Academic literature on the topic 'Archdiocese of Birmingham'

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Journal articles on the topic "Archdiocese of Birmingham"

1

Arlow, Ruth, and Will Adam. "Maga v Roman Catholic Archdiocese of Birmingham." Ecclesiastical Law Journal 11, no. 3 (2009): 366–67. http://dx.doi.org/10.1017/s0956618x09990299.

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Arlow, Ruth, and Will Adam. "Maga v Roman Catholic Archdiocese of Birmingham." Ecclesiastical Law Journal 12, no. 3 (2010): 406–7. http://dx.doi.org/10.1017/s0956618x10000633.

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Hodgetts, Michael. "The Throckmortons of Harvington, 1696–1923." Recusant History 26, no. 1 (2002): 143–68. http://dx.doi.org/10.1017/s0034193200030752.

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This paper is the final part of a trilogy dealing with Harvington Hall in Worcestershire from 1529 until 1923, when it passed into the ownership of the Archdiocese of Birmingham. The first part, ‘The Pakingtons of Harvington [1529–1631]’ by Lionel and Veronica Anderton Webster, appeared in Recusant History in April 1974; my sequel, ‘The Yates of Harvington, 1631–1696’, followed in October 1994.’ This third part appropriately appears in an issue of Recusant History to mark the ninetieth birthday of Fr. Geoffrey Holt, S.J., who over the years has published many studies of other country-house missions in the eighteenth century, and whose characteristic combination of scholarship, lucidity and human sympathy is a model of how such things ought to be done. He appreciates the problems and will, I hope, appreciate the result.
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Van Thiel, Pieter J. J. "Het portret van Jacobus Hendriksz. Zaffius door Frans Hals." Oud Holland - Quarterly for Dutch Art History 107, no. 1 (1993): 84–96. http://dx.doi.org/10.1163/187501793x00126.

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AbstractThe bust of Jacobus Zaffius (figs. 1 and 2) in Haarlem's Frans Hals Museum was discovered in 1919. Since that time it has been regarded as a fragment of a large portrait of Zaffius painted by Hals in 1611 and believed to be lost. Jan van de Velde made a print of the missing portrait in 1630 (fig. 3). Recently it emerged that the panel on which the bust is painted is bevelled all round, and that the ground and paint continue over the edges. This means that it cannot be a fragment. The theory that Hals himself painted the copy is untenable. The weak design and indifferent pictorial quality suggest that the painting is a contemporary anonymous copy. An attempt to identify the companion portraits of a man and a woman in Birmingham and Chatsworth (figs. 4 and 5), variously dated as 1610/11 and 1617/18, with a view to establishing their true dates, has failed. It was hoped that if discovered to have been painted in or around 1611, they might have served as material for a stylistic comparison. The investigation yielded only a few supplementary heraldic (fig. 6) and genealogical data. Research in the Haarlem municipal archives uncovered new information pertaining to Zaffius' financial capital and family connections. As archdeacon of the diocese of Haarlem and provost of the Haarlem chapter, Jacobus Hendriksz. Zaffius (Amsterdam 1534-1618 Haarlem) experienced the turbulent history of the Dutch Catholic church during the birth of the Republic. Towards the end of his life he added a few houses to a recently founded bofje of almshouses (fig. 9). Van de Velde's print was made in 1630, when Catholicism had established itself in the Dutch archdiocese and embarked on the documentation of its own history in the form of, among others, portraits of prominent figures of the past.
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Oakley, David. "Roderick O’Donnell, The Pugins and the Catholic Midlands, Gracewing, Leominster/Archdiocese of Birmingham, 2002, pbk, ISBN 0 85244 567 9 & ISBN 1 871269 17 8, pp. xviii + 124." Recusant History 27, no. 1 (2004): 142–45. http://dx.doi.org/10.1017/s0034193200031290.

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Books on the topic "Archdiocese of Birmingham"

1

Rowlands, Marie B. Those who have gone before us: The story of the Catholics of the Archdiocese of Birmingham. Archdiocese of Birmingham Historical Commission, 1989.

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2

Walmsley, Paul. The recognition and management of stress in Catholic primary headteachers in the Archdiocese of Birmingham. University of Birmingham, 1994.

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3

The Catholic parish: Institutional discipline, tribal identity and religious development in the English church. Sheed & Ward, 1998.

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4

Hodgetts, Michael. Harvington Hall. Archdiocese of Birmingham Historical Commission, 1991.

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5

Catholic Church. Congregatio pro Causis Sanctorum. John Henry Cardinal Newman, 1801-1890, founder of the English Oratories: Positio super virtutibus. V.F. Blehl, 1989.

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The Catholic parish: Institutional discipline, tribal identity, and religious development in the English Church. Sheed & Ward, 1996.

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7

Blehl, Vincent Ferrer. John Henry Cardinal Newman (1801-1890), founder of the English oratories: Positio super virtutibus : [reportof the relator of the cause informatio on the virtues of the servant of God from the acts of the diocesan investigation in the archdiocese of Birmingham, Rome 1989]. Vincent Ferrer Blehl, 1989.

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8

J, Grady F., and Catholic Church. Archdiocese of Birmingham., eds. Archdiocese of Birmingham directory. Catholic Pictorial for the Archdiocese of Birmingham, 1990.

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