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Dissertations / Theses on the topic 'Archanges'
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Étienne-Steiner, Claire. "Le culte des archanges et sa place dans l'Eglise préromane et romane entre Loire et Rhin." Paris 10, 1990. http://www.theses.fr/1990PA100049.
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Lahanas, Alexandros. "Ein Keramikdepot aus Archanes und seine Bedeutung für die Entwicklung der mittelminoischen Keramik." [S.l. : s.n.], 2004. http://deposit.ddb.de/cgi-bin/dokserv?idn=972733507.
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Peers, Glenn Alan. "The iconography of the archangel Michael on Byzantine icons /." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=66084.
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Spinks, Bryan D. "With angels and archangels : the background, form and function of the sanctus in the eucharistic prayer." Thesis, Durham University, 1988. http://etheses.dur.ac.uk/6639/.
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The origin of the sanctus as a constituent element in the eucharistic prayer is one of the unsolved mysteries of Christian liturgy. In a Prolegomena, certain specific older theories are rejected. The use of the qeduasah in Judaism, from its biblical setting to its use in Jewish liturgy and mysticism is examined, and the continuity of these usages in Christian non-eucharlstic contexts is illustrated. From this wider background, the study examines the setting and function of the sanctus in the anaphoras of East and West to the seventh century, showing that the earliest attestations and the most logical use of the sanctus both originate in Syria and Palestine. In the peculiar Egyptian anaphoral family, it is used within Intercessions, and at Rome it appears to be a late fourth century addition, which was never given a logical setting in the canon missae. Possible origins are the Jewish Synagogue berakot, the Jewish mystical tradition, or some biblically-minded celebrants. But these possible origins are better accounted for when a variety of models for early eucharistic prayers is accepted, rather than the single model of the Birkat ha-mazon. The development of the sanctus in later Eastern and Western traditions is examined, noting the proliferation of angelological speculation in West Syria, the innovatory uses of Luther and Cranmer, and the interesting nineteenth century Reformed usage. In modern anaphoral composition it appears to be a sine qua non. Finally, the sanctus is examined in a wider theological context, defending a variety of logical doxological usages, with more than one position in the anaphora, and possibly wider variations of the biblical/liturgical form.
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Cârstocea, R. M. "The role of anti-Semitism in the ideology of the 'Legion of the Archangel Michael' (1927-1938)." Thesis, University College London (University of London), 2011. http://discovery.ucl.ac.uk/1335712/.
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This thesis explores the role of anti-Semitism in the ideology of the ‘Legion of the Archangel Michael’, the only lasting mass movement in Romanian history and the third largest fascist organisation in Europe. The legionary movement’s revolutionary character and rejection of democratic institutions, its ideological emphasis on a project of ‘regeneration’ of the nation, its ultra-nationalism, and its populist propaganda style allow us to include it within the category of generic fascism, as defined by Roger Griffin. One of the commonplaces in theories of fascism argues that it was, as an ideology, better defined by what it stood against than what it stood for. By analysing the relationship between the legionary movement’s fascist character and its anti- Semitism, the present research seeks to link the two. Thus, this thesis argues for the centrality of the representation of ‘the Jew’ in legionary ideology, seen as a locus of displacement of the real problems facing the rapidly modernising Romanian society and at the same time a rationalisation of its desired state. The entire fascist project of complete transformation of the country found its equally synthetic negative in the movement’s representation of the Jewish community. The analysis of legionary anti-Semitism and its connection with the movement’s fascist character is carried out through the lens of the ‘new consensus’ in theories of fascism, as well as with the help of a methodology indebted mostly to psychoanalytic theory and its adaptations to the understanding of social phenomena by discourse theory. Backed up by research on previously unexplored archival sources, the present thesis combines in an interdisciplinary approach the study of the historical conditions and psychological factors affecting the rise of anti-Semitism in interwar Romania, and allows an exploration of the dynamics of fear and fantasy visible in the legionary representation of the ‘Jew’.
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Denèle, Clémentine. "L'iconographie de saint Michel archange dans les peintures murales et les panneaux peints en Italie : (1200-1518)." Thesis, Dijon, 2014. http://www.theses.fr/2014DIJOL041/document.
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Cette thèse est une enquête sur les peintures murales et sur panneaux représentant l’archange Michel en Italie, entre 1200 et 1518. Elle propose une large mise au point historiographique et un panorama du développement du culte et de l’iconographie michaélique des origines à 1200. À travers un corpus de plus de 500 images, les représentations de l’archange sont étudiées dans les moindres détails, et leur évolution générale est située dans un cadre spatio-temporel, propre à en faire ressortir les spécificités. Au niveau formel et iconographique, la figure de Michel est partagée entre évocation de la spiritualité de sa nature et monstration de sa force physique, à forme humaine, alors que son image se simplifie par une cristallisation autour du guerrier dès le milieu du Trecento. Cette étude considère en outre la peinture en tant qu’objet fabriqué, pensé, reçu et utilisé. Les évolutions iconographiques participent à une sanctification de l’archange et sont au cœur d’expériences visuelles mêlant images peintes, représentations et visions miraculeuses de l’archange. Symbole universel du bien contre le mal et de la justice divine, et acteur efficace de l’au-delà intermédiaire, organisé et géré par l’Église, l’iconographie michaélique est un outil de son système pénitentiel. Mais Michel est un être sans apparence réelle et sa représentation est donc un reflet de sa perception par les hommes. Les représentations du plus humain des anges et du plus céleste des saints, sont ainsi un moyen de penser l’homme, dans sa relation avec l’Église, avec Dieu, et surtout dans la perception de l’homme par lui-même, de son rôle et de sa responsabilité au moment même du salutThis work is an investigation into murals and panel paintings depicting Archangel Michael in Italy, between 1200 and 1518. It presents a broad historiographical update and an overview of the development of the michaelic cult and iconography from its origins to 1200. With a corpus of over 500 paintings, the images of the Archangel are scrutinized in their finest details and their general evolution is put back into a spatiotemporal framework, so as to bring out its specificities. On both formal and iconographical levels, Michael's figure is split between evoking his spiritual nature and showing his physical strength, in human form, and it crystallises around the image of the warrior in the middle of the fourteenth century. This study considers a painting to be a manufactured object, a thought-through object, a received object, an used object. The iconographic developments play a role in the archangel's sanctification and are at the heart of visual experiences using painted images, representations and miraculous visions of the archangel. Universal symbol of the fight of Good against Evil or divine justice, and efficient agent in the intermediate afterlife, organised and managed by the Church, the michaelic iconography is a tool of its penitential system. But Michael has no real figure, therefore his representation is a reflection of how men perceive him. The representations of the most human of angels and the most heavenly of saints, are no less than a way of thinking Man itself, in his relationship with the Church, with God, and especially in the way Man perceives himself, perceives his role and his responsibility when time of salvation arises
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Buell, Todd Allan Marks Gary. "Taming the Archangel an analysis of European involvement in the development of rights for the Hungarian minority in Romania /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2006. http://dc.lib.unc.edu/u?/etd,661.
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Thesis (M.A.)--University of North Carolina at Chapel Hill, 2006.Title from electronic title page (viewed Oct. 10, 2007). " ... in partial fulfillment of the requirements for the degree of Masters of Arts in the Department of Political Science." Discipline: Political Science; Department/School: Political Science.
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Wardle, Jeffrey William. "A community of (imperfect) benevolent archangels : a philosophical approach to moral education and an educational approach to moral philosophy." Thesis, University College London (University of London), 1994. http://discovery.ucl.ac.uk/10021518/.
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This thesis is about moral philosophy, moral education, and the relationship which one has to the other. I argue for a particular moral philosophy and derive from that a view of moral education. But I also argue that the relationship between the two is of a special nature and differs from the relationship which might exist between philosophy and education in general or between, say, the philosophy of mathematics and education in mathematics. The moral theory I offer incorporates a view of moral thinking which is, in many respects, similar to that given by Hare. However, the thesis includes an extended criticism of Hare's form of utilitarianism and, especially, of his rationalist justification for the form of moral thinking which he recommends. The criticism of Hare's theory, and of his approach, forms the background against which I recommend a fundamental modification of utilitarian moral theory. Although the theory offered yields a utilitarian view of right action, it is a nonconsequentialist theory which is based upon a notion of an ideal agent. The theory is founded upon a notion of the benevolent archangel as universal ideal. The moral theory is offered as a perspective upon those moral views which we share. That perspective is recommended as one which can elucidate, underpin and inspire those moral views. The form of moral education which is derived from that theory focusses centrally upon the development of the virtues of benevolence, nonmalevolence, understanding and humility.
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Sifaki, Eleni. "Gendered societal transitions : the shifting role of women in the table grape production network from Archanes, Greece to Europe." Thesis, University of Manchester, 2015. https://www.research.manchester.ac.uk/portal/en/theses/gendered-societal-transitions-the-shifting-role-of-women-in-the-table-grape-production-network-from-archanes-greece-to-europe(2a9c2e49-cf1c-4454-9f29-73e044c66bf8).html.
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There have been major changes taking place in export horticulture over time that have been compounded by the recent economic crisis. Women and men have been affected differently by these changes. Women have played a major role as waged and unwaged labour but have also been significantly affected by these shifts. Although we know about the effects of the supermarket-led global production network (GPN) expansion on gender relations existing literature does not explore theoretically and empirically the gender implications of changing production networks. The thesis addresses this research gap by investigating the shifting role of women in the table (fresh) grape GPN from the town of Archanes in Crete, Greece to the European market and the implications for women’s labour agency across three periods. Thus, it addresses the research question: How has the relationship between women’s waged and unwaged work in the table grape GPN shifted across periods and what are the implications for gender and GPN analysis? It investigates changes across: 1) the period of the producer-led export market; 2) the period of the buyer-led GPN expansion; and 3) the period of crisis. A qualitative case study approach is used, utilising primarily interviews, focus groups and participant observation. This research builds on the GPN, feminist political economy and intra-household bargaining literatures to further develop a Gendered Global Production Networks (Gendered GPN) approach. An evolving Gendered GPN approach combines the GPN approach with a concept of gendered societal embeddedness which captures the interaction between commercial drivers and gendered societal relations. The thesis draws from the intra-household bargaining literature to incorporate a household level analysis of labour bargaining and fall-back positions to ‘unpack’ the concept of women’s labour agency. The thesis finds that while in the period of the producer-led export market women were unskilled labour, the expansion of supermarkets in period 2 offered skills and economic opportunities, enabling them to bargain in crisis even as unwaged labour in table grapes. Hence labour agency becomes more important in shaping women’s position in production networks than in the producer-led export market. Ultimately the GPN was still able to get high quality at low costs through female labour. Therefore commercial pressures influence gendered societal relations but also gendered societal relations influence commercial transitions. The findings show complex and non-linear forms of change characterised by tensions between commercial and gendered societal relations in a process of transition underpinned by shifts in women’s work and agency. I capture this with the concept of ‘gendered societal transitions’. This helps to further develop a Gendered GPN approach to advance knowledge of non-linear gendered transformations as GPNs evolve.
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Karytinos, Alexios. "Minoan pre-palatial sealstones in their economic and social context : a study based on the new material from Archanes-Phourni." Thesis, University of Sheffield, 1998. http://etheses.whiterose.ac.uk/14618/.
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Sealstones are one of the most important types of artifacts discovered in the Aegean Bronze Age. Their practical use for recording and administrating purposes, their association with identity, prestige and social status, their possible religious or ritual connotations speak clearly for their importance and value. The fact that they are deposited, among other artifacts in tombs, accompanying their owners, demonstrate this value not only in life but also in death. Especially in the pre-palatial period in Crete a large number of seals have come to light, coming mostly from mixed contexts in the Mesara and Asterousia, in south Crete. The Minoan pre-palatial sealstones from Archanes-Phourni comprise an important corpus of artifacts for many reasons. They come from a site in the North of the island, in contrast to the majority of pre-palatial seals. The excavation and recording techniques used offer the opportunity to study the seals in their context, which is dated with relative certainty. The study of these seals, in comparison with the published ones from the south of the island, may offer significant information about important aspects of life in this period. The examination of materials, shapes, motifs, style groups and consumption patterns of seals may present us with useful insights about craft specialization and technology, internal and external exchange, economic organization and administration, religion and ritual, social differentiation and organization in the pre-palatial period. The study of this multiple and complex role of sealstones can offer us valuable information about the period before the first palaces.
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Liste, Erika. "Orders of Geo-Kinetic Manifestation in Ivan Doig´s The Sea Runners." Thesis, Stockholms universitet, Engelska institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-86913.
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This phenomenological study presents a map of spatial forces in Ivan Doig’s The Sea Runners. The investigation calls attention to forms of space-experience that come across as a sense of embeddedness in environment. Events, places, feelings, and moods materialize as being nested within greater events and places that are likewise nested in even larger ones. The study shows that experience, place, memory, hope, and narrative have nested structures. The embedding of narrated realities within larger realities is identified as a mode of organization central to the text’s complexity. Even the smallest acts, events, moods, and feelings are set within larger ones with greater scope, reach, or extension. The literary force of The Sea Runners is made possible by a sustained presentation of complexly interlocking orders of embedding. These orders are co-ordinated and synchronized in terms of movement. The study shows how kinetic systems of circulation, vanishing, encircling, and transformation overlap and reinforce each other so as to create a comprehensive co-ordination effect that colours the presentation of landscape and travel. Movement is highlighted in the essay as a factor that makes it possible for these kinetic structures to be fused in various patterns of co-ordination. In The Sea Runners, place and motion complexly combine to shape the narrated flow of lived experience. In its various orders of fluctuation, space-experience flows in intimate association with life-feeling and movement-sensation. Certain basic kinetic categories are delineated as being at the heart of the text’s overall structure. The study brings its findings to a conclusion by discussing these kinetic categories of lived space as running parallel to categories of lived temporality.
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Decorte, Roeland Pieter-Jan Ewoud. "The origins of writing, and its relation to art on Bronze Age Crete." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/274634.
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This thesis sheds first light on the complex narrative behind the earliest appearance of writing in Europe. A radical new framework of interpretation, recognising art and writing as different ends of a single mode of graphic expression, is applied to the material culture of Early to Middle Bronze Age Crete as a context-conscious alternative to the strict and anachronistic divisions imposed by traditional models. This allows for a novel way of viewing and identifying structures of meaning embedded in otherwise familiar evidence. A comprehensive synthesis of the archaeological evidence for the undeciphered Bronze Age Cretan writing systems is offered, contextualising the thesis and its arguments within a new narrative of mostly autonomous script formation on Crete. Detailed analysis of the material record is started in the Early Bronze Age, where a previously unrecognised system of Prepalatial glyptic iconography is demonstrated to have maintained uniform distribution and presentation for roughly eight centuries, appearing in the exact contexts, and ostensibly fulfilling similar functions, as later writing. This newly identified system is argued to have provided the conceptual background against which later writing emerged. The thesis subsequently discusses the Archanes Script, the first accepted ‘true’ writing to appear west of Egypt, which has been severely understudied and highly ill-understood. Redefining the Archanes Script completely, a first signary is constructed, and new documents discovered. A further chapter argues for the possible existence of other, as of yet unidentified, linear writing systems on Crete. This is followed by a study of the Cretan Hieroglyphic writing system; the unjustified omission of supposedly ‘decorative’ signs in many of its documents is identified, the script’s corpus nearly doubled, and ‘a complete turnaround in the way in which we approach and define Cretan Hieroglyphic’ proposed.
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Piazza, Simone. "Peinture rupestre médiévale : Latium et Campanie septentrionale (VIe - XIIIe siècles)." Paris 1, 2002. http://www.theses.fr/2002PA010575.
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Au Moyen âge, les raisons pour lesquelles un espace rupestre est choisi pour servir de lieu de culte chrétien sont de deux types: l'utilisation du cadre naturel pour des motifs fonctionnels et l'impulsion irrationnelle qui préside au choix de la grotte comme lieu sacré. Il y a trois facteurs cultuels qui ont contribué à investir de sacralité les grottes du centre sud de l'Italie : le culte de Saint Michel archange, le phénomène de l' érémitisme, et le culte pour les reliques des martyrs. Entre le Latium et la Campanie du Nord, la distribution des établissements rupestres qui conservent une trace picturale est éparse et hétérogène. Néanmoins, il est possible de faire une distinction entre les grottes d'origine naturelle et les milieux rupestres artificiels Du point de vue des contextes artistiques, le catalogue des témoignages picturaux pris en examen a fourni la possibilité de mettre en lumière l' expression de certains milieux culturels qui se sont succédé ou entrecroisé au cours du Moyen âge. On peut se demander si la peinture rupestre a un caractère spécifique ou si au contraire elle n' a de différence par rapport à la peinture monumentale que le contexte particulier dans lequel elle se trouve. En évaluant l'ensemble des témoignages picturaux qui font l'objet de cette recherche, on trouve confirmation des deux termes de l' alternative. Il y a des cas ou la peinture sur roche imite une décoration d'un édifice monumental et des autres ou la roche interfère avec le programme décoratif. . .
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Ballantine, Tia 1951. "Eve and the archangel in paradise." Thesis, 2005. http://hdl.handle.net/10125/11598.
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Steyn, Raita. "Archangel Michael as "icon" in the Byzantine and Post-Byzantine periods." Thesis, 2010. http://hdl.handle.net/10210/3143.
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Lahanas, Alexandros [Verfasser]. "Ein Keramikdepot aus Archanes und seine Bedeutung für die Entwicklung der mittelminoischen Keramik / Alexandros Lahanas." 2004. http://d-nb.info/972733507/34.
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Iavoschi, Roxana-Ileana. "The Archangel Gabriel in history and tradition : an analysis of his role and function in Judaism, Christianity, and Islam." Thesis, 2004. http://spectrum.library.concordia.ca/7847/1/MQ91046.pdf.
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Reference to the archangel Gabriel occur in Judaism, Christianity, and Islam. At various stages of their histories, the intervention of the archangel Gabriel is associated with a crucial phase of the development of that religion. Emphasis will be placed on the Sacred Scriptures of those religions, as well as extra-biblical documents such as legends, lore, and iconographical representations. This data will be analysed in order to examine why it is the same angel that associated with all the three religions, leading to an examination into the origins of the root of the name Gabriel, in the apocalyptic context of a divine intervention bringing hope and reassurance, and announcing the coming battle between the forces of good and evil.
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Fröhlich, Archangelo Leticia [Verfasser]. "Functional characterization of the CATS gene with respect to its role in normal hematopoiesis and in leukemia / submitted by Leticia Fröhlich Archangelo." 2006. http://d-nb.info/983747474/34.
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Tycner-Wolicka, Marta. "Fundacja i dedykacja Konstantynopola w polityce Konstantyna Wielkiego i w tradycji bizantyńskiej." Doctoral thesis, 2013. https://depotuw.ceon.pl/handle/item/407.
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Praca dotyczy ideowego wymiaru założenia Konstantynopola przez Konstantyna Wielkiego. Pierwszy rozdział traktuje o okolicznościach fundacji miasta w 324 r. Argumentuję w nim, że Konstantynopol został przez Konstantyna poświęcony Chrystusowi w specyficznej, anielskiej postaci (św. Michałowi). Drugi rozdział dotyczy dedykacji miasta w 330 r. Pokazuję w nim ewidentny cel uroczystości dedykacyjnych - zrównanie nowego miasta z Rzymem. Trzeci rozdział ukazuje wybrane wątki późniejszej tradycji na temat obu aktów i drogi ich ewolucji.