Relevant bibliographies by topics / Archetypal Criticism

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Archetypal Criticism'

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Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Archetypal Criticism"

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Chesebro, James W., Dale A. Bertelsen, and Thomas F. Gencarelli. "Archetypal criticism." Communication Education 39, no. 4 (October 1990): 257–74. http://dx.doi.org/10.1080/03634529009378808.

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Margoshvili, Medeya. "Archetypal Concept and Contemporary Architectural Criticism." Researcher. European Journal of Humanities & Social Sciences 2, no. 3 (July 17, 2019): 67–83. http://dx.doi.org/10.32777/r.2019.2.3.4.

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Miernik, Agnieszka. "Transfiguracja symboli archetypowych w utworach Marty Tomaszewskiej." Studia Europaea Gnesnensia, no. 14 (December 15, 2016): 69–81. http://dx.doi.org/10.14746/seg.2016.14.4.

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An analysis of the process concerning transfer of archetypal symbols in fairy-tale plots, conducted firom the perspective of depth psychology (C.G. Jung), reveals the human being to be a culture creator (homo culturalis), who uses vivid language and aims at abstracting a multidimensional sense of existence. The paradigm of archetypal literary criticism (N. Frye) offers multidimensional insights into a work of literature and demonstrates the shifts of the arche, a constant adjustment of archetypes to the demands of the present. When attempting to determine the archetypal order in the works of Marta Tomaszewska, one should be aware of the fact that it is one of many possible efforts to read multi-perspective symbolic contents and it validates the thesis presuming an endless source of the collective unconscious.
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Ryan, Mark. "Fearful Symmetries: William Blake, Northrop Frye, and Archetypal Criticism." ESC: English Studies in Canada 37, no. 2 (2011): 173–83. http://dx.doi.org/10.1353/esc.2011.0021.

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GÖRMEZ, Aydın. "A Comparison Of Two Literary Theories: Psychoanalysis And Archetypal Criticism." Social Sciences Studies Journal 5, no. 53 (January 1, 2019): 7578–85. http://dx.doi.org/10.26449/sssj.1987.

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Błocian, Ilona. "Archetype and matrix image (potential forms of an image)." Vestnik of Saint Petersburg University. Philosophy and Conflict Studies 37, no. 1 (2021): 154–61. http://dx.doi.org/10.21638/spbu17.2021.112.

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The article is devoted to the analysis of potential forms of the image in culture and the development of the Jungian concept of an archetype in Wunenburger, Bachelard, Durand and modern cultural studies. The notion of archetype in Carl Jung’s concept is related to the distinction between the archetype in itself, noumenon and archetype image conceived as a phenomenal manifestation of archetypal forms in the space-time, historical and social reality. This distinction has a Kantian lineage, which Jung was clearly conscious of. He provides a reference to the conception of Kant, calling it “a school of philosophical criticism” several times in his writings. In the studies of Jung’s concept, his approach to transcendentalism (Z. Rosińska) is at times present, and a certain type of its specific, evolutionary interpretation is used. The archetype, being a “thing in itself ”, determines the appearance of phenomenal forms in the space-time, historical and social world, while remaining outside the direct entanglement and referring to the evolutionally active sphere of the unconscious as an anthropological datum. The archetypal image expresses the permanent approximation of manifestation of the semantic core of the archetype itself. The notion of an archetype has evolved in contemporary understandings and conceptions; it was conceived as a psychological expression of the evolutionary pattern of behavior, as an affective-representative node and ante rem of an idea, as a hermeneutic pattern of meaning or as a kind of matrix image. The archetype can be understood in connection with anthropological structures or with a cultural image; one way of comprehension does not exclude the other.
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Docherty, Michael. "Raymond Chandler's Spatial Interrogations: Relocating the Detective-Frontiersman." Crime Fiction Studies 2, no. 1 (March 2021): 79–95. http://dx.doi.org/10.3366/cfs.2021.0035.

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This article examines Philip Marlowe, Raymond Chandler's archetypal private eye, within the context of contemporary historical discourses which theorised the figure of the ‘frontiersman’. It builds upon established scholarship that connects the frontiersman and detective as archetypes of white masculine American heroism, but argues that such criticism is insufficiently engaged with the frontier's spatial characteristics and their implications for the detective. Seeking to redress this, I claim that the detective's conceptual inheritance of the frontiersman's mantle is manifest most clearly in a shared approach to the navigation and ‘conquest’ of space. In closing, I offer the office as an exemplary space of post-frontier modernity.
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Okpo, Friday Romanus. "The Myth of Sisyphus in Richard Wright’s Native Son." SAGE Open 11, no. 2 (April 2021): 215824402110061. http://dx.doi.org/10.1177/21582440211006147.

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The identification of archetypes in literary texts follows the path of deep structural analysis, as surface reading will dwell ordinarily at the level of incidents. This research is driven by the configuration of the myth of Sisyphus in Richard Wright’s Native Son. Our claim is that the myth figures in the text as a shade of the crime and punishment sequence, with an absurdist twist. This claim is substantiated following the archetypal literary theory, which employs to a great extent the methods of discourse analysis. The novel has often been read along the ideological questions that racism raises and attempts to answer. This essay marks a deviation from that seemingly jaundiced view of literature. What this essay foregrounds is the eternal regeneration of narratives, an eternalness that bears the nature of the archetype in its repetitiveness. This necessitates the choice of archetypal literary criticism as the theory for this research. To reach its conclusions, this article adopts a qualitative approach, taking its data from the events in the novel, and investigating the mythic orientations at work in the novel, with the view that at the forefront of this is the myth of Sisyphus, a shade of the myth of crime and punishment. This article does not account for the sociocultural frame of racism as a material but understands it in the wider conception of myth, as a figuration of the Sisyphean myth which shares with the racism in the text the quality of perpetuity or seeming endlessness. We show that racism is in this akin to the sufferings and struggles of Sisyphus, that it is Sisyphean.
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Bishop, P. "Rhetoric, Memory, and Power: Depth Psychology and Postmodern Geography." Environment and Planning D: Society and Space 10, no. 1 (February 1992): 5–22. http://dx.doi.org/10.1068/d100005.

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The attitude towards rhetoric, metaphor, and imagery is identified in this paper as being central both to the definition of postmodernism and to any postmodern scholarship. It is also claimed that questions about the relationship between archetypal psychology and geography mirrors the wider postmodern phenomenon of comparative knowledges. By focusing on radical criticism of contemporary heritage movements it is shown how archetypal psychology can help to deepen metaphorical reflection on such crucial issues as fantasy, theory, history, and memory. In particular, it is insisted that such reflections should themselves avoid philosophical abstraction and stay as close as possible to the logic of imaginative discourse.
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Uslu, Ahmet. "Yücel Balku's Stories With in The Context Of Archetypal Criticism and Fiction." Pamukkale University Journal of Social Sciences Institute 2017, no. 27 (2017): 1–27. http://dx.doi.org/10.5505/pausbed.2017.09821.

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Dissertations / Theses on the topic "Archetypal Criticism"

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Costa, Sueli. "From traditional archetypal to feminist archetypal criticism : William Faulkner's female characters in AS I Lay Dying and Light in August." reponame:Repositório Institucional da UFSC, 1995. https://repositorio.ufsc.br/xmlui/handle/123456789/157939.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina , Centro de Comunicação e Expressão
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Análise das personagens femininas nos romances As I Lay Dying e Light in August de William Faulkner baseada na crítica tradicional dos arquétipos e revisada através da crítica feminista dos arquétipos. As personagens femininas apresentadas nos dois romances, quando analisadas sob uma perspectiva revisionista, passam de meros arquétipos estáticos nos romances a indivíduos ativos na sociedade e com os mesmos direitos e deveres atribuídos aos indivíduos do sexo masculino.
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Linn, Linda S. (Linda Salmon). "The Undergraduate Teaching of Archetypal Patterns in the Writings of Alice Walker." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc279342/.

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Significant passages in Alice Walker's writings give evidence of archetypal patterns from Carl Jung and feminine archetypal patterns from Annis Pratt. Since a knowledge of archetypal patterns can influence the total understanding of aspects of Walker's writings, a study of these patterns in the undergraduate classroom benefits the student and opens up another system of analyzing writings, particularly writings by African-American women.
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Brackeen, Stephanie E. (Stephanie Ellen). "Edgar Allan Poe's Use of Archetypal Images in Selected Prose Works." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc501065/.

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This study traces archetypal images in selected prose fiction by Edgar Allan Poe and shows his consistent use of such imagery throughout his career, and outlines the archetypal images that Poe uses repeatedly throughout his works: the death of the beautiful woman, death and resurrection, the hero's journey to the underworld, and the quest for forbidden knowledge. The study examines Poe's use of myth to establish and uphold archetypal patterns. Poe's goal when crafting his works was the creation of a single specified effect, and to create his effects, he used the materials at hand. Some of these materials came from his own subconscious; however, a greater portion came from a lifetime of study and his own understanding of the connections between myth and archetypal images.
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Spratley, Warren. "The Promise: A Mythic-Archetypal and Gender-Oriented Analysis of J.D. Salinger's "A Perfect Day for Bananafish"." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/3241.

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This thesis is an analysis of J.D. Salinger’s “A Perfect Day for Bananafish” from both mythic-archetypal and gender-oriented perspectives. It looks specifically at the way a gender-oriented reading allows one to interpret “Bananafish” as a radical reassessment of Carl Jung’s ideas about the process of individuation, as well as Joseph Campbell’s conception of what he describes as the monomyth in his The Hero with a Thousand Faces. The reader is asked to look at how patriarchal values have greatly limited the development of these characters’ identities over time, and the complex archetypal and mythic implications of this limitation.
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Granström, Arvid. "In a hole in the English classroom, there lived a hobbit : Archetypal criticism and ways to use The Hobbit for EFL learning." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-89894.

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This essay focuses on Bilbo Baggins’ journey towards becoming a hero in J.R.R. Tolkien’s The Hobbit. In order to analyse Bilbo’s development as a character, Joseph Campbell’s theory of the hero’s quest is applied to his journey. Since Bilbo does not possess the traits of a traditional hero character, the model is not expected to fit Bilbo’s journey. However, the model does actually fit his journey, in contradiction to the expected. This essay also argues for the use of The Hobbit in the EFL classroom since the novel’s variety of themes and large fandom can work as an incentive for students to analyse fantasy in order to get familiar with older literature and use the fantasy worlds as a metaphor for our own world. Since the main focus of this essay is on archetypes the critical lens is archetypal criticism.
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Åberg, Joakim. "The process of Individuation in Willy Loman : A Jungian Archetypal Literary Analysis of the Protagonist in Arthur Miller’s Play Death of a Salesman Compared to the Classical Hero of Odysseus in Homer’s The Odyssey." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-31001.

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This study is an archetypal literary analysis of Arthur Miller’s play Death of a Salesman and Homer’s The Odyssey. The analysis aims to demonstrate how Arthur Miller’s protagonist, Willy Loman, in Death of a Salesman demonstrates several stages of Carl Gustav Jung’s theory of the individuation process, similar to Odysseus in Homer’s The Odyssey. This is done by identifying set archetypes and stages of Jung’s individuation process, the persona, the shadow, the anima, and the self. After that, the stages are applied to both Miller’s play and Homer’s epic poem. The analysis shows that both protagonists demonstrate and complete Jung’s individuation process. Willy Loman completes a symbolic journey, whereas Odysseus completes a physical one.
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Hallenbeck, Kathy H. "Completing the Circle: A Study of the Archetypal Male and Female in Nathaniel Hawthorne's The Scarlet Letter." [Johnson City, Tenn. : East Tennessee State University], 2002. http://etd-submit.etsu.edu/etd/theses/available/etd-0327102-160947/unrestricted/hallenbeckK042302A.PDF.

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Larsen, Brian. "An interaction of theology and literature by means of archetypal criticism, with reference to the characters Jesus, Pilate, Thomas, the Jews, and Peter in the Gospel of John." Thesis, University of St Andrews, 2001. http://hdl.handle.net/10023/13419.

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This thesis explores the interaction of literature and theology by means of archetypal criticism with specific reference to certain characters in the Gospel of John. Northrop Frye's system of archetypal literary criticism consisting of the four mythoi or archetypes of romance, tragedy, irony and satire, and comedy forms the governing framework and means of exchange between literature and theology. This synchronic interaction is centered on Jesus, an innocent man acting on behalf of others, as romance; Pilate, unable or unwilling to act justly in an unwanted and unavoidable particular circumstance, as tragedy; Thomas and the Jews, variations on the theme of seeing and not seeing as irony; and Peter, who denies Christ and later recovers, as comedy. These characters' function as points of exchange, each reaching their defining literary and theological climax during the crucifixion events. Within the FG's narrative these characters also serve as imaginative points of contact and identification for the reader at which the reader's own faith response may be placed within the literary and theological milieu of the Fourth Gospel. Conceptually, Jesus and romance, Pilate and tragedy, Thomas, the Jews, and irony, and Peter and comedy may be characterized by representation, reduction, negation, and integration, respectively. The variable between these four mythoi and between these characters is the relationship between a belief or an ideal and experience or reality assumed by the work as a whole and/or assumed and displayed by each character.
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Tiezzi, Ricardo. "Anatomia do anticristo: narrativa arquetípica no filme de Lars von Trier." Pontifícia Universidade Católica de São Paulo, 2013. https://tede2.pucsp.br/handle/handle/1904.

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This work is an analysis of the film Antichrist, by Lars von Trier, from the archetypal criticism proposed by Northrop Frye. The hypothesis is that the film uses narrative patterns whose matrix is biblical to organize his narrative. The first chapter deals with the film and the work of the director. In the second chap-ter, the first step is to define what archetype means in literature, with authors who have worked with the concept. Then our main theory is presented in the work of the Canadian critic Northrop Frye. The third chapter, finally, is an analysis of the film from three different approaches: gender, in which we discuss the tragedy in Anti-christ; mode, in which the narrative of the film is perceived in the tension between the realistic and mythic narratives; and images, in which patterns of imagery stand out from the film in relation to vertical poetic, to the woman and the erotic relation-ship and to the nature and the garden
Este trabalho é uma análise do filme Anticristo, de Lars von Trier, a partir da crítica arquetípica proposta por Northrop Frye. A hipótese é a de que o filme recorre a pa-drões narrativos cuja matriz é bíblica para organizar sua narrativa. O primeiro capítulo aborda o filme e a obra do diretor. No segundo capítulo, a primei-ra etapa consiste em definir o que arquétipo significa em literatura, apresentando os autores que trabalharam com o conceito. Em seguida, é apresentada nossa teoria principal na obra do crítico canadense Northrop Frye. O terceiro capítulo, por fim, é uma leitura do filme a partir de três eixos: gênero, no qual se discute a tragédia no Anticristo; modo, no qual a narrativa do filme é percebida em sua tensão entre as nar-rativas realista e mítica; e imagens, no qual se destacam padrões imagéticos do filme em relação à poética vertical, à mulher e a relação erótica e à natureza e o jardim
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Kalpakidis, Charalabos. "Metaphors, Myths, and Archetypes: Equal Paradigmatic Functions in Human Cognition?" Thesis, University of North Texas, 2002. https://digital.library.unt.edu/ark:/67531/metadc3284/.

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The overview of contributions to metaphor theory in Chapters 1 and 2, examined in reference to recent scholarship, suggests that the current theory of metaphor derives from long-standing traditions that regard metaphor as a crucial process of cognition. This overview calls to attention the necessity of a closer inspection of previous theories of metaphor. Chapter 3 takes initial steps in synthesizing views of domains of inquiry into cognitive processes of the human mind. It draws from cognitive models developed in linguistics and anthropology, taking into account hypotheses put forth by psychologists like Jung. It sets the stage for an analysis that intends to further understanding of how the East-West dichotomy guides, influences, and expresses cognitive processes. Although linguist George Lakoff denies the existence of a connection between metaphors, myths, and archetypes, Chapter 3 illustrates the possibility of a relationship among these phenomena. By synthesizing theoretical approaches, Chapter 3 initiates the development of a model suitable for the analysis of the East-West dichotomy as exercised in Chapter 4. As purely emergent from bodily experience, however, neither the concept of the East nor the concept of the West can be understood completely. There exist cultural experiences that may, depending on historical and social context, override bodily experience inclined to favor the East over the West because of the respective connotations of place of birth of the sun and place of death of the sun. This kind of overriding cultural meaning is based on the “typical, frequently recurring and widely shared interpretations of some object, abstract entity, or event evoked in people as a result of similar experiences. To call these meanings ‘cultural meanings' is to imply that a different interpretation is evoked in people with different characteristic experiences. As such, various interpretations of the East-West image-schema exist simultaneously in mutually exclusive or competing forms, as the analysis of Gatsby and the reversal of the values of East and West in the context of colonizing and counter-colonizing attitudes suggests.
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Books on the topic "Archetypal Criticism"

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Pruthi, Harpreet. Archetypal American sagas. Delhi: Doaba Publications, 2001.

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Lucking, David. Conrad's mysteries: Variations on an archetypal theme. Lecce: Milella, 1986.

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Zarei, Rouhollah. Edgar Allan Poe: An archetypal reading. Amherst, New York: Cambria Press, 2013.

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Bollingen Foundation Collection (Library of Congress), ed. The archetypal world of Henry Moore. Princeton, N.J: Princeton University Press, 1985.

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Beckett and myth: An archetypal approach. Syracuse, N.Y: Syracuse University Press, 1988.

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Peter, Bishop. An archetypal Constable: National identity and the geography of nostalgia. Madison: Fairleigh Dickinson University Press, 1995.

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An archetypal Constable: National identity and the geography of nostalgia. London: Athlone, 1995.

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Cech, John. Angels and wild things: The archetypal poetics of Maurice Sendak. University Park: Pennsylvania State University Press, 1995.

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Weiss, Hanna Kalter. Archetypal images in surrealist prose: A study in modern fiction. New York: Garland Pub., 1988.

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Them or us: Archetypal interpretations of fifties alien invasion films. Bloomington: Indiana University Press, 1987.

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Book chapters on the topic "Archetypal Criticism"

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Hardin, Richard F. "Archetypal Criticism." In Contemporary Literary Theory, 42–59. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-19873-3_3.

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Newton, K. M. "Archetypal Criticism." In Twentieth-Century Literary Theory, 98–102. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19486-5_8.

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Davison, Peter. "Archetypal criticism." In Othello, 51–58. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19430-8_7.

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Gill, Glen Robert. "Archetypal Criticism." In A Companion to Literary Theory, 396–407. Chichester, UK: John Wiley & Sons, Ltd, 2018. http://dx.doi.org/10.1002/9781118958933.ch32.

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Jonker, Jan, and Niels Faber. "Business Modelling." In Organizing for Sustainability, 19–33. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-78157-6_2.

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AbstractA transition from a linear economy to a more sustainable and circular economy requires different business models. In this chapter, we provide you with an introduction to the nature and logic of business models. In essence, a business model is a description of how value creation between parties or partners is organized, at a particular moment, in a specific context, and given available resources. Conventional business modelling approaches have several weaknesses—the main point of criticism being their focus on creating financial value. With the Business Model Template (BMT), we try to resolve most of these criticisms. To do so we introduce three archetypal business models: the platform, community, and circular economy business models. This chapter provides an overview on how, over three stages and ten building blocks that together make up the Business Model Template, these archetypal business models will be used.
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"Archetypal Criticism:." In Anatomy of Criticism, 131–240. Princeton University Press, 2020. http://dx.doi.org/10.2307/j.ctvs9fh34.8.

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"ARCHETYPAL CRITICISM:." In Anatomy of Criticism, 131–240. Princeton University Press, 2015. http://dx.doi.org/10.2307/j.ctvct0080.6.

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"4. Archetypal Criticism." In History and Communication. Toronto: University of Toronto Press, 1990. http://dx.doi.org/10.3138/9781442664807-005.

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Shuxian, Ye. "Myth-Archetypal Criticism in China." In Northrop Frye, edited by Wang Ning and Jean O'Grady. Toronto: University of Toronto Press, 2003. http://dx.doi.org/10.3138/9781442677852-016.

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"THIRD ESSAY. Archetypal Criticism: Theory of Myths." In Anatomy of Criticism, 129–240. Princeton University Press, 2001. http://dx.doi.org/10.1515/9780691204253-006.

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Conference papers on the topic "Archetypal Criticism"

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Li, Jia. "Research on Water in Robert Frost's Poem Spring Pools from the Perspective of Archetypal Criticism." In 2016 International Conference on Education, Sports, Arts and Management Engineering. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icesame-16.2016.277.

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Su, Xueying, and Fan Liu. "Analysis on the Prototype of “Phoenix Pattern” From the Perspective of Myth Archetype Criticism." In The 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210106.040.

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You might also be interested in the extended bibliographies on the topic 'Archetypal Criticism' for particular source types:
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