospects for the Upper Great Lakes Region." Laurentian University Press, Sudbury, Ontario, 1999. https://zone.biblio.laurentian.ca/dspace/handle/10219/161.

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The development and management of heritage sites, including prehistorical and historical archaeological sites, trading posts and aboriginal traditional-use sites, is of interest to governments for their potential in the fields of tourism, youth employment and economic development. In Canada, the issues of rights, ownership and management decisions for such sites are still in contention as multiple cultures (Aboriginal, French, English) may have occupied and used these sites either successively or concurrently. The First Nations often have some claim to these sites as they are of the original

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Chung, Y. S. S. "Transitions : the history and philosophy of County Archaeological Society museums in mid-nineteenth-century England." Thesis, University of Cambridge, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.597689.

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As a link between academia and the public, museums are institutions that produce and exhibit knowledge. The significance of this knowledge lies in that it forms what is regarded as collective knowledge. Museums have always created this significance through the three functions of preservation, research, and communication of objects. It is of particular interest in this dissertation to see the process in which museums began to emerge as agents in creating collective knowledge. Like museums, prehistoric archaeology as a distinct scientific field of investigation comes to the foreground in England

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Hall, Sebastian. "Creating Strong Cross Media Concepts for Museum Exhibitions." Thesis, Umeå universitet, Institutionen för informatik, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-73243.

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In this paper I argue that, in an effort to create novel cross media exhibition concepts, museums should use service design. By realigning their organizations and embrace the fact that what they are offering is indeed a service, they can gain a new outlook and generate new ideas about how to create novel cross media exhibition concepts. I also suggest that treating the exhibition in a similar way that film studios treat franchises could help shift the mindset and make it cross media-centric. In order to arrive at these conclusions I performed an observational study and conducted qualitative in

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Cheng, Chuen-fung Dara, and 鄭傳峰. "Museum of archaeology in Tai Po (Wun Yiu)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31983820.

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Nerman, Solveig. "Utställningspedagogik möter neuropsykiatriska funktionsnedsättningar : Nordiska museet under luppen." Thesis, Uppsala universitet, Kulturvård, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-297537.

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A goal in conservation is that cultural heritage should be for everyone and therefore should be experienced by everyone. With ramps, lifts, Braille exhibitions, sign language interpreted tours, tours for the visually impaired, etc., adaptions are made for people with physical disabilities. The purpose of this paper is to highlight how the Nordic Museum works to reach people with neuropsychiatric disorders along with the specific needs and disabilities which may need to be met by the museum. The case study will aim to highlight problems and opportunities in pedagogy of exhibitions focused on ne

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Brown, Carol. ""Museum spaces in post-apartheid South Africa": the Durban Art Gallery as a case study." Thesis, Rhodes University, 2006. http://hdl.handle.net/10962/d1006231.

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This dissertation examines the history of the Durban Art Gallery from its founding in 1892 until 2004, a decade after the First Democratic Election. While the emphasis is on significant changes that were introduced in the post-1994 period, the earlier section of the study locates these initiatives within a broad historical framework. The collecting policies of the museum as well as its exhibitions and programmes are considered in the light of the institution 's changing social and political context as well as shifting imperatives within a local, regional and national art world. The Durban Art

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Polyzoudi, Archondia. "The display of archaeology in museums of Northern Greece : the socio-politics and poetics of museum narratives." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610491.

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Smith, Daniel Charles Patrick. "City revealed : the process and politics of exhibition development : a thesis presented in partial fulfilment of the requirements for the degree of Master of Arts in Museum Studies at Massey University, Palmerston North, New Zealand." Massey University. School of Maori Studies, 2003. http://hdl.handle.net/10179/253.

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This thesis examines the ways in which the process of exhibition development and the politics this involves affects the practice of history in the museum. It does this by establishing the broad parameters of history practice in the museum and places this in relation to academic practice, focusing on the New Zealand context and specifically upon Auckland War Memorial Museum. From this basis the thesis examines the development of City exhibition at Auckland Museum as a large-scale museum history exposition. The development process for this exhibition was created with the aim of changing the trad

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Moraes, Marcia Martins Rodrigues de. "Entre o museu e a praça : o legado de Lygia Clark e Helio Oiticica." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284786.

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Orientador: Maria de Fatima Morethy Couto<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-07T06:11:05Z (GMT). No. of bitstreams: 1 Moraes_MarciaMartinsRodriguesde_M.pdf: 2220447 bytes, checksum: 93444011f38c863dfc681cf69cc62e2a (MD5) Previous issue date: 2006<br>Resumo: O descompasso entre a arte contemporânea e as convenções museológicas já se delineia há algumas décadas, e pode ser explicado pelo fato de que o museu convencionado durante o modernismo tornou-se inadequado frente às produções artísticas mais recentes e

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Addo, Giuseppina. "Whom Does the Object Call for? : Encoding activism in exhibitions in Sweden." Thesis, Malmö universitet, Institutionen för konst, kultur och kommunikation (K3), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-46013.

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The museum of the twenty-first century is operating against the backdrop of ongoing social concerns pertaining to climate change, gender inequalities and racial tensions, and often exhibitions become the contact zones where those expressions are formulated. This research analyses how a democratic and inclusive philosophical perspective such as the Tigens Metod (or method of the thing) is executed by museum professionals. In doing so, Stuart Hall’s model of encoding/decoding is applied as the theoretical framework in investigating the process of exhibition production. It is argued that occasion

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Tully, Gemma. "'Answering the calls of the living' : collaborative practice in archaeology and ancient Egyptian daily life exhibitions in Western museums." Thesis, University of Southampton, 2010. https://eprints.soton.ac.uk/169795/.

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Western museum displays of Egyptology are in need of an overhaul. The study of the ancient Egyptian past and the methods by which museums represent this past are affected by over two hundred years of Western tradition. This tradition, founded in a time of nation-building, led to the establishment of a narrow set of understandings of ancient Egypt. Focused on elite individuals, death and religious practices, early Egyptological scholarship and museum display created an environment in which the public could do little more than stare in awe. While distancing ancient Egypt from the familiar, Weste

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Andrews, Erin L. "Old stories, new narratives public archaeology and the politics of display at Georgia's official Southeastern Indian interpretive center /." Atlanta, Ga. : Georgia State University, 2009. http://digitalarchive.gsu.edu/anthro_theses/30/.

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Thesis (M.A.)--Georgia State University, 2009.<br>Title from title page (Digital Archive@GSU, viewed June 22, 2010) Despina Margomenou, committee chair; Jeffrey Glover, Emanuela Guano, committee members. Includes bibliographical references (p. 94-100).

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Doswell, Raymond. "Evaluating educational value in museum exhibitions : establishing an evaluation process for the Negro Leagues Baseball Museum." Diss., Manhattan, Kan. : Kansas State University, 2008. http://hdl.handle.net/2097/741.

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Beale, Nicole. "Local archaeological archives as participatory heritage : investigating the potential of social media to improve access to archaeological archives in local government affiliated museums in England and Wales." Thesis, University of Southampton, 2016. https://eprints.soton.ac.uk/401913/.

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This research presented within this PhD thesis sets out to develop new models of social media use for local government affiliated museums that care for archaeological archives (LAMA). The research was conducted in response to an emerging need for these institutions to engage more effectively with stakeholder communities in light of pressures on funding, the diversification of the heritage agenda, and in response to the increasingly community orientated nature of the museum in contemporary Britain. The thesis sets out to characterise and critically review current social media use by local museu

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Walton, James Andrew. "Like Jacob with Esau: The 3D Printed Replica and the Future of the Museum." Thesis, Virginia Tech, 2018. http://hdl.handle.net/10919/83543.

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The importance of the aura, the metaphysical element that gives art, artifacts, and other objects of cultural heritage their authenticity, has been heavily contemplated ever since the publication of Walter Benjamin's "The Work of Art in the Age of Mechanical Reproduction." This thesis strives to add to this conversation and expand upon it by delving into the emergence of additive manufacturing, or what is more commonly known as 3D printing, and its relation to museums and other institutions that comprise the public humanities. This technology challenges the auratic properties of an exhibit by

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Fournier, Anik Micheline. "Building nation and self through the other : two exhibitions of Chinese painting in Paris, 19331977." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82704.

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This thesis investigates Western exhibition practices and the problems that arise when they involve cross-cultural encounters. Two exhibitions of Chinese painting in Paris that were co-planned by French curators and Chinese artists will serve as case studies in this regard. The first exhibition is Exposition de la peinture chinoise held at the Musee du Jeu de Paume in 1933. The second show is Quatre artistes chinoises contemporaines held at the Musee Cernuschi in 1977. Using archival material, I will reconstruct the planning of the exhibitions and reveal diverging French and Chinese age

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Huerta, Ricard, Silvia Alderoqui, and María Cristina Linares. "Tango and Paella. Teachers from Buenos Aires and Valencia Curating Exhibitions with an educational focus." Pontificia Universidad Católica del Perú, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/117635.

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This paper proposes a new approach to managing and curating exhibitions, analyzing two exhibition projects with a strong participatory emphasis, focusing on the social aspect of these proposals. In both cases, the curators have prepared ajoint educational discourse. The Valencian «Disease’s Calligraphy» and the Buenos Aires «When I say School» consider the visitors as actors, performers and builders of meanings. The exhibitions create conditions of appropriation of heritage and offer quality experiences for different users developing their perspectives, knowledge, narrative and emotions.<br>El

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Insulander, Eva. "Tinget, rummet, besökaren : Om meningsskapande på museum." Doctoral thesis, Stockholms universitet, Institutionen för didaktik och pedagogiskt arbete, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-37403.

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The main purpose of this thesis is to describe and analyse how museum visitors engage with and make meaning from what is being offered to them in terms of the various resources made available in two exhibitions. Yet another purpose is to describe and analyse the design of these exhibitions. The empirical data stems from observational studies at the Museum of National Antiquities in Stockholm, and includes the investigation of two exhibitions: Prehistories I and II. Eight ‘visiting pairs’ were videotaped and the tapes were multimodally transcribed and analysed. Data also includes digital photos

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Louzada, Heloisa Olivi. "Contrastes na cena artística paulistana: MAC USP e MAM SP nos anos 1970." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-18112013-173923/.

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A arte brasileira durante a década de 1970 se destacou pelo alto grau de experimentalismo e de contestação aos cânones tanto artísticos como museológicos. As exposições anuais Panorama da Arte Atua Brasileira e Jovem Arte Contemporânea, organizadas respectivamente pelo Museu de Arte Moderna de São Paulo e pelo Museu de Arte Contemporânea da Universidade de São Paulo, se dedicaram a expor e legitimar determinadas tendências da arte dita jovem e atual durante esse período. A análise comparativa proposta por essa pesquisa revela e discute os mecanismos de seleção, organização, premiação e apresen

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Leon, Ethel. "Design em exposição: o design no Museu de Arte Moderna do Rio de Janeiro (1968-1978), na Federação das Indústrias de São Paulo (1978-1984) e no Museu da Casa Brasileira (1986-2002)." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-04042013-115331/.

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O trabalho configura uma contribuição para os estudos do campo do design brasileiro. Avalia iniciativas institucionais brasileiras de expor publicamente design, particularmente no Museu de Arte Moderna do Rio de Janeiro, com as Bienais de Design e o Instituto de Desenho Industrial; na Federação das Indústrias de São Paulo e no Museu da Casa Brasileira, reconhecendo-as como momentos de construção do campo. As concepções de design em jogo, sua aproximação com a esfera doméstica e sua heteronomia estão em questão, apontando para mudanças do próprio conceito de design no Brasil de 1970 a 2002. Rev

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Leitzke, Maria Cristina Padilha. "Curadorias compartilhadas : um estudo sobre as exposições realizadas no Museu da Universidade Federal do Rio Grande do Sul (2002 a 2009)." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2012. http://hdl.handle.net/10183/40485.

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Esta dissertação tem como foco de estudo as curadorias compartilhadas no Museu da UFRGS, no período de 2002 a 2009. Trata-se de um estudo de caso, constituído pela análise das curadorias referentes a quatro exposições: Artistas Professores (2002), Total Presença: Gravura (2005), Homem-Natureza: cultura, biodiversidade e sustentabilidade (2006) e Em casa, no universo (2009). Para a realização do estudo proposto foram utilizados três tipos de fontes: escritas, orais e visuais (imagens, constituídas por fotografias). O referencial teórico abarca autores da história da educação e da história cultu

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Howard, Courtney L. "Special Exhibitions, Media Outreach, and Press Coverage at the Metropolitan Museum of Art, the Chicago Art Institute, and the National Gallery of Art." Ohio University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1276542794.

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Nasanen, Liisa Maria Elina. "Stabilisation of archaeological copper alloy artefacts using subcritical fluid technology." Thesis, Cardiff University, 2018. http://orca.cf.ac.uk/114466/.

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The research presented aimed to investigate potential of subcritical fluid technology to effect Cl- release and transform compounds of copper alloy artefacts of cultural significance. The work intended to determine the most effective pH, temperature, and time combination subcritical treatment variables to: 1. transform or solvate insoluble or sparingly soluble copper compounds containing Cl - CuCl and Cu2(OH)3Cl (atacamite and clinoatacamite); 2. examine impact on typical patina compounds Cu2O and ‎Cu2CO3(OH)2 and to establish optimal conditions for their retention throughout treatment. Additi

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Silva, Mauricio Candido da. "Musealização da natureza: exposições em museu de história natural como representação cultural." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-27012014-110902/.

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Uma das principais características das exposições museológicas é o seu potencial de representatividade histórico-cultural, sobretudo quando dirigimos nossa atenção aos museus de história natural dos séculos XIX e XX, período de constituição do museu público, impulsionado pelos discursos nacionalistas, civilizatórios e modernizantes. A análise de projetos expositivos desse contexto possibilita inferir que o novo modelo de museu é resultado da busca do equilíbrio entre os estudos científicos desenvolvidos através das coleções de pesquisa e as formas efetivas de instrução pública. Centenas de mus

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Contier, Djana. "Relações entre ciência, tecnologia e sociedade em museus de ciências." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/48/48134/tde-10092009-145205/.

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Este trabalho analisa como museus de ciências no Brasil exploram as relações e as interferências mútuas entre ciência, tecnologia e sociedade, utilizando como principais referenciais a educação com enfoque ciência, tecnologia e sociedade (CTS), e a comunicação pública da ciência. A escolha da educação com enfoque CTS está relacionada à discussão sobre a importância da formação de cidadãos críticos diante das questões de ciência e tecnologia (C&T), incluindo a abordagem ciência, tecnologia, sociedade e meio ambiente (CTSA). Já a escolha da comunicação pública da ciência se dá pelo seu debate so

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Vörös, Aline da Silva Araújo. "Trajetórias e interações: os objetos da caixa didática “Padrões de Beleza” do Museu de Arqueologia e Etnologia da Universidade Federal do Paraná (MAE-UFPR)." Universidade Tecnológica Federal do Paraná, 2015. http://repositorio.utfpr.edu.br/jspui/handle/1/1352.

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CAPES<br>A presente pesquisa tem como intuito investigar uma coleção de objetos que compõe o material chamado caixa didática Padrões de Beleza, criado por um grupo da Ação Educativa do Museu de Arqueologia e Etnologia da Universidade Federal do Paraná (MAE-UFPR). O trabalho está centrado no processo de feitura dessa caixa, buscando, em especial, a compreensão das relações e das mediações formadas entre os agentes encarregados e os objetos museológicos por eles escolhidos para a composição do referido material. As análises se baseiam principalmente nos estudos de cultura material e antropologia

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Hedqvist, Eric. "Varats och utvecklingens kedja : en naturhistorisk museiutställning i Göteborg 1923-1968." Doctoral thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-18922.

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This dissertation is a museological study of the coming into being of a natural history museum, its building and its adherent zoological exhibition during the years around the First World War. The main problem of the dissertation is the opposition between the curator´s program 1903 for the exhibit and its realization twenty years later. The theoretical perspective is that in its synchronic aspect science, in accordance with the views of swedish sociologist, Thomas Brante, is divided into three levels interdependent upon one another in varying degrees – theoretical, sociological and psychologic

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