Relevant bibliographies by topics / Archanges

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  2. Dissertations / Theses
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  4. Book chapters
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Academic literature on the topic 'Archanges'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 February 2023

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Journal articles on the topic "Archanges"

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Chasseguet-Smirgel, Janine. "“ Les archanges d'Attila ”." Revue française de psychanalyse 66, no. 4 (2002): 1055. http://dx.doi.org/10.3917/rfp.664.1055.

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sadek, sherin. "FIGURES DES ARCHANGES DANS L’ART COPTE." Conference Book of the General Union of Arab Archeologists 17, no. 17 (December 1, 2014): 84–122. http://dx.doi.org/10.21608/cguaa.2014.44442.

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Zaganas, Dimitrios. "Le De Trinitate du Pseudo-Didyme et le culte des archanges : un élément méconnu de datation." Vigiliae Christianae 76, no. 5 (September 19, 2022): 559–67. http://dx.doi.org/10.1163/15700720-bja10054.

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Abstract Pseudo-Didymus’ De Trinitate mentions many sanctuaries of the archangels Michael and Gabriel, finely adorned, some of which were quite famous to attract people from very far in the hope of a miracle. Although this testimony was usually considered as an ancient evidence because of its purported attribution to Didymus the Blind, it does not actually reflect the state of the archangels’ cult in the fourth century. However, it proves to be an important element for the dating of the De Trinitate itself, since it refers to a time when the cult of the archangels was developed in the East. The documentary and literary evidence shows that the churches dedicated to them, especially to Saint Michael, significantly multiply in the sixth century, and that their cult is being established under the reign of Justinian (527-565). It is from this period that the composition of Pseudo-Didymus’ De Trinitate is likely to date.
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Gabelic, Smiljka. "From the painted programme of Saint John (Ayvali Kilise), Cssappadocia." Zograf, no. 33 (2009): 33–41. http://dx.doi.org/10.2298/zog0933033g.

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In the Church of St. John in Cappadocia, also known as Ayvali Kilise or Gulu dere 4, on the frescoes which were painted between 913 and 920, particular devotion was shown for the cult of the archangels. The two archangels Michael and Gabriel, were painted in very large dimensions, with inscriptions describing them as 'great', besides giving their names. In addition to that a unique group of two figures was presented. It depicted the monk Archippos turned toward a colossal figure of the archangel Michael, painted strictly frontally. The iconographical relationship of these two figures, unrecorded in scholarly literature, indicates that this was definitely Archippos, the custodian of the important shrine of the Archangel Michael at Chonai, which still existed in those times. This would not only be a very early, but the only preserved presentation of Archippos, other than his appearance in the well-known composition of the Miracle of the Archangel Michael at Chonai.
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Angheben, Marcello. "La théophanie absidale de Gallia no,Les archanges-avocats transmettant les prières du Pater et l’Église céleste célébrant le sacrifice eucharistique." Hortus Artium Medievalium 20, no. 2 (May 2014): 738–52. http://dx.doi.org/10.1484/j.ham.5.102689.

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Rothenberg, David J. "Angels, Archangels, and a Woman in Distress: The Meaning of Isaac's Angeli archangeli." Journal of Musicology 21, no. 4 (2004): 514–78. http://dx.doi.org/10.1525/jm.2004.21.4.514.

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Henricus Isaac's grand six-voice motet Angeli archangeli (Angels, archangels) sets a text from the liturgy of the Feast of All Saints (November 1), but its only preexistent musical material is a cantus firmus in the tenor voice, drawn from the tenor of the mid 15th-century chanson Comme femme desconfortéée (As a woman in distress), attributed to Binchois. Scholars have assumed that Angeli archangeli is a motet for All Saints but have been at a loss to explain why Isaac chose the cantus firmus he did. This study attempts to explain Isaac's puzzling juxtaposition of Latin text and secular cantus firmus by suggesting that Angeli archangeli is not a motet for All Saints, but rather for the Assumption of the Virgin. Liturgical analysis of the motet text reveals that its connection to the Feast of All Saints (November 1) is weaker than has previously been assumed. Additionally, examination of numerous other sacred works that incorporate the Comme femme desconfortéée tenor demonstrates that it was widely understood as a Marian cantus firmus ca. 1500. The Marian associations of the cantus firmus help to explain why one manuscript source (VatS 46) groups the work with other Marian motets, and why another (LeipU 1494) transmits it with a Marian contrafact text (O regina nobilissima). Finally, by relating the musical construction of Angeli archangeli to the Assumption of the Virgin as depicted in late medieval liturgy, iconography, and in Jacobus de Voragine's widely read Legenda aurea, it is suggested that the text of Angeli archangeli, though drawn from the All Saints liturgy, actually describes Mary's assumption into heaven. Sacred text and secular cantus firmus thus collaborate in communicating a complex but clear theological/devotional meaning.
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Афиногенова, Ольга Николаевна. "“The Nattation of the Miracles of Archangel Michael” by Pantoleon Deacon as the cultural point of the shapoing of the cult of Archangel Michael in Byzantium." Вестник церковного искусства и археологии, no. 1(1) (June 15, 2019): 12–27. http://dx.doi.org/10.31802/2658-5111-2019-1-12-26.

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Основная цель статьи - проследить историю отождествления Ангела Господня с архангелом Михаилом и выявить основной этап формирования культа архистратига. Методом сопоставления текста Священного Писания, апокрифов и византийских агиографических текстов выявляется чёткая картина влияния апокрифической традиции на византийский культ архангела Михаила. В Ветхом Завете Михаил упомянут по имени всего три раза - в Книге пророка Даниила; в Новом Завете - только однажды в Откровении ап. Иоанна Богослова. Вместе с тем в Священном Писании есть многочисленные упоминания безымянного Ангела Господня. Ориген впервые отождествил князя Михаила из Книги пророка Даниила с архангелом Михаилом, что было воспринято поледующей традицией. В апокрифах, однако, почитание Михаила не всегда наделено теми аспектами, которые будут фигурировать в более позднее время. Возможно, то, что почитание Михаила вобрало в себя функции других архангелов, связано с популярной агиографической традицией, посвящённой архистратигу. Первый текст этой традиции, ставший широко распространённым в Византии, - «Чудо в Хонах» (VIII в.). Но наиболее исчерпывающе традиция почитания архангела отражена в «Повести» Пантолеона Диакона (IX в.). Текст демонстрирует окончательное закрепление отождествления безымянного Ангела Господня из Ветхого и Нового Заветов с Михаилом, а также приводит наиболее полное изложение аспектов почитания архангела в Византии. The main purpose of the paper is to trace the history of the identification of the Angel of the Lord with the Archangel Michael and to identify the main stage in the formation of the cult of the Archangel. By comparing the text of Holy Scripture, apocrypha and Byzantine hagiographic texts, a clear picture of the influence of the apocryphal tradition on the Byzantine cult of Michael the Archangel is revealed. In the Old Testament, Michael is mentioned by name only three times - in the book of Prophet Daniel; in the New Testament - only twice in the Revelation of John the Divine and in Epistle of Jude. However, in the Bible there are numerous references to the nameless Angel of the Lord. For the first time Origen identified Prince Michael from the book of the Prophet Daniel with the archangel Michael, which was accepted by the following tradition. In the apocrypha, however, the worship of Michael is not always endowed with those aspects that will appear later. Perhaps the fact that the worship of Michael has absorbed the functions of other archangels relates to the popular hagiographic tradition devoted to the archestrategos. The first text of this tradition, which became widespread in Byzantium, was the “Miracle in the Chonae” (8th century). But the most exhaustively tradition of worship the archangel is reflected in consolidation of the identification of the nameless Angel of the Lord from the Old and New Testaments with Michael and provides the most complete exposition of the aspects of veneration of the archangel in Byzantium.
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Danciu, Liliana. "„La Țigănci”, nuvela-parabolă a profetismului eliadesc / "La Țigănci" – The Parable of the Eliadesc Prophetism." Swedish Journal of Romanian Studies 1, no. 1 (February 26, 2018): 69–86. http://dx.doi.org/10.35824/sjrs.v1i1.16804.

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The unprecedented experience of Gavrilescu, the main character in the La Țigănci short story, continues to arise various interpretations, proving the viability of this eliadesc writing. For some literary critics, he is the anti-hero by definition, which lives what Eliade understands by "level break", but without understanding anything of it. The ordinary man, with a banal existence, routinely in the profane becomes the Chosen One uselessly claimed by sacred, for ignorance prevents him from seeing beyond the Illusion. In the hut of the gypsies, he crosses a rite of passage, from life to death, proof being the shrouded curtain that will wrap his naked body, the terrible thirst for unpopularity, and the surprising encounter with the always young Hildegard, the beloved of his youth.In this article, I try to reveal another dimension of this eliadesc short story, linked to the name of the main character, which, in my opinion, refers to the name of the archangel Gabriel, the "pair" of the other, Michael. As it is known, the name of the archangel Michael is directly related to the Romanian legionary movement in the inter-warperiod, a nationalistic, violent and criminal political-ideological movement that has successfully manipulated local religious and cultural elements to gain followers and become strong. Up to a point, the Romanian legionary movement stood under the sign of both archangels, synthesizing both the intellectual and the political dimensions.In time, the two directions have broken apart, and the legion has remained exclusively under the warlike sign of the warrior archangel. The Romanian intellectuals, who originally sympathized with the nationalist ideals of the legionary movement, distanced themselves from it and remained under the soteriological mark of Archangel Gabriel. This is, in my opinion, the message hidden by Eliade in this unusual short story. Also, using allegory and symbol, the Romanian author turns out to be a man of vision and prophesies the future of Romania, which has been culturally and historically marked, in time, by Germany. The present does not contradict Eliade, because Germany is the engine of the European Union, of which Romania wants to be part.
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Updike, John. "Archangel." Business Ethics: The Magazine of Corporate Responsibility 1, no. 6 (1987): 12. http://dx.doi.org/10.5840/bemag19871636.

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Eoin McNamee. "Archangel." Princeton University Library Chronicle 72, no. 1 (2010): 275. http://dx.doi.org/10.25290/prinunivlibrchro.72.1.0275.

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Dissertations / Theses on the topic "Archanges"

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Étienne-Steiner, Claire. "Le culte des archanges et sa place dans l'Eglise préromane et romane entre Loire et Rhin." Paris 10, 1990. http://www.theses.fr/1990PA100049.

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Lahanas, Alexandros. "Ein Keramikdepot aus Archanes und seine Bedeutung für die Entwicklung der mittelminoischen Keramik." [S.l. : s.n.], 2004. http://deposit.ddb.de/cgi-bin/dokserv?idn=972733507.

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Peers, Glenn Alan. "The iconography of the archangel Michael on Byzantine icons /." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=66084.

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Spinks, Bryan D. "With angels and archangels : the background, form and function of the sanctus in the eucharistic prayer." Thesis, Durham University, 1988. http://etheses.dur.ac.uk/6639/.

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The origin of the sanctus as a constituent element in the eucharistic prayer is one of the unsolved mysteries of Christian liturgy. In a Prolegomena, certain specific older theories are rejected. The use of the qeduasah in Judaism, from its biblical setting to its use in Jewish liturgy and mysticism is examined, and the continuity of these usages in Christian non-eucharlstic contexts is illustrated. From this wider background, the study examines the setting and function of the sanctus in the anaphoras of East and West to the seventh century, showing that the earliest attestations and the most logical use of the sanctus both originate in Syria and Palestine. In the peculiar Egyptian anaphoral family, it is used within Intercessions, and at Rome it appears to be a late fourth century addition, which was never given a logical setting in the canon missae. Possible origins are the Jewish Synagogue berakot, the Jewish mystical tradition, or some biblically-minded celebrants. But these possible origins are better accounted for when a variety of models for early eucharistic prayers is accepted, rather than the single model of the Birkat ha-mazon. The development of the sanctus in later Eastern and Western traditions is examined, noting the proliferation of angelological speculation in West Syria, the innovatory uses of Luther and Cranmer, and the interesting nineteenth century Reformed usage. In modern anaphoral composition it appears to be a sine qua non. Finally, the sanctus is examined in a wider theological context, defending a variety of logical doxological usages, with more than one position in the anaphora, and possibly wider variations of the biblical/liturgical form.
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Cârstocea, R. M. "The role of anti-Semitism in the ideology of the 'Legion of the Archangel Michael' (1927-1938)." Thesis, University College London (University of London), 2011. http://discovery.ucl.ac.uk/1335712/.

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This thesis explores the role of anti-Semitism in the ideology of the ‘Legion of the Archangel Michael’, the only lasting mass movement in Romanian history and the third largest fascist organisation in Europe. The legionary movement’s revolutionary character and rejection of democratic institutions, its ideological emphasis on a project of ‘regeneration’ of the nation, its ultra-nationalism, and its populist propaganda style allow us to include it within the category of generic fascism, as defined by Roger Griffin. One of the commonplaces in theories of fascism argues that it was, as an ideology, better defined by what it stood against than what it stood for. By analysing the relationship between the legionary movement’s fascist character and its anti- Semitism, the present research seeks to link the two. Thus, this thesis argues for the centrality of the representation of ‘the Jew’ in legionary ideology, seen as a locus of displacement of the real problems facing the rapidly modernising Romanian society and at the same time a rationalisation of its desired state. The entire fascist project of complete transformation of the country found its equally synthetic negative in the movement’s representation of the Jewish community. The analysis of legionary anti-Semitism and its connection with the movement’s fascist character is carried out through the lens of the ‘new consensus’ in theories of fascism, as well as with the help of a methodology indebted mostly to psychoanalytic theory and its adaptations to the understanding of social phenomena by discourse theory. Backed up by research on previously unexplored archival sources, the present thesis combines in an interdisciplinary approach the study of the historical conditions and psychological factors affecting the rise of anti-Semitism in interwar Romania, and allows an exploration of the dynamics of fear and fantasy visible in the legionary representation of the ‘Jew’.
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Denèle, Clémentine. "L'iconographie de saint Michel archange dans les peintures murales et les panneaux peints en Italie : (1200-1518)." Thesis, Dijon, 2014. http://www.theses.fr/2014DIJOL041/document.

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Cette thèse est une enquête sur les peintures murales et sur panneaux représentant l’archange Michel en Italie, entre 1200 et 1518. Elle propose une large mise au point historiographique et un panorama du développement du culte et de l’iconographie michaélique des origines à 1200. À travers un corpus de plus de 500 images, les représentations de l’archange sont étudiées dans les moindres détails, et leur évolution générale est située dans un cadre spatio-temporel, propre à en faire ressortir les spécificités. Au niveau formel et iconographique, la figure de Michel est partagée entre évocation de la spiritualité de sa nature et monstration de sa force physique, à forme humaine, alors que son image se simplifie par une cristallisation autour du guerrier dès le milieu du Trecento. Cette étude considère en outre la peinture en tant qu’objet fabriqué, pensé, reçu et utilisé. Les évolutions iconographiques participent à une sanctification de l’archange et sont au cœur d’expériences visuelles mêlant images peintes, représentations et visions miraculeuses de l’archange. Symbole universel du bien contre le mal et de la justice divine, et acteur efficace de l’au-delà intermédiaire, organisé et géré par l’Église, l’iconographie michaélique est un outil de son système pénitentiel. Mais Michel est un être sans apparence réelle et sa représentation est donc un reflet de sa perception par les hommes. Les représentations du plus humain des anges et du plus céleste des saints, sont ainsi un moyen de penser l’homme, dans sa relation avec l’Église, avec Dieu, et surtout dans la perception de l’homme par lui-même, de son rôle et de sa responsabilité au moment même du salut
This work is an investigation into murals and panel paintings depicting Archangel Michael in Italy, between 1200 and 1518. It presents a broad historiographical update and an overview of the development of the michaelic cult and iconography from its origins to 1200. With a corpus of over 500 paintings, the images of the Archangel are scrutinized in their finest details and their general evolution is put back into a spatiotemporal framework, so as to bring out its specificities. On both formal and iconographical levels, Michael's figure is split between evoking his spiritual nature and showing his physical strength, in human form, and it crystallises around the image of the warrior in the middle of the fourteenth century. This study considers a painting to be a manufactured object, a thought-through object, a received object, an used object. The iconographic developments play a role in the archangel's sanctification and are at the heart of visual experiences using painted images, representations and miraculous visions of the archangel. Universal symbol of the fight of Good against Evil or divine justice, and efficient agent in the intermediate afterlife, organised and managed by the Church, the michaelic iconography is a tool of its penitential system. But Michael has no real figure, therefore his representation is a reflection of how men perceive him. The representations of the most human of angels and the most heavenly of saints, are no less than a way of thinking Man itself, in his relationship with the Church, with God, and especially in the way Man perceives himself, perceives his role and his responsibility when time of salvation arises
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Buell, Todd Allan Marks Gary. "Taming the Archangel an analysis of European involvement in the development of rights for the Hungarian minority in Romania /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2006. http://dc.lib.unc.edu/u?/etd,661.

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Thesis (M.A.)--University of North Carolina at Chapel Hill, 2006.
Title from electronic title page (viewed Oct. 10, 2007). " ... in partial fulfillment of the requirements for the degree of Masters of Arts in the Department of Political Science." Discipline: Political Science; Department/School: Political Science.
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Wardle, Jeffrey William. "A community of (imperfect) benevolent archangels : a philosophical approach to moral education and an educational approach to moral philosophy." Thesis, University College London (University of London), 1994. http://discovery.ucl.ac.uk/10021518/.

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This thesis is about moral philosophy, moral education, and the relationship which one has to the other. I argue for a particular moral philosophy and derive from that a view of moral education. But I also argue that the relationship between the two is of a special nature and differs from the relationship which might exist between philosophy and education in general or between, say, the philosophy of mathematics and education in mathematics. The moral theory I offer incorporates a view of moral thinking which is, in many respects, similar to that given by Hare. However, the thesis includes an extended criticism of Hare's form of utilitarianism and, especially, of his rationalist justification for the form of moral thinking which he recommends. The criticism of Hare's theory, and of his approach, forms the background against which I recommend a fundamental modification of utilitarian moral theory. Although the theory offered yields a utilitarian view of right action, it is a nonconsequentialist theory which is based upon a notion of an ideal agent. The theory is founded upon a notion of the benevolent archangel as universal ideal. The moral theory is offered as a perspective upon those moral views which we share. That perspective is recommended as one which can elucidate, underpin and inspire those moral views. The form of moral education which is derived from that theory focusses centrally upon the development of the virtues of benevolence, nonmalevolence, understanding and humility.
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Sifaki, Eleni. "Gendered societal transitions : the shifting role of women in the table grape production network from Archanes, Greece to Europe." Thesis, University of Manchester, 2015. https://www.research.manchester.ac.uk/portal/en/theses/gendered-societal-transitions-the-shifting-role-of-women-in-the-table-grape-production-network-from-archanes-greece-to-europe(2a9c2e49-cf1c-4454-9f29-73e044c66bf8).html.

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There have been major changes taking place in export horticulture over time that have been compounded by the recent economic crisis. Women and men have been affected differently by these changes. Women have played a major role as waged and unwaged labour but have also been significantly affected by these shifts. Although we know about the effects of the supermarket-led global production network (GPN) expansion on gender relations existing literature does not explore theoretically and empirically the gender implications of changing production networks. The thesis addresses this research gap by investigating the shifting role of women in the table (fresh) grape GPN from the town of Archanes in Crete, Greece to the European market and the implications for women’s labour agency across three periods. Thus, it addresses the research question: How has the relationship between women’s waged and unwaged work in the table grape GPN shifted across periods and what are the implications for gender and GPN analysis? It investigates changes across: 1) the period of the producer-led export market; 2) the period of the buyer-led GPN expansion; and 3) the period of crisis. A qualitative case study approach is used, utilising primarily interviews, focus groups and participant observation. This research builds on the GPN, feminist political economy and intra-household bargaining literatures to further develop a Gendered Global Production Networks (Gendered GPN) approach. An evolving Gendered GPN approach combines the GPN approach with a concept of gendered societal embeddedness which captures the interaction between commercial drivers and gendered societal relations. The thesis draws from the intra-household bargaining literature to incorporate a household level analysis of labour bargaining and fall-back positions to ‘unpack’ the concept of women’s labour agency. The thesis finds that while in the period of the producer-led export market women were unskilled labour, the expansion of supermarkets in period 2 offered skills and economic opportunities, enabling them to bargain in crisis even as unwaged labour in table grapes. Hence labour agency becomes more important in shaping women’s position in production networks than in the producer-led export market. Ultimately the GPN was still able to get high quality at low costs through female labour. Therefore commercial pressures influence gendered societal relations but also gendered societal relations influence commercial transitions. The findings show complex and non-linear forms of change characterised by tensions between commercial and gendered societal relations in a process of transition underpinned by shifts in women’s work and agency. I capture this with the concept of ‘gendered societal transitions’. This helps to further develop a Gendered GPN approach to advance knowledge of non-linear gendered transformations as GPNs evolve.
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Karytinos, Alexios. "Minoan pre-palatial sealstones in their economic and social context : a study based on the new material from Archanes-Phourni." Thesis, University of Sheffield, 1998. http://etheses.whiterose.ac.uk/14618/.

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Sealstones are one of the most important types of artifacts discovered in the Aegean Bronze Age. Their practical use for recording and administrating purposes, their association with identity, prestige and social status, their possible religious or ritual connotations speak clearly for their importance and value. The fact that they are deposited, among other artifacts in tombs, accompanying their owners, demonstrate this value not only in life but also in death. Especially in the pre-palatial period in Crete a large number of seals have come to light, coming mostly from mixed contexts in the Mesara and Asterousia, in south Crete. The Minoan pre-palatial sealstones from Archanes-Phourni comprise an important corpus of artifacts for many reasons. They come from a site in the North of the island, in contrast to the majority of pre-palatial seals. The excavation and recording techniques used offer the opportunity to study the seals in their context, which is dated with relative certainty. The study of these seals, in comparison with the published ones from the south of the island, may offer significant information about important aspects of life in this period. The examination of materials, shapes, motifs, style groups and consumption patterns of seals may present us with useful insights about craft specialization and technology, internal and external exchange, economic organization and administration, religion and ritual, social differentiation and organization in the pre-palatial period. The study of this multiple and complex role of sealstones can offer us valuable information about the period before the first palaces.
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Books on the topic "Archanges"

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Virtue, Doreen. Archanges 101: Comment entrer étroitement en contact avec les archanges Michael, Raphaël, Gabriel, Uriel et les autres pour la guérison, la protection et la guidance. Varennes, Québec: AdA, 2011.

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Manoury, Pierre. Encyclopédie des anges, des archanges et des anges rebelles. Paris: Trajectoire, 2007.

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Manoury, Pierre. Encyclopédie des anges, des archanges et des anges rebelles. Paris: Trajectoire, 2007.

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Killough-Walden, Heather. Avenger's angel: A novel of the lost angels. New York: Signet Eclipse, 2011.

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Killough-Walden, Heather. Avenger's angel: A novel of the lost angels. New York: Signet Eclipse, 2011.

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Dark before dawn. Austin, TX: River Grove Books, 2016.

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Paul, Watkins. Archangel. London: Faber and Faber, 1996.

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Archangel. London: Faber and Faber, 1995.

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Archangel. New York: TOR, 1995.

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Archangels. Howick: Brevitas, 2002.

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Book chapters on the topic "Archanges"

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Gooch, Jan W. "Pitch, Archangel." In Encyclopedic Dictionary of Polymers, 539. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_8780.

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Kotansky, Roy. "The Four Archangels." In Greek Magical Amulets, 104–6. Wiesbaden: VS Verlag für Sozialwissenschaften, 1994. http://dx.doi.org/10.1007/978-3-663-20312-4_26.

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Arnold, John Charles. "Michael, an Ecumenical Archangel." In The Footprints of Michael the Archangel, 9–35. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137316554_2.

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Moffat, Ian C. D. "The Allies Act — Murmansk and Archangel." In The Allied Intervention in Russia, 1918–1920, 68–82. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137435736_5.

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Arnold, John Charles. "The Problem with Michael." In The Footprints of Michael the Archangel, 1–8. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137316554_1.

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Arnold, John Charles. "Michael the Archistrategos." In The Footprints of Michael the Archangel, 37–65. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137316554_3.

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Arnold, John Charles. "The Politics of Angelic Sanctity." In The Footprints of Michael the Archangel, 67–92. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137316554_4.

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Arnold, John Charles. "Michael Goes North." In The Footprints of Michael the Archangel, 93–119. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137316554_5.

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Arnold, John Charles. "Michael Contained: The Carolingian Cultus." In The Footprints of Michael the Archangel, 121–36. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137316554_6.

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Arnold, John Charles. "Conclusion." In The Footprints of Michael the Archangel, 137–39. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137316554_7.

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Conference papers on the topic "Archanges"

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Collomosse, J., T. Bui, A. Brown, J. Sheridan, A. Green, M. Bell, J. Fawcett, J. Higgins, and O. Thereaux. "ARCHANGEL." In DocEng '18: ACM Symposium on Document Engineering 2018. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3209280.3229120.

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Sommerville, S. M. "Archangel automated real-time archive restoration." In IEE Seminar Digital Restoration of Film and Video Archives. IEE, 2001. http://dx.doi.org/10.1049/ic:20010025.

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Lee, Yaesop, Eung-Joo Lee, Damon M. Conover, Yi-Ting Shen, Heesung Kwon, Shuvra S. Bhattacharyya, Kenneth Evensen, Jason Hill, and Jeremy Leong. "Archangel dataset: UAV-based imagery with position and pose metadata." In Artificial Intelligence and Machine Learning for Multi-Domain Operations Applications IV, edited by Tien Pham, Latasha Solomon, and Myron E. Hohil. SPIE, 2022. http://dx.doi.org/10.1117/12.2618636.

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Bui, Tu, Daniel Cooper, John Collomosse, Mark Bell, Alex Green, John Sheridan, Jez Higgins, et al. "ARCHANGEL: Tamper-Proofing Video Archives Using Temporal Content Hashes on the Blockchain." In 2019 IEEE/CVF Conference on Computer Vision and Pattern Recognition Workshops (CVPRW). IEEE, 2019. http://dx.doi.org/10.1109/cvprw.2019.00338.

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Pankratov, Alexey N., and Konstantin K. Rogalev. "Organizational and economical aspects of telemedicine training in the Archangelsk region." In SPIE Proceedings, edited by Valery V. Tuchin. SPIE, 2008. http://dx.doi.org/10.1117/12.804039.

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Petrash, Marina, and Elena Postnikova. "Perception of Daily Stressors in Ambulance Personnel of Saint-Petersburg and Archangelsk." In Proceedings of the II International Scientific-Practical Conference "Psychology of Extreme Professions" (ISPCPEP 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/ispcpep-19.2019.35.

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Maksimovic, Mirjana, and Marijana Cosovic. "Towards the Implementation of IoT System for Preservation: the Church of Holy Archangels Michael and Gabriel Case Study." In 2022 21st International Symposium INFOTEH-JAHORINA (INFOTEH). IEEE, 2022. http://dx.doi.org/10.1109/infoteh53737.2022.9751248.

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Demidovskaya, Anastasiya, Zhanna Elukova, Maria Koptyaeva, and Elena Safronenkova. "Multilingualism and Internationalization of ESP Aspects at the Northern (Arctic) Federal University, Archangelsk, RF." In Proceedings of the International Conference on European Multilingualism: Shaping Sustainable Educational and Social Environment (EMSSESE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/emssese-19.2019.25.

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Sasam, Steven, Mark S. Borres, Jobert M. Salingay, Ronan Kinaadman, and Le Ho Trung Hieu. "Fractal dimensions of the retablo of San Miguel de Archangel Church in Argao Cebu: Basis for recommendation for architectural restoration." In 1ST VAN LANG INTERNATIONAL CONFERENCE ON HERITAGE AND TECHNOLOGY CONFERENCE PROCEEDING, 2021: VanLang-HeriTech, 2021. AIP Publishing, 2021. http://dx.doi.org/10.1063/5.0067292.

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Krasnoyarskiy, Boris, Boris Krasnoyarskiy, Asya Ovsepyan, Asya Ovsepyan, Yury Fedorov, Yury Fedorov, Vyacheslav Savitskiy, and Vyacheslav Savitskiy. "BOTTOM SEDIMENTS OF LAKES AND STREAMS OF DVINA BAY OF THE WHITE SEA COASTAL AREAS AS AN INDICATOR OF ANTHROPOGENIC IMPACT (BY THE EXAMPLE OF MERCURY POLLUTION) _." In Managing risks to coastal regions and communities in a changing world. Academus Publishing, 2017. http://dx.doi.org/10.31519/conferencearticle_5b1b93bc761330.98887077.

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The article analyzes the data of expedition studies conducted by the team of the leading scientific school of Professor Fedorov Yu.A. in the Archangelsk region for more then 10-years period of researches. The materials of mercury content obtained for samples of bottom sediments sampled in the mouth area of the Northern Dvina River, the lakes of Arkhangelsk and the surrounding areas, at Dvina Bay and different areas of the White Sea. Based on the available data and having considered the results of the authors working on the subject of mercury pollution in the subarctic region, conclusions about the level of anthropogenic impact on water bodies and streams of the Arkhangelsk region are justified. Factors that contribute to the formation of relatively high and low concentrations of mercury in sediments identified. The effects of mechanical, hydrochemical, hydrological barriers analyzed. The natural background of mercury in the bottom sediments of the region revealed. Comparative analysis of the accumulation of mercury in the bottom sediments of the study area and other parts of the subarctic region realized. Opportunities and conditions for existence of the effect of "secondary pollution" discussed.
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