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Relevant bibliographies by topics / Archduke Franz Ferdinand

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Academic literature on the topic 'Archduke Franz Ferdinand'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Archduke Franz Ferdinand"

1

Miller, Paul. "Forgetting Franz Ferdinand: The Archduke in Austrian Memory." Austrian History Yearbook 46 (April 2015): 228–60. http://dx.doi.org/10.1017/s0067237814000186.

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In 1909, at age forty-six,FranzFerdinand made a decision about his deaththat would shape the memory of his life: he would be buried beside his morganatic wife, Sophie Chotek, at his palace in Artstetten (Lower Austria). That may not seem like much from the perspective of our own era. But in the context of the 600-year-old tradition-bound Habsburg dynasty, and in view of the archduke's exalted place in it as nephew of the near octogenarian emperor and next in line for the imperial throne, it was pure rebellion. For what the successor had also determined was where he wouldnotbe interred—with his esteemed ancestors in Vienna'sKaisergruft(Kaiser Crypt), which was strictly off-limits to lesser nobility like the Duchess of Hohenberg.

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Lehfeldt, Werner. "A Russian Shadow over the Assassination in Sarajevo." Slovene 5, no. 1 (2016): 218–25. http://dx.doi.org/10.31168/2305-6754.2016.5.1.8.

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The main purpose of the present note is to draw attention to a document that contains hints of a possible Russian background to the assassination of the successor to the Austrian throne, Archduke Franz Ferdinand, and his wife on 28 June 1914 in Sarajevo. This document was written by the main organizer of this disastrous murder, the chief of the Serbian military secret service, Colonel Dragutin Dimitrijević-Apis, in 1917, when Dimitrijević-Apis was accused of having organized another such attempt on the Serbian regent Aleksandar. Dimitrijević-Apis writes that he made the final decision to organize the murder of Archduke Franz Ferdinand only after he had been assured by the Russian military attaché in Belgrade, Colonel Viktor Artamanov, that Russia would not leave Serbia without military support in case of an Austrian attack.

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Mirnik, Ivan. "Apartman nadvojvode Franje Ferdinanda i vojvotkinje Sofije Hohenberške na Ilidži." Peristil 58 (2015): 135–46. http://dx.doi.org/10.17685/peristil.58.11.

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4

Mašek, Petr. "Knihovny na zámku Konopiště." 66-1-2 66, no. 1-2 (2021): 79–86. http://dx.doi.org/10.37520/amnpsc.2021.006.

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The first library at Konopiště Castle was built by František Karel Přehořovský of Kvasejovice at the turn of the 18th century, but it was later scattered and its traces can be found in various places. After the sale of the castle in 1887, the second library, established by the counts of Wrtba, was moved to Křimice Castle. The current library was founded by the new owner of the castle, Archduke Franz Ferdinand of Austria. He had brought to Konopiště an older library created by the counts of Fünfkirchen and the counts of Stadion-Warthausen from Chlum Castle near Třeboň. He also added the library of his father, Archduke Karl Ludwig. Franz Ferdinand received a number of books as gifts from their authors. He supplemented some fiction books with evaluation notes. The library contains legal, political and historical works, especially on the history of Austria and the Habsburg dynasty, as well as works on hunting, natural sciences and militaria. It can be assumed that the library was also enriched by his wife Sophie, Duchess of Hohenberg, and their children, who signed mainly textbooks and works for youth.

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Miller-Melamed, Paul. ""Warn the Duke"." Historical Reflections/Réflexions Historiques 45, no. 1 (March 1, 2019): 93–112. http://dx.doi.org/10.3167/hrrh.2019.450106.

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How has the Sarajevo assassination been conjured and construed, narrated and represented, in a wide variety of media including fiction, film, newspapers, children’s literature, encyclopedias, textbooks, and academic writing itself? In what ways have these sources shaped our understanding of the so-called “first shots of the First World War”? By treating the assassination of Archduke Franz Ferdinand (28 June 1914) as a "site of memory" à la historian Pierre Nora, this article argues that both popular representations and historical narratives (including academic writing) of the political murder have contributed equally to the creation of what I identify here as the “Sarajevo myth.”

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6

Jevremović, Petar. "Sigmund Freud and Martin Pappenheim." History of Psychiatry 31, no. 1 (October 29, 2019): 83–92. http://dx.doi.org/10.1177/0957154x19884284.

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During World War I, Martin Pappenheim, as a young doctor in the field of neurology and psychiatry, studied various possible consequences of war traumas, perhaps as part of a wider project of the Austro-Hungarian monarchy’s army. He visited military hospitals, sanatoriums and prisons, and between February and June 1916, while residing in Terezin, he had several opportunities to talk with Gavrilo Princip, who was imprisoned there. Princip was a young Bosnian Serb who had assassinated Archduke Franz Ferdinand of Austria and his wife, Sophie, in Sarajevo on 28 June 1914. There is written evidence of Pappenheim’s conversations with Princip; they were first published in Vienna 1926. My article is concerned with the possibility of Pappenheim’s influence on the later development of Freud’s theory.

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7

Menning, Ralph R. "Origins of a Political Friendship: An Unpublished Letter of Archduke Franz Ferdinand to Kaiser Wilhelm II, 21 January 1908." Austrian History Yearbook 24 (January 1993): 179–87. http://dx.doi.org/10.1017/s0067237800005312.

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8

Gorodnia, Nataliia. "Coverage of International Situation in June-July 1914 by the «Kiyevlianin» Newspaper." European Historical Studies, no. 16 (2020): 53–72. http://dx.doi.org/10.17721/2524-048x.2020.16.5.

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The paper studies the ways in which international situation in June-July 1914 was covered by «Kiyevlianin», a daily influential newspaper published in Kyiv, then Russian Empire. This research focuses on the main international themes covered by the «Kiyevlianin» newspaper after assassination of Habsburg hair Archduke Franz Ferdinand, and until the Austro-Hungarian Note to Serbia was reported. The major focus of the study is international situation in the Balkans, especially the conflict between Austria-Hungary and Serbia, and Russian Empire’s Balkan policy. The author considers those days’ newspapers a valuable source for a historical research as they provided information while the events were ongoing, and their direction and outcomes were not known yet. The understanding of those days’ events by contemporaries may differ from later academic interpretations. For this reason, the study of these newspapers deepens our understanding of international situation before the Great War. The research has revealed that the Austro-Serbian conflict was only one of the numerous conflicts in the Balkans. The international situation on the peninsula dramatically changed after the Balkan wars of 1912-1913 in favor of Serbia, and the potential of further conflicts essentially increased. The reporters understood that any minor changes in the situation could trigger a new Balkan war. The major driving forces behind the Austro-Serbian conflict were “Great Serbian” idea, Serbia’s positioning as the “Piedmont” of Southern Slavs (at the expense of Austro-Hungary), and Russia’s Balkan policy. The latter was represented by the Russian envoy to Belgrade Nikolay Gartvig. According to him, backing of Serbia was caused by Russia’s geopolitical interests of anti-Austrian character. Russia’s backing in July 1914 prompted the Serbian regent Alexander not to comply with the Austro-Hungarian Note and to escalate the conflict. Thus, Russia’s pro-Serbian and anti-Austrian policy was the major factor which caused the war.

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9

Marčetič, Adrijana. "A Tribute to Princip: Metapoetry and Commentaries." Transcultural Studies 11, no. 2 (April 10, 2015): 163–70. http://dx.doi.org/10.1163/23751606-01102001.

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Just after the end of the Great War Miloš Crnjanski wrote a poem dedicated to Gavrilo Princip, the assassin of Archduke Franz Ferdinand of Austria, in Sarajevo, on 28 June 1914. The title of the poem is “A Tribute to Princip” (“Spomen Principu”), and it was first published in Crnjanski’s early book of poetry Lyrics of Ithaca (Lirika Itake, 1919). Forty years later Crnjanski wrote a commentary on the poem, a sort of its prose paraphrase, and entitled it “On the Poem about Princip” (“Uz pesmu o Principu”); it was published in his Commentaries on Lyrics of Ithaca (Komentari uz Liriku Itake, 1959). Although by no means as significant as his famous poem “Sumatra”, and equally famous “Explanation of Sumatra”, that is considered a kind of Crnjanski’s personal poetic manifesto, as well as a poetic manifesto of Serbian modernism in general, “A Tribute to Princip” and its explanation represent an equally important testimony to Crnjanski’s poetic sensibility and his literary inspiration. The subject of the poem, the manner of poetic expression, on the one side, and the prose style of its commentary, on the other, clearly indicate what was considered by young Crnjanski the main role of the new, modern poetry he was advocating for: the break with the tradition, the rejection of the old and no longer productive poetic and national myths, and the affirmation of the new role of poetry in the everyday life. Therefore, opposing the standard interpretation of the poem, in this paper I argue that “A Tribute to Princip” is not a political poem but a “poem about poem”, which we could read as metapoetry or a poetry poem, providing that we apply the term with a little more freedom.

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10

James, David, and Urmila Seshagiri. "Metamodernism: Narratives of Continuity and Revolution." PMLA/Publications of the Modern Language Association of America 129, no. 1 (January 2014): 87–100. http://dx.doi.org/10.1632/pmla.2014.129.1.87.

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The task for contemporary literature is to deal with the legacy of modernism.—Tom McCarthy (2010)A century separates us from an iconic moment of aesthetic metamorphosis: 1914 witnessed the appearance of James Joyce's Dubliners, Gertrude Stein's Tender Buttons, Mina Loy's “Parturition,” and the vorticist journal Blast. It was the year Dora Marsden and Harriet Shaw Weaver, aided by Ezra Pound, started the literary review the Egoist in London and Condé Nast and Frank Crowninshield launched Vanity Fair in New York. Arnold Schoenberg's atonal symphonic works assaulted classical sonorities; Wassily Kandinsky elevated the purity of geometric form above the functional work of visual representation. Most crucially, 1914 saw the assassination of Archduke Ferdinand in Sarajevo and the subsequent outbreak of the First World War. Cutting a bloody, four-year swath across Europe, the war took almost forty million lives and rendered all subsequent formal innovation inseparable from cultural devastation: thus the intricate, ruptured literary architectures of The Waste Land (1922), Ulysses (1922), and To the Lighthouse (1927).

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Dissertations / Theses on the topic "Archduke Franz Ferdinand"

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Sedláčková, Jana. "Dějiny kaple sv. Huberta na zámku Konopiště." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-326543.

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of History of the chapel at the Konopiště castle The deal of work is a trial to give an assistance in exploring of chapel at the Konopiště castle and to bring a comprehensive scene of its history, interferences of particular holders, inner equipment's changes and to outline spiritual life of the former centuries. The work contains six parts. The first one briefly informs about the history of the Konopiště castle from its foundation to expropriation by the Czechoslovak republic. The second part analyzes architectural evolution of the chapel, that presents basic and the oldiest part of whole object. The following chapter describes inventory of the chapel. The main attention is given to rococo inventory and to collections of Franz Ferdinand d'Este, which are at the chapel in the majority part still today. In the fourth chapter there is written the church celebrations and feasts, made during the days of Franz Ferdinand d'Este. In rich photographical inventory fund there has been preserved many photographs from these occasions, mainly from the celebration of Corpus Christi, which had been periodically organized. In the present this tradition has been returned. By this I come to write of the fifth chapter, the present. The castle is now in keeping of National heritage institut and it is opened for...

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Books on the topic "Archduke Franz Ferdinand"

1

Bosnia: In the footsteps of Gavrilo Princip. Edmonton: University of Alberta Press, 2009.

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2

Archduke Franz Ferdinand Lives A World Without World War I. Palgrave Macmillan, 2014.

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3

O'Keefe, Emily. Eyewitness to the Assassination of Archduke Francis Ferdinand. Child's World, Incorporated, The, 2018.

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4

A handful of bullets: How the murder of Archduke Franz Ferdinand still menaces the peace. 2014.

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5

The Assassination of the Archduke: Sarajevo 1914 and the Murder that Changed the World. Pan, 2014.

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6

The assassination of the archduke : Sarajevo 1914 and the romance that changed the world. St. Martin's Griffin, 2014.

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7

One Morning in Sarajevo. Phoenix Press (UK), 2009.

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Book chapters on the topic "Archduke Franz Ferdinand"

1

Hannig, Alma. "Archduke Franz Ferdinand: An Uncharming Prince?" In Royal Heirs and the Uses of Soft Power in Nineteenth-Century Europe, 139–60. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-59206-4_8.

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2

Kronenbitter, Günther. "The Opposition of the Archdukes: Rudolf, Franz Ferdinand and the late Habsburg Monarchy." In Sons and Heirs, 211–25. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1007/978-1-137-45498-0_13.

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3

Townshend, Charles. "5. Nationalism and terror." In Terrorism: A Very Short Introduction, 74–94. Oxford University Press, 2018. http://dx.doi.org/10.1093/actrade/9780198809098.003.0005.

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The framework for much of modern terrorist action is ethnic or nationalist, with each nationalism being culturally unique. The emblematic terrorist act—the assassination of Archduke Franz Ferdinand in June 1914—was a nationalist act. Nationalist movements have shown greater resilience than smaller left-wing revolutionary groups. Nationalism is a very strong force, so even a nation whose struggle seems likely to fail, such as the Chechens, may never give up. ‘Nationalism and terror’ looks at how nationalists have used terror to fight their cause, illustrating this with the case studies of the Irish republican IRA, the Basque separatists ETA, and Zionists in Palestine. Can terror liberate nations?

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4

Dato, Gaetano. "Chained corpses: warfare, politics and religion after the Habsburg Empire in the Julian March, 1930s–1970s." In Human Remains in Society. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9781526107381.003.0004.

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The chapter deals with the role of corpses in public memory during the Age of the World Wars in the North Adriatic borderland, where human remains had a momentous role in the clash among the area’s main collective identities: Italian, Slovenian and Croatian nationals, Habsburg authorities, Communists, Nazis, Fascists and new Fascists, and the Jewish community. In particular, corpses were actors in political-religious representations and a driving force in the period’s war propaganda. After 1945, human remains were contentious among conflicting factions and later became involved in trials against Nazi war criminals – regular public opinion has since underlined their fate. The analysis begins by recalling the public display and long spanning funeral of the mummified corpse of Archduke Franz Ferdinand of Austria and his spouse, on the brink of the Great War in July 1914. The paper then explores other examples in use of corpses in the public discourse and pays careful attention to three case studies: the Redipuglia WW1 shrine, the pictures shot in winter 1943–44 of exhumed partisans’ enemies, and the victims’ ashes of the San Sabba Rice Mill lager.

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