Relevant bibliographies by topics / Arches, Triumphai

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Arches, Triumphai'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Arches, Triumphai"

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Tyukhmeneva, Ekaterina Alexandrovna. "Moscow triumphal arches for the coronation of Catherine II in the sources of the 1760s. New materials." Человек и культура, no. 6 (June 2024): 149–61. https://doi.org/10.25136/2409-8744.2024.6.69717.

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The triumphal arches “for the occasion” as part of the ceremonial culture of Russia of the 18th century have not survived to the present day. Only graphic and written sources allow us to recreate their appearance. This article presents and analyzes new, as well as little-researched archival materials on the construction and existence of the Moscow triumphal arches in 1762, dedicated to the coronation of Catherine II. The work with such materials is based on the methods of source studies, art criticism, historical, cultural and iconographic analysis. The main object of this study were two group
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Bogdan, Corneliu, and Nicolae Beldianu. "Triumphal arches from Lower Moesia." CaieteARA. Arhitectură. Restaurare. Arheologie, no. 12 (2021): 107–14. http://dx.doi.org/10.47950/caieteara.2021.12.06.

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The triumphal arches, a product of imperial propaganda, are the most famous and widespread Roman triumphal monuments. The official Roman coins illustrated on their reverse the triumphal arches located in the capital of the empire, Rome. Many of these monuments are still preserved, but some have disappeared in the tumult of history. Therefore, coins become “evidence” of the existence of these buildings when thy have not survived over centuries or allow the reconstruction of parts that have disappeared from them. The provincial coins of Lower Moesia also speak of the presence of such triumphal m
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Knighton, Tess, and Carmen Morte García. "Ferdinand of Aragon's entry into Valladolid in 1513: The triumph of a Christian king." Early Music History 18 (October 1999): 119–63. http://dx.doi.org/10.1017/s0261127900001856.

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These lines adorned one of the triumphal arches built in honour of Ferdinand of Aragon's ceremonial entry into Valladolid on 5 January 1513. This event, like so many other such entries throughout Europe during the sixteenth century, was intended to recall the Triumphs of the Roman emperors, though it was also embedded in a long-established entry ritual. The ephemeral buildings all'antica, the apparati, street decorations, pageants with allegorical, mythological and historical figures, as well as music and dancing of various kinds all formed part of a royal spectacle devised according to the po
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Lange, Henrike Christiane. "Giotto’s Triumph: The Arena Chapel and the Metaphysics of Ancient Roman Triumphal Arches." I Tatti Studies in the Italian Renaissance 25, no. 1 (2022): 5–38. http://dx.doi.org/10.1086/718972.

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Power, Jacqueline, and Helen Norrie. "Australian Triumphal Arches and Settler Colonial Cultural Narratives." Fabrications 27, no. 1 (2017): 71–99. http://dx.doi.org/10.1080/10331867.2016.1262716.

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McKay, Judith. "Celebrating in the Streets: A Century of Triumphal Arches." Queensland Review 16, no. 2 (2009): 1–14. http://dx.doi.org/10.1017/s1321816600005079.

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The arrival of Queensland's first Governor on 10 December 1859 was an occasion for celebration; in the words of Brisbane's newspaper, ‘never was welcome given with heartier zest’. As Sir George Bowen stepped ashore at a temporary landing stage in the Botanic Gardens, he was greeted with an ornamental arch, a semicircular frame covered in flowers and greenery, bearing words of welcome. This ‘triumphal arch’, as it was called, was the creation of Andrew Petrie, a pioneer settler and building contractor, and Walter Hill, the Curator of the Gardens. It was to be the first of hundreds of similar ar
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Knyazev, Pavel. "The Images of Power in the Public Space of Early Restoration England." ISTORIYA 13, no. 1 (111) (2022): 0. http://dx.doi.org/10.18254/s207987840019015-5.

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The article deals with the main features of the public representation of the power images during the early Stuart Restoration. The problem is studied on the material of the solemn entry of the English King Charles II into London on the eve of his coronation, April 22, 1661. Prior to this event, four triumphal arches were built in the city center, using the main symbols and allegories associated with the restoration of the monarchy. Based on a wide range of sources (official descriptions of celebrations, engravings, poetic works and diaries), the authors study the characteristic features of the
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Reyman-Lock, Daryn. "The Triumphal Arches of Gallia Narbonensis: Iconography, Boundary and Identity." Environment, Space, Place 6, no. 2 (2014): 31–68. http://dx.doi.org/10.5840/esplace20146211.

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Zinni, Mariana C. "Poder y representación en las fiestas efímeras: la entrada triunfal en potosí del virrey-arzobispo morcillo." Razón Crítica, no. 10 (January 2020): 33–59. http://dx.doi.org/10.21789/25007807.1701.

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This work studies certain iconographic artifacts erected to celebrate the triumphal entry of the recently appointed interim Viceroy, Archbishop Diego de Morcillo y Auñón, to Villa Rica del Cerro de Potosí, on his way to Lima. Such artifacts, the magnificent triumphal arches, masquerades, a play (loa), and even an oil painting, commissioned to Melchor Pérez de Holguín, were designed in advance. Their purpose was to exalt the figure of the Viceroy by embodying emblematic artistic figures. This research proposes the reading of certain aspects of the iconographic program produced around the figure
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Harrison, James R. "‘More than conquerors’ (Rom 8:37): Paul’s Gospel and the Augustan Triumphal Arches of the Greek East and Latin West." Buried History: The Journal of the Australian Institute of Archaeology 47 (January 1, 2012): 3–20. http://dx.doi.org/10.62614/rdvp0424.

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This paper investigates the social and theological import of Romans against the iconography of the Augustan arches, focusing on Paul’s indebtedness to Greeks and barbarians, the reconciliation of enemies, the victory of Christ on behalf of believers, and his rule over the nations. D.C. Lopez and B. Kahl investigated the iconographic evidence of Aphrodisias and Pergamon when discussing the political implications of Paul’s gospel in the Roman province of Asia. Paul visited neither city, so arguments about the apostle’s interaction with the imperial ideology of ‘victory’ depends more on the ubiqu
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Dissertations / Theses on the topic "Arches, Triumphai"

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Carrer, Tomaso School of Architecture UNSW. "The triumphal arch motif in Sant'Andrea, Mantua: Respondeo and rhetoric in Alberti's architecture and theory." 2007. http://handle.unsw.edu.au/1959.4/40893.

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Leon Battista Alberti's church of Sant' Andrea in Mantua has been closely studied by many Renaissance scholars in relation to its layout, dimensions, proportions, chronology, style and aesthetics, as well as earning its place in both Alberti's corpus and the sweep of Renaissance architecture. The thesis investigates how eloquence is embodied in the sequential repetition of the triumphal arch motif between inside and outside. This thesis it is based on extensive and critical review of historical and theoretical literature. It marks a close examination of Sant?Andrea and to lesser extent San Fra
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Books on the topic "Arches, Triumphai"

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Fähndrich, Sabine. Bogenmonumente in der römischen Kunst: Ausstattung, Funktion und Bedeutung antiker Bogen- und Torbauten. VML, Verlag Marie Leidorf, 2005.

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Paglieri, Nadia Pazzini. Il linguaggio architettonico degli archi di trionfo romani: Introduzione all'architettare. Ennepilibri, 2000.

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Poplavskiĭ, V. S. Kulʹtura triumfa i triumfalʹnye arki Drevnego Rima. "Nauka", 2000.

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4

Chase, Raymond G. Roman triumphal arches and monumental gates / Raymond G. Chase with Patricia F. Chase. Patricia Chase, 2008.

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5

Chamot, Carlos Dargent. Arco de la Amistad. Municipalidad de Santiago de Surco, 2003.

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Roehmer, Marion. Der Bogen als Staatsmonument: Zur politischen Bedeutung der römischen Ehrenbögen des 1. Jhs. n. Chr. tuduv-Verlagsgesellschaft, 1997.

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Cola, Valeria Di. L'arco di Druso sulla Via Appia. Edipuglia, 2019.

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Cencic, Jasmine. Das Heidentor von Petronell-Carnuntum: Ein Führer. Verlag der Österreichische Akademie der Wissenschaften, 2002.

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9

Frolov, A. I. Sankt-Peterburg ot A do I︠A︡. Glagol, 2006.

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10

Zuchold, Gerd-H. Die Triumphstrasse König Friedrich Wilhelms IV. von Preussen in Potsdam : das Triumphtor. Nicolai, 1994.

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Book chapters on the topic "Arches, Triumphai"

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Zizi, Mattia, Valentina Corlito, Daniela Cacace, and Gianfranco De Matteis. "Limit Analysis for Triumphal Arches in Masonry Churches: Case Study from L’Aquila 2009 and Central Italy 2016–17 Earthquakes." In Lecture Notes in Civil Engineering. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-90788-4_106.

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Cresswell, John. "When Katherine Brewed – a Play." In Applied Theatre Praxis. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0456.01.

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When Katherine Brewed features two groups: the royal group around the boy King Richard II; and a group of rebels caught up in the tumult of the Rising. As news of the rising reaches the king and his advisors panic descends upon them as the realise the precariousness of their situation. Without an army to defend them and holed up in the Tower of London, they go into meltdown as the seriousness of what is happening sinks in. In the meantime, four rebels come together to take part in the great march to London. The central character is Katherine, a brewer (brewing being one of the few trades open
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"Antoine Caron's Paintings for Triumphal Arches." In Astraea - Yates. Routledge, 2013. http://dx.doi.org/10.4324/9781315888767-17.

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Koortbojian, Michael. "Constantine’s Arch and His Military Image at Rome." In Crossing the Pomerium. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691195032.003.0005.

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This chapter analyzes the Arch of Constantine in Rome. First, it focuses on the roles of the SPQR and the emperor in the arch's design. In particular, the chapter deals with Constantine's role, or his conception of his role in the urbs, in the arch's imagery. Second, this chapter examines the meaning of the claim triumphis insignem—that is, that an arch, still customarily associated with triumph by the fourth century, was in this instance bestowed for a new purpose with a unique rationale, in a particular historical context, despite a lack of any persuasive evidence that an official triumph wa
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Brown, Thomas J. "Visions of Victory." In Civil War Monuments and the Militarization of America. University of North Carolina Press, 2019. http://dx.doi.org/10.5149/northcarolina/9781469653747.003.0005.

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This chapter situates northern and southern monuments to Civil War victory within longstanding traditions in art history. The triumphal arch came to the United States after the war. Proposals for arches framed debates about the future of antebellum landscapes like town commons and parade grounds, and arches also figured prominently in the shaping of public parks, largely a key feature of post-war urban planning. Increasingly sexualized statues of Nike, or Winged Victory, imagined Union triumph as a more comprehensive consummation than the most renowned successes of antiquity. Early attempts to
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"A REVISED LIST OF ROMAN MEMORIAL AND TRIUMPHAL ARCHES." In A Revised List of Roman Memorial and Triumphal Arches. Gorgias Press, 2009. http://dx.doi.org/10.31826/9781463220204-001.

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Fitzgerald, F. Scott. "May Day." In Tales of the Jazz Age. Oxford University Press, 2023. http://dx.doi.org/10.1093/owc/9780198856085.003.0004.

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There had been a war fought and won and the great city of the conquering people was crossed with triumphal arches and vivid with thrown flowers of white, red, and rose. All through the long spring days the returning soldiers marched up the chief...
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Bryer, Jackson R. "May Day." In Tales of the Jazz Age. Oxford University Press, 2012. http://dx.doi.org/10.1093/owc/9780199599127.003.0003.

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There had been a war fought and won and the great city of the conquering people was crossed with triumphal arches and vivid with thrown flowers of white, red, and rose. All through the long spring days the returning soldiers marched up the chief...
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"Triumphal Arches and Centurions in the Indigenous–Spanish Festival Economy." In Indigenous Miracles. University of Arizona Press, 2022. http://dx.doi.org/10.2307/j.ctv2jhjw9k.12.

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Malmberg, Simon. "TRIUMPHAL ARCHES AND GATES OF PIETY AT CONSTANTINOPLE, RAVENNA, AND ROME." In Using Images in Late Antiquity. Oxbow Books, 2014. http://dx.doi.org/10.2307/j.ctvh1dwzx.13.

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Conference papers on the topic "Arches, Triumphai"

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Goble, C. "“Fetch me a picture representing triumph or similar”: classification based navigation and retrieval for picture archives." In IEE Two-day Seminar. Searching for Information: Artificial Intelligence and Information Retrieval Approaches. IEE, 1999. http://dx.doi.org/10.1049/ic:19990884.

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Milivoievici, Viviana. "Fașancul in the Danube Gorge – the celebration of the masks – a tradition that will not be lost." In Conferință științifică internațională "FILOLOGIA MODERNĂ: REALIZĂRI ŞI PERSPECTIVE ÎN CONTEXT EUROPEAN" cu genericul G. Călinescu. 125 ani de la naştere, Ediţia a 18-a. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2024. http://dx.doi.org/10.52505/filomod.2024.18.23.

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It can be said that folklore represents an “arch over time”, a bridge, an indestructible link between what was and what will remain as a legacy to posterity. That is why, in the present work, we analyze a tradition specific to the area of the Danube Gorge – Fășancul/ Fărșangul – a celebration of masks, known in folklore as “carnival”. It has a wide sphere of circulation, both on the northern bank of the Danube Gorge, and in Serbia, in localities on the southern bank of the river. This tradition – the “masked procession” – has the role of satirizing certain bad aspects of human life and, just l
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