Relevant bibliographies by topics / Archaic traditions

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Archaic traditions'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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Journal articles on the topic "Archaic traditions"

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Sidorova, Olena, and Vitalii Korochanskyi. "ARCHAIC TRADITIONS IN THE KERAMITSY BOGUSLAV DISTRICT." Architectural Bulletin of KNUCA, no. 20 (November 18, 2019): 152–61. http://dx.doi.org/10.32347/2519-8661.2019.20.152-161.

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Lygdenova, Victoria V., and Elena G. Batonimaeva. "Matrilocal, Areal and Religious Symbolic in Traditional Wedding Rituals of the Tuvans and Buryats in Late 19th – Beginning of 21st Century." Archaeology and Ethnography 20, no. 7 (2021): 169–78. http://dx.doi.org/10.25205/1818-7919-2021-20-7-169-178.

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Purpose. The purpose of the paper is to reveal archaic matrilocal and the cult of fire, areal, shaman and late Buddhist symbols in wedding traditions of the Buryats and Tuvans. A comparative ethnographic method is applied in the research according to which the symbols are considered and compared in terms of synchronic and diachronic aspects. The paper is current due to representation of unity of nomadic family-tribal orientation based on the example of similarities in wedding traditions of Turk and Mongol peoples. High interest in wedding rituals in traditional society is connected with religious and magical elements that represent praying to local spirits for tribal development and safety. Results. As a result, the authors come to the following conclusions: firstly, similarity of many elements of wedding ceremonies is defined by nomadic traditions and ideals of a family tribal structure by northern Buryats to Turk peoples and southern Tuvans to Mongolia. Secondly, the late arrival of Buddhism to Barguzin valley and Tuva was a reason of preservation of archaic cults of shamanism. Conclusion. In summary, it is important to note that comparative analysis of wedding traditions among the Tuvans and the Buryats helps to reveal historical evolution and transformation not only in wedding traditions but in their traditional world view in general. Similarities in diachronic elements of the ritual show unity of many cults that point to tight interactions between the Tuvans and the Mongols, Buryats and the Turk neighborhood. For instance, archaic cults of mother and fire are similar among the Tuvans and the Buryats. Many Shaman and Buddhist cult symbols do not change in Tuvinian and Buryat culture because their philosophies have not been changed on their corresponding territories for a long time. To conclude, comparative research of wedding traditions of Turk and Mongol peoples offers rich material for future research of historical evolution of many cults because the wedding, as one of the most important stages in humans’ life, is always connected with religious rituals of initiation, safety and sanctification.
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Vlassopoulos, Kostas. "Greek History." Greece and Rome 62, no. 1 (March 25, 2015): 106–12. http://dx.doi.org/10.1017/s0017383514000291.

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This review commences with two important recent books on archaic Greek history. Hans van Wees sees fiscality as a main aspect of the development of Greek communities in the archaic period. He explores the trajectory of Greek, and more specifically Athenian, fiscality in the course of the archaic period from personal to institutional power, from informal to formal procedures, and from undifferentiated to specialized offices and activities. Van Wees argues convincingly that navies based on publicly built and funded triremes appeared from 530s onwards as a Greek reaction to the emergence of the Persian Empire; the resources for maintaining such navies revolutionized Greek fiscality. This means that the Athenian navy emerged decades before its traditional attribution to the Themistoclean programme of the 480s; but this revolution would have been impossible without the gradual transformation of Athenian fiscality in the previous decades from Solon onwards, as regards the delimitation of institutional and specialized fiscal offices, such as thenaukraroiandkolakretai, and the creation of formal procedures of taxation like theeisphora. This is a very important book that should have significant repercussions on the wider study of archaic Greece and Athenian history; but it also raises the major issue of the nature of our written sources for archaic Athens. While van Wees's use of the sources is plausible, there does not seem to be any wider principle of selection than what suits the argument (very sceptical on the tradition about Solon's fiscal measures, or Themistocles’ mines and navy policy; accepting of traditions about Hippias’ and Cleisthenes’ fiscal measures). We urgently need a focused methodological discussion of the full range of sources and the ways in which tradition, anachronism, ideology, and debate have shaped what we actually have.
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Gorofyanyuk, Inna. "Traditional family rites of the Ukrainians of Podolia: archaic elements of а cultural text." Journal of Ethnology and Culturology 29 (August 2021): 78–86. http://dx.doi.org/10.52603/rec.2021.29.11.

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Podolia is an ethnographic region of Ukraine, which is known for active interethnic contacts for many centuries, which, on the one hand, have systematically enriched the Podolsk spiritual and material culture, and on the other hand, in various spheres of the traditional culture of the Podolians, there is a preservation of many Slavic archaic elements. The article presents the archaic elements of the traditional culture of the Ukrainians of Podolia in traditional family rituals – birthlore, wedding and funeral on the material of the verbal component of the cultural text. Field records of dialectal texts, made by the author in 2006–2014 in more than 100 villages of Vinnitsa region served as empirical basis of the study. The family rites texts attest the realization of the main semantic oppositions of the Slavic picture of the world: "top" – "bottom", "full" – "empty", "own" – "alien". The motives of the cult of ancestors, deception of death, syncretism of agrarian and family rituals are elements of the archaic, which constitute an essential part of the folk consciousness and beliefs of the Podolians. Several fragments of the folk culture of the Ukrainians of Podolia presented in the article through the prism of the comparative typological analysis, with the involvement of data from other Slavic traditions, signal the preservation of the general archaic fund of the spiritual culture of the Slavs
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Sorokina, Liuchiia Igorevna, and Natal'ya Andreevna Pryamkova. "Folk art traditions in modern culture." Культура и искусство, no. 3 (March 2021): 23–36. http://dx.doi.org/10.7256/2454-0625.2021.3.33006.

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The subject of this research is traditional folk decorative and applied art in the context of modern society. The authors reviews the factors that affected the formation of this art form, the role of collective creative experience, the canon for preserving archaic images, symbols and manufacturing technique. The article reveals the conditions of familiarizing youth with the folk tradition, indicating the importance of continuity of generations. Since each artwork is the synthesis of tradition and creativity, attention is drawn to the possibility of interpreting traditional experience in the products of craftsmen. By referring to the facts from the history of the Romanov’s pottery and toy craft, the author provides examples of the emergence of new plotlines in the conditions of changing sociocultural situation, and analyzes their correspondence with the tradition. The application of dialectical method demonstrates fusions of the tradition and novelties in folk art of the past and modernity. The authors’ contribution consists in identification of the causes of the current crisis state of traditional folk decorative and applied art. The article analyzes various measures, including the creation of manufacturing groups in the XX century, which were aimed at its preservation. The experience of the previous generations of professional and folk artisans allows tracing the peculiarities in the development of crafts, such as correlation between the traditional and innovative. The authors examines the necessary conditions for continuity of traditions of folk culture in modern civilization, which requires deliberate actions.
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Romashko, Oleksandra Volodymyrivna. "The origin of Scythian caldrons in the context of the late Bronze − Early Iron Age of Eurasia." Dnipropetrovsk University Bulletin. History & Archaeology series 25, no. 1 (September 21, 2017): 201. http://dx.doi.org/10.15421/261722.

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A detailed analysis of the historiography of the issue is presented, which takes into account works devoted to the antiquities of the early Iron Age. The authors come to the conclusion about the local production of Scythian metal boilers, seeing in this a very high level of development of metalworking of Scythian masters. With regard to the issue associated with the origin of the tradition of manufacturing these products, then in the historiography there were two theories: the Asian (L. N. Chlenova, S. V. Demidenko, V. S. Bochkarev, etc.) and native (O. A. Krivtsova-Grakova and others). In our opinion, the question of the origin of boilers should be considered taking into account the specific features of their morphology. Thus, open-shell boilers that dominate the archaic times (VII−VI centuries BC) are made taking into account the clearly formulated traditions and requirements for products of this category brought from the East to the Northern Black Sea Coast. Regarding the boilers with closed housing, which begin to appear in the VI century BC, we can say the following. Their production originates in the local traditions of the production of boilers, which were formed back in Cimmerian times (riveted boilers). But these traditions do not receive a direct line of development in Scythian time. We see rather complicated processes of formation of the Scythian center for the production of archaic cast caldrons in the Kuban region, where this tradition spreads throughout the Northern Black Sea Coast. In the course of this complex and multifaceted process, new syncretic traditions of the production of boilers are formed, combining the innovative method of production (casting) and the local traditions of perception of the shape of the caldron.
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Skarbek-Kazanecki, Jan. "When poetry becomes autobiography: anecdote as an interpretative tool in the Greek classical epoch." Tekstualia 2, no. 61 (August 15, 2020): 19–36. http://dx.doi.org/10.5604/01.3001.0014.3810.

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The article discusses the role of biography in the reception of archaic poetry in the classical period. As it is illustrated by a fragment of Critias (295W), in the fi fth century B.C. the archaic poetic traditions, previously transmitted orally through performance, began to be interpreted from a biographical perspective: fi rst-person statements were mostly associated with the poets themselves and treated as a source of biographical information; in other words, archaic poetry came to be seen as a kind of autobiography. Anecdotes about poets were used to interpret the same poems which had provided the basis for these false stories: as an interpretative tool, they simplifi ed old compositions, not always clear for the reader. Until the 1980s, classical philologists often relied on false testimonies from the classical and Hellenistic era, limited by their attachment to the biographical perspective.
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Sivolap, Yury P., and Anna A. Portnova. "Psychiatric knowledge in Russia: domestic traditions or scientific facts?" Neurology Bulletin LII, no. 2 (October 19, 2020): 29–32. http://dx.doi.org/10.17816/nb34634.

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Russian and world psychiatry are characterized by significant differences: the first can be called as the psychiatry of domestic traditions, and the second one as the psychiatry of scientific facts. Russian psychiatry is marked by emphatic devotion to national theoretical schools, an appeal in scientific discussions to the authority of famous psychiatrists of the past, a tendency to speculative psychopathological constructions, the use of archaic psychiatric terms with unclear content, insufficient attention to the principles of evidence-based medicine, or even outright disregard for these principles. The natural consequences of Russian psychiatrys traditionalism are the arbitrariness of psychiatric diagnosis and the frequent use of medicines and treatment methods without proper evidence of their effectiveness and safety.
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Gura, Aleksandr. "Wedding Ceremony of Prekmurje Slovenes in the General Slavic Background. 2. Characters and Ritual Attributes." Slavic World in the Third Millennium 14, no. 1-2 (2019): 140–58. http://dx.doi.org/10.31168/2412-6446.2019.14.1-2.9.

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Firstly, the Prekmurje wedding rite shows close cultural and linguistic connections of this Slavic region with the neighbouring Croatian and, to a lesser extent, with other South Slavic ones. And the further east in this area, the lower the degree of the convergence. Secondly, there are even closer and more distinct connections with the traditional culture of Slovakia and partly of Moravia. These parallels are not limited to the south-eastern regions of Slovakia closest to Slovenia, but also extend further in the north and east division by the Slovak Carpathian region and Western Ukraine. Separate, sometimes even more geographically distant correspondences, mostly sporadic, single or point-like, link the marginal Slovenian tradition of Prekmurje with some other archaic marginal or enclavian Slavic traditions – Sorbian, Slovincian-Kashubian, Burgenland Croatian, Southern Bulgarian (Rhodopian, Thracian), Northern Russian.
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Silber, Ilana F. "Gift-giving in the great traditions: the case of donations to monasteries in the medieval West." European Journal of Sociology 36, no. 2 (November 1995): 209–43. http://dx.doi.org/10.1017/s0003975600007542.

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Focusing upon donations to monasteries in the medieval Western world, this paper expands upon extant discussions of religious gift-giving in the ‘great traditions’ , and of its relation to more archaic forms of gift-exchange, hitherto largely based on non-Western and mostly Asian anthropological material. While displaying many of the social functions familiarly associated with the gift in archaic or primitive societies, donations to monasteries are shown to have also entailed a process of immobilisation of wealth not extant in the gift circuit of ‘simpler’ societies. While donations to monasteries clearly attested to the impact of otber-wordly religious orientations, they also entailed a range of symbolic dynamics very different from, and even incompatible with, those analysed by Jonathan Parry with regard to the other-wordly ‘pure’ gift. The paper then brings into relief the precise constellation of ideological ‘gift-theory’, socio-economic ‘gift-circuit’, and macrosocietal context, which enabled this specific variant of the gift-mechanism to operate as a ‘total’ social phenomenon in the two senses of that term suggested, though not clearly distinguished and equally not developed, in Mauss’ pathbreaking essay on the gift.
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Dissertations / Theses on the topic "Archaic traditions"

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Nilsson, Birgitta. "Deux générations d’écrivaines africaines. Les femmes qui se conforment aux normes et les femmes qui font du bruit. Mariama Bâ et Calixthe Beyala." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-33864.

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The title of this paper is "Two generations of African writers: Women who conform to norms, and women who make noise. Mariama Bâ and Calixthe Beyala”. In this study we analyze two novels, Une si longue lettre by Mariama Bâ (1979) and Assèze l’Africaine by Calixthe Beyala (1994). We examine the similarities and differences in expression, style and themes. Our objective is to determine whether Bâ and Beyala are representing two different groups of African female writers. We have combined a postcolonial approach with a comparative method. Our hypothesis is that the two novels stand in contrast to each other through differences in themes and styles. In order to test this hypothesis we use previous research. Our analysis shows that the work of Bâ has a sober and refined style of writing. Bâ is raising awareness of the situation of women, without deviating from social norms, choosing themes such as polygamy, sisterhood and the value of education. In the work of Beyala we see a more pronounced political criticism, in a bolder and more agitating style of writing. Our conclusion is that the two novels are strongly differentiated through themes and styles. Bâ and Beyala belong to two different generations of female French-speaking African authors.
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Pandey, Rakesh. "Archaic knowledge, tradition and authenticity in colonial North India c. 1780-1930." Thesis, SOAS, University of London, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.406541.

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Day, Kikutsubo Galathea Mikhailovna Mizuno. "Remberance of things past : creating a contemporary repertoire for the archaic jinashi shakuhachi." Thesis, SOAS, University of London, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.550791.

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Irwin, E. "Epic situation and the politics of exhortation : political uses of poetic tradition in archaic Greek poetry." Thesis, University of Cambridge, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.604960.

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The thesis begins by exploring a central problem: while the genre of elegiac exhortation poetry both invites and itself exploits analogies between, on the one hand, the immediate audience and performance setting of the poem and, on the other, the broader civic identities of that audience and larger civic context to which they belong. And yet, the circumscribed social setting for which it was produced, the private aristocratic symposion, complicates the interpretation of seemingly all-embracing political terms such as city, fatherland, country. The thesis challenges the prevailing orthodoxy with the questions, who constitute the city, what expressions of attachment to it mean, and how such expressions function within their poetic and larger social context. By asking what it means for symposiasts to recite in the first person exhortations evocative of those spoken by the heroes of epic, the thesis reveals the elitist claims and pretensions implicit in this heroic role-playing, pretensions which are themselves deeply political. The thesis culminates in an examination of the explicitly political poetry and career of Solon, providing a much-needed study of this figure whose dual career as poet and lawgiver epitomises the stakes involved in the appropriation of poetic traditions in this period. A close reading of Solon 4 demonstrates how the poem carefully situates itself in an adversarial relationship to the martial poetic traditions of epic and elegiac exhortation, while positively embracing the themes of Hesiod and Odyssean epic. The indications of a political stance inherent in these poetic 'situations' provides the basis for a more wide-ranging discussion of the relationship of Solon's poetry to his political career. It concludes by re-evaluating the relationship of Solon to tyranny, and, finally, by offering an interpretation of the importance of Homeric poetry in the political agenda of the Athenian tyrants who followed him.
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Sewell, Jamie Peter. "Between contemporary foreign influence and archaic Roman tradition : aspects of Roman urbanism from the fourth to second centuries B.C." Thesis, Birkbeck (University of London), 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.497997.

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Salcedo, Luis E. "The Proto-Lauricocha Phase Of The Central Andes And The Origin Of Andean Foliated Point Tradition." Pontificia Universidad Católica del Perú, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/113582.

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This paper discusses early evidence for the Andean Foliated Point Tradition (TAPF in Spanish), with special emphasis on theCentral Andes region and the Lauricocha complex, which are included into the so-called ‘Proto-Lauricocha’ phase (Salcedo 2006).This phase is characterized by the indiscriminate consumption of animal species prior to food production, and the presence of foliated projectile points featuring centripetal retouch and minute ailerons located at one-third of the maximum longitude of thepiece, defi ning in that way a pseudo-peduncle. The cultural phase has been dated by the radiocarbon method in the 10,500-7400 years cal BC interval, employing the dendrochronological calibration with the support of the OxCal v3.10r program (Bronk-Ramsey 2005) and the current calibration curves (Reimer et al. 2004; Reimer et al. 2009). Comparative evidence found in North America and Japan is used to discuss the probable origin of TAPF.
El presente artículo discute las evidencias más tempranas correspondientes a la Tradición Andina de Puntas Foliáceas (TAPF), con especial énfasis en los hallazgos realizados en los Andes Centrales, adscritos al complejo Lauricocha, los que son incluidos dentro de la denominada fase Proto-Lauricocha (Salcedo 2006), la que se caracteriza por un consumo indiscriminado de especies animales, previo a la producción de alimentos y la presencia de puntas de proyectil foliáceas de retoque centrípeto, con diminutos alerones ubicadosa un tercio del largo máximo de la pieza, con lo que se definió un pseudopedúnculo. Esta fase cultural ha sido fechada por el método de radiocarbono en el intervalo 10.500-7400 cal AC por medio del empleo de la calibración dendrocronológica con ayuda delprograma OxCal v3.10r (Bronk-Ramsey 2005) y las curvas de calibración vigentes (Reimer et al. 2004; Reimer et al. 2009). Asimismo, se rastrea el probable origen de la TAPF en virtud a las evidencias similares halladas en Norteamérica y Japón.
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Williams, Allison Michele. "Tradition, innovation and archaism in ancient Egypt : manipulations in artistic design on 25th and 26th Dynasty coffins." Thesis, University of Liverpool, 2017. http://livrepository.liverpool.ac.uk/3021069/.

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This thesis is a presentation and discussion of relevant themes surrounding the iconography of coffins from the 25th and 26th Dynasties. These themes include key art design concepts familiar within the canon of ancient Egyptian art — tradition, innovation and archaism. The data set consists of 224 coffins, from Egypt, Europe, North America and the UK, predominantly of Theban origin, which are examined in depth in appendix 1. Chapter One introduces the aims and limitations of the thesis. It explores tradition, innovation and archaism, and how these concepts are embedded within the Egyptian sense of self. Chapter Two focuses on dating criteria. One objective of this thesis was to create a way of formulating relative chronology for coffins. The focus for relative chronology is on two prominent families. These families share a strong genealogical connection to earlier kings or God’s Wives of Amun, thus establishing historical anchors, allowing for an attempt at the dating of coffins without any archaeological context or further familial information. Another key objective also seeks to assess the efficacy of sequential dating through stylistic criteria. This is done through a model created to demonstrate a phasing system of iconography throughout family generations. Chapter Three presents a new typology that separates inner, middle and outer coffins through distinct structural and iconographic features. The analysis of gods and their iconography depicted upon 25th and 26th Dynasty coffins is examined, in order to ascertain patterns of design. Earlier preceding coffin types are presented, as model for the continuation of certain iconographic schemes. Stone coffins are offered as comparandum to ascertain the uniqueness of Theban wooden coffin decoration. Chapter Four explores northern material, used to demonstrate regional variation occurring in both the north and south, and also to highlight certain trends that are used in both. It also explores tradition, innovation and archaism, and how these concepts are then utilized in the analysis of coffin iconography. Each concept is in some way applied to the coffin design scheme. A distinct relationship exists between tomb decoration and coffins design, with similar elements of tradition, innovation and archaism present in tomb and coffin decoration. Coffins of this period act as a substitute when tombs are no longer available. This thesis offers a new perspective on coffin iconography. The genealogical records explored alongside key stylistic criteria facilitate a relative chronology, which can be used for undated coffins. A functional typology is established, and acts as an efficient referencing tool. A combination of tradition, innovation and archaism are present on many of the coffins, which demonstrates their interconnectivity. This connection shows the importance of these concepts in the expression of funerary culture. Coffins also act as a microcosm when placed within sets of two or more coffins. This microcosm highlights the importance of coffins as funerary equipment and how the exploration of the specific iconographic programs can help understand the funerary setting of the early Late Period.
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Roe, Sarah Elizabeth. "Shaping houses : integrating the physical and socio-cultural in the domestic architecture of Ancient Sicily." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/280261.

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In this thesis I explore how physical and socio-cultural factors interact to shape domestic architecture by analysing the form, layout, and construction of houses from Sicily dating from the Neolithic to the end of the Hellenistic period. This time range encompasses two primary domestic building traditions: single-spaced round houses that dominate from the Neolithic through to the end of the Late Bronze Age, and large, multiple-spaced rectilinear structures that characterise the Archaic period onwards. As such the domestic architecture of Sicily provides the opportunity to study not only two distinct ways of building, but also the dynamics within them and the changes that occurred as one evolved into the other during the Early Iron Age: a period of transition that is often studied in isolation or only in relation to the earlier or later context, rather than as an integral part of this island’s history. A critical analysis of building techniques and materials in the context of available resources and their material properties alongside local environmental conditions reveals correlations between the choice of materials, construction techniques, and topographical and climatic conditions, as well as the form taken by the building as a whole. Comparative analyses were also carried out of house size, form, and degree of subdivision within and between the building traditions. The picture presented shows an increase in total size and subdivision (despite the relatively stable size range of individual spaces within the houses) from the Neolithic to the Hellenistic period and implies a developing desire for options to separate people and activities. Finally, close diagrammatic studies of the layout and spatial organisation of the houses bring to light the structuring of these domestic spaces: the use of architectural features and artefacts to provide a sense of division in single-spaced buildings; greater layers of access and control of movement incorporated into the larger, rectilinear houses with their multiple spaces; and the arrangement of these to allow for the lighting of interior rooms. Combined with the results above, these reveal patterns in the development of building traditions on Sicily and how they relate to, encompass, and entangle the dynamic socio-cultural and physical parameters that make up the wider landscapes they are a part of: notions of identity and its formation and transmission, social structure and stratification, topography and climate, and material structural properties. Altogether this allows for the development of a deeper and more holistic understanding of the relationship between building and living, of how physical and socio-cultural parameters integrate and influence the construction of houses, and how these all come together in the building traditions that are both shaped by us and shape us.
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Brunhara, Rafael de Carvalho Matiello. "Elegia grega arcaica, ocasião de performance e tradição épica: o caso de Tirteu." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-05032013-095727/.

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Consoante aos estudos recentes sobre a lírica grega arcaica, hoje podemos aduzir a ocasião de performance como um elemento central para a definição de um gênero poético. A partir dessa concepção mais ampla de gênero, este trabalho visa à tradução e estudo dos fragmentos elegíacos de Tirteu, tendo em vista o caráter estritamente político de suas elegias narrativas e marciais e seus vínculos temáticos com a tradição épica, de modo que possamos ensejar uma reflexão outra sobre a função e estatuto dessa poesia em suas determinadas ocasiões de performance.
According to modern studies on archaic greek lyric, occasion of performance was a main feature to the definition of a poetic genre. Thus, this work seeks to translate and analyze the elegiac fragments of Tyrtaeus, considering the strictly political aspect of his martial and narrative elegies and its thematic resemblances with epic tradition, in order to raise a different comprehension on the function and meaning of this poetry, given its occasions.
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Korčáková, Alžběta. "Zhodnocení objektů Kurialova archivu na Uherskohradišťsku /rozšířené o památkově chráněné objekty/." Doctoral thesis, Vysoké učení technické v Brně. Fakulta architektury, 2014. http://www.nusl.cz/ntk/nusl-233263.

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The goal of this doctoral thesis is to map and evaluate the current situation of folk architecture in the region around the city of Uherské Hradiště on the example of selected villages. Later, these findings will be compared with the archive of prof. Antonin Kurial. The text has been extended to include currently listed buildings and output of this work is a new catalogue of buildings of folk architecture in the above mentioned region.
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Books on the topic "Archaic traditions"

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MacNeish, Richard S. The archaic Chihuahua tradition. Las Cruces, N.M. (535 S. Melendres, Las Cruces 88005): COAS Pub. & Research, 1987.

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Acosta-Hughes, Benjamin. Polyeideia: The Iambi of Callimachus and the archaic Iambic tradition. Berkeley: University of California Press, 2002.

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Fragments from a mountain society: Tradition, innovation and interaction at Archaic Monte Polizzo, Sicily. [Göteborg, Sweden]: University of Gothenburg, 2008.

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Modern archaics: Continuity and innovation in the Chinese lyric tradition, 1900-1937. Cambridge (Massachusetts): Harvard University Asia Center, 2013.

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Kõiv, Mait. Ancient tradition and early Greek history: The origins of states in early-Archaic Sparta, Argos and Corinth. Tallinn: Avita, 2003.

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Igor', Alekseevich, Alekseevna Mariya, Viktorovna Elena, and Aleksandrovna Vera. Social transformations in the Russian labor market: informal employment. ru: INFRA-M Academic Publishing LLC., 2021. http://dx.doi.org/10.12737/1209845.

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This monograph is devoted to the problems of social transformations in modern Russian society, which cover the labor market, forming an extensive socio-professional group of self-employed people with physical and mental labor. The self-employed in the shadow market transform the social structure, forming a specific class, which is characterized by its own original class culture, class norms of behavior, values, and lifestyle. The class character of this professional group marks archaic trends in stratification in the modern Russian Federation and can serve as the basis for the revival of the old traditional urban class — philistinism — in Russia. It is intended for bachelors, masters, postgraduates studying in the areas of "Management", "Sociology", "Economics", "State and Municipal Management", "Personnel Management", as well as for a wide range of readers interested in social transformations in the modern world, social processes of archaization, the formation of class structures and social processes in informal employment markets.
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Fowler, Robert L. The nostoi and Archaic Greek Ethnicity. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198811428.003.0002.

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The theme of this chapter is early Greek ethnicity. It illuminates the processes of ethnogenesis and demonstrates the implications of the relation, or rather the impressive dovetailing, between nostoi traditions and myths of Greek origins.
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Villalpando, Elisa, and Randall H. McGuire. Sonoran Pre-Hispanic Traditions. Edited by Barbara Mills and Severin Fowles. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199978427.013.19.

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The international border between the United States and Mexico has no meaning for the Aboriginal history of the Southwest/Northwest. It has, however, greatly limited the amount of archaeology done in northern Mexico. Since the 1980s, Mexican and U.S. archaeologists have done increasing amounts of research in the Mexican state of Sonora. Here they have developed an international collaborative practice of archaeology unique in North America. Sonora has a rich archaeological record that includes Paleoindian and Archaic sites. This chapter focuses on the agricultural peoples of Sonora, beginning with the Early Agricultural site of La Playa. Archaeologists have defined six ceramic period archaeological traditions in the state (Central Coast, Trincheras, Casas Grandes, Río Sonora, Huatabampo, and Serrana). Contrary to earlier interpretations of these traditions as extensions of events, processes, and cultures found to the south or the north, contemporary archaeology is demonstrating them to be the results of complex local developments.
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Spelman, Henry. Epilogue. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198821274.003.0011.

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This epilogue briefly highlights the unity of this work as a whole and then takes a broader view over ancient literature in order to trace some potential connections between Pindar and other sorts of poetry, both earlier and later. The Pindar who emerges from this monograph is a poet who looks with supreme self-consciousness to the past, the present, and the future simultaneously. To grasp Pindar’s vision of his place in the traditions of archaic poetry may in the end help us to see better how and why he eventually came to hold such a central place in the Graeco-Roman literary tradition as a whole.
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Miano, Daniele. Archaic Rome. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198786566.003.0004.

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This chapter concentrates on Fortuna in archaic Rome. The first part of the chapter is focused on historiography, and studies the connection between Fortuna, King Servius Tullius, and the story of Queen Tanaquil. It is argued that the connection between Servius and Fortuna might have been a late development in the literary tradition on early Rome. In modern historiography Queen Tanaquil is frequently identified with Fortuna, but this connection is not supported by ancient sources, and was first theorized by Bachofen in the nineteenth century. The second part of the chapter focuses on sanctuaries such as the temple of Fors Fortuna, that of Fortuna Muliebris, and that of Fortuna at the Forum Boarium, attempting to determine the significance and the meanings attributed to Fortuna in early Rome.
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Book chapters on the topic "Archaic traditions"

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Menon, Srikumar M. "Flux and continuity in monument-building traditions in south India." In Rituals, Collapse, and Radical Transformation in Archaic States, 161–84. Names: Murphy, Joanne M. A., 1971– editor. Title: Rituals, collapse, and radical transformation in archaic states / edited Joanne M.A. Murphy. Description: Abingdon, Oxon ; New York, NY : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9780429278020-9.

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Junginger, Horst. "The Revival of Archaic Traditions in Modern Times: Völkisch Imaginations in the Context of European Nordicism." In Acta Scandinavica, 131–53. Turnhout, Belgium: Brepols Publishers, 2020. http://dx.doi.org/10.1484/m.as-eb.5.120090.

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Agapkina, Tatiana. "Correlations between South and East Slavic traditions in the context of verbal magic." In Slavic archaic areas inside Europe, 10–38. Indrik, 2019. http://dx.doi.org/10.31168/91674-564-1.2.

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Attridge, Derek. "Archaic to Classical Greece: Festivals and Rhapsodes." In The Experience of Poetry, 35–54. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198833154.003.0003.

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Some of the so-called Homeric Hymns, dating from the seventh century BC, provide evidence of poetic performance at festivals in Greece. Alongside the sung hexameter epics, two other verse traditions appear to have been recited without music: iambics and elegiacs, both of which were used in public performances. We hear of a new kind of recited performance in the sixth century, that of the rhapsode, the fullest account of which (admittedly from a hostile perspective) is that given by Plato in the Ion. This chapter discusses the figure of the rhapsode, and the significance of a performance tradition in which a fixed text is used, perhaps with the aid of a written script. The chapter ends with a consideration of Plato’s hostility to poetry and Aristotle’s response to his arguments.
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"Authenticity and Autochthonous Traditions in Archaic and Hellenistic Lyric Poetry." In Authorship and Greek Song: Authority, Authenticity, and Performance, 122–38. BRILL, 2017. http://dx.doi.org/10.1163/9789004339705_008.

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Randall, Asa R. "Deep Time on the Eternal River." In The Historical Turn in Southeastern Archaeology, 17–42. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9781683401629.003.0002.

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Archaic hunter-gatherers of the St. Johns River Valley were once considered the history-less multitudes par excellence, who flourished for millennia with little change. However, mortuary traditions, object itineraries, biographies of place, and footprints of landscape terraforming reveal how Archaic communities actively cultivated associations with ancient social landscapes whose relevance was deeply imbricated with the cosmology of watery underworlds. In this chapter, I consider how Archaic communities uncovered and re-created their own histories as modes of social change. Even at the scale of the southeast, communities leveraged their historical entanglements with a sacred geography to structure and provide rationale to gatherings.
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Chivarzina, Aleksandra. "Kumanovo region at the interface of Balkan Slavic traditions: the rites of removal of pests, reptiles and wild animals." In Slavic archaic areas inside Europe, 266–75. Indrik, 2019. http://dx.doi.org/10.31168/91674-564-1.11.

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"Orality and Literacy in the Poetic Traditions of Archaic Greece and Southern Africa." In Voice into Text, 205–20. BRILL, 1996. http://dx.doi.org/10.1163/9789004329836_014.

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Obraztsova, Maria, Elvira Stepanovna Denisova, and Ursula Valeryevna Kereksibesova. "The Symbolism of Archaic Rites, Signs, and Superstitions of Teleuts." In Handbook of Research on Ecosystem-Based Theoretical Models of Learning and Communication, 277–93. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-7853-6.ch016.

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The chapter is devoted to the description of the cultural traditions of the indigenous people of the North-Teleuts, which currently numbers approximately 2,600 persons. It gives an analysis of signs and superstitions of the Teleut people. There are considered two archaic ritual symbol of female “эмегендер/emegender” and male “сомдор/somdor” amulets. The burial ceremony of Teleuts and Telengits is described. The chapter consists of three sections, written by the project executors “Language and culture of Teleuts,” which is supported by grant RHSF/RFBR Nº 17-04-00252 ONG/18.
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"Archaic Tradition." In Encyclopedic Dictionary of Archaeology, 81. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-58292-0_10770.

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Conference papers on the topic "Archaic traditions"

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Matantseva, M. B. "Dynamic tendencies in archaic lexicon in dialects of Transbaikalian Old Believers." In Old Belief: History and Modernity, Local Traditions, Relations in Russia and Abroad. Buryat State University Publishing Department, 2015. http://dx.doi.org/10.18101/978-5-9793-0771-8-217-220.

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Barber-Kersovan, Alenka. "Songs for the Goddess. Das popmusikalische Neo-Matriarchat zwischen Ethno-Beat, erfundenen Traditionen und kommerzieller Vermarktung." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.47.

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The musical neo-matriarchy is linked to the growing popularity of Neo-Paganism. This pseudo-religious scene is based on romantic heritage, real or invented folk traditions and more or less serious historical, theological and anthropological studies of neo-matriarchy. In the focus of the scene stands the veneration of the Great Goddess and its worshipers are exclusively women. The main ideas of this eco-feminist movement are being conveyed also through (popular) music. My contribution encompasses the origins of the musical neo-matriarchy, the mythology it is based on, the message of the songs for the Great Goddess, the musical characteristics of the material collected, the use of typical instruments, and the dissemination of (musical) knowledge as the rather ‘modern’ way of distribution and consumption of the allegedly ‘archaic’ issues.
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Tagirov, Philipp. "Eroticism as a Cultural Phenomenon in Archaic and Early Traditional World: Posttraditional View." In 2016 3rd International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2016). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-16.2017.163.

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Покатилова, Надежда Володаровна. "TRADITIONAL ARCHAIC TEXTS IN "THEORY" AND "PRACTICE" - FIELD RESEARCH BY A.A. SAVVIN AS A CASE-STUDY." In Всероссийская научно-практической конференция с международным участием, посвященной 100-летию со дня рождения выдающегося ученого-североведа И.С. Гурвича (1919-1992). Электронное издательство Национальной библиотеки РС (Я), 2019. http://dx.doi.org/10.25693/gurvich.2019pokatilovanv.

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Jackson, Robert L., and Jeffrey L. Streator. "A Multi-Scale Model for Contact Between Rough Surfaces." In World Tribology Congress III. ASMEDC, 2005. http://dx.doi.org/10.1115/wtc2005-63565.

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This work describes a non-statistical multi-scale model of the normal contact between rough surfaces. The model produces predictions for contact area as a function of contact load, and is compared to the traditional Greenwood and Williamson (GW) and Majumdar and Bhushan (MB) rough surface contact models, which represent single-scale and fractal analyses, respectively. The current model incorporates the effect of asperity deformations at multiple scales into a simple framework for modeling the contact between nominally flat rough surfaces. Similar to the “protuberance upon protuberance” theory proposed by Archard, the model considers the effect of having smaller asperities located on top of larger asperities in repeated fashion with increasing detail down to the limits of current measurement techniques. The parameters describing the surface topography (areal asperity density and asperity radius) are calculated from an FFT performed of the surface profile. Thus, the model considers multi-scale effects, which fractal methods have addressed, while attempting to more accurately incorporate the deformation mechanics into the solution. After the FFT of a real surface is calculated, the computational resources needed for the method are very small. Perhaps surprisingly, the trends produced by this non-statistical multi-scale model are quite similar to those arising from the GW and MB models.
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